UNDER TRUCKS - LIVE AT VI-CODE

This live album "Under Trucks" was recorded upon November 10, 2013 in an Osakan live venue called Nakatsu Vi-Code (on the stage another Heavy Prog outfit The Brown appeared ... sadly I could not attend though). And one of highly important matters is that this live album was the debut one for a female trumpeter and the specialty Sayaka KAWADA, actually. As Masaharu NAKAKITA (bass) always says, they play much pleasantly and delightfully "for the audience", naturally as artists. This gig got started, with lively audience's voices around the artists. Various gemmy essence of their brilliant sound can be heard here and there although their performance on stage sounds not perfect. Surprisingly mixing this album is splendid, as though we would join this gig and Djamrers would play in front of us. Very amazing indeed.

Sayaka's trumpet sounds relaxed and stretched ... it's obviously natural because she's been a member of Djamra for almost 3 years (she says she's always got strained on stage even now lol). Her instrumental battles with Shinji KITAMURA (alto saxophone) are worth listening to every time really. These battles should make us smile fully, along with her safe and sound appearance. However her play is always exciting, of course in this live lively album too.

The tracks, except the fourth "Phantom Thief Naitoh-san (Kaitoh Naitoh-san)", are well- known for us who usually attend their gigs. All of them sound very vivid and speedy as well, and we cannot avoid feeling their strong intention as professional musicians. They would have shouted on stage "We play and you listen, enjoy!". That's it. Oh don't forget about the fourth (newer) track titled "Phantom Thief Naitoh-san" ... this song is played as the title track of a midnight TV theatre "not on the air yet (lol)" about a phantom thief only midnight (and a taxi driver in the daytime). Kaleidoscopic developments in this song proclaim his activity as a hermit obscurity. The audience would get immersed in such a colourful theatrical draw.

In conclusion, we should go to a venue and listen to their gig directly if we can. But this live album should be one of strategies for some fans who cannot join the gig. Without any suspicion we can consider it's a fantastic album, recommended.

Hey Masaharu, do hope you will distribute worldwide, not only in live venues.

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