The Top 50 Beatles
Songs
by Ian Alterman
(published on Culture Catch)
Obviously, the entire idea of picking the 10, 20, 50, or --
as Rolling Stone recently did -- 100 "best" Beatles songs is not
simply an exercise in futility, it is as stupid as every other "top"
list that has been generated by radio stations, TV stations, and magazines. Even if the primary criterion is not sheer
"popularity" (as with many of these types of lists), there are still
quite a number of factors to consider. Are
we talking about historic importance? The
influence a song had? Songwriting? Musicianship?
Giving some serious thought to this, I decided to do the
"stupid" thing and compile my own top 50 list of Beatles songs, based
on a variety (or combination) of these various criteria. However, rather than rank the songs (probably
the stupidest aspect of creating this kind of stupid list), I provide them
alphabetically, with my comments on why each was chosen.
That said, if I had to choose a single "greatest"
Beatles song, it would be "All You Need Is Love." It not only has every element of a great
Beatles song (writing, musicianship, harmonies, etc.), but it includes an
orchestra and chorus. But perhaps the
single most important aspect of the song is its message: it is the distillation
of what "The Beatles" were about. In my opinion, there is simply no song that
comes even close to its historic importance vis-a-vis The Beatles.
So, without any further ado, my list of the top 50 Beatles
songs:
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Facross-the-universe%252Fid401151866%253Fi%253D401151893%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Across the Universe"
Unquestionably Lennon's best "late period" song.
The combination of thoughtfulness, wistfulness and spirit (as well as the music
and lyrics) make this a no-brainer. Stands alongside "Two of Us" as
the best songs on Let It Be.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fa-day-in-the-life%252Fid401141921%253Fi%253D401147266%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "A Day in the Life"
I would probably choose this as runner-up to "All You
Need Is Love" as their second greatest song overall. (It was #1 on the
Rolling Stone list.) If you don't understand the many reasons -- musical,
lyrical, production, socio-cultural, etc. -- you can hardly be said to
understand The Beatles.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fall-you-need-is-love%252Fid402060584%253Fi%253D402094704%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "All
You Need Is Love"
In addition to my comments above, it pretty much defined the
rock "anthem."
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fand-your-bird-can-sing%252Fid402060584%253Fi%253D402079603%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "And Your Bird Can Sing"
This one gets included both for its musicianship (ignore
everything else and just listen to Lennon and Harrison!) and because it
represented the segue between Rubber Soul and Revolver -- arguably the most
important segue they would ever have.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fbecause%252Fid401186200%253Fi%253D401187155%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Because"
Among their most underrated songs. Not only are the
harmonies among the best they ever accomplished (if you have never heard the a
cappella version of this song, you are missing something truly spine-tingling),
the quasi-classical musical approach is wonderful, and the "mood" is
all but unique in their canon. An astounding piece of writing.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fbeing-for-benefit-mr.-kite!%252Fid402060584%253Fi%253D402079783%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Being for the Benefit of Mr. Kite"
From virtually every standpoint -- music, lyrics, effects,
production, atmosphere, and sheer chutzpah -- this song may well belong in
their top 10 greatest.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fcome-together%252Fid401186200%253Fi%253D401186260%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Come Together"
They really did, didn't they? Simply one of their best, most
important and, arguably, most influential songs they ever wrote. A polished
gem.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fthe-continuing-story-bungalow%252Fid401126224%253Fi%253D401126271%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Continuing Story of Bungalow Bill"
Huh?! I'm kidding, right? Nope. Unquestionably the single
most underappreciated, misunderstood Beatles composition ever. Although
"Yellow Submarine" preceded it, this is The Beatles' truest
"children's" song. The songwriting and storytelling are deceptively
brilliant, the change in tempo between the verses and chorus (and the inspired
"all the children sing" used as the segue) is great, and more than
any other song on the album you can tell that the group is having a great deal
of fun. As an aside, the title has always been among their most clever.
("Continuing" from where?)
