Could you introduce yourselves, tell us your background, etc.
We are Herd of Instinct. We re a trio from Arlington, Texas. We ve
all played in various bands in and around Texas for 20+ years. On
guitar and guitar synth we have Mike Davison. On Warr guitar we have
Mark Cook. The Warr guitar that Mark plays has 14 strings, which
enables him to serve as both a bass player and a guitar player. My name
is Jason Spradlin. I am the drummer.
You
played in two previous bands: 99 Names of God and Nervewerks. How did
Herd of Instinct come to be? Why did you choose the O.Rang album title
as a band name?
Mike was in
Nervewerks, while Mark and I played in 99 Names of God. Both bands have
played many shows together. A few months before 99 Names broke up, I
invited Mike to come out and jam with Mark and I. We recorded a long
improvisation which we decided to include on the final 99 Names of God
e.p. Potala in 2007. The piece is called Dikika .
The 3 of us stuck together when 99 Names ended and for a while we
called ourselves Mirror People. We discovered there were many Mirror
Peoples in existence, so after tossing a few names around, we decided to
name ourselves after one of our favorite obscure albums.
Your album is out on Firepool Records, Djam Karet s indie label. How did that come about? How did you catch Gayle s attention?
The Herd of
Instinct album is the debut release for Firepool Records (Catalog #
FR001). Our album is the result of merging two projects into one. The
first project being the original trio and the music we wrote. The other
project being one that Dave Streett and Mark started back in the 99
Names days. We ve known Dave for a long time. He s a talented song writer and a fine bass/Warr guitar player. It was Dave s tireless networking that brought us to the attention of Gayle Ellett and Firepool Records.
http://2.bp.blogspot.com/-LK4J0aotJPA/TqBOK71IElI/AAAAAAAAIBg/ds7I6I4sN6Q/s1600/herdofinstinct.jpg" rel="nofollow">
The
music on your album features many guest musicians. How do you
translate all that into a live setting? Do you consider this when
writing a song or do you do the adaption later?
When we started this band we had no idea that we d
be making an album with so many great musicians. Some of the music on
the album is designed to be played live, while others are designed to be
album only tracks. We (the trio) already had a surplus of songs before
the idea of guest musicians ever surfaced. When we write music, out
approach is to emphasize ensemble playing.
How did you manage to get all those musicians to play on your album? How did recording each one go about?
All credit
must go to Dave Streett for getting those musicians to play on the
album. A little cash and a lot of networking go a long way in the music
biz. When you re
nice to people, it opens many doors. Most of the guests recorded their
parts in their home studios, and sent them to us virtually. Two or
three of the guests came to Texas and recorded their parts with us. It
was a time consuming process, but were satisfied with the finished
product. We re very proud of this album.
What
are your sources of inspiration for writing your music? How do songs
evolve in your band? Who are the musicians and bands you look up to and
those that influenced you?
Sources of
inspiration can come to us from anywhere. The sound of dead leaves
blowing in the street, children playing outside, a cd that is
skipping/glitching, books, films, etc. Rhythm is probably the main
source of inspiration. Our songs are often Frankensteined together, while others form organically. Many songs come to us through improvisation. As far as artists that influenced us,
this could take days. We are all over the map with influences.
Personally, I worship at the altar of Black Sabbath, Pink Floyd, and
King Crimson. I ll
just throw a few names out there: Bill Laswell, Zappa, John Zorn,
Brian Eno, David Sylvian, Beatles, Aphex Twin, Talk Talk. It only
scratches the surface.
How was the reception to your music in the reviews you ve seen and in your live shows?
Our reviews
have been 98% positive, with only a few criticisms. The art of music
criticism seems to have suffered a little over the years. We ve
found that on occasion some writers just sort of copy what the last guy
wrote. But luckily there are still some critics out there that embrace
the old school Lester Bangs spirit. Our live shows are received
differently each time. We are often booked with hard rock/metal bands,
and some of those audiences aren t
sure what to make of us. Reaction to us is usually good/polite. Other
times reaction is luke warm or apathetic. We are committed to our
music, and we create music that we ourselves would go out and buy.
You re now working on your follow-up album. How does it compare to your first one?
The new album
will be much more focused on the core band. There will be less
involvement from guest musicians. We just spent a weekend with Gayle
Ellett recording improvisations, so there may be a few improvs on the
follow-up. Gayle has also added mellotron/synth to many of the composed
pieces. Many of the new composed pieces will incorporate programming
and various electronics. There may be 2 or 3 songs with vocals. Our
goal is to improve and continually progress, while maintaining a certain
stylistic aesthetic. We believe it ll be much better than the first album.
Support the band and buy the album from the sources listed http://www.wix.com/herdofinstinct/herdofinstinct#%21store" rel="nofollow - here .
Info about the release http://www.djamkaret.com/disc-fr001.php" rel="nofollow - here .
http://www.wix.com/herdofinstinct/herdofinstinct" rel="nofollow - Band website
http://www.facebook.com/pages/Herd-of-Instinct/153462274689341" rel="nofollow - Band facebook
http://www.youtube.com/user/organizedchaos" rel="nofollow - YouTube
VIDEO VIDEO ------------- http://hangingsounds.blogspot.com/" rel="nofollow - Hanging Sounds
http://www.progarchives.com/ProgRockShopping.asp" rel="nofollow - PA Index of prog music vendors