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URL: http://www.progarchives.com/forum/forum_posts.asp?TID=67382 Printed Date: November 23 2024 at 19:36 Software Version: Web Wiz Forums 11.01 - http://www.webwizforums.com
Topic: Baliset (May 2010)Posted By: toroddfuglesteg
Subject: Baliset (May 2010)
Date Posted: May 13 2010 at 10:19
Greg Massi was very successful in his two bands Maudlin of the Well & Kayo Dot from 1999 to 2006. He then ventured onto his own with his band Baliset. I got in touch with Greg Massi to find out more about Baliset.
Please tell us more about your time in Kayo Dot and Maudlin At The Well.
Well,
first of all, those two bands and the 10 years I spent with them are
really special to me. I started them with my friend Toby Driver who I
have known for almost 20 years and they really represented our
development as musicians and composers as well as helping us learn
about the music business by trial and error.
I think for me personally, I was not a very
developed songwriter or musician when we started. I was a half decent
guitar player but I was not very confident on my songwriting skills so
as Toby had really created a distinctive sound to his pieces early on,
it made sense to pursue his ideas musically and see where they led us.
Working with Toby for those
10 years really helped me expand my horizons musically and really gave
me the confidence and skills to produce and arrange my own music and
really create my sound as a songwriter.
By 2006, I really had felt that the time was right
to leave Kayo Dot and pursue my own music. I was beginning to develop
my own voice and I was discovering that it was becoming harder and
harder to contribute to the music we were making and that meant to me
that it was time to move on so as to allow them to grow to where they
needed to be without me.
And I think the strength of the last two Kayo Dot
albums show that Toby has refined his artistic goals and really created
a cool new path for himself and the band. I love what they have done,
but at the same time I am very happy to be on my own pursuing my own
artistic path with the musicians in the band I am in now. It’s a very
exciting new journey for me!
In addition to writing, the time in those bands also
introduced me to many people over the years who taught me or helped me
out with all the logistics of releasing your music and really prepared
me for the career that I have now.
I gather Baliset was
originally planned as the solo project for the Kayo Dot and Maudlin Of
The Well member Greg Massi. But long term friend Adam Letourneau joined
together with Lauren Flaherty and Rob Macleod. The solo project became
a band project. Please correct me if I am wrong. But why did you choose
that name ? Baliset really was
started back in 1996. At the time, Toby, Byron and myself (the core
motW members) were in high school and all had our own "one-man bands"
which were demo projects we would record on a boombox or a 4-track and
share with each other. I had finally made a tape of some tunes and
needed a band name. I was reading Dune at the time and looked in the
glossary one day while looking for a band name and Baliset just jumped
out at me as it was a musical instrument in the book and it sounded
really cool to me at the time. So I went with that and it stuck with me
the last 14 years.
As for the album, it was
originally intended to be a 4 song ep. It was always going to be
released under the Baliset name but essentially would have been a solo
project since I was in Kayo Dot at the time and they were my main
priority. Adam has been the Baliset drummer since 1999 when we first
started working together on music projects while in college. So we
started recording in 2003 around the same time that Kayo Dot finished
up work on Choirs of the Eye and I had the free time to pursue it. From
there we recorded it bit by bit over the next 5 years whenever we had
money and time.
My focus was almost always
on finishing the album and I never really had a grand plan for forming
the live group but the dream of bringing it to live on stage was always
there and Adam and I had discussed it many times.
After the album was done, and promotion was needed,
we really believed the project needed to become a real band and get out
there and play. So Dana Chisholm from Dreaded Silence helped us out on
bass and we got Lauren to guest sing with us for our first few gigs and
after Rob joined up as our permanent bass player and Lauren agreed to
be our official lead singer, we had a band.
Please give me your thoughts and lowdowns on your two albums....
