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Math-Pop bands for Crossover

Printed From: Progarchives.com
Category: Progressive Music Lounges
Forum Name: Suggest New Bands and Artists
Forum Description: Suggest, create polls, and classify new bands you would like included on Prog Archives
URL: http://www.progarchives.com/forum/forum_posts.asp?TID=75642
Printed Date: March 04 2025 at 02:23
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Topic: Math-Pop bands for Crossover
Posted By: Proletariat
Subject: Math-Pop bands for Crossover
Date Posted: February 03 2011 at 19:00
Scanning through the Post/Math section of the site I noticed a certain lack of Math-Pop bands which make up a good chunk of contemporary Math-Rock. I can easily see how the Post/Math team may not have found them up to the general standard what with their more poppy less technical aproach which is why I think they may be perfect candidates for Crossover. Here are some bands in the style I would like to suggest. (and discuss)
 
Minus the Bear
This Town Needs Guns
Marnie Stern
Foals
Globes
 
Some of these bands are better candidates for inclusion than others but I think they all have a shot!
 
Also I don't want to limit this thread to just these bands or just to discussing their inclusion, so feel free to suggest other related bands or to discuss other Math-Pop type bands already on this site like Maps and Atlases, Tera Melos, or Battles.
 
Also I am aware that Math-Pop is a dubious genre as all the bands are not directly related in sound or style. I am simply using it as an umbrella term relating to the trend of non-inclusion whitch I have noticed.


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who hiccuped endlessly trying to giggle but wound up with a sob



Replies:
Posted By: harmonium.ro
Date Posted: February 04 2011 at 06:44
I see your point about a possible particular style/scene, but the bands you mention are different enough to require different suggestions. Marnie Stern is IMO as far as possible from what I'd call progressive. Minus The Bear and Fang Island were evaluated and rejected (for Post Rock and Crossover and respectively for Math Rock and Crossover). Maps And Atlases are on PA but they were added in 2007, based on their debut EP which was more "prog". If you look on the EP's reviews you will see that someone even wonders whether the band is going to become a fully progressive one or an indie one LOL RE Foals I've heard the recent album and while they employ the math-rock sound on some of the pieces, the pieces themselves didn't sound like PA material to my ears.
I'll ask David from the Math Rock team for his opinion, anyway.


Posted By: Proletariat
Date Posted: February 04 2011 at 09:38
Harmonium, I understand that the math rock team does not see these bands as being fully math rock... however I am more than a little bit dissapointed and confused. Sure, they are not dissonant but they do have complex structures and playing styles. In my opinion the use of melody only adds to the level of prog credentials after all the greats of the 70s all had hummable melodys. I don't see how Minus the Bear isn't math rocks equivalent of Supertramp. I feel like Math/Post is evaluating bands based on steriotypes that have become outdated in regards to math rock. the style is changing and becoming more poppy bands like 65daysofstatic and Maps and Atlases are adapting to this trend, and its not a bad thing.
 
Maps and Atlases latest release is in my opinion their best even though it is the least classically math rock, check my review (which is the only one) to see my justifications of this opinion if you want.


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who hiccuped endlessly trying to giggle but wound up with a sob


Posted By: harmonium.ro
Date Posted: February 04 2011 at 09:54
All I said was personal opinion and does not involve the Math Rock team, of which I am not a part. They might have a different opinion, which is why I notified them. Also, I'm a fan of this scene and my comments were not at all negative. I checked out Maps And Atlases when Perch Patchwork got out exactly because of your review, and I have to thank you for that Clap
As to how PA works, the idea is that when a band is both progressive and doing something that's structurally accessible and melodic sounding, it should be in Crossover. The guys in the X-over team are not fans of the indie scene though, which sometimes leads to dead ends for worthy bands.



Posted By: Evolver
Date Posted: February 04 2011 at 10:59
Originally posted by harmonium.ro harmonium.ro wrote:

. The guys in the X-over team are not fans of the indie scene though, which sometimes leads to dead ends for worthy bands.

Hey!  I resemble that remark!

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Trust me. I know what I'm doing.


