Disharmonic Orchestra
Printed From: Progarchives.com
Category: Progressive Music Lounges
Forum Name: Interviews
Forum Description: Original interviews with Prog artists (which are exclusive to Prog Archives)
URL: http://www.progarchives.com/forum/forum_posts.asp?TID=72779
Printed Date: December 18 2024 at 10:23
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Topic: Disharmonic Orchestra
Posted By: toroddfuglesteg
Subject: Disharmonic Orchestra
Date Posted: October 31 2010 at 06:00
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Disharmonic Orchestra is one of the bands I remember very well from the start of the death metal scene in Europe back in the early 1990s. The scene were dominated by the Swedish and the English bands...... with the likes of Pungent Stench and Disharmonic Orchestra as some bizarre oddities in the scene. I contacted the band and Martin answered my questions. ---------------------------------------------------------------------------------------------------------
We already have an excellent
Disharmonic Orchestra biography so I am not going to bother you with
that. Disharmonic Orchestra was together with
Pungent Stench the Austrian GrindCore invasion back in the early
1990s. Which bands were you influenced by ?
We listened to different metal genres
as well as to some hardcore bands. As kids we were fans of many of
those NWOBHM bands. When I first met Patrick we were sitting in the
same bus on the way to an Iron Maiden show (their first one in
Austria).
Two important bands for me worth being
mentioned are Voivod and Nomeansno - musically far apart but both had
this very unique style standing for its own.
Bands like Celtic Frost and Possessed
might have played an important role in our musical socialization.
Some of our input might have come from trading tapes. Master, Death,
Slaughter, DRI, Attitude Adjustment, …. and so many more. We (a
small bunch of people in our town) were collectors, sometimes
accepting really sh*tty sound just to have a 3rd copy of some low fi
demo-, live-, or rehearsal recording.
We always looked for music off the
mainstream but it must say, that none of us ever had a problem with
listening to popular or sometimes classical and jazzy music.
My very first record was a Blondie LP.
To start with; please give me your
(long or brief) thoughts and lowdowns on.......  Expositionsprophylaxe from 1990
Recorded in Dust-Studio/Germany, one of
the two guys running that studio used to be member of a metal band
named Angel Dust.
For one song (Inexorable Logic) he
suggested Pat to try out shouting out the last word in the vein of
some kinds of 80s-Heavy Metal bands. After trying this Patrick had to
laugh out loud about his own voice. We then decided to leave that fun
part on the recording, with the result that most people thought this
was some purposed evil laughter …  Not to be Undimensional Conscious from
1992
We made most of the songs within two or
three months by spending 5 days a week in the rehearsal room.
The recording was in Thomas Skogsberg's
Sunlight Studio in Stockholm. He was a nice, relaxed person to work
with. We stayed at friends' places because budget wasn't high.
I remember that we almost exclusively
lived on very special self-made luxury toast with lots of garlic.
That unintentionally brought us many other peoples' attention
especially in the subway;)  Pleasuredome from 1994
Recorded at Moormann-Studio in Germany.
First half we recorded in summer of 93, then back home finished
writing songs, and the other half we made in fall 93. Olaf (Opal)
Wozniak was our sound engineer. We had left Nuclear Blast and found
Steamhammer as a new label. Then a few things went wrong between us
and Steamhammer. When the record was out‚ they did not give us any
notable promotional support.
After the Pleasuredome album we had one
little tour and some single shows, slowly the lake was drying out. I
sometimes rehearsed with Patrick. Many things happened in our private
lives that it is not easy to pick out single parts that may have lead
to our low activity till the following album.
 Ahead from 2002
When Nuclear Blast re-released the
Expositionsprophylaxe-album in 2001 we came in contact again. We sent
Markus Staiger some gitar-drums-rehearsal tracks, he liked it and so
we made a new deal for a new record. We recorded in Herwig's studio,
pat and I brought the basics, Herwig added his parts in the studio,
and two friends (S. Deisenberger + M. Sovinz) helped us out with some
electronics, something we wanted to experimentalize with.
