file:///C:%5CUsers%5CLynnette%5CAppData%5CLocal%5CTemp%5Cmsohtml1%5C01%5Cclip_filelist.xml - UPCOMING SHOW: On Saturday, Nov. 1, The Red Masque
will be performing at http://www.orionsound.com/ - Baltimore.
Improv-band http://paulsears.net/maximalists/ - - http://theredmasque.com/shows.html
for information.
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Red Masque, The: Fossil Eyes
by Pete Pardo / Sea
of Tranquility
You never quite know what you're going to get with Philadelphia's The Red Masque. This band
loves to throw curveball after curveball at the listener with each release,
drawing upon influences that cover the gamut of progressive rock, gothic,
psychedelic, classic rock, and avant-garde styles. Their latest Fossil Eyes,
and first for ReR/Ad Hoc Records, is no exception.
Opening track "The Spider is the Web" kicks things off in spectacular
fashion, a beefy, almost 'metal' tinged rocker that is like a head on collision
between Van Der Graaf Generator, Magma, and Isis, Brandon Lord Ross' humongous
bass lines driving the arrangement while the slithery, crawling guitar licks
from Andrew Kowal add that psychedelic edge. Lead singer Lynnette Shelley adds
in her ominous vocals on the creepy "Carbon 14", another aggressive
number with rumbling bass and crunchy guitars, with the tricky stick work of
drummer Vonorn providing plenty of jazzy underpinnings to this otherwise heavy
and foreboding track. After the haunting & brief instrumental
"Gliese", the band comes back with "Das Snail", a chaotic
slice of avant-garde mayhem, dissonant guitars slashing across the mix above
crashing drum work from Vonorn, Shelley painting the landscape with her
intoxicating storytelling, much like a female Jim Morrison. On this one, the
band is quite effective jumping from soft interludes to loud chaos. Another
short instrumental, the spacey "The Worm", bridges the gap to
"Carbon 13", a perfect soundtrack to your worst nightmare, complete
with distorted bass lines, squawking guitars, noisy drums blasts, and Shelley's
maniacal rantings. There's a certain King Crimson meets Jefferson Airplane
meets Captain Beefheart feel to this one, making it quite an intriguing
listening experience. After a couple of shorter, effects laden pieces, the band
tears into "Polyphemus", a track littered with bulbuous bass, lots of
wild effects created by keyboards, theremin, and guitars, and Lynnette's
mysterious vocals. After the downright spooky "Metamorphosis", the
epic finale "The Anti-Man (Not Afraid)" crashes out of the gate in
almost doom metal fashion, Shelley's vocals almost defiant against heavy guitar
& bass riffs and Vonorn's thunderous drum barrage. Lots of twisting and
weaving instrumentation on this one, a heavy prog lovers dream, and easily one
of the strongest songs to date from The Red Masque discography.
Lyrically, this is some pretty intense and dense stuff, and makes for
interesting reading as you are listening to the demanding music that the band
has created here (full lyrics are included). Nice job on the overall production
by Vonorn, making Fossil Eyes a very bombastic sounding CD at times, yet dark
and ominous when needed during the quieter moments. Due to the heavier nature
of some of these songs, I can see Fossil Eyes appealing to the non-prog crowd
as well, which should be a good thing as this band has been paying their dues
for a few years now and seem like they are ready to be accepted by a larger
audience willing to give their unique style a listen.
For info on purchasing Fossil Eyes, or to listen to some samples, please
visit http://theredmasque.com/fossil-eyes.html.
THE RED MASQUE | theredmasque.com | myspace.com/myredmasque
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