Contemporary Dead Finnish Music Ensemble (2010)
Printed From: Progarchives.com
Category: Progressive Music Lounges
Forum Name: Interviews
Forum Description: Original interviews with Prog artists (which are exclusive to Prog Archives)
URL: http://www.progarchives.com/forum/forum_posts.asp?TID=69808
Printed Date: December 18 2024 at 00:47
Software Version: Web Wiz Forums 11.01 - http://www.webwizforums.com
Topic: Contemporary Dead Finnish Music Ensemble (2010)
Posted By: toroddfuglesteg
Subject: Contemporary Dead Finnish Music Ensemble (2010)
Date Posted: July 31 2010 at 09:29
|
Contemporary Dead Finnish Music Ensemble is a musical community that was formed in 2000, consisting of seasoned musicians with a shared vision: To revive the art of creating and releasing sophisticated, progressive music of the kind that went underground and disappeared from the charts and music press in the 1980's and 90's. Listening to their latest album Land Of Hope, I think they have succeeded. It is a very good album. I got in touch with them for their story so far. Antti Pesonen kindly answered my questions. ---------------------------------- When and by whom was Contemporary Dead Finnish Music Ensemble formed and do you have any background from other bands ? The
Ensemble was formed by myself on the grounds of "Tekniikan
ihmeet" (Technical Wonders) which was a grand one-off project.
During one year we composed a 42 minutes long prog-epos called
"Väylien hälyä" (Channel Noises), performing that and
some other songs on one gig only and recording an concept album
containing the musical work. Tekniikan ihmeet in it's own was formed
on the basis of my long lived previous band "Paha kurki"
(Evil Crane), in which we were already working together with Matti
Jalava and Rami Talja (aka Qumma).
Whose bands were you
influenced by ? We
have a long lists of influences, most notable the great original
progressive groups like Yes, Genesis, UK, ELP, Pink Floyd and King
Crimson but also jazz-rockers like Mahavishnu Orchestra, Return to
Forever, Wigwam, Pekka Pohjola and the more basic rock bands Deep
Purple, Jethro Tull, Talking Heads not to forget classical composers
like Stravinsky, Prokofiev, Wagner, Sibelius, Webern, Berg, Lindberg…
To start with; please give
us your (long or brief) thoughts and lowdowns on....
 Ideal Standards Vol. 1
from 2004
IS
Vol. 1 started out as a continuation for "Channel Noises"
but when it became clear that the same line-up was not anymore
possible, it turned to a documentation of my earlier compositions as
well as some new material. From there it was clear that we needed a
new band for this music. For a long time we had wanted to work with a
female vocalist and I had written many of the songs for that purpose.
In Katja Sirkiä we had found an excellent interpreter. On
our website ( http://cdfme.com/dmp.htm - ) you can find short
descriptions of every piece.
 Land of Hope from 2009 With
the ball rolling Land of Hope was to be the easy successor for Vol.
1, the Volume 2, a sister album if you like. However, as usual in
life, things change and it took also about four years to make! On the
way it became a little different in style - not so dark - and we
didn't want to name it Vol.2 so it was named after one central song
on the album. It
can be seen as three sections: tracks 1-3 (Returning, Stranger in my
Hometown, Psycho Rollercoaster) are sorts of hard rockers, tracks 4-6
(The Orange Tip, Land of Hope, All I Need) more melodic and acoustic
stuff and the rest (ThinKing Music pt. 1, Kharon (On the Ferry) is a
feast for the real prog fans!
What is the latest update
on your band and what is your plans for this year ?
We
have been marketing Land of Hope, upgrading the website and hopefully
start to rehearse for gigs. We have also made a version of "Grand
Old World" to a upcoming Flower Kings tribute album.
How is the writing and
creative processes in your band ? I'm
afraid the music writing lies pretty much in my hands now, he he. I
get strong feedback from the other guys and sometimes good
suggestions on which might work better but in the end I'm calling the
shots. I think that it is a good thing because it gives listener more
coherent vision from our already quite diverse material. I try not to
repeat myself very much and think that in the world there is already
SO MUCH good music that it is stupid to pollute it with some
haphazard copies from other pieces. In
a way I'm constantly thinking music and when it's time to compose
something - when a particular work is needed - I will produce it.
Sometimes it takes longer sometimes it comes very rapidly. If I have
a lot of free time in my hands, I start to compose just for the fun
of it. Or I might be triggered to compose by finding interesting new
sounds from my synthesizers or guitar pedals. Of course more
complicated pieces with thematically advanced forms will take more
time just because they are more laborious. Sometimes
I get an idea of the title or lyrics for the song but usually the
lyrics are made by someone else. Either before or after the music has
been done. I write if I have to but I like to express myself primely
musically. That doesn't mean that we don't appreciate the lyrical
point of a song, on the contrary. I respect writing so much that I
let someone better than me to take care of that. On LOH most lyrics
are written by Make Latvanen or Matti Jalava, both excellent writers.
How would you describe
your music and which bands would you compare your music with ? Vocal-oriented
prog-influenced pop-rock combined with hard hitting intensive
symphonic rock. Progressive without being pompous in a needless
manner. One way to describe our music is trying to imagine a heavy
battleship in space that is loaded with white lilies and red roses
and in the place of the engines there are colossal flocks of
hummingbirds. Heavy solid bottom, eclectic middle-ground and
delicately powerful top makes CDFmE strong and personal sounding. Our
music has been compared to bands like Flower Kings, Ayreon, White
Willow and Spock's Beard. Also, Kate Bush meets Pink Floyd meets King
Crimson meets Martians… or something!
How has the reactions been
so far to your albums and how easy/difficult do you find it to get
any gigs ?
The
reactions has been quite favorable! Both albums have had positive
reviews e.g. in the leading finnish Prog-Magazine Colossus and other
publications as well. One thing that has been mentioned often is the
imaginative use of different elements and that the music evolves and
keeps interest. Also the high level of musicianship is widely
recognized. Finding
gigs really isn't easy in a small country like Finland. However, even
finding time to rehearse a proper setlist is hard enough with a group
of adult people who have small kids etc. Hopefully in the near future
we can be seen performing live because that's the ultimate reward in
playing music!
From where can your albums
be purchased from ? Our
albums can be purchased directly from our website (
http://cdfme.com/music.htm ) or from CD Baby (
http://www.cdbaby.com/Artist/ContemporaryDeadFinnishMusicEn - - http://www.toolonmusiikkitukku.com/ ).
What is your five
favourite albums of all time ? In
no particular order: Inner Mounting Flame by Mahavishnu Orchestra,
Peter Gabriel III by Peter Gabriel, Close to the Edge by Yes, Abbey
Road by The Beatles and Selling England by the Pound by Genesis. Thank you to Antti for this interview. Their PA profile is http://www.progarchives.com/artist.asp?id=5247 - and their homepage is http://www.cdfme.com/ -
|
