Hi,
Concept albums – one of the most genie inventions in the history of music. The bunch of songs were link together, based on one dramatic concept and idea
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I would re-word this, since it is not always just a bunch of songs. The statement above is making an assumption that every thing is a "song" and many times they aren't, and are simply the next part or section of a symphony or a concerto.
You don't sit here and state that one of Beethoven's Symphonies is made up by "songs" when the theme changes and it goes into the next movement ... and if we are going to improve and elevate what we call "progressive" music, we need to improve how we look at our own music ... in general, in my book, songs are for pop music, and musical pieces and everything else for MUSIC ... and if we're simply considering all this a bunch of songs, the appeal of the whole piece loses the effect for me.
In my book, everything in The Wall, or The Lamb Lies Down on Broadway, makes perfect sense and I have no quarry or worries about any of the pieces inside of it ... and they are not all songs, or the whole story is just a stupid kids fairy tale ... and we're not intellgent enough to see beyond that..
Please decide if MUSIC, is important to you or not!
One might think, or consider a David Bowie's album (Spiders from Mars) a bunch of songs that supposedly make up a concept, but then you run into Elton John (Goodbye Yellow Brick Road) ... and then Pink Floyd's The Wall ... and now you can easily say there is a story on one of these, and that the others are just a bunch of songs, that do not necessarily go together to tell any kind of a story.
Concept is an interesting word. It's even more difficult if you are trying to figure out what the word is supposed to mean, but in the end, if all we are doing is picking up a bunch of songs that deal with death -- then it becomes a "concept album?" ..... now the equation is ... getting messed up, is my point.
In general, a "concept" is NOT, just an idea ... it is a STORY ... and that is the part that rock fans are not always appreciating and catching up on ... it's not just a concept when everything is about death, or sex, or washing machines ... please make sure you understand this idea and ask if you don't.
There is no writer out there that is foolish enough to write out of "concepts" other than some economic or social this or that, in academia ... when the whole thing is about the use of the words, not the reality of it all ... because there is no reality to it ... and that is the same thing as the "story" ... almost all of the material propels the story and the whole thing further ...
Lyrics (in singular form lyric) are a set of words that make up a song. Lyric is very similar to poem o poetry and have different theme and idea. Nowdays good writers are difficult to found and see, in any of music genres. But lyrics is not essential to concept albums. |
I would probably be careful with this a bit more ... why? ... because a song about death might have nothing to do with the concept of the album ... it might drive the idea a little, but in general (more often than not for ME), the majority of lyrics are just another song ... and has nothing to do with the wholeness of the whole thing.
Sound is a mechanical wave that is an oscillation of pressure transmitted through a solid, liquid, or gas, composed of frequencies within the range of hearing and of a level sufficiently strong to be heard, or the sensation stimulated in organs of hearing by such vibrations
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Think about this and what you just wrote, and how lyrics can change/corrupt the very thing you just wrote! It's easy to say that this symphony is a about _________, when it is called the Pastoral Symphony, but that is ellusive, and the best example I ever saw was in Ken Russell's film Mahler, when his wife left him ... and he had just written a whole symphony for her ... and she had no idea, didn't care, and wasn't interested. How's that for a perfect example that ... ideas ... are just ideas ... nothing else!
Remember that ... it's very important.
A melody, also tune, voice, or line, is a linear succession of musical tones which is perceived as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while, more figuratively, the term has occasionally been extended to include successions of other musical elements such as tone color. It may be considered the foreground to the background accompaniment. A line or part need not be a foreground melody.
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I would not worry about these, as the musical piece might and might not have any or all of these parts and might even be based on something else ... completely total and something else, that you and I have no idea about. These are "sub-parts" of the musical piece and (probably?) should not be listed here as a reason why something is a concept of not.
So we think that "Tommy" is a concept because of the tune? The melody? The voice? The lines in it? ... see the problem ...? it needs to be the totality, not just the little parts.
------------- Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told! www.pedrosena.com
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