DeepPhreeze wrote:
Those who don't care for Hendrix have some company on these boards |
Because when you listen to prog you're automatically diversifying the talents you hear, and after a while you realize that there is a lot more to offer than just 'funk over blues' chords.
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Thanks DeepPhreeze for the enlightened response...Fortunately your ignorance precedes you as evidenced in the thread: Is Rolling Stone really this dumb?
Just to summarize your salient arguments for Mr Hendrix being overrated:
1) "Why does the mindless worshipping of Hendrix continue? Is there no justice?"
2) "And Hendrix really isn't the guitar-god people make him out to be. He's hyped because 1) he was black and 2) he wasn't a rich kid growing up It's like rooting for the home team -- nobody knows why you have to do it, you just have to. Well, I call bluff --- Hendrix wasn't that great as a guitarist nor as a songwriter. Without Bob Dylan giving him suggestions he'd have been helpless. I was reading Nick Mason's book on the entire history of Pink Floyd from 1964 forward and guess who was a big fan of Pink Floyd? Hendrix. He loved to hang out with Syd --- and he liked to share ideas with him as well. That meant technique, subject matter, tones, etc. David Gilmour didn't take after Hendrix. He never wanted to play fast, or play 'funky' chords, or lay out complex progressions. Gilmour has the steadiest hand of any guitarist ever and should definitely have made the top 5. Hell, just for the famous guitar tones he pulled from his Strat, he should get an award. He pioneered the tape delay; no cheap gimmicks anywhere. He was a revolutionary in every sense of the word. Clapton, on the other hand, is a second-rate guitarist. Even BECK was farther ahead than he was... and that's saying a lot." 3) (In response to: Me: Hendrix considered a guitar god because he was black & wasn't from a rich background? Then I guess there are a whole lot of guitar gods running around...)
--- by word of mouth, on every jungle gym, in every Elementary School. The hype around something/someone can only stand so long before people get sick of it."
You see, I've given you full credit (which you richly deserve)...Now to address your (ahem) arguments:
- Which is it...Did Hendrix play "just 'funk over blues' chords" or "lay out complex progressions"?
- "he was black"...Let's keep the racial angle to a minimum, this is a music-oriented board...Presumably your point is that Gilmour doesn't get enough love because he's white...
- "By word of mouth..."...Big difference between kids & teens idolizing one of their own because he/she can play an instrument vs other world-famous musicians revering Hendrix
- "He pioneered the tape delay"...Gilmour is not mentioned in any article re: invention of the tape delay. Who is? Terry Riley (50's & 60's), Steve Reich (mid-60's) & Eno/Fripp (early 70's)...Look it up...If you want to give any guitar player credit then give it to Les Paul...
- Gilmour is "evolutionary", not "revolutionary"...The difference is that people who heard Hendrix play recognized it as something brand new, a leap forward. Gilmour is very good, no doubt about it, but doesn't engender that same reaction (with good reason)...
- "Steve Howe and Steve Hackett have won more awards each for their guitar abilities than any of those musicians combined"...If this were simply a contest of most awards won, and that would be the primary/only gauge of talent then we could just count up the grammys & be done with it, or award the title to those with the most #1 records...
And oh yeah, should have replied with these little tidbits earlier:
- "Dave Gilmour of Pink Floyd lists him as a major influence. When Gilmour saw Hendrix playing in a London nightclub in 1966, Gilmour said that nobody who saw that performance left the club not thinking that Hendrix would go all the way to the top." (from a Gilmour biography)...
- (From an interview w/Jimmy Haun/guitar player on Yes/UNION): Alan was great and Chris is a great guy. One night him and I stayed up and he told me a story about the early years with Yes, how they played a show with the then unknown Jimi Hendrix. When Yes went on, there were all these big names in the audience, Clapton, Townsend, Entwistle, and Chris thought to himself "Well, we must be making quite a splash to lure these guys." After the last song the audience went wild and Yes was very excited until they figured out it was really for the new sensation Jimi Hendrix.
HP: As you mention Jimi Hendrix... I understand you're also a left-handed guitarist, yes? ... and sometimes called Jimi, with a surname beginning 'H'... You've a few things in common with Hendrix! As a fellow lefty, has he been a special influence on your work?
JH: No doubt and he still is. His approach to playing electric guitar has influenced every electric guitar player since him, even Steve [Howe] (the guitar break in "Yours is No Disgrace")...
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