Posted By: harmonium.ro
Date Posted: February 04 2011 at 11:02
You're the new guy, Scott, that isn't pointed at you. You're my inside man Wink 


Posted By: Henry Plainview
Date Posted: February 04 2011 at 11:15
I already got shot down by David on Zach Hill solo and Marnie Stern, so...yeah. 
Originally posted by harmonium.ro harmonium.ro wrote:

Marnie Stern is IMO as far as possible from what I'd call progressive.

How so? I don't mind her not being here but she's hardly straightforward indie rock.  

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if you own a sodastream i hate you


Posted By: Proletariat
Date Posted: February 04 2011 at 13:56
Originally posted by harmonium.ro harmonium.ro wrote:

All I said was personal opinion and does not involve the Math Rock team, of which I am not a part. They might have a different opinion, which is why I notified them. Also, I'm a fan of this scene and my comments were not at all negative. I checked out Maps And Atlases when Perch Patchwork got out exactly because of your review, and I have to thank you for that Clap
As to how PA works, the idea is that when a band is both progressive and doing something that's structurally accessible and melodic sounding, it should be in Crossover. The guys in the X-over team are not fans of the indie scene though, which sometimes leads to dead ends for worthy bands.

I did not mean for my remark to be pointed at you, im sorry if i offended you. I was venting (to you not at you) my frustration with the post/math and xover teams... rereading my post i see i didn't make that clear.
 
How did Deerhoof find a way into xover they are blatantly indie-prog (and awsome) i assume it was chamberry's doing? now that hes gone who is the supporter of the indy scene nowadays who I can go to with this stuff


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who hiccuped endlessly trying to giggle but wound up with a sob


Posted By: harmonium.ro
Date Posted: February 04 2011 at 14:10
Not offended at all, I just thought you might think I have a say because I'm in the Post Rock team - but there are two different teams for Post and Math.

There is indie and indie... The Pure Reason Revolution / Pineapple Thief / PT / Muse side of indie is well accepted now around here, but other sides are not. And it actually is difficult to make sense out of such a diverse scene.


Posted By: harmonium.ro
Date Posted: February 04 2011 at 14:11
Originally posted by Henry Plainview Henry Plainview wrote:

Originally posted by harmonium.ro harmonium.ro wrote:

Marnie Stern is IMO as far as possible from what I'd call progressive.

How so? I don't mind her not being here but she's hardly straightforward indie rock.  


I agree, but that doesn't make her progressive either.


Posted By: Padraic
Date Posted: February 04 2011 at 14:14
Originally posted by harmonium.ro harmonium.ro wrote:

Originally posted by Henry Plainview Henry Plainview wrote:

Originally posted by harmonium.ro harmonium.ro wrote:

Marnie Stern is IMO as far as possible from what I'd call progressive.

How so? I don't mind her not being here but she's hardly straightforward indie rock.  


I agree, but that doesn't make her progressive either.

I think Henry's "bone to pick" was your claim that she was "as far as possible from" progressive.


Posted By: Proletariat
Date Posted: February 04 2011 at 14:19
Originally posted by harmonium.ro harmonium.ro wrote:

Originally posted by Henry Plainview Henry Plainview wrote:

Originally posted by harmonium.ro harmonium.ro wrote:

Marnie Stern is IMO as far as possible from what I'd call progressive.

How so? I don't mind her not being here but she's hardly straightforward indie rock.  


I agree, but that doesn't make her progressive either.
virtuistc playng odd time signatures unique stylings?

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who hiccuped endlessly trying to giggle but wound up with a sob


Posted By: harmonium.ro
Date Posted: February 04 2011 at 14:24
Originally posted by Padraic Padraic wrote:

Originally posted by harmonium.ro harmonium.ro wrote:

Originally posted by Henry Plainview Henry Plainview wrote:

Originally posted by harmonium.ro harmonium.ro wrote:

Marnie Stern is IMO as far as possible from what I'd call progressive.

How so? I don't mind her not being here but she's hardly straightforward indie rock.  


I agree, but that doesn't make her progressive either.

I think Henry's "bone to pick" was your claim that she was "as far as possible from" progressive.


Ah, I see. I was expressing a purely personal reaction I had to her music/sound, which I tried to signal with the two mentions of my subjectivity, but I agree my words can be read as an attempt for an objective assesment. I also wouldn't mind seeing her here, even though I perceive her sound as very far from what I consider PA worthy.


