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Ytse_Jam ![]() Forum Senior Member ![]() ![]() Joined: December 08 2011 Location: Italy Status: Offline Points: 502 |
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In fact I must say that I knew them reading about DT's inspirations, and I liked them :D
Edited by Ytse_Jam - December 17 2011 at 17:11 |
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infocat ![]() Forum Senior Member ![]() ![]() VIP Member Joined: June 10 2011 Location: Colorado, USA Status: Offline Points: 4671 |
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If I recall correctly, the first time I saw DT the opening band was...The Dixie Dregs!
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Frank Swarbrick Belief is not Truth. |
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Slartibartfast ![]() Collaborator ![]() ![]() Honorary Collaborator / In Memoriam Joined: April 29 2006 Location: Atlantais Status: Offline Points: 29630 |
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By the way:
http://www.progarchives.com/forum/forum_posts.asp?TID=80053&KW=steve+morse http://jasobrecht.com/steve-morse-complete-1978-dixie-dregs-interview/ ![]() Edited by Slartibartfast - December 17 2011 at 20:05 |
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Released date are often when it it impacted you but recorded dates are when it really happened...
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Blacksword ![]() Prog Reviewer ![]() ![]() Joined: June 22 2004 Location: England Status: Offline Points: 16130 |
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Yes, it was definitely the VDGG version. I had it on numerous tapes I recorded from the show, but only found out by chance it was VDGG years later, when I bought a VDGG compilation, on the back of a recommendation from folk here at PA. ![]() |
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Ultimately bored by endless ecstasy!
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lucas ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: February 06 2004 Location: France Status: Offline Points: 8138 |
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yes, great band. Mainly jazz/fusion but always pushing the boundaries of this "tag" to include country/bluegrass, southern rock (Allman Brothers was a great influence), classical music (mainly Bach), pop (cf 'industry standard'), black music (some funk on the first album, some blues on night of the living dregs).
The Lavitz' 'storytime' and 'from the west' are recommended if you like Dixie Dregs. Also Steve Morse Band (the very first two albums are in the vein of Dixie Dregs, albeit more eclectic), then High tension Wires is more ambient/melodic guitar stuff but very enjoyable, then he turned shredding/hard rock with Dave Larue on bass guitar and Van Romaine on drums, but eclectism is still present and guitar solos are aerial and melodic.
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"Magma was the very first gothic rock band" (Didier Lockwood)
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Jbird ![]() Forum Senior Member ![]() Joined: June 20 2011 Status: Offline Points: 338 |
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I saw the Dixie Dregs back in 2000, with the Steve Morse Band as the opening act
![]() Great, great show.
As far as the original lineup albums go, 'What If' is my least favorite. I know it's most peoples fav, but it just doesnt grab me the way the others do, though I still like it.
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TODDLER ![]() Forum Senior Member ![]() ![]() VIP Member Joined: August 28 2009 Location: Vineland, N.J. Status: Offline Points: 3126 |
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Steve Morse adapts a side of theory that he creates from and developed it into the music of the Dregs. He plays a scale and creates close to 12 patterns from it and makes itself evident in the Dregs music. When he is working against gravity with his right hand he is in an untouchable world unless you're John McLaughlin. Steve Morse really has this musical aspect mastered and he is just amazing. When picking with your right hand and depending on the structure of notes and fret jumping positions...your right hand must sometimes change it's position into a curve or slant in order to produce that many notes with melodic texture. Steve Morse is a master at this ...what an amazing guitar player.
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AreYouHuman ![]() Forum Senior Member ![]() ![]() Joined: April 12 2013 Location: Michigan Status: Offline Points: 470 |
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Looks like this thread could use livening up…
![]() I was stationed with the Navy in Charleston, SC from 1980 to 1983. The concert scene there and then would best be described as Feast or Famine. Most of the time we’d get artists like Leon Russell or Dr. Hook or the current version of the Guess Who, who were past their commercial heyday. Or…at least four times in a 2-year period, we had the Dixie Dregs, for crying out loud! A band that clearly had their sights on making excellent music and not radio-ready manufactured swill that local radio was force-feeding us (tho it got a little better 1982 on). I caught them twice, first in December 1981, after Mark O’Connor replaced Alan Sloan on violin. The venue was called Derriere’s (seriously) and was clearly a place where live acts were not the highest priority. The doors opened at 8 PM but the band didn’t come on until around 10:30. A local DJ could be heard, but not seen, from backstage trying to warm up the crowd. It’s just as well he wasn’t onstage, because he was receiving plenty of boos and one-finger salutes as it is. This was because he was from a station with the most restrictive, tight-assed playlist imaginable. They promoted the show but gave the band no more than lip service. Where I worked, I was essentially forced to listen to this station all day. I really, really grew to loathe Journey, Foreigner and Survivor. To this day I try to avoid subjecting my ears to “Don’t Stop Believing” at all costs. ![]() Back to the show, when it finally started, it was worth the wait. I’d secured an excellent seat where I could witness their virtuoso musicianship up close. At the time I didn’t own any of their albums so I wasn’t familiar with really any individual songs, but that didn’t stop me from enjoying what I still consider one of the top five concerts I’ve ever been to. They didn’t let up, from slower numbers like “Night Meets Light” to the country-flavored “The Bash” to the more complex “Odyssey.” They closed with their extended treatment of “Cruise Control” which at one point was down to Steve Morse and Rod Morgenstein; I never thought a guitar and drums-percussion duet would hold my attention that well, as they coaxed forth some amazing textures before the rest of the band jumped in, trading off solos in the same rapid-fire fashion live as they did on their records before bringing it to an explosive conclusion (yes, there were pyrotechnics, but they were minimal). Only seven months later (July 1982), they returned to the same venue, still promoted by the same station, who still paid them only lip service; and who, BTW, used “Crank it up!” as their on-air slogan. That was also the title of the single (their attempt to break through to AOR radio) off the band’s latest album “Industry Standard,” but these cretins still wouldn’t play that or any of their songs. Anyway…this was an equally great show, though notable for their being down to a four-piece; Mark O’Connor had moved on and they didn’t replace him. I don’t remember this show in nearly as great detail, partially due to distractions I won’t go into. They didn’t do “Crank It Up”, but they did do “Cruise Control” again, in much the same manner; during the guitar-drums duet, Morse threw in a riff from “Whole Lotta Love.” I already had “What If” by that time and started buying up their other albums after that. “What If” is still my favorite Dregs album to this day. Haven’t seen them live since, during their occasional reunion tours, though I did catch Steve Morse with Kansas in 1987. Have continued to follow Morse’s career with his own band. Still great! ![]() |
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zumacraig ![]() Forum Senior Member ![]() ![]() Joined: December 10 2011 Status: Offline Points: 1301 |
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The Dregs! Absolutley love Rod Morganstein. One of the most enjoyable drummers to watch. He did an album with Jazz Is Dead several years ago which is worth checking out. Of course, Morse is a bad ass!!
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Stardust we are.
-Roine Stolt |
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Sagichim ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: November 29 2006 Location: Israel Status: Offline Points: 6632 |
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For the past few month my ringtone is the song Holiday. Such a perfect song.
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