INTO THE EVERFLOW

In the beginning of the 90's I got into a serious 'metal state'. The reason was obvious. At that time it was the liveliest scene around. Prog had been gone for years, new wave was turning stale and the Happy Mondays were ruling the charts.

All creativity seemed to shift towards the metal scene: thrash reached peaks for me with Persistance of Time and Rust in Peace, extreme metal was getting more interesting with the expansion into death, doom-death and black metal. Even in the mainstream, excellent grunge and crossover bands like Alice In Chains, Faith No More and Soundgarden emerged from the underground scene.

In this climate also progressive rock morphed into its metalized shape: progressive metal.And next to pioneers like Dream Theater and Fates Warning there was also this less known but nevertheless marvellous band Psychotic Waltz.

Into The Everflow was the first Psychotic Waltz album I heard and it rocked my socks off. It's sure the most overwhelming prog-metal album ever for me. They play with considerable rhythmic and melodic virtuosity, yet balancing this against very subtle and intimate passages and very intense, expressive and original vocals. Imagine Ozzy could really sing and you're close.

The opener should be an immediate winner for all progheads. Gentle guitars and keys work against heavier sections. It changes into a huge David Bowie salute when the vocals kick in. The dead-heavy second track leaves no doubt that they are really a metal band. Be it one with an exceptional gift for original melodies, both in the eerie vocals as in the intricate guitar riffing that constantly progresses into new sequences. Inspiration for 5 albums on this one track.

Next on is Tiny Streams, a song with a huge Sabbath feel (even in the lyrics). It was the first song I heard from them and it immediately drew me into their weird psychotic sound.

The title track is probably everybody's favourite. It's an extended and brooding piece with beautiful picking on spacey guitar chords. About half of it consist of breathtaking harmonic guitar soloing. A typical feature of the PW sound but they never had it better then here.

Little People and Freakshow stick to the complex progressive metal style of Tiny Streams. In between sits a pleasantly lighter piece called Hanging On A String. A ballad that is as good as the sweet melancholic ballads that the Scorpions did in the 2nd half of the seventies.

Butterfly is the other long piece here. It goes through multiple changes, from an almost jazzy opening into something that sounds like Ozzy Osbourne doing some Jethro Tull Benefit chorus. Halfway in, on top of some great percussion jamming, an endless number of musical quotations are thrown into the mix. All too soon, the chorus is repeated and the 9 and a half minutes have passed already.

Despite their obvious influences Psychotic Waltz had an entirely unique sound. Maybe an acquired taste but if you dig it, you will probably find yourself entirely addicted. I'd say go in and discover them and who knows, you'll find yourself hooked forever.