Really nice mix - the only criticism I'd have is that the bass is a little boomy - but I'm a fine one to talk.
Your voice reminds me a little of Peter Hammill, as does the music generally - is he an inspiration of yours?
The reason that some of the dissonances don't work for me in the electric guitar solo is that I don't feel set up enough for them earlier in the piece - I can hear dissonances (or is that assonances, as they're not always harsh dischords!) in the main song body, but these merely disrupt the harmony a little and give an unsettled feeling, while the electric lead does, I have to agree, sound "wrong".
I think that the generally major key feel sets the dischords into too sharp a relief - maybe if you made the harmony a bit more ambiguous then it could work better. At least, to my tastes...
Maybe you could go fully atonal, and include some serial composition techniques in your work - the only band I've heard do that successfully is Shub Niggurath, who sadly limit it to the piano. It's a bit radical, though - it seems you're leaning towards a kind of Debussy-esque bitonality here, so maybe, as I said, make some of the harmony parts a bit more ambiguous - leave out the 3rd in some of the supporting chords, or replace it with a 2nd or 4th (or whack them up an octave for a jazzy-sounding 9th or 11th).
Sounds good - keep 'em coming!
Edited by Certif1ed - October 24 2008 at 08:57