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Direct Link To This Post Topic: Live shows - original or improv?
    Posted: November 02 2005 at 02:11
I like improvisational jamming!
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Direct Link To This Post Posted: November 01 2005 at 14:02
@ Sleeper (I'm too lazy to quote): Well...we were talking about musicians, actually  obviously, the point here is what we like or not in a prog or like concert. I'm not expecting jam sessions by punk.
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Direct Link To This Post Posted: November 01 2005 at 13:43
The whole point of going to a consert is to hear alternative verions of songs. I find it boring if they play their songs like if it is a studio-take. I belive a gig have to be loaded with emotions, which you won't  get unless you improvise a bit. A perfect example is seeing symphony x live, wich was strictly copying their albums. On the other hand I went to see anekdoten, wich had long jam sessions in each song.
It is said to be the first Test-pressing of the corean release??

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Direct Link To This Post Posted: November 01 2005 at 13:28

Originally posted by Morandar Morandar wrote:

I absolutely love improvisation (in fact, it's my favourite aspect in playing - it is witnessed by one of my bands, with which we do only jam sessions), and I like very much when bands do them live. Two days ago I saw Dream Theater in Milan, and liked the fact Jordan improvised almost every keyboard solo, with the exception of the classical ones (the ones written by Moore). This is a good choice: retaining the historical solos and improvising the others can truly add some flavour. I also like extended versions of the songs, with a longer ending for example.

I don't like musicians who cannot improvise. It's like a man who cannot talk while not reading...come on...

There are worse things, many of todays popular indie bands cant perform well live at all, everything is down compared to the studio release and its just amazing to me that people like this???

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Direct Link To This Post Posted: November 01 2005 at 13:27

Some of my favourite bands are great at and known for lots of improvisations live - Gong, Guru Guru, Hawkwind, Van der Graaf Generator (also Peter Hammill solo). With VdGG or Hammill it is never clear how long an improvisational passage will last; all musicians look at Hammill all the time while playing, and when he gives a sign they know it is time to return to the normal song structure. I have watched this in Hammill concerts several times (only saw one VdGG gig so far, this year in London); it is really amazing how well it works. And I love these wild improvisational parts.

I would really hate it if an artist or a band played their material the same way they played it on the studio albums; why should I go to such a concert?



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Direct Link To This Post Posted: November 01 2005 at 13:19
I absolutely love improvisation (in fact, it's my favourite aspect in playing - it is witnessed by one of my bands, with which we do only jam sessions), and I like very much when bands do them live. Two days ago I saw Dream Theater in Milan, and liked the fact Jordan improvised almost every keyboard solo, with the exception of the classical ones (the ones written by Moore). This is a good choice: retaining the historical solos and improvising the others can truly add some flavour. I also like extended versions of the songs, with a longer ending for example.

I don't like musicians who cannot improvise. It's like a man who cannot talk while not reading...come on...
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Direct Link To This Post Posted: November 01 2005 at 13:18
I prefer Improv live shows, that way shows will be different one from another and not too repetitive .. but hey, thats my point of view ..
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Direct Link To This Post Posted: November 01 2005 at 13:13

Originally posted by Forgotten Son Forgotten Son wrote:

Originally posted by yargh yargh wrote:

Live shows that just rehash the albums are an insult to live music.


So too are live shows where the band just pointlessly noodle for yawn-inducing periods of time.

I disagree; that's an insult to the audience.  It's not an insult to live music because it's at least spontaneous, which is the point of live music. The noodling could have been interesting. 

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Direct Link To This Post Posted: November 01 2005 at 13:13

Originally posted by yargh yargh wrote:

Live shows that just rehash the albums are an insult to live music.

Now I wouldent go quite that far but I do like live music to at least match the overall feal and quality of studio recorded material, and improve on it were possible.

Sadley Ive never had the chance to see King Crimson perform on stage but i do very like the idea that they jam a lot on stage, its something that could make each show unique. 

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Direct Link To This Post Posted: November 01 2005 at 13:11
Originally posted by yargh yargh wrote:

Live shows that just rehash the albums are an insult to live music.


So too are live shows where the band just pointlessly noodle for yawn-inducing periods of time.
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Direct Link To This Post Posted: November 01 2005 at 12:03
Live shows that just rehash the albums are an insult to live music.
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Direct Link To This Post Posted: November 01 2005 at 12:01
Dream Theater - Live at Budokan
ELP - Welcome back, my friends...
Deep Purple - Made in Japan
Various Liquid Tension Experiment bootlegs

I love the live improvisation!
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Direct Link To This Post Posted: November 01 2005 at 11:42
How about non-improvisational rearranging of material a la GG?
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Direct Link To This Post Posted: November 01 2005 at 11:36
Last major gig I went to was Yes in 2004, I thought they struck a good balance - several numbers were faithful representations with just a few embellishments - like And You And I, and Ritual - while some material was completely re-arranged (Roundabout "unplugged" in chicago blues style). Some of the best parts were the "battles" between Howe and Wakeman, on South Side of the Sky and Starship Trooper - they kept the structure and pace of the song, but went into a furious duel. Great!