Posted By: Atavachron
Date Posted: February 09 2011 at 18:48
okay--  Proletariat: as I have not heard any of the five bands you mention in your original post, I cannot say with confidence they would or would not be eligible for addition to Mathrock.   As for the 'Math-pop' scene per se, I think at this time it would be a hard sell for inclusion, as the bands do neither true mathrock (by that I mean in tone and style, not just content) nor progressive pop (whatever that is).   I do appreciate your argument, though, and it's possible one day some of these artist will be seriously considered.  On that note, if you'd like to post a link here to some samples you think are convincing, I'll gladly have a listen.




Posted By: Proletariat
Date Posted: February 09 2011 at 18:57
Originally posted by Atavachron Atavachron wrote:

okay--  Proletariat: as I have not heard any of the five bands you mention in your original post, I cannot say with confidence they would or would not be eligible for addition to Mathrock.   As for the 'Math-pop' scene per se, I think at this time it would be a hard sell for inclusion, as the bands do neither true mathrock (by that I mean in tone and style, not just content) nor progressive pop (whatever that is).   I do appreciate your argument, though, and it's possible one day some of these artist will be seriously considered.  On that note, if you'd like to post a link here to some samples you think are convincing, I'll gladly have a listen.


I would say that many of the bands are firmly rooted in the math rock scene (maybe not Minus the Bear so much as the others) but with already included bands like Tera Melos and Maps and Atlases adopting more and more characteristics of Math Pop I feel like they might have a place.
Also I feel like the inclusion of Deerhoof in crossover sort of paves the way for their inclusion under that subgenre.
 
gonna post some Youtube vids now! Smile


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who hiccuped endlessly trying to giggle but wound up with a sob


Posted By: Proletariat
Date Posted: February 09 2011 at 19:12
http://www.youtube.com/watch?v=RjSN_jEORfk" rel="nofollow - http://www.youtube.com/watch?v=RjSN_jEORfk
http://www.youtube.com/watch?v=xo8mU8wWdSA" rel="nofollow - http://www.youtube.com/watch?v=xo8mU8wWdSA
http://www.youtube.com/watch?v=I4gTfrZ8-js" rel="nofollow - http://www.youtube.com/watch?v=I4gTfrZ8-js
 I think shows how Minus the Bear might have a place, think of Dredg as a touchstone maybe
 
http://www.youtube.com/watch?v=7Wn9PRYeiCo" rel="nofollow - http://www.youtube.com/watch?v=7Wn9PRYeiCo
http://www.youtube.com/watch?v=bEanldAetEo" rel="nofollow - http://www.youtube.com/watch?v=bEanldAetEo
This Town Needs Guns is like a direct combination of emo (i know i know but we do have Coheed already) with Math Rock
 
http://www.youtube.com/watch?v=QKpJg7dV8NU" rel="nofollow - http://www.youtube.com/watch?v=QKpJg7dV8NU
http://www.youtube.com/watch?v=Q-waJkiflb0" rel="nofollow - http://www.youtube.com/watch?v=Q-waJkiflb0
Marnie Sterns vocal style might make this one a hard sell but I think Deerhoof could be a good point of refference plus the fact that Zach Hill is in her backing band
 
http://www.youtube.com/watch?v=zHcOFmiswcQ" rel="nofollow - http://www.youtube.com/watch?v=zHcOFmiswcQ
http://www.youtube.com/watch?v=SK9iyQJuFGg" rel="nofollow - http://www.youtube.com/watch?v=SK9iyQJuFGg
Foals is a harder sell, and im not going to push them as hard but their members were all at the forefront of british avant garde and math rock before going pop
 
I can't find any videos of globes, their kind of up and comers who havn't broken on to the indie scene yet
 


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who hiccuped endlessly trying to giggle but wound up with a sob


Posted By: Atavachron
Date Posted: February 09 2011 at 19:36
I see what you're thinking, some of these bands do have prog/pop approach, here's my eval.  ;

Minus the Bear    definitely not Mathrock, a possibility for Crossover

This Town Needs Guns    cut 'Rabbit' closer to math, but on the balance from the two tracks, I would say No for mathrock

Marnie Sterns      No

Foals    the most professional of the lot and very good, the question is are they Mathrock and from these two, I'd say assuredly not (I wouldn't be surprised to hear those songs on indie radio).


