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toolis
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Topic: who's progressive, anyway? Posted: July 07 2006 at 02:16 |
From what i've known, progressive rock was the term that used the press to characterise all these new bands in the 70's that approached music in a different way than all the other groups up till then... and 'progressive' means sth new, innovative, fresh... but, since most of these bands had similar characteristics eg long songs, complex structure, really technical, the term remained to create a new genre of rock...
nowadays, there are some groups that present a new fresh version of their point of view to music and so they are called, progressive but have nothing to do with all the 70's prog monsters and a lot of bands that sound a lot like all the 70's stuff but we love them...
so, the question is which of these groups is progressive? the ones that have sth new to say in music or the ones that stick to the 'prog' path of the 70's?
maybe, we should use the term progressive for the former ones and the term 'prog' for the latter ones...
technicality, one might say, but i just wanted your opinion..
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Raff
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Posted: July 07 2006 at 02:25 |
Strictly speaking, the really 'progressive' groups are those who are actually trying to say something new (as far as such a thing is possible anyway). The example I know better in this respect (even though I now many will disagree with me) is The Mars Volta, who are blending wildly diverse influences and putting their individual stamp over the result. The others - those who sound more like the classic bands of the Seventies - obviously update that sound in some ways, but I don't know whether they are really deserving of being called 'progressive'. Perhaps your idea of calling them simply 'prog' is not bad at all.
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Rust
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Posted: July 07 2006 at 02:41 |
I like the idea, I myself have always asked this question. But really, prog isn't a specific sound like "metal" or "rap", it is a mindset, I believe. Your solution to categorise prog music from the 70's and call it progressive is a great idea.
This topic is just to opinionated to be settled though, it is all up to the individual what prog means. Some say Coheed, others don't, but that doesn't mean Coheed isn't prog, it means it is your opinion if they are.
But we don't need to debate that since it's obvious they arn't.
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robertplantowns
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Posted: July 07 2006 at 03:03 |
Progressive Rock is a genre of music, progressive rock bands don't have to be progressive in the true sense of the word. You wouldn't call bands that are doing the same thing today as was done in the 70s, just rock would you? Of course not. Bands that have stuck to the tried and true formulas of progressive rock cannot cease to be progressive rock because they're subjectively viewed as unprogressive. This would lead to chaos, and no one would possibly be able to agree as to whether a group is "progressive" or just "prog" as you suggest. The idea that the Mars Volta is undoubtedly "progressive" is a subjective statement that would be disagreed vehemently by those who think the Mars Volta is not progressive at all, as it would with many many bands. It is easy to see how this idea would overcomplicate things and create a permanent argument as to what is "progressive" and what is just merely "prog." Progressive rock in today's parlance is a genre, and bands that follow the rubric remain progressive rock whether they are truly progressive or not. Why can't we just differentiate between original progressive rock, and unoriginal or derivative progressive rock, and accept that progressive rock is a genre? Because progressiveness is a completely subjective aspect, it would be impossible to make a genre distinction based on it. For the sake of simplicity, sanity, and common sense, PROGRESSIVE ROCK IS A GENRE.
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toolis
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Posted: July 07 2006 at 03:18 |
robertplantowns wrote:
Progressive Rock is a genre of music, progressive rock bands don't have to be progressive in the true sense of the word. You wouldn't call bands that are doing the same thing today as was done in the 70s, just rock would you? Of course not. Bands that have stuck to the tried and true formulas of progressive rock cannot cease to be progressive rock because they're subjectively viewed as unprogressive. This would lead to chaos, and no one would possibly be able to agree as to whether a group is "progressive" or just "prog" as you suggest. The idea that the Mars Volta is undoubtedly "progressive" is a subjective statement that would be disagreed vehemently by those who think the Mars Volta is not progressive at all, as it would with many many bands. It is easy to see how this idea would overcomplicate things and create a permanent argument as to what is "progressive" and what is just merely "prog." Progressive rock in today's parlance is a genre, and bands that follow the rubric remain progressive rock whether they are truly progressive or not. Why can't we just differentiate between original progressive rock, and unoriginal or derivative progressive rock, and accept that progressive rock is a genre? Because progressiveness is a completely subjective aspect, it would be impossible to make a genre distinction based on it. For the sake of simplicity, sanity, and common sense, PROGRESSIVE ROCK IS A GENRE.
