This is an untraditional interview and a rather short one centered around Guy Mannings many excellent albums and in particular; his new album. We did an http://www.progarchives.com/forum/forum_posts.asp?TID=58901 - with him fifteen months ago where the usual subjects normally covered in a ProgArchives
Inquisition would be covered so this is just an update on his activities.
Here is what Guy had to report.
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I have been listening to all your
albums during the last year or so and have found a lot of hidden gems there.
Some of them has been re-released this summer too. It would therefore be
gross insult of us not to run through them and get your brief/long comments on
each of them, beginning with......
Tall Stories For Small Children from
1999
"The Candyman" was
written for my children. It is song about questioning how you might be
remembered in the World after you have gone. Maybe as a song writer, a great
explorer, top athlete etc.... But for many of us, we make most difference
and are remembered in the ways in which we teach and pass on to our children
and they in turn teach theirs We cannot /should not mould them around
our own aspirations, but nurture their dreams and help them to achieve
those
The Cure from 2000
"Songs of Faith" is one of my favourites from this album.
It is the key moment in the plot for the Protagonist and the whole storyline
turns on this moment I also got a chance to imagine what it must be like to
Space walk with the whole Earth spinning under the floating foot in an endless
expanse of black and stars
Cascade from
2001
This is one of the
'forgotten' albums of mine. It was only pressed in a limited run of 500 which
soon sold ut. We now have a new slim line {2008} edition for those who want to
complete their MANNING collection! There is one song on their which has
some personal resonances for me "Owning Up". Have you ever gone through some
personal turmoil or devastation and felt that you had to show some
emotion? Some people when their parents go or friends die suddenly, throw
themselves in to grief yet some cannot seem to cry or show anything as their
own internal emotional clocks stops Then there is the guilt of NOT feeling
anything, why can I not grieve? So, to compensate, they over react. Somehow,
the Princess Diana phenomenon was a reaction like that...an over spilling of
external visible grief by hundreds even though most mourners had never met the
woman or been anything to do with her in any way at all. This is not being
judgemental, just observation. I went though a similar process when someone
I cared for died suddenly. Only with some years gap could I look back and
actually put the relationship into some perspective. That did not mean I
cared any less for her, just that I understood it all better and was more
honest about the state of things.
The Ragged Curtain from
2002
An Album of 2 halves with a linking
piece
1. The beginning,
middle and end of a relationship. My first marriage...not at a detailed
autobiographical level but more of a generalisation about the stages of live
and loss 2. The elemental World as seen within the correlation of Water and
Earth, Sea and Stone...with man stood in the middle of it all battling one by
using the other as protection
The View From My Window from
2003
1. Suite:Dreams was a chance for me to
slip into the dimension of R.E.M. and the subconscious. From the falling
asleep with the chance to dream through to the other side and waking
up.
2.. "The Rut" I wrote
for my dad (and for myself as well) It goes out to all those people who have a
passion for something that they cannot follow because it is not financially
secure enough to allow them to support their families if they pursue it My
father was a World class bridge player. He was the England and Yorkshire Bridge
Team Captain for some years. Nothing would have given him more joy that to be
allowed to follow where that path led, but he could not and support my mum
and his three sons. He laboured as a dentist (which he hated) until he
retired and only a relatively few years after that died. I understand but
grieve for his lost dream
A Matter Of Life & Death
from 2004
When I first wrote the end of the
story of Abel Mann on "Tall Stories..." , I did not think I would return to
it, but return I did. It gave me the opportunity to examine in far more
detail, just what had led this man to the point of his own suicide and
ultimate redemption. It is indeed a fanciful view of Purgatory but I thought
it a great narrative image and the fact that we go on again is unusually
hopeful for me! My band says that all I write about is Water and Death...they
may be right!
One Small Step... from
2005
The meanings behind the Epic suite is
covered in more detail on the re-issued album, so may be a look at" Night
Voices". For some time, after my friends wife died very suddenly,
tragically and quite horrifically, he felt he could not really
function. But one night he had a strange dream. He dreamed that he walked
through a wood in the middle of the night into a clearing where there was
bridge on which he met his dead wife. There in the absolute peacefulness, they
were able to hold each others hands and express all the things they had
wanted to be able to say to each other in order to say good bye properly. He awoke from the dream rested,
cleansed and positive and for the first time in many months, able to move
forward.
Anser's Tree from
2006
It is a shame that not more people saw
the full genealogical family tree we created and printed for this album. It
only came with the albums directly bought my website. Alot of work went
into positioning the Anser family characters in their time zone and lineage to
get from Margaret Montgomery in the 1600s to Dr. Jonathan Anser in the
future. The annoying and often bizarre questions being asked by the little
boy Joshua Logan were based on the exasperating experiences I had with my son
Nathaniel as he grew up!
