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Forum Description: Original interviews with Prog artists (which are exclusive to Prog Archives)
URL: http://www.progarchives.com/forum/forum_posts.asp?TID=82250 Printed Date: December 23 2024 at 08:15 Software Version: Web Wiz Forums 11.01 - http://www.webwizforums.com
Topic: PhavianPosted By: toroddfuglesteg
Subject: Phavian
Date Posted: October 26 2011 at 13:22
PHAVIAN is a progressive metal band from Los Angeles, USA. The band was created with the intention to focus on composition and thus, in April 2009 they released their debut album "Kiena". The rest of the year found them touring and promoting their music. Using the gained experience, shortly after, PHAVIAN initiated a challenging project of releasing a four-album concept. The recording process for this project started in February 2011. The EP "Foreword", released in August 2011, is a first taste of what is to follow, as it contains one track for each of the upcoming albums: "Meridian I", "Meridian II", "Inversion", and "Stretta". The first of these, "Meridian I", was released in October 2011 with the rest of the albums expected to follow shortly after.
I got in touch with them and Patrick
Hassani answered my questions.
When, where and by
whom was your band born ? Did any of you, past and present members, play in any
other bands before joining up in your band ? Why did you choose that name
?
In 2005 my brother,
Puyan (guitar), and I began writing music together in our garage here in Rancho
Palos Verdes (a suburb of Los Angeles). Those songs eventually turned into
Kiena.... after a lot of revisions and rewriting. It actually took us about 3
years to find all of our members though. The first was Tomo Yokoyama (guitar),
who played with us up until 2009. Next was Jason Lobell (bass), and awhile later
we found Elizabeth Matson (vocals).
As strange as it is,
the only member who had played in any real band before Phavian was Tomo. He
played in various bands when he lived in Japan. The only one I can remember is
Super Skunk. Since joining the band, Jason has done short stints with various
bands including Media Solution, Down Natives, and various other acts. Elizabeth
hasn't been in any other bands, but she's done quite a bit of theater and choral
work.
The name Phavian was
actually an accident. When we were trying to come up with names, Puyan actually
remembered one of my suggestions incorrectly and said "Phavian." It just felt
right when he said it.
Your music has caused
some head scratchings in our headbangers genre team. Your music seems to be
somewhere between experimental avant garde rock and progressive metal. How would
you describe your music and which bands is your main influences ?
Haha! I think a lot
of people scratch their heads when they listen to us. Your description is pretty
accurate though. We've never really cared about what we're labeled, but when you
are doing promotion you have to have something tangible for people to grab onto.
They need to at least have an idea of what it will sound like. Since the label
"progressive metal" describes quite a vast expanse of music sounds, it made
sense to us to adopt the label. Bands like Opeth, Porcupine Tree, Enslaved,
Orphaned Land and Mastodon are some of our biggest influences and they are all
grouped under the same category.
Our writing style can
be attributed to the reason our sound is so different though. We actually almost
never touch our instruments when first writing a song - usually we score
everything out. It's only once the song is pretty much complete, and we decide
to start rehearsing it, that we spend the time to learn all the parts and figure
out what actually works. And when I say what "works" I mean find out if it
physically possible to play! It definitely changes the way that we think about
songs doing it like this. It allows you to see the grand scope of the piece
whenever you're adding another instrument. It also allows you to write something
that you hear, but aren't physically capable of playing yet. Every time we write
a song it's like having to go to school. It's not uncommon for the part to be
out of the scope of any of our abilities at the time. So you shed it until you
have it right, and then go to rehearsal and figure out how in the world it fits
with everyone. It hurts the brain sometimes!
Over to your two
albums so far. Please tell us more about your Kiena album from
2009.
As I mentioned
earlier, a lot of our first efforts eventually formed Kiena. This album is kind
of exception to the writing style I described earlier. Actually about 2/3 of the
guitars and drums were written in a "live" context. We mainly scored it out for
arrangement purposes and to write the bass and vocals. So that's why it sounds a
lot different than the new stuff.