Black Light Moon from 2006
When
Kayo Dot was touring, everyone in the band had solo projects they were
selling and promoting on tour so I figured I should release a demo to
try and get the word out about Baliset. So at the time, the song Black
Light Moon was mostly finished musically and I had some acoustic demos
I had recorded with my friend Colin Marston in NYC so I put down some
rough vocals on them, made some ambient bits to tie it all together and
created our first demo. It was a hand made release, which I still make
at home until the 200 limit is reached.
A Time For Rust from 2009 I
could write a novel about the making of this album. It is the
culmination of 10 years of songwriting, 5 years of recording, and
countless hours dwelling on when I would ever finish it.
I found the whole process of making this album was
one thing which truly helped me refine myself creatively and changed my
life dramatically. As circumstances changed, and I grew as a person and
musician over the course of its production, it changed the way I
related to the songs. As I grew more comfortable with writing and
arranging, more material popped up during the lapses between sessions
and while the core songs remained the same on the album, I was creating
the future musical identity of Baliset at the same time.
However, I couldn't move on to the new ideas until
the the debut was done, so that helped give me the drive to finish it
and take these songs to where they needed to be to be my statement to
the world of what I can do and what I have to say musically and
lyrically.
To that end, I am more proud of this album than
almost anything else I have done musically to this point. Some people
like it, and some people don't like it but to me it is a powerful piece
of music that I put my everything into and it came out way better than
I ever expected back in 2003 when we started recording.
What is (mostly) the lyrical themes on your albums ?
On
the album "A Time For Rust," I really drew the lyrical inspiration from
a time of my life in 2002-2004 when I felt very adrift in the world. I
was in my mid-20's, I had a job, I had a band, but I felt very
disconnected from the ideals and aspirations I had when I first decided
I wanted to pursue music. I felt very deeply like I was just going
through the motions and not really experiencing life. So from the
depression came this idea that instead of the immense freedom and
excitement of living on your own that you think about as a kid, you end
up just sitting on the side of everything and exist in this routine and
slowly rust away while life goes on.
To that end, the imagery I used to express it came
from a variety of sources. I am a huge Joss Whedon fan and there was an
episode of Angel called “Lonely Hearts” which I related to a lot and
felt encapsulated the vibe I was trying to express.
Also during the last few years, I have been
suffering from a very bad case of anxiety disorder and so a lot of the
lyrics over the course of the whole album make reference to that
directly and indirectly.
I also think I went through the pre-requisite T.S.
Eliot “The Wasteland” phase as well and that was something directly
quoted in the title track of the album.
These
aren’t the most original ideas I know, but they are honest reflections
of what I was feeling at the time and it seemed like a worthwhile and
meaningful concept to pursue lyrically.
Also during the last few years, I have been
suffering from a very bad case of anxiety disorder and so a lot of the
lyrics over the course of the whole album make reference to that
directly and indirectly.
To sum up, I just tend to write about myself and I
feel a lot of people fo through similar periods in their lives,
although they may experience things differently, there tends to be
these universal themes which I tried to express in the hopes of getting
the listener to relate to the songs on a deeper level if they so chose.
Or if they didn’t relate to it directly, they could just enjoy the
words and music.
What is the latest update on your band ?
We
are currently booking gigs in the Boston area, and finishing up the
promotional work on "A Time For Rust." We have scheduled recording time
in May to begin the 2nd Baliset album and we have are all getting very
psyched by the new material. Everyone is really bringing alot of great
ideas to the table and as a band, we have really awesome chemistry and
it is inspiring to watch the songs I write at home on my acoustic turn
into these huge powerful pieces. So hopefully recording will take a lot
less than 5 years and we can get the new record out early next year.
It will be a concept album that we are hoping to
release digitally and on vinyl with the rough working title of “The
Scavenger’s Daughter.”
I am just
finishing up the rough draft of the story and I am in discussions with
our album artist Eliran Kantor and a NYC photographer named Gemma
Fleming to work on art, photo and video direction to help bring the
story to life and make a truly awesome package for the listener to
experience.
