Reviews of Fictional Albums Thread |
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RoyFairbank
Forum Senior Member Joined: January 07 2008 Location: Somewhere Status: Offline Points: 1072 |
Topic: Reviews of Fictional Albums Thread Posted: April 20 2010 at 19:39 |
If possible should include album cover and should be serious in form if not in content
Mine: Stars (1972) Stars Syd Barrett _____ Guitar, Vocals Jack Monck_____Bass Twink__________Drums ----------------------------------------------------------------------------------------- Napster recently made Stars available for download. Having never been a huge fan of Syd Barrett's solo output (The Madcap Laughs, Barrett, both 1970), I did not feel compelled to buy the CD. I wasn't sure what to expect after the chaotic and psychologically disturbed work on Syd's two albums and was curious to see if it was true that Barrett had "rebounded" as All Music put it. Listening to the album, I was ironically filled with a yearning for the eccentric unpredictability of his earlier work. Even by 1972 standards the album is recorded quite primitively but the music itself is largely smooth folky pop and professional sounding, which also happens to be its downfall; smooth, but featureless, professional, but formulaic. The lyrics are certainly "saner" than anything from earlier Syd, but they are inexcusably boring love songs that come off quite cold and uninspired. On the other hand, it is a joy to hear Syd's voice recover from its unsteady (if haunting) lows of 1970 and back to the standard of Pink Floyd's first year. While Stars was reportedly playing Piper-era Pink Floyd material in concert earlier in the year (1972), this album hints at little psychedelic influence. Although Syd is a reasonable guitarist, the band clearly does not have the musical chops to dabble in much experimentation: It is hard to recall a moment where Syd lets loose on the guitar during the entire album and the drumming and bass lines are subdued. Some of the material is outright inconsequential, such as the "Cambridge Blues," which is very traditional sounding but little else. A few tracks do stand out, such as "Move" which reminds of "Gigolo Aunt" from the Barrett album. Overall, a dissapointment for those seeking either a product like Pink Floyd's contemporary work, Pink Floyd's Barrett-era work, or even Syd Barrett's prior solo work. The rating is clearly 2/5, collectors/fans only. ------------------- |
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CinemaZebra
Forum Senior Member Joined: March 13 2010 Location: Ancient Rome Status: Offline Points: 6795 |
Posted: April 20 2010 at 21:16 |
Rorschach Holiday - This Is What I See When I Close My Eyes (2066, alternate dimension)
Ol' Dirty b*****d and Tori Amos - Vocals Esham - Keyboarding (unknown) - Lead Guitar Barney the Dinosaur - Drums/Alternate Percussion Freddy Krueger - Bass Guitar Nanci Pelosi - Sewer Pipes ---------------------------------------------------------------------------------------------------- This is one of the most uplifting albums I've ever heard. Gorgeous in it's purpose, and beautiful in it's delivery, I recommend to everyone in need of some encouraging music. TIWISWICME is a concept album about a young woman (voiced by Tori Amos), who died but was brought back to life through the power of mystic heroin provided by a middle-aged rapper (voiced by Ol' Dirty). It seems bizarre at first, but once you get to know the characters you'll quickly fall in love with them and cheer on as the story continues chronicling their marriage and financial issues. But even without the awe-inspiring lyrics, the music itself is soothing and encouraging, even on it's own. Esham's keyboarding remains off-tempo throughout the entire album but never fails to delight and satisfy. Barney's drums (and occasional bongo playing) are also very captivating and really get you in the pumped-up-attitude where you just want to eat your cereal and go to school with a positive feeling. Now as for Freddy on bass....I couldn't hear it. I'm sure it was good though, maybe I could find a stand-alone instrumental of it. As for Pelosi, her unique "sewer pipe sex technique" seems a little strange but still very enjoyable and without it, I don't think the album would be complete. As for the lead guitar, I wasn't informed who performed it but it was okay. It doesn't add much too the album but it certainly doesn't diminsh it. Overall, if you're feeling in the dumps or even a little depressed, check this one out. It's heartwarming, encouraging, and uplifting, just like every ear-rape techno prog album should be. Easily...5/5 Edited by CinemaZebra - April 20 2010 at 21:18 |
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shockedjazz
Forum Senior Member Joined: March 12 2008 Location: Madrid (spain) Status: Offline Points: 169 |
Posted: April 21 2010 at 12:13 |
Funny.
what about saying Dick Dale is the lead guitar and singer on Resident,s Third Reich Rockand roll?