Each of these artists have talent, but the bands on PA that have a point of reference to them aren't normally used to qualify other bands with similarities.  If harmonium.ro (Alex) thinks any of these should be referred to Crossover, I'm sure he'll do that.  But thank you Ryan, and sorry for any disappointment, but who knows maybe you'll see one of them on the site someday.




Posted By: Proletariat
Date Posted: February 09 2011 at 19:49
don't worry, im not dissapointed. Ive suggested some 15 or 20 bands to this site and seen maybe two get added in a decent amount of time and maybe 4 or 5 take years. i simply thought "hey, these are generally considered math rock by the indie scene" so I thought I would suggest them. Obviously the whole thing is subjective and I have no faith in the teams on this site having my same opininion. That being sayed I am aparently in the minority of people who use PA as a resourse who would even care about this particular scene and I understand that it does sit only on the very fringe of progressive.

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who hiccuped endlessly trying to giggle but wound up with a sob


Posted By: Proletariat
Date Posted: February 09 2011 at 19:51
In the end it comes down to the fact that on PA it is easyer to stand with one foot in metal and prog than one foot in indie and prog even though both genres have equal amounts of crossover apeal. And the fact that the different teams on this site have different opinions and make clear that they do. especially in regards to crossover which I have seen refferred to by colaborators as "not prog" while members with less noteriety like myself often see it as not being inclusive enough. Who knew that revamping the genres would lead to such turbulance.

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who hiccuped endlessly trying to giggle but wound up with a sob


Posted By: Atavachron
Date Posted: February 09 2011 at 20:05
and yet that turbulence is what keeps things, for the most part, balanced and checked .. ah the joys of divided government Smile




Posted By: Proletariat
Date Posted: February 09 2011 at 22:34
like i sayed i like PA as a resource but the claim to being "the ultamate discography" is a bit overstated

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who hiccuped endlessly trying to giggle but wound up with a sob


Posted By: Atavachron
Date Posted: February 09 2011 at 22:36
hope springs eternal



Posted By: Chris S
Date Posted: February 10 2011 at 00:09
Minus The Bear one of my favourite recent findings but I came to the conclusion they are not crossover, as did other team members. I would rather label them as " Power Pop"
 
Don't know any of the others.
 
Oh, I am an Indie Fan too but it does not necessarily = crossoverWink


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<font color=Brown>Music - The Sound Librarian

...As I venture through the slipstream, between the viaducts in your dreams...[/COLOR]


Posted By: progkidjoel
Date Posted: February 10 2011 at 02:48
Foals could be considered progressive at times, although I'd say that their truly progressive songs are in the minority (Spanish Sahara, Red Socks Pugie and Black Gold come to mind).

This Town Needs Guns have a stronger case, and I think they'd fit nicely in crossover, having heard all of their material. They've got a fair amount of innovative instrumentation and some other considerably proggy behaviours on some tracks (Lemur, If I Sit Still Maybe I'll Get Out Of Here, 26 Is Dancier Than 4, Japanese Ultra-Violence in D-Minor, Rabbit) . At the same time, they do seem to mostly be a clever math-pop band more than a prog group as a whole, similarly to Foals.

I definitely think that they could both fit here, although it's down to the judgement of the Xover team. Just my 2 cents.


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Posted By: Proletariat
Date Posted: February 10 2011 at 17:41

Obviously foals and Minus the Bear are a little less obvious choices but I definately see no reason why This Town Needs Guns is meeting so much resistance.

 
and why does everyone hate Marnie Stern? she is an obvious choice for Math Rock... perhaps the Avant team is more openminded now that Xover and Post/Math have made it clear shes a no go?


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who hiccuped endlessly trying to giggle but wound up with a sob


Posted By: The Hemulen
Date Posted: February 10 2011 at 18:08
I checked out This Town Needs Guns a while back, and they struck me as pretty typical math-rock (albeit pretty boring math-rock).