How would you describe your music and who would you compare yourself with ?
I
usually use the term “atmospheric rock” to describe us because at least
on record we have a lot of textures and keyboards that accompany the
music. I think my idea with these songs was to combine elements of
bands I love and see what happens.
So if I would compare with us other bands, I took
the high energy of Iron Maiden and mixed it with the more atmospheric
vibe of Porcupine Tree or Chroma Key and that was the starting point.
People will probably hear our influences pretty easily I think, as the
material is still our very first stuff and we are still learning, but I
hope that the honesty and emotion comes through because that is the
true reflection of our music.
What is the availability of your albums and what is your experiences with the music industry ?
Our
album and demo were both released through my own label called Ret Con
Recordings. As of now you can purchase "A Time For Rust" through our
website http://www.baliset.net - in either a cd or digital format, ITunes, The Omega mailorder, the Kayo Dot webstore, or CD Baby.
As well you can order the Black Light Moon demo or a t-shirt by contacting me directly at mailto:[email protected] -
How is the gig situation for your band ?
We
are slowly building up a local fan base here in Boston. We played a
handful of shows last year and right now we have a few more on the
horizon. We are hoping to expand to different states but touring is a
difficult prospect for a band at our level right now since we are still
relatively unknown.
It’s been an interesting experience since we are
only a four piece live without keyboards or a second guitar, so we have
had to re-arrange some parts in the songs to make up for the lack of
ambience or harmony parts.
Our stage show is slowly coming together as we learn
with each gig what songs work live and which ones don’t and I think we
will be developing that aspect of our music over the next year or so.
But the feedback I have gotten has been rather positive so I think we
are developing on the right path and hopefully be a top notch live act
soon. Do you have any regrets in your career ?
I
try very hard to not live with regrets about my career choices. It is a
cliche saying but every choice or decision you have made is what in
turn creates who you are now. As long as I am feeling truly connected
to the music I make, and feel like I am progressing as an artist then
there can be no regret about how I got here, how long it took, or what
could have been in the past.
That being said, I do find the one regret that will
always stay with me is that I was unable to finish my album before my
Mom passed away in 2008. She had always been so supportive of
everything I did and was always pushing me to record my own material
and she never got a chance to hear the finished product.
How do you see the future of Baliset ?
I
see us continuing to make and self-release our albums for the time
being. We have no strong desire to be on a label unless the
circumstances and benefits of moving to that level seem appropriate. We
want to continue to be a self-sufficient band but we realize that this
won't be paying our bills any time soon. The money from gigs, album
sales, and a good chunk of the money I make at my day job goes right
back into the band fund to help with replenishing our merch supplies
and funding our studio time.
Some of us have families,
jobs, mortgages, etc. to deal with so touring is not something on the
horizon from a financial standpoint but also not being ruled out either
if we make big strides in increasing our name recognition and get more
money rolling in. We are just taking our career one step at a time and
doing the best we can to spread the word
What is your five all-time favourite albums ?
It changes all the time but right now this would be the current list: 1. Iron Maiden – Seventh Son Of A Seventh Son
2. Jethro Tull – Thick As A Brick 3. Cerberus Shoal – The Land We All Believe In
4. Bruce Dickinson – The Chemical Wedding 5. Chroma Key – You Go Now
Anything you want to add to this interview ?
Thank
you so much for the interview. I have been a big time prog fan for a
long time and to see my musical efforts being well received by other
prog fans has been very gratifying.
I encourage anyone who might be interested in checking us out to head over to the website http://www.baliset.net - where
“A Time For Rust” is streaming for free and see if you like it. We are
paying for this all by ourselves so if you enjoy what we do, please
consider buying an album or a t-shirt or even making a paypal donation
to help us in our quest to keep making music.
Thank you for your time!
A big thank you to Greg for this informative interview. His PA profile is http://www.progarchives.com/artist.asp?id=5067 - and you will find his homepage listed above.