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Brass Camel - Camel |
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glassonyonpr ![]() Forum Senior Member ![]() Joined: July 12 2007 Location: United States Status: Offline Points: 2322 |
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![]() Brass Camel Strikes Back with Genre-Bending Sophomore Album “Camel” Vancouver, BC - After successfully criss-crossing Canada three times on the strength of a word-of-mouth reputation and a hard-earned live following, Vancouver-based Brass Camel return with their second full-length record: Camel. Clocking in at 40 minutes across just six tracks, the album is an unapologetic artistic statement from a band whose sound resists easy classification—equal parts progressive rock ambition and deep-pocket groove, with no shortage of swagger, surprises, and soul. Their self-styled “prog-funk” sound may raise eyebrows on paper, but as multiple Grammy-winner Fantastic Negrito put it: “They sound like a funky Rush.” Or, as Big Sugar frontman Gordie Johnson (who also guests on the record as the group’s Zappa-tinged “cat whisperer”) once declared, “Brass Camel…man, they’re good worldwide.” Following their 2022 debut Brass, the band doubled down—both on the road and in the studio. Camel is the result of that momentum: two 11-minute bookends, four shapeshifting shorter tracks, and zero interest in playing it safe. The album opens with “Zealot,” a tense, swinging epic about the inquisition inspired by The Pit and the Pendulum, and closes with “Another Day”—a three-part reflection on life, death and the promise of peace in eternal rest, written after the suicide of Sveinson’s sibling. The track climaxes in an explosive Minimoog solo by keyboardist Aubrey Ellefson, which sees the guitars step out of the picture as the trio of Ellefson, bassist Curtis Arsenault and drummer Wyatt Gilson put their respective instruments through the paces, not unlike a hard-rock “The Cinema Show”. Lightening the tone, bassist Arsenault’s cat Lionel gets his own theme song in “Pick of the Litter,” which melts seamlessly into the riff-heavy “Chain Reaction.” Side B brings the slinky, Little Feat-tinged drug-running tale “On the Other Side,” followed by the strutting “Borrowed Time,” praised by LouderSound in their “Tracks of the Week” feature as a stomping, riff-driven anthem about burnout and the grind with no shortage of swagger and subtle weirdness. Recorded at Vancouver’s iconic Hipposonic Studios (formerly Little Mountain Sound which saw the likes of AC/DC, Metallica and Aerosmith roll through) and co-produced/mixed by multi-Juno-winner Ben Kaplan (Biffy Clyro, Rise Against, Mother Mother), Camel captures a band at a turning point—gritty, gutsy, weird enough to stand out, yet fun enough to make people move. They’ve played over 120 shows together in the past two years. They’ve got the chops, the chemistry, and the catalog. All they need now is the world to catch up. As Crown Lands’ Kevin Comeau put it after seeing the group live for the first time in 2024, “I have seen the future of prog rock…and it is Brass Camel”. Track list: 1. Zealot 2. Pick of the Litter 3. Chain Reaction 4. On the Other Side 5. Borrowed Time 6. Another Day ![]() Brass Camel is: Daniel Sveinson – vocals/lead guitar Curtis Arsenault – bass/vocals Wyatt Gilson – drums/percussion Aubrey Ellefson – keyboards/vocals Dylan Lammie – lead guitar For more information: Official Website: http://www.brasscamel.ca/epk Bandcamp: https://brasscamelband.bandcamp.com/ Spotify: https://open.spotify.com/album/1eroFWwChPKA70w8LIDY3y?si=4J1P70GcR5arvc_2w6EHnQ YouTube: https://www.youtube.com/@BrassCamel Instagram: https://www.instagram.com/brasscamel Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), [email protected] |
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