Still, whilst we're discussing the burgeoning math-pop scene, I'd like to humbly suggest http://www.youtube.com/watch?v=r0fb0G3hfjo" rel="nofollow - Everything Everything and http://www.youtube.com/watch?v=6V9FUN-8igY" rel="nofollow - Dutch Uncles are both worthy of consideration.


Posted By: Proletariat
Date Posted: February 10 2011 at 18:13
^^^
I can't believe I havn't heard of Evrything Everything before, this is some great stuff!


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who hiccuped endlessly trying to giggle but wound up with a sob


Posted By: The Hemulen
Date Posted: February 12 2011 at 06:04
Originally posted by Proletariat Proletariat wrote:

^^^
I can't believe I havn't heard of Evrything Everything before, this is some great stuff!


Yep. Their debut's bursting with potential. They're going to be huge.


Posted By: Proletariat
Date Posted: February 12 2011 at 13:04
Originally posted by Trouserpress Trouserpress wrote:

Originally posted by Proletariat Proletariat wrote:

^^^
I can't believe I havn't heard of Evrything Everything before, this is some great stuff!


Yep. Their debut's bursting with potential. They're going to be huge.
I would not be surprised if it was, I expect to see pitchfork heralding this as the next big thing at any time!!!
 
 
I await the day I hear Math-pop on the radio! Cool


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who hiccuped endlessly trying to giggle but wound up with a sob


Posted By: Henry Plainview
Date Posted: February 12 2011 at 14:16
Originally posted by Proletariat Proletariat wrote:

Originally posted by Trouserpress Trouserpress wrote:

Originally posted by Proletariat Proletariat wrote:

^^^
I can't believe I havn't heard of Evrything Everything before, this is some great stuff!

Yep. Their debut's bursting with potential. They're going to be huge.
I would not be surprised if it was, I expect to see pitchfork heralding this as the next big thing at any time!!!

http://pitchfork.com/reviews/albums/14611-man-alive/" rel="nofollow - Nope! Come on, Cedric Bixler-Zavala can only dream of being as annoying as EE's singer, did you really expect Pitchfork to like them?

And before anyone else, I have to get in my no no no for both of those being on PA. 


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if you own a sodastream i hate you


Posted By: Proletariat
Date Posted: February 12 2011 at 14:34
Originally posted by Henry Plainview Henry Plainview wrote:

Originally posted by Proletariat Proletariat wrote:

Originally posted by Trouserpress Trouserpress wrote:

Originally posted by Proletariat Proletariat wrote:

^^^
I can't believe I havn't heard of Evrything Everything before, this is some great stuff!

Yep. Their debut's bursting with potential. They're going to be huge.
I would not be surprised if it was, I expect to see pitchfork heralding this as the next big thing at any time!!!

http://pitchfork.com/reviews/albums/14611-man-alive/" rel="nofollow - Nope! Come on, Cedric Bixler-Zavala can only dream of being as annoying as EE's singer, did you really expect Pitchfork to like them?

And before anyone else, I have to get in my no no no for both of those being on PA. 
Pitchfork is shifty especially with prog for example Rock Bottom was rated a 2 and then it got reissued and they changed it to a 9... pitchfork constantly changes their minds and they have so many reviewers that there is absolutely no consistancy between their reviews. if hipsters pick up on EE then pitchfork will too. PA is even worse in this respect though... and as I have stated I have no confidence in PAs collabs adding anything that makes sence hahaha atleast PA is good with classic prog hahahaLOL

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who hiccuped endlessly trying to giggle but wound up with a sob


Posted By: The Neck Romancer
Date Posted: February 12 2011 at 15:59
Originally posted by Proletariat Proletariat wrote:

Originally posted by Henry Plainview Henry Plainview wrote:

Originally posted by Proletariat Proletariat wrote:

Originally posted by Trouserpress Trouserpress wrote:

Originally posted by Proletariat Proletariat wrote:

^^^
I can't believe I havn't heard of Evrything Everything before, this is some great stuff!

Yep. Their debut's bursting with potential. They're going to be huge.
I would not be surprised if it was, I expect to see pitchfork heralding this as the next big thing at any time!!!

http://pitchfork.com/reviews/albums/14611-man-alive/" rel="nofollow - Nope! Come on, Cedric Bixler-Zavala can only dream of being as annoying as EE's singer, did you really expect Pitchfork to like them?

