Ose were essentially Heldon ( http://www.progarchives.com/artist.asp?id=1302" rel="nofollow - http://www.progarchives.com/artist.asp?id=1302 ) under another name. From the website: http://sgm.paullee.ru/sgm-fr.htm" rel="nofollow - http://sgm.paullee.ru/sgm-fr.htm : (Asbjørnsen - Scented Gardens Of The Mind), "The well-known rock critic (in France that is) Hervé Picart made this album
under the artist name Ose, helped by his mentors Richard Pinhas and Francois
Auger. Understandably, the result is sophisticated electronic music, which was
more accessible than Heldon (probably due to additional influences from
Tangerine Dream). Picart should have made more albums of this pulsating and
slowly developing music. In my opinion this is in the same class as Pinhas's
best solo album, Iceland". From: http://www.popsike.com/OSEAdoniaProgressiveEGGSPAIN78RARE/4004511614.html" rel="nofollow - http://www.popsike.com/OSEAdoniaProgressiveEGGSPAIN78RARE/4004511614.html : "Heldon moved into 1978 in good stead, Pinhas taking some time off
to become involved in sessions with fellow Parisian Herve Picart's "OSE",
recording an LP for EGG Records ("The Most Progressive Music Experience") which
took place in June. The result was entitled "Adonia", and has to do with goings
on in an earth colony on a distant planet. Picart's (Synthesizers, Keyboards,
Guitars) compositions are in the French progressive tradition, but that not
withstanding, the presence of Pinhas (Synthesizers. Sequencers, Guitar) and
Francois Auger (Drums) assure that this is a Heldon LP, despite Picart's
composition of this suite.
"Approche Sur A" kicks off the LP with a drone in A major, over
which synthesizers and guitar are layered, and the sequencers pulsate into a
drum groove, and cycles through a rather conventional "Prog Rock" chord
progression, Picart's Blues guitar contrasting with Pinhas' quantum power sound.
"29h O8 mn" opens side B with another sequencer/drum groove, which
enters after an echoed Moog solo. Then the counterpoint melodies are faded in,
the middle being filled by polymoog chords as the soloist uses the Minimoog
Pitchbend for emphasis. Doubletracked guitar (Pinhas) and synthesizer herald the
drums, another counter rhythm being setup, varied, and tossed in and out of the
sequencer groove. Unfortunately, the track fades before it takes off.
"L'Aube Jumelle" arrives next on a bed of White noise, and a Klaus
Schulze-like synthesizer solo by Picart, those Rick Wright chords enter again
behind a nice little double-tracked "Space Blues" guitar solo.
"Retour sur Adonia" closes the LP, once again the tune is almost
straight progressive rock, pushed along quickly to conclusion by Pinhas'
sequence. An interesting LP that gives an insight to the ability of these
musicians to bring together two related but oft divided musical streams". Tracklist: A1. Approche Sur A (16:00) A2. Orgasmachine (3:45) B1. 29 h 08
mn (6:55) B2. L'Aube Jumelle (9:48) B3. Retour Sur Adonia (3:34)
Musicians: -
Hervé Picart - moog, organ, guitar, bass - Richard Pinhas - moog, ARP &
EMS synthesizers - Francois Auger - drums
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