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Vompatti
Forum Senior Member VIP Member Joined: October 22 2005 Location: elsewhere Status: Offline Points: 67407 |
Posted: April 21 2010 at 12:33 |
(Previously published in Off at Tangents:)
This review of an unexisting album came to me in a dream. I here repeat it as I remember it: Hazellight Angel - These Wings of Birds and Butterflies (4AD 2007) If I were to describe Hazellight Angel's latest release with one word, that word would be "beautiful." But since I have the freedom to express my opinion more precisely, I might add that it's also captivating, surprising and very, very impressive. After the brilliant Dawn's Herald and the adventurous, yet slightly unbalanced Shadow of a Trout Hazellight Angel have produced what I predict will be recognized as their magnus opus for years to come. These Wings of Birds and Butterflies (TWoBaB from now on) is nothing like any of Hazellight Angel's previous albums. In fact, an album quite like it has never been made by anyone. One might even argue that TWoBaB isn't an album at all, because every listen is different. I'm not just saying that the album reveals more of itself by every listen, but that the actual song that the album consists of (that is, if you interpret TWoBaB to be a one-song album) is very much different every time. How is this possible, one might ask? There are 99 tracks on the CD, ranging from 5 seconds to roughly one minute. These tracks can be played from 1 to 99, but are really meant to be played in random order, with both the shuffle and the repeat function of your CD player turned on. The individual tracks are so constructed that any of them leads perfectly to any other. There are no pauses, just one endless sequence of sound. And what a sound it is! Grant Juliere's eerie guitar carries Mariel Fliery's ethereal, mostly undecipherable vocals like the soft wind carries a naked fairy. The occasional percussion adds to the mood and emphasizes Fliery's chirpy singing style. The flow of the album is perfect. I've listened to TWoBaB for a week now, often five or six hours in a row, and it has yet to cease amazing me. Writing a balanced, neverending yet exciting album is never an easy task. I think it's more than justified to say that Hazellight Angel have succeeded. (Didn't Borges write reviews and commentaries for fictional books?) |
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AtomicCrimsonRush
Special Collaborator Honorary Collaborator Joined: July 02 2008 Location: Australia Status: Offline Points: 14258 |
Posted: April 22 2010 at 11:05 |
Van Goghs 'Starry Love Beach' is an abysmal effort. Very weird backbeats and ear splitting fret melting riffs cannot save this catastrophy. Every track is poorly executed and the production is flat. For example 'Slice my earlobe' is tasteless and has no melody at all. The musicianship is well below average and the violins sound too screechy and the harmonica is as out of place as the didgeridoo on the instrumental break. It was inappropriate to mention the dog in track 3, "Who is at it again?' and the thunder effects were very weak. Don mcLean as special guest was as out of place as Pink on track 4 'Get this Party Farted'. The lead giuitar on track 5 was the best thing onthe album because the guitarist was Eric Clapton, but what he is doing on this is anybodys guess. The concept theme of a man in a corn field thinking about suicide was lame and should never have been considered. This is a sad album with little to recommend. Overall this is one to avoid and hopefully Van Gogh will never produce the like of this tripe again.
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Vompatti
Forum Senior Member VIP Member Joined: October 22 2005 Location: elsewhere Status: Offline Points: 67407 |
Posted: April 22 2010 at 11:23 |
^ Nice cover though.
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