There was a long break after Ahead.
What were you up to in all those years ?
Yes, again it was a long break, and
again it was not intended. After recording Ahead we played a couple
of shows. And after that we only rehearsed as a two piece (Pat and
me) since Herwig did not have enough time. We rehearsed sporadically
without having a clear plan. That was due to family-based issues, job
and other high and low priority things of life. And time was flowing
fast. About two years ago we had enough material for a new record. In
summer 2008 some musician-friends told me that there was a bass
player really liking Disharmonic and at the time not playing in a
band. I called him up and about 3(!) months later we had our first
rehearsing session. From that day Hoimar has been our new bassman. He
perfectly fits in the band and we get along very well. So now, being
a three-piece again, we had enough enthusiasm to work more eagerly at
our D.O. project. We also wanted to play live, so our focus was not
only on getting all our songs ready with the newly included bass
parts, we also had to re-animate as much as possible of our old
material to become fit for the stage. We played a few shows in 2009.
Recordings for the new album were scheduled September 2009 (in
Herwig's studio). As I intended to start recording the drums I
suffered a slipped disk, spent a few weeks in hospital and we had
another 3-month break. Then we played some shows and after that I
made a rehab…
You are currently working on a new
album. Please give us some details, if possible.
We first intended to do the whole album
in Martin Schirenc's (Hollenthon, Pungent Stench) studio in Vienna.
Martin prefers to record with a digital drumset, but I decided to use
my own 'natural' one and that's why we did the drum recordings in
Herwig's Studio here in Klagenfurt (so our ex-bass player is still
involved in our new recordings, though in a different role). That was
in August 2010, and in the end of november we will record guitar and
bass at Martin's studio in Vienna. We will then check out the
time-schedule for doing the voice-recordings….
Besides of the new album what is your
other plans for this and next year ?
As you can see above, we are not too
much in a hurry, slowly doing one step after another. Besides, Pat
will once again become father by the end of the year. Therefore there
will be some other priorities in his life. But things are on their
way, the record will be released by ourselves (no record-label) -
everything will run on a lower level. Hopefully we will be able to
release in early 2011. How is and was the writing and creative
processes in your band ?
Everything is being created in the
rehearsal room, we do sessions, and as soon as we like something, the
finger goes to the recording button. Sometimes I convert parts of
rehearsal recordings to mp3 and send it to Pat and Hoimar, so
everyone can listen at home and let it sink in. Nothing spectacular,
songs come to existence in a sometimes chaotic but very democratic
way.
The lyrics come at last, Pat and I
share that job (which has not been completely done yet for the new
album)
I guess it is pretty accurate to
describe your music as avant-garde metal. Or how would you describe
your music ?
That is quite ok for us. We by
ourselves already used the avant-garde term. You are doing some sporadic gigs. How
is the gigs and festival situation for your band ?
Nothing much going on at the time, but
we feel like doing some more shows in 2011. The new cd will hopefully
awaken some promoters' interest.
As a veteran in the scene; what is your
best and the worst experiences as a musician ?
On tour we got robbed several times:
the bus was broken in once in the Netherlands and once in Spain; at
our first european tour (by train) all our merch-money got stolen
somewhere between Kopenhagen and Amsterdam. We had two car accidents
in the US, one was quite severe. But all of that doesn't hurt
anymore. The positive effects of our tours were quite more lasting:
we made many friends - some stayed in contact for longer. Lots of
positive feedback from the audience was always balm for the soul.
To wrap up this interview, is there
anything you want to add to this interview?
Thanks for your interest and your
patience, sorry for keeping you waiting (this applies to you as well
as to the people waiting for our new album;) Thank you to Martin for this interview Their PA profile is http://www.progarchives.com/artist.asp?id=4958 - and their homepage http://www.disharmonic.com/ -
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