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fdear-prudence%252Fid401126224%253Fi%253D401126240%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Dear Prudence"
Simply among the most superbly constructed songs John ever
wrote. And the guitar part is among the most copied of any of their songs.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Feleanor-rigby%252Fid402060584%253Fi%253D402079146%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Eleanor Rigby"
What need be said? This broke as much ground as any song
they ever wrote and produced. And the fact that the entire song is about death
makes it all the more eerily brilliant.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fthe-fool-on-the-hill%252Fid402060584%253Fi%253D402094386%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Fool on the Hill"
Another dangerously underrated song, and possibly Paul's
greatest ballad. Another great use of alternating time signatures.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Ffor-no-one%252Fid402060584%253Fi%253D402079605%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "For No One"
Another sadly underrated Paul composition, second only to
"Eleanor Rigby" in its superb use of classical elements and approach.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fgood-day-sunshine%252Fid402060584%253Fi%253D402079253%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Good Day Sunshine"
The most deceptively complicated song on Revolver, and tied
with "She Said She Said" for best song on the album. Three different
time signatures, amazing chord progressions, fabulous harmonies -- all done in
what seems on its face a very simple way. And truly fun to listen to.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fgood-morning-good-morning%252Fid402060584%253Fi%253D402079819%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Good Morning Good Morning"
Perfect in every way, including (again) alternating time
signatures, great lyrics, superb musicianship, and one of Harrison's most
aggressive guitar performances. As well, the "raw" production really
does give an "outdoor" feeling to it.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fhappiness-is-a-warm-gun%252Fid401126224%253Fi%253D401126349%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Happiness is a Warm Gun"
Along with "All You Need Is Love" and "A Day
in the Life," the top three Beatles songs of all time. Again, if you don't
know why, you simply don't "get" The Beatles and what they were
about, or what they were doing or accomplished. This one simply hits it so far
out of the park that they ran the bases twice! LOL.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fa-hard-days-night%252Fid402060584%253Fi%253D402060914%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "A Hard Day's Night"
Even without the film, this would probably make the list as
one of their most representative early period songs. But add the film
connection, and this becomes the very definition of Beatlemania.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fhelp!%252Fid402060584%253Fi%253D402078054%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Help"
That immediately recognizable opening "open strum"
chord, John's vocal, the harmonies, the chord progression, the melody -- what's
not to like? And it doesn't hurt that it is unarguably among the greatest movie
themes ever written.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fhelter-skelter%252Fid401126224%253Fi%253D401126439%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Helter Skelter"
I was shocked not to see this on Rolling Stone’s list. If
there were ever a historical, influential composition, this is it. The most
aggressive (and wild) song they ever wrote, and its historic importance cannot
be overstated.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fhere-comes-the-sun%252Fid401186200%253Fi%253D401187150%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Here Comes the Sun"
Harrison's masterwork. The
lazily shifting time signatures add panache to a song that already has
everything in spades. If any single "George" song is going to make
the list, this is the one.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fhey-jude%252Fid400835735%253Fi%253D400835962%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Hey Jude"
Along with "All You Need Is Love," this helped
define "anthem rock." And it doesn't hurt that it is among Paul's
most inspired, catchy, and emotionally expressive songs.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fi-am-the-walrus%252Fid402060584%253Fi%253D402094413%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "I Am the Walrus"
This could be #4 or #5 overall. (Although "Strawberry
Fields Forever" gives it a run for its money.) Very little prepared even
Beatles fans for this lyrically esoteric, musically brilliant, and overall
eerie/spooky production. Never duplicated -- or even approached -- by anyone.
(Well, maybe Zappa...LOL.)
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fi-want-to-hold-your-hand%252Fid400833614%253Fi%253D400833652%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "I Want to Hold Your Hand"
Although "She Loves You" preceded it (and was
better and more "important"), historically, no list is complete
without this. Their second American single, and their first to top the
Billboard chart. After the success of "She Loves You," this
absolutely cemented both their musicality and success -- and their appeal not
simply to the screaming teenagers, but even to some of their parents.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fif-i-fell%252Fid402060584%253Fi%253D402060918%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "If I Fell"
Yikes! That opening series of key-defying chords, and the
best two-part harmony ever written. Period. Doesn't need anything else.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Flady-madonna%252Fid400835735%253Fi%253D400835961%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Lady Madonna"
I'm allowed one or two simply for fun. The piano part has
always given me goose bumps, as has Paul's vocal. And the "ha ha ha"s
are just plain great.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Flet-it-be%252Fid401151866%253Fi%253D401151904%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Let It Be"
Yes, please do. Among Paul's best, and certainly among the
best of their late period.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fsgt.-peppers-lonely-hearts%252Fid401141921%253Fuo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Lucy in the Sky with Diamonds"
#5? #6? Simply defines the term "psychedelia." The
best song on Pepper? Hmmm...here's an interesting thought. If Pepper
"defined" psychedelia, and "Lucy" defines Pepper, and
Pepper is their greatest, most important and influential album, then
"Lucy" is, if not the "greatest" song they ever wrote,
arguably the most important and/or historic.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fmagical-mystery-tour%252Fid401144331%253Fi%253D401144467%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Magical Mystery Tour"
This may be more "acid-ic" even than Lucy. Indeed,
Lucy may say, "Hey, we take acid," but this one says, "Hey, come
with us on one of our acid trips!" LOL. Those phased vocals, that middle
eight, and of course the impossibly gorgeous production all help us do that.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fthe-night-before%252Fid402060584%253Fi%253D402078278%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "The Night Before"
Along with "Lady Madonna," my other
"personal" choice. In addition to being beautifully constructed and
performed, I have always felt that there is something really eerie about this
superficially non-eerie song. (That eeriness was enhanced even further by how
it was placed in the film: they were playing in an open field, for no audience,
surrounded by tanks and military personnel!!!)