Unlike Led Zep where I had to watch Jimmy Page saw his violin bow across his guitar to no useful purpose for what felt like an eternity, or "Moby Dick" - yawn! - but they really came alive when they did the song straight as per the studio version - like Kashmir - on stage it had an energy the studio version couldn't match 
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Direct Link To This Post Posted: November 01 2005 at 11:35
I think it really depends on the band. As examples, Yes tends to learn toward recreating their songs to closely sounding like the original studio tracks with little variation, and I believe their fans appreciate the fact that they can do so. But bands like King Crimson are known for their improvisations and the fans expect to hear some in concert and they usually do. Crimson is smart by separating the written material from the improvs, instead of inserting improvs into the songs themselves. A whole spontanious improv live can be very exciting. I can appreciate both aspects. Sleeper has a good point about bands improving a dull studio track into an improved live song. I've heard many bands do this too, and was usually happy with the new and improved arrangements of those songs. One thing that really annoys me though is when a band member leaves and is replaced with another, and that new band member plays their own bit in a song that was written while the previous member was in the band. An example of this was when Rick Wakeman left Yes and was replaced by Patrick Moraz. Moraz was great when doing the Relayer material that was part of his studio outing with Yes, but he was GOD AWFUL doing the Wakeman bits. This changed the sound of the songs completely, while the other members of Yes played their parts exactly as written. It was like taking certain parts of a Beethoven symphony and changing it. It just didn't work, and didn't sound right. There are certain classic songs they should be presented as close to the original as possible, since the jukebox in our minds have ingrained us to that original piece.        
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Direct Link To This Post Posted: November 01 2005 at 11:27
I am a big fan of the bands mixing it up, but only a little. There is something very comforting about going to a show and hearing the songs you wanted to hear, but a little improv or a change up in the tune really helps to make it feel like a singular event, very special.
For example, I have been fortunate enough to see Rush 19 times in concert over the past 25 years. While their show is incredible, their set lists and presentation never vary. That is a sign of their professionalism and their desire to give the fans what they desire, but I've heard them perform Tom Sawyer exactly the same 19 times, (I always hope they would put some sort of twist on it, raggae for example just for a couple riffs, that song would be perfect for a dub beat, ha ha).
Just saw System Of A Down (not prog I know, but a good show none the less) and they added on several songs new openings with new lyrics and tempo before pulling into the song truly. It made it really exciting, and even though you know they do it every night, it still made it special.
I also prefer bands who change up the set list nightly, Radiohead is a perfect example of this. This seems to keep the bands more involved and more excited about the performance.
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Direct Link To This Post Posted: November 01 2005 at 11:10

I saw all 3 ELP shows at Royal Albert Hall in '92 and whilst being thrilled to have finally seen them for the first time ever I was really disappointed that each show was exactly the same, even the same corny gags between tunes. I assumed it was because of the complexity of their music but it took the edge of the event....

I was therefore thrilled when I saw Keith Emerson's Nice a few years ago ( again saw them 3 times) at the amount of improv between the band, KE and Dave Kilminster trading licks and trying to outdo each other, Blinky bashing away on the drums, it was fabulous and fun. A good time was had by all. Each show was different and unique. I have much fonder memories of these shows.

.....and then there is VdGG who can head off at times into often dangerous territory at any moment...

 

 

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Direct Link To This Post Posted: November 01 2005 at 10:51

Originally posted by Forgotten Son Forgotten Son wrote:

I like a bit of improv, though nothing too excessive. Sometimes just an adding a word or two to the orginal lyrics can make a song so much better (eg "A mask" before the Rothery solo in Incubus from Live in Loreley), while an extended 5 minute guitar and keyboard solo can detract from the orginal. For that reason I prefer artists to do a couple of songs with a fair amount of improv and the rest with just a slightly altered lick or lyric.

I think youve hit the nail on the head

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Direct Link To This Post Posted: November 01 2005 at 10:27
I like a bit of improv, though nothing too excessive. Sometimes just an adding a word or two to the orginal lyrics can make a song so much better (eg "A mask" before the Rothery solo in Incubus from Live in Loreley), while an extended 5 minute guitar and keyboard solo can detract from the orginal. For that reason I prefer artists to do a couple of songs with a fair amount of improv and the rest with just a slightly altered lick or lyric.
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Direct Link To This Post Posted: November 01 2005 at 10:14

All depends on how they altered it, for instance the song played just before Hollow Years, Beyond This Life, had almost 10 minutes worth added but most of it was some very strange sounding keyboard work that I think made the song worse than the studio version. Having said that most of the improv that they added was excellent!

Like I said, it all depends on what they do 

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