My
husband and I saw Yes in two shows this week, Ohio (8/14) and Michigan (8/15).
Overall
impression:
Both
shows were very good, solidly played, had an interesting set list and high level of
musicianship, and appeared to be enjoyed very much by the vast majority of the
crowd. The OH show was more inspired,
but the sound was better at the MI show, so I enjoyed both about equally.
The
band:
Steve
Howe: sweet merciful jesus, but that man can sure play the guitar. He was
great.
Alan
White: I was a bit concerned because, although on last year’s tour (saw two
shows), he was great, in the DVD from last year’s concert in Bristol (Like It
Is), the songs were dragging somewhat,* and I thought the version of CTTE on the
Mesa concert was a bit tentative as well. Not so in OH – he played at just the right
tempo, and in MI, only slowed a little on two songs, the second halves of Seen
All Good People and GFTO. Otherwise, he
was spot on, and the pace on Siberian Khatru was pretty blistering.
*In
White’s defense, the audience in Bristol had apparently been dug up from a
local cemetery, and I can’t imagine anyone who could have played an upbeat show
in response to their complete lack of interest in the proceedings.
Billy
Sherwood: well, considering the show started with the audience applauding Chris
Squire’s bass, the man had a whole lot to live up to, but he did a very
credible job, particularly during the second half of the show.
Geoff
Downes: not sure where the keyboards were for the first two-thirds of the show,
but once they started coming through (on SK, SAGP, Roundabout and Starship
Trooper), he sounded good.
Jon
Davidson: I must confess I’m not a big fan, and found him way too shrill on the
first night, but part of that may have been the sound being a bit off. He sounded much better in MI. Still not a big fan - his voice just isn't very expressive.
High
points:
Steve
Howe on SK and ST. Both nights. Awesome.
Siberian
Khatru. Both nights. Worth the price of
admission and the long drive from KY alone.
The opening
tribute to Squire, which I am sure everyone has seen on youtube by now. If not, https://www.youtube.com/watch?v=Q7Vq1LmRa8o" rel="nofollow -
The
band’s interplay: one thing I notice from watching early 2000 DVDs (Symphonic
Live, Live at Montreux, etc.) was how each band member (which the occasional
exception of Squire) would stand in his own area and not even look at the
others, as if they were all playing in completely separate locations, which
does make me wonder about what on earth was going on between all of them. This
iteration of Yes actually seem to like each other and like playing together. I
enjoyed watching that.
Really
fun versions of Roundabout and I’ve Seen All Good People.
Low
points:
Nothing
personal, but America is one of my favorite Paul Simon songs, and I love the
simplicity of the original. I just don’t
enjoy seeing it reworked so elaborately, but I did prefer the version this
weekend to the one on Keys to Ascension.
I don’t
like Owner of a Lonely Heart. I have never liked Owner of a Lonely Heart. I
probably never will like Owner of a Lonely Heart. Just a song to which I have to resign myself.
Downes’
keyboards cut out a few times on the second night. Not anyone’s fault, I assume, but it was a
part of the show where he was actually supposed to be heard, so bummer for both
him and us.
Incredibly
low point:
About
two or three songs in (it was so awful I’ve tried to forget it), Davidson asked
everyone in the audience to say in unison “Chris, we love you and we will never forget
you.” In contrast to the beautiful simplicity of the opening tribute, it was
cheap and embarrassing and my husband and I both ducked our heads and cringed. It
was appalling, and he really needs to
stop doing this.
Extra
observations:
My
husband thought they should have started with GFTO and played Don’t Kill the
Whale further down in the set list, but I thought it worked well as an opening
number, and I think that after the Squire tribute, a song that had a more serious
message was necessary.
Tempus
Fugit was fun.
Time
and a Word could have used a lot more keyboards.
On the
first night (OH), Howe clearly came on determined to make sure the audience
enjoyed themselves. He was very animated, and more relaxed with the audience
than I have seen him in the past (live and on DVD). He even made a joke, and
what’s more, it was amusing. He was a bit less outgoing in MI, which is why I think
the concert was less inspired.
I don’t
know what it is with American audiences and beating the traffic. A lot of people – even though they were
clearly en masse enjoying the show – left before the encore. Who misses out on the encore of a concert
they are enjoying? Especially when a little on line research would have let you
know the encore was Starship Trooper? What is wrong with these people?
Sherwood
needs to wash his hair more often, or buy a more effective brand of shampoo.
My husband,
who plays the drums, noted that White had simplified his parts in a few places.
In the context of a concert, I didn’t notice (that’s what I have him for) but
he found it a bit disappointing.
There
were tshirts with the Yes logo and a Roger Dean-designed fish for sale. I
bought one. Very nice tribute.
There
were four very drunk guys in front of me at the MI show who were obviously
dedicated Yes fans and who had a hell of a great time. I didn’t mind because they were boisterously
happy without being obnoxious about it, and although I don’t usually like public
drunks, it would have been churlish to begrudge them their fun.
I
got to meet Rushfan4 in between the acts in MI.
Hi, Rushfan4!
Toto:
They
were fine, certainly not great. The
songs were well played, but with the exception of a few songs from the new
album (which I sure didn’t see anyone lining up to buy), they weren’t good enough
to raise the band beyond their obviously solid musicianship. The crowd in OH
was more into their set then the crowd in MI (many people in MI did not bother
to take their seats until Toto was done), but aside from jumping up and down to
Africa, Hold the Line and Roseanna, neither audience really seemed as
incredibly impressed as cemego’s review (over in prog polls, The Future of Yes) seemed to
imply. They did a good job with the material
they had, but I still can’t see ever buying a Toto album. Anyone else see a concert from this tour and have an opinion? I'd be interested to hear it.
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