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fnorwegian-wood-this-bird-has%252Fid402060584%253Fi%253D402078872%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Norwegian Wood"
Dylan's influence, George's first sitar use, opaque lyrics,
wonderful acoustic guitar -- all help make this a "signature" Lennon
composition. And along with "Yesterday" and "Something,"
one of the most-covered Beatles songs.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fnowhere-man%252Fid402060584%253Fi%253D402078946%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Nowhere Man"
Definitely a "bridge" song, it certainly offered
many new elements in their songwriting, both musically and lyrically.
(Wikipedia claims it to be their first song "not about romance or
love" and John's first "philosophical" song.) Indeed, it is
almost unbelievable that this was written and recorded while they were still a
touring band!
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Foh!-darling%252Fid401186200%253Fi%253D401186505%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Oh Darling"
The Beatles do hard blues -- and nail it in a way that only
they could. Paul's voice is at its absolute strongest, Lennon's "sharp"
rhythm guitar part is masterful, and that middle eight is simply
spine-tingling. Truly one song that simply never gets old or boring.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fonly-a-northern-song%252Fid402060584%253Fi%253D402095685%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Only a Northern Song"
Originally meant for Pepper (!), this superb piece of trippy
esoteric existentialism was the best song on Yellow Submarine. (And George's
other, "It's All Too Much," was second best.)
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fpenny-lane%252Fid402060584%253Fi%253D402094492%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Penny Lane"
The jaunty nostalgia, interesting chord progression, Paul's
delivery, and those infectious horns make this a perfect counterpart to John's
"Strawberry Fields Forever." Never has there been such an
extraordinary double-A-sided single.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Frevolution%252Fid400835735%253Fi%253D400835964%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Revolution"
No more fooling around. John gets serious with his politics
-- and his fuzz guitar. As catchy as it is socio-politically astute (and
brave); if "All You Need Is Love" is, as I posit, "what The
Beatles are about," then "Revolution" is what John was going to
be about from that point forward.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Frocky-raccoon%252Fid401126224%253Fi%253D401126405%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Rocky Raccoon"
Like "Bungalow Bill," a dangerously underrated
piece of writing and performance. With utterly brilliant storytelling (and
Paul's wonderfully off-key opening line), The Beatles’ homage to the American
West is done in metaphorical style. And if this is another
"children's" song (like "Bungalow Bill" and "Ob-la-di
Ob-la-da"), it is an awfully edgy one.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fsgt.-peppers-lonely-hearts%252Fid401141921%253Fi%253D401142264%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Sgt. Pepper's Lonely Hearts Club Band"
Although the reprise is actually edgier and more powerful,
this thumping rock tribute to a fictional band is the ultimate come-on:
"We'd like to take you home with us, we'd love to take you home."
Given that the band had stopped performing over a year earlier, the irony of
this sentiment could not have been lost on their fans. Simply one of the best
straight-ahead rock songs ever written or produced.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fshe-loves-you%252Fid402060584%253Fi%253D402155068%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "She Loves You"
Like "Yesterday" -- but even moreso -- the number
of ways that this song broke ground musically and socio-culturally cannot be
overstated. As much as any song before it (by Berry, Perkins, et al), it changed rock and
roll forever. It was the song that lifted The Beatles way out of the league of
the other British Invasion bands (of which there were at least a dozen), and it
remains the best early-period Beatles song.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fshe-said-she-said%252Fid402060584%253Fi%253D402079243%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "She Said She Said"
Although Rubber Soul had its quasi-trippy moments, Revolver
cemented them. And as I noted in http://culturecatch.com/literary/magic-circles-beatles" rel="nofollow - my
review of Devin McKinney's Beatles book , it was the first album on which
the lads started thinking, and writing, about death (no less than eight of the
songs mention it). The opening line, "She said, I know what it's like to
be dead," reflects this new obsession, and the obvious trippy quality of
the lyrics and writing make it abundantly clear that the band was no longer
"hiding" anything. As with Pepper and "Lucy," if Revolver
defined their new image, "She Said She Said" defined Revolver.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fshes-leaving-home%252Fid402060584%253Fi%253D402079750%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "She's Leaving Home"
I might even put this in a top ten. An astounding
composition, with that harp, strings, superb harmonies, classical elements,
etc. No list of truly important Beatles songs is complete without it.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fsomething%252Fid401186200%253Fi%253D401186387%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Something"
Frank Sinatra covered it. What more need be said? And no,
I'm not kidding. Along with "Here Comes the Sun," George's
masterwork. Even Paul and John called it the best Beatle song of their later
period. Oh, and many others covered it as well. (As an aside, you are probably
aware that it also holds an interesting distinction: it is one of three #1
songs -- along with "Layla" and Clapton's "Wonderful
Tonight" -- that were all written about the same woman.)
