Hey fellow proggers,
I am writing my final paper for my musicology studies on the topic of Cardiacs.
More
specifically I am reviewing "A Little Man And A House And The Whole
World Window" under the premise of conceptalbum.
Full Album:
http://www.youtube.com/watch?v=ke7dmA0qOLI&list=RDke7dmA0qOLI" rel="nofollow - https://www.youtube.com/watch?v=ke7dmA0qOLI&list=RDke7dmA0qOLI
A Little Man and A House Video: (Sorry, I donīt get the hyperlinks working)
http://www.youtube.com/watch?v=LSbRmyVMRhU&list=RDLSbRmyVMRhU" rel="nofollow - https://www.youtube.com/watch?v=LSbRmyVMRhU&list=RDLSbRmyVMRhU
For that premise I also
try to summarize their specific style and theoretical groundworkings.
With these two in Mind I will also open up the question about "culture
criticism" both through lyrics and music inherently. The Cardiacs use
time signature and especially tonality very anarchisticly contrasting.
I wanted to ask if any of you have special insights in:
- the music theory of the cardiacs - your opinion on whether its a conceptalbum and if true what it might be about
- have or know good transcriptions for that record (I have some from Musescore) - know good literature about the "concept album" -
have an original album copy of the album (and maybe could send me
pictures of the booklet of some of the first pressings? Maybe even
vynil?) - attending a cardiacs concert at the time and how you perceived the mood of the audience. - know original reviews of that time?
- anything really related to that specific album or Cardiacs in general is appreciated greatly ; )
I
am also interested in an idea that I call "Cardiacs as the inventors of
hyperpop". By overemphasizing elements like the hook, An overtly
extreme but otherworldly catchiness, Or danceableness. In a way the
cardiacs might try to show manipulation in pop music by overcomplicating
rhythms that are actually quite simple in nature and substituting rows
of basic cadences with manic (functionally) chromatic chords. All the
while hammering down simple major chords in a punky anarchic fashion.
But maybe this is just a funny idea and after all smiths music is just
about freedom of the form, like so many prog bands work. (Devin
Townsends Empath comes to mind).
I know this is
quite a lot, but I didnīt wanna start a myriad of threads and for once
in my life use the potential of knowing a bunch of very sweet music
nerds.
I am very thankful for any collaboration and opinions !!
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