We actually recorded
this album more as a necessity than by choice. When we first started booking
shows every venue would say, "We need to hear a recording before we can book
you." It was always a bit baffling to hear that. But we looked into recording
anyways. Being the nut jobs that we are, we decided we already had an albums
worth of material, why not record it all? We hired a great engineer, Jason
Donaghy, and recorded everything as quickly as possible. Drums in 2 days, Bass
in 1 day, Guitars and Vocals in a week and half. It was a
blast!
And your brand new
Meridian I album.
Meridian I is part of
a rather large project. It's the first of a 4 album concept that we had been
writing since we finished Kiena. The concept is broken up into 2 stories, and
this is the first half of one of those stories. It's about the rise to power of
a revolutionary. It follows a pure-hearted man who dreams of a better world for
all of mankind. After years of preaching his philosophy, he eventually becomes
the leader of his people. But as luck would have it, a group of rebels plot to
overthrow him. In time they succeed, but not before the man disappears. The
album ends there, and Meridian II will pick up from where it left off.
You have also
released http://www.phavian.com/albums/Foreword.zip" rel="nofollow - which is a forewarning of your four
upcoming albums (Meridan I + three yet to be released albums). Please tell us
more about Foreword and the concepts on these four albums. Has they been
recorded yet and is everything like finances, productions and studio been sorted
out ?
Foreword is actually
1 song off each of the 4 albums. It's really just a way to introduce everyone to
the project. Keep in mind, it won't make any sense as a standalone project in
terms of lyrics. And since we all like free music, we decided the best way was
to give it to anyone and everyone for the greatest price of all:
Free-Fifty!
We actually spent
nearly 3 months tracking all 4 albums. Since then we have been mixing and
mastering all of the songs. It's nearing completion now. There's just a few more
songs to finish mixing and then we have to master the 3 remaining albums. The
plan is to release each album over the next 2 years, each one 6 months apart.
All the finances and everything have already been sorted out, so the project
will be completed without question!
As I mentioned
earlier, the albums are broken into 2 larger stories, and then each one of those
is broken in half. The first 2 albums are Meridian I and Meridian II. They
follow the story of the pure hearted revolutionary. The next 2 albums are
Inversion and Stretta, which follow the story of one of the major characters in
the Meridians. They serve as a prequel, giving background and a reason for the
actions of the character.
What inspires you to
write and record music ?
It's fun! Writing
music is like a drug. It takes you to worlds that aren't anything like real
life. There are no rules to the game. It's also fun to watch each song come
alive as you record it. Even though you hear it when you are rehearsing, it's
completely different when you get to sit back and listen. I don't think any of
us could imagine any other life. I know personally I'm already itching to write
more music even though we're in the midst of this behemoth of a
project.
Besides of these
three new albums, what else is your plans for the rest of this year and next
year ?
The plan is to
actually tour on each album. But we've been short a guitarist for awhile now. We
haven't actually had a 5th member since Tomo left in 2009. Our friend, Omeed
Izadyar, was kind enough to gig and record with us while he could, but now he's
been recruited as the lighting tech for Cynic. So we're actually trying to find
ourselves another guitarist so we can get back to the road. If all goes well, we
won't be doing much other than gigging and releasing albums for the next 2
years!
To wrap up this
interview, is there anything you want to add to this interview ?
As
stated before, we are searching for another guitarist. If anyone is interested
in joining up and hitting the road with us, be sure to get in contact with us!
And of course thank you Torodd for this great interview, and ProgArchives for
being the greatest website for anything prog! It's an honor to be listed in your
achives. We're doing our best to keep the prog scene
alive!
Thank you to Patrick for this interview
Their PA profile is http://www.progarchives.com/artist.asp?id=6792" rel="nofollow - and their homepage is http://www.phavian.com" rel="nofollow -
Replies: Posted By: memowakeman
Date Posted: November 12 2011 at 14:12
I am listening and enjoying Foreword, their music is pretty good. Cool interview, by the way!