But
besides of the psychological aspects it is all in all a giant
adventure story. I did the music from scratch - following a
storyboard that I made for this record. During the work on the album
I decided to bring in some guest musicians that I‘d liked to work
with for a long time - Billy Sherwood, Troy Donockley, Yogi Lang and
Kalema - it was great fun working with them and they really make „SV“
a special one - possibly the best I‘ve done so far.
What
is your/Eureka current status?
I‘m
currently working on the first Eureka sampler called „Silverwork“.
It will feature 15 tracks - one third of
them re-recorded and a brand new track. I‘m trying to make it a
„treasure chest“ for everyone who likes the music of Eureka and
it will help me to concentrate on my new band project „Taurus“
because it closes a first chapter for Eureka.
What
is the lyrical topics on your albums and how is your creative process
from coming up with a theme/riff/idea to you get it down onto an
album?
The
topics of my lyrics are very diverse. Eureka songs tend to have
historic or mystic topics that fit to the
music - the lyrics I‘m currently working on for Taurus are much
more circling about present things happening in my real life and the
world around me. „Animated World“ for example is inspired by a
boy running amok in Germany in 2009.
The
creative process for new music could not be more diverse than it is
in my case. It can come from any instrument I play - it can be a
riff, a melody or a lyrical hook line for a song - there‘s no
formula for me, not even a favoured instrument - pure adventure!
Would
you agree with the description of your music as Kate Bush meets Peter
Gabriel or do you disagree?
Sounds
good - but I have heard so many descriptions from people around
the world...I think it is close to the point that we should say it
sounds like Eureka :-)
Is
Eureka yourself & hired studio musicians or is Eureka a regular
band?
There
has been a time when I tried to make it a
band when we played live for about two years - but honestly - it is
working better as my solo project with guests coming in for the
albums!
Your
label InsideOut got into difficulties in this SPV bankruptcy last
year. How did that affect you and what is your current label
situation?
It
had no big impact on the marketing of the
Shackleton album because it was all done before the collapse but it
looks like InsideOut just exists now as a brand of their new partner
Century Media, and their direction is more focused on prog metal. At
the moment my current label is Tempus Fugit.
What
is your experience with the music industry and the internet prog
scene?