Tavistock Wharf is not the sort of venue you normally expect to find a band like Yes. With a capacity of less than 400 they normally cater for tribute bands (ok, cue the inevitable jokes).
This was a pre-tour show, a warm up gig for their Close to the Edge 50th anniversary tour. It was announced at quite short notice, I bought my ticket the day Alan White died, and it was dedicated to his memory.
The advantage of a small venue like this is that you get really close to the band. You could see every expression and the signals going between the band. It was quite a different experience to what the main tour shows will be. What really interested me was the interplay between the band.
While Steve was in charge as you’d expect, it seemed to me that Billy Sherwood was the one holding everything together, signaling the changes as they happened. Jay Schellen was beaming like a big kid most of the time, but you could see he was mouthing like crazy in some sections, then I realised he was counting hard 1, 2, 3, 4, 5, 6, 7…
Geoff Downes was supremely nonchalant, done it all before many times, while Steve Howe’s expressions were priceless. The faces he pulled while playing were amazing, questioning, surprised, smiling, frowning, he could be a rubber-faced comedian like Les Dawson (Brits will know who I mean).
Music - they kicked off with On the silent wings of freedom, which was in interesting choice. Steve said they hadn’t played that live since the 70s. They played a lot off Fragile and the Yes album, plus one off Time and a Word (can’t remember the name now).
A couple off the new album, plus Close to the Edge in entirety. Steve announced Close to the Edge and Jay Schellen clicked them in immediately, forgetting the bird song introduction, apparently that was how they’d rehearsed.
I’ve never seen Yes before - I had a ticket for the 90125 tour, but couldn’t go. It’s obviously a very different band now to what they were, but a really good show, and nice to see how the band works together from close up.
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