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oh, no, my friend, i'm not questioning that progressive rock is actually a genre... all i'm saying is that 'progressive' as a term has somehow reached a point where it differs from 'progressive' as the actual meaning of the word, when it first was used... that's all.. and i'm with you, if we try to label all the groups of the PA by what i said, we'll lose the ball for sure.. maybe, it's just because i don't like the fact that groups like Anathema and Tiles are supposedly both called proggressive rock... that's all...
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Asphalt
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Posted: July 07 2006 at 05:12 |
well, why don't we rename the whole thing as Gressive? in short, Gress; that way we can include both truly Pro- gressive bands AND truly Re- gressive ones it'll just be a matter of prefix in time we'll be able to abridge and transform the word to a more familiar one, like Grass or Grease and proudly state "I'm a tru Grasshead" and everyone will know what you're talking about joke aside, I do believe there is need for some clear cuts here, as I am not an adept of overt relativism; for me, a general way to define prog which is still not a vague one would be "music with complex arrangements and odd compositions that challanges the listeners"; and if by that you want to say dj shadow is progressive because he has complex arrangements or that death is progressive because it challenges the listeners [in a pulp fiction "i dare you m-f" kind of way] well then... what's stopping you from calling progressive bascically anything that's original, innovative and never [quite] been done before? if that's the case we oughta replace the word original/innovative with the word progressive for the sake of parcimony may seem a pretty extreme point of view but if you think about it there's still need for some kind of borders and certaintees
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Rosescar
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Posted: July 07 2006 at 05:20 |
To me, King Crimson is the only one that remained it's progressiveness.
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Posted: July 07 2006 at 05:24 |
Rosescar wrote:
To me, King Crimson is the only one that remained it's progressiveness.
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Super true. The most adamantly progressive group to say the least.
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toolis
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Posted: July 07 2006 at 05:31 |
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Philéas
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Posted: July 07 2006 at 06:22 |
toolis wrote:
i think you're right... every band that has sth new to
say in music should be called progressive cause it literally is
progressive...but this shouldn't fall under the category 'prog rock'
cause this term was used for the specific 70's groups only... |
That is exactly my opinion aswell. There are many bands out there that
are innovative and progressive without really being progressive as in
fitting into any of the various prog rock subgenres. I don't find many
of them here on the site, but I don't mind that, because the site is
mainly dedicated to prog rock, not innovative and progressive music in
general (which probably is why Coheed & Cambria isn't here, for
example). This is also why Prog Related is such a debated category,
since many want "true" progressive bands in, instead of just bands
linked to the original prog movement in some way.
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Dick Heath
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Posted: July 07 2006 at 08:20 |
Agree with much of what has been written here, e.g. King Crimson. Personally I have found the only original prog sub-genre to have continued in a literal progression, is jazz rock fusion. (ome of you may have noted that I bang on about the new when only early 70's jazz rock albums are recommended by others) An up to date example is John McLaughlin's Industrial Zen (released this month in Europe, 1st August in the USA). Almost at random, you can pick any three albums by Jonas Hellborg released between 1990 and now, to heard signifiant change and progression. And so on.
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laplace
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Posted: July 07 2006 at 08:25 |
in a total opposite, anti-matter way to robertplantowns' post I'd like to state that I don't consider prog rock to be a genre at all.