And before anyone else, I have to get in my no no no for both of those being on PA. 
Pitchfork is shifty especially with prog for example Rock Bottom was rated a 2 and then it got reissued and they changed it to a 9... pitchfork constantly changes their minds and they have so many reviewers that there is absolutely no consistancy between their reviews. if hipsters pick up on EE then pitchfork will too. PA is even worse in this respect though... and as I have stated I have no confidence in PAs collabs adding anything that makes sence hahaha atleast PA is good with classic prog hahahaLOL


EE is amazing, those guys have a place in X-over or Post/math here.


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Posted By: Henry Plainview
Date Posted: February 12 2011 at 22:05
 
Originally posted by Proletariat Proletariat wrote:

   Pitchfork is shifty especially with prog for example Rock Bottom was rated a 2 and then it got reissued and they changed it to a 9... pitchfork constantly changes their minds and they have so many reviewers that there is absolutely no consistancy between their reviews. if hipsters pick up on EE then pitchfork will too. PA is even worse in this respect though... and as I have stated I have no confidence in PAs collabs adding anything that makes sence hahaha atleast PA is good with classic prog hahahaLOL

Oh yeah, while I agree with their overall assessment in this case because I can't stand anything I've heard from EE, I don't mean to defend Pitchfork. I think they're a little more resolute than you're giving them credit for, though. TMV seems to be fairly popular among hipsters and Pitchfork hasn't held back the hate for any of their albums. 
 
Originally posted by Starhammer Starhammer wrote:

 EE is amazing, those guys have a place in X-over or Post/math here.

I really do not see Crossover at all, and I am absolutely sure they're not math rock. 


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if you own a sodastream i hate you


Posted By: The Hemulen
Date Posted: February 13 2011 at 04:36
Originally posted by Henry Plainview Henry Plainview wrote:

I really do not see Crossover at all, and I am absolutely sure they're not math rock. 


I'm certainly not going to push hard for EE to be added as they hardly need any additional exposure, but they certainly have their origins in math rock, with two of the core members having previously played in a pretty typical math rock band by the name of http://www.myspace.com/modernbison" rel="nofollow - Modern Bison . Part of EE's appeal is that their sound is all over the shop, drawing on dozens of different influences and genres and the math rock element is definitely present if you listen out for it.

But like I say, I'm totally ambivalent to whether any of these guys actually get added or not. I wouldn't categorise them as progressive rock, but seeing as PA has gone way beyond adding bands formally associated with prog I see no reason why they shouldn't be just at home here as half of the crossover/prog-related groups.


Posted By: Proletariat
Date Posted: February 13 2011 at 13:24
Originally posted by Henry Plainview Henry Plainview wrote:

 
Originally posted by Proletariat Proletariat wrote:

   Pitchfork is shifty especially with prog for example Rock Bottom was rated a 2 and then it got reissued and they changed it to a 9... pitchfork constantly changes their minds and they have so many reviewers that there is absolutely no consistancy between their reviews. if hipsters pick up on EE then pitchfork will too. PA is even worse in this respect though... and as I have stated I have no confidence in PAs collabs adding anything that makes sence hahaha atleast PA is good with classic prog hahahaLOL

Oh yeah, while I agree with their overall assessment in this case because I can't stand anything I've heard from EE, I don't mean to defend Pitchfork. I think they're a little more resolute than you're giving them credit for, though. TMV seems to be fairly popular among hipsters and Pitchfork hasn't held back the hate for any of their albums. 
 
Originally posted by Starhammer Starhammer wrote:

 EE is amazing, those guys have a place in X-over or Post/math here.

I really do not see Crossover at all, and I am absolutely sure they're not math rock. 
so what your saying is that because you can't stand them they are not prog?
lets not let this turn into another what is prog debate, thats the last thing this site needs.
and besides prog died in 89 anyways right?WinkLOL


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who hiccuped endlessly trying to giggle but wound up with a sob


Posted By: Henry Plainview
Date Posted: February 13 2011 at 14:43
 
Originally posted by Proletariat Proletariat wrote:

   so what you're saying is that because you can't stand them they are not prog?  

No, that's not what I'm saying. 

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if you own a sodastream i hate you



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