Hi Clive and Agneiszka. We all know Clive well of course, so perhaps you could start off by telling us a bit about Agneiszka. I know you come from Poland but apart from that, a quick Google search for you on the internet finds only Caamora and the related press releases. What is your musical background?

Have you sung with other artists or bands?

Have you released any albums under your own name?

Do you play any musical instruments?

Who are your musical influences, which bands and artists do you enjoy?

Agneiszka's background is described in the press release simply as ??? Is it your intention to build an air of intrigue and mystery around her?

The two of you apparently met as the result of a sort of blind date. How did you go from there to planning an entire major project together?

How much of the project did you have planned already Clive before Agneiszka came on board?

Will Agneiszka be involved in the writing, arranging and production of "She"?

What "part" will Agneiszka be taking on, narrator, a character, etc?

What sort of music do you envisage for "She"? Will it be predominantly vocal, orchestral, etc.? Will space be found for a few virtuoso keyboard performances too (please!)?

How representative are the tracks on the EP of what we can expect from "She"?

The November dates are described as "Two man" shows. Will you have a backing band with you, or will it simply be keyboards and vocals?

Following on from that, the DVD is to be a partially staged performance of "She" filmed in a theatre. Does this imply some sort of theatrical presentation beyond simply performing the music? Any thoughts at this stage where the performance will take place, will it be part of a tour?

The first gigs to be announced are in Europe and South America. Those in Europe are with Galahad. Will the South American dates be in a partnership with another act? Why did you choose these locations to introduce Caamora?

You have produced several concept projects now Clive. Do you have any ambitions to move into stage shows, films etc?

A project like this sounds like a major undertaking. Does it involve a degree of financial risk for you in terms of the investment required?

It was recently announced that Arena are also starting work on their next album. Clearly you enjoy the pressure of working on various projects at the same time Clive, but how do you split your time between them equitably?

Parts one and two of the Strangers on a Train trilogy have been around for several years now. Any thoughts on when the final part will be completed, perhaps with Agneiszka singing on it?

Agneiszka, had you come across any of Clive's work before you met? With all his projects there is a lot to catch up on! Which of them has caught your ear so far?

Clive, do you feel that each of your projects must retain its own sound and feel? For example, could Arena ever have a female vocalist? Do you write differently for different bands, or would you say write something and immediately know the song was right for Caamora but not Pendragon.

Does the adoption of female vocals imply a generally softer and more melodic approach to the music for this project?

Is touring a necessary evil, or do you still find it rewarding and enjoyable?

Most if not all of the bands you have been involved with Clive have been classified as Progressive rock. Do such classifications matter to you?

How familiar are you with progressive rock Agneiszka? The band Riverside from Poland are highly thought of on our website.

Finally Clive, a question about Arena. A new "Best of" collection is to be released shortly to celebrate 10 years of the band (Congratulations by the way!). How were the tracks for that album selected? Were all the band members involved?