Diana Hordern is a
strange tale of the cat and mouse plot between a police woman and a serial
killer, done in the style of a 50's American movie.
One of my favourites
is William Barras. The mining disaster in Wallsend did actually happen, I
researched it and this was my visualisation of that story. I have had
mails from people that actually had family/friends die in a mining disaster
that this hit close to the heart of it and had a very strong resonance for
them
Songs from the Bilston House from
2007
Covered in the
re-issue really! Understudy is close examination of my own upbringing being
made to follow religious doctrine for no good reason at all (we were
ALL non believers) but
simply to save face in the wider community / family I hated every second of
it and ran screaming away and raging from the first moment I was allowed to
live my own life at last
Number Ten from 2009
"The road less
travelled" is a satisfying narrative story (if that is the right word) about
the nature of death and the afterlife. The central character drives his car up
to a crossroads in the thundering rain. Stuck in a long traffic jam... he sees
a light along one of the alternative forks and decides to follow that and see
what is up that road. Suddenly, he is plunged onto a bright and liberating
endless hot desert road winding around mountains and through valleys which he
follows until he arrives in an odd picturesque mid -western small town.
Parking the car, he walks down the main street, whilst all the time feeling a
sense of familiarity in the smells, noises and people that he sees. He is in fact dead and this is his
entry into the afterlife.
"Bloody
Holiday!" is about my own
trials and tribulations on going on a holiday abroad via a plane. I am not a
good traveller! The seats are always too small, the food awful and I have the
fear of crashing whenever there is the slightest tremble or turbulence!
Like that scene in 'AIRPLANE' where the in flight movie on the fictional plane
show aircraft disasters occurring, when I go onboard, I always think of two
10cc songs "Clockwork Creep" and "I'm Mandy Fly Me" (both referencing
potential airplane disasters). When I came to write the song I wanted to
make it light and humorous but I also wanted to incorporate that 10cc imagery
in there too. I had an idea to use some of the 10cc lyrics/titles and also in
the melodies and arrangements...but now of course I had to get permission fro
10cc. I tracked them all down individually, Kevin Godley, Lol Creme, Graham
Gouldman and Eric Stewart and each in turn gave me permission and also their
best wishes…Thanks boys!
That brings us over to this
year's Charlestown. Please give us the concept of
the album and a run through each track on the CD.
There is no central concept to the album this time, the
main piece is a long 35 minute multi-sectioned evolving epic piece and the
other songs support / contrast this.
1.
CHARLESTOWN - follows the voyage of the Waterwitch from Charlestown in
Cornwall along the South Coast and around Lands End and up to Bristol via a
ruthless wrecking crew and a horrendous and finally overpowering storm All
the worst elements of voyages of the late 1700s rolled into one tall
tale!
2. CALIBAN & ARIEL
- the two characters from Shakespeare’s the TEMPEST could not be more
different. One the earthbound ugly hulk, the other the spirit of Air and
magic.My fanciful idea was that whilst being opposite in nature, they could be
drawn together at midnight to dance on the sands
of the island for a short while each night
3. THE
MAN IN THE MIRROR (not
the Michael Jackson song) is loosely based on my own variation on "Jean De
Florette" and "The Hunchback of Notre Dame". An ugly (in the eyes of the
surrounding people) and lives apart from the community, works hard and lives a
simple pure life until, in a time of famine, the real ugly people (i.e. the
villagers) rise against him, run him off his own land and steal the product of
all his hard work No happy ending here
4. CLOCKS - An
earthbound spirit has one chance at being brought back from Death, but in the
end his former lover's courage fails here and she cannot face him and so all
is lost
5. T.I.C. - A song
about the end of a relationship, where one party cannot seem to keep away from
the other an is inevitably drawn back to them like a ship afloat on the tide
is drawn closer to the shore
6. FINALE
(Instrumental) - the band asked for something 'hard' to play so I obliged. The
piece is based on variations and themes found in the title track "Charlestown"
with some odd time signatures stuffed in.
The line up on the album and your
gigs this year has been presented at your website so it only remain for me to
wish you all the best with this album and the gigs. Guy Manning's 15 months older interview with us can be found http://www.progarchives.com/forum/forum_posts.asp?TID=58901 - and his homepage is http://www.guymanning.com/2009site/index.html - while his PA profile is http://www.progarchives.com/artist.asp?id=229 -
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