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fstrawberry-fields-forever%252Fid402060584%253Fi%253D402094452%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Strawberry Fields Forever"
Definitely top ten. This was the segue between Revolver and
Pepper. (It was actually the first song recorded for the Pepper sessions.) This
was a serious breakthrough for the Beatles, even given some of the stuff on
Revolver. And nothing would ever be the same.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Ftaxman%252Fid402060584%253Fi%253D402079135%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Taxman"
It took John over another year to openly express his
politics ("Revolution"), but George got there first. And although
Rubber Soul started the band writing things other than "love and romance"
songs, Revolver virtually put the nail in the love song coffin. (There are only
two love songs on the whole album.) It also shows George's growing
"power" that both John and Paul agreed to open the album with this
vicious anti-tax screed. Unquestionably George's greatest middle-period work.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fthings-we-said-today%252Fid402060584%253Fi%253D402060935%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Things We Said Today"
An early example of something the Beatles would do at least
a few times: alternating between minor and major in the verses (and/or using
minor or major verses, and reverse choruses). And the best of them by far. Also
the rhythm (and, indeed, entire "feel") change between the first part
of the verse and the second. And then that fabulous ending on a major chord
after going back to the minor. More radical than anyone caught at the time, and
one of their truly great early period songs.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fthis-boy%252Fid402060584%253Fi%253D402155097%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "This Boy"
How this could be left off any list like this, I don't know.
Unquestionably their best, most complicated early harmonies, and possibly their
best-ever ballad.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Ftomorrow-never-knows%252Fid402060584%253Fi%253D402079615%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Tomorrow Never Knows"
This is the song for which one can say, "Here comes
prog rock." True, there are no shifting time signatures, or even anything
other than 4/4. But the overall sound and effect of this song was the most
progressive thing that The Beatles had ever done, even given "She Said She
Said" and "Good Day Sunshine."
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Ftwo-of-us%252Fid402060584%253Fi%253D402154121%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Two of Us"
Wistfully, many like to think this was John and Paul singing
about themselves. No such luck. Still, it is a phenomenal piece of writing,
standing proudly alongside "Across the Universe" as the two best
songs on Let It Be, and the only two in which the entire band actually
"feels" right.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fwhile-my-guitar-gently-weeps%252Fid401126224%253Fi%253D401126346%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "While My Guitar Gently Weeps"
What can be said? Although the Am-G-F-E progression had been
used before ("White Room" comes to mind), George all but made it his
own with this truly sensational composition and production. According to
Rolling Stone, Clapton's presence had an amazing, positive effect on the band,
at a time when there was growing tension. George Martin describes this as
"the best, most cohesive recording the band made during these
sessions."
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fwithin-you-without-you%252Fid402060584%253Fi%253D402079796%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Within You Without You"
Number 96? Out of 100? Out of a total of only 220 Beatles'
songs? Rolling Stone must be kidding! If there was ever a groundbreaking and
influential Beatles composition (in this case, of course, virtually solo Harrison), I'm not sure anything else even comes close.
It can be argued that "Within You Without You" "made it
safe" for everyone else to use not only sitar, but "non-standard"
instruments, as well as to create compositions that were not strictly
"Western" in structure.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fyellow-submarine%252Fid402060584%253Fi%253D402095683%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Yellow Submarine"
The Beatles' first "children's" song (and
deliberate sing-along) is simply brilliant. Indeed, every aspect of it is
brilliant - from the composition itself, to the effects, to Ringo's perfect
delivery, to some of the most deceptively difficult harmonies the group ever
composed. Maybe not top ten, but darn close.
http://click.linksynergy.com/fs-bin/stat?id=g1UnrUS5W4M&offerid=146261&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fyesterday%252Fid402060584%253Fi%253D402078763%2526uo%253D4%2526partnerId%253D30%20target=itunes_store" rel="nofollow - "Yesterday"
Saying anything here is redundant: the number of ways in
which this song broke ground -- both for The Beatles and others -- is legion,
and has been described by better writers than me.
So, if I HAD to do a Top 10:
1. "All You Need Is Love"
2. "A Day in the Life"
3. "Happiness is a Warm Gun"
4. "Strawberry Fields Forever"
5. "I Am the Walrus"
6. "Lucy in the Sky with Diamonds"
7. "She Loves You"
8. "Yesterday"
9. "Within You Without You"
10. "Nowhere Man"/"And Your Bird Can
Sing"
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