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Aaron
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Posted: July 07 2006 at 08:59 |
are we still going on about this, my god...
nothing is progressive anymore because nothing is original, we have reached a point where every idea has either been thought of or is just referenced to other ideas
christ, noise music might as well be the the most progressive genre right now, and that is silly
Aaron
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rockandrail
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Posted: July 07 2006 at 10:12 |
I would tend to grate any band moving ahead the "chorus-verse in 4/4 rythm" song to be somewhat progressive. In this respect, there are progressive numbers on the new Red Hot Chili Peppers. But maybe do I think so just because so many "bands" or "groups" are now exclusively producing "chorus-verse in 4/4 rythm" so called songs.
Also agreeing with a lot of you, even if I find them a bit too unstructured, I think that "The Mars Volta" fulfills the common accepted criteria for the definition (characterization?) of progressive music. They really have a sound of their own and only at seldom occasions may remind of previous bands.
Perhaps are they the contemporary essence of progressivity in music.
Besides I like much "Pure Reason Revolution". IMHO they perfectly managed the combination of what old proggers (to whom I unfortunately belong ) expect in terms of sound and song construction and the slight touch of metal that is an obvious trend of todays'.
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Firepuck
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Posted: July 07 2006 at 10:19 |
laplace wrote:
in a total opposite, anti-matter way to robertplantowns' post I'd like to state that I don't consider prog rock to be a genre at all. |
Sorry but I disagree (and therefore agree with robert). I listen to the genre of progressive rock and not necessarily the 'progressiveness' aspect. There are certain sub-genres I prefer more than others such as symphonic but as it sits Yes to me are just as progressive today as they were in the 70's when I first listened to them (as an example). I consider other newer groups who 'borrow' from Yes to also be progressive.
I am not here because I continually want something different. I am here because I enjoy my 'warm blankets' of the 70's prog I grew up with, and I find this site a great vehicle for exploring other progressive music - and for sharing my thoughts with fellow members.
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Masque
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Posted: July 07 2006 at 10:55 |
Some modern prog bands influenced strongly by the 70`s would include Cairo , Salem Hill, Glass Hammer, The Flower Kings, To name a few. Theres many differant types of prog, if I was to name some 70`s prog Titans, who still to this day explore progressive rock to the true sense of the word I couldn`t ? (they all seem to have run out of new progressive ideas I think) its up to the new guys in prog now ...thats what I think (listen to Salem Hill to understand what I`m saying)
Edited by Masque - July 07 2006 at 11:00
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MajesterX
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Posted: July 07 2006 at 12:07 |
If we included Progressive Rock bands because they are litterally "progressive" then we wouldn't have half the bands we have now, as well as including bands that few people would ever really think of as Progressive Rock. i remember reading an encyplopedia that stated Bob Dylan was "progressive rock". If we mean actually progressing then yes, Bob Dylan is progressive rock, because he was original, unique, "fresh", innovative, whatever. Also Led Zepellin would be prog, Iron Maiden would be prog, the Rolling stones would be prog, the Red hot Chilly Peppers would be prog, etc. The encyplopedia referred ELP and Frank Zappa as "Art Rock". Which I like. So to your question, which ones are progressive, the new innovative ones, or the new regressive 70's sounding ones. If you mean progresive in the literal sense, than only the new innovative ones are progressive. If you mean progressive in the way we think of prog now, (long songs, dynamic, experimental,, complex) then they are both progressive, but not if the new and innovative bands are do not have proggy characteristics. I am Making any sense? This is why I like the term Art Rock, because we wouldn't spend time arguing saying "oh, well what does 'art' really mean in terms of..." like we do progressive.
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sm sm
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Posted: July 07 2006 at 12:26 |
I prefer the term compositional as prog is the rock equivilant of jazz or classical which are primarily written in a compositional manner.
This is why many prog bands are labeled as symphonic
Many of prog's originators like Keith Emerson, or Bill Bruford came from a classical or jazz background.
This is why prog songs are often more longer than the typical 4/4, 3 minute, 3 chord rock song, often involve odd metres, time changes etc.
Just compare Dream Theatre to Kiss, or Early Genesis, to their later stuff they did, and one will notice a difference.
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