YES - Close to the Edge (1972) |
Post Reply | Page <123 |
Author | ||
richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 28498 |
Post Options
Thanks(1)
|
|
Had another listen a few days ago and it still hits the spot for me. The sound and performances are incredible. Lots of goosebumps especially on the I get up and I get down section with Wakey buidling the tesnion beautifully. Bruford's importance to the band also resonates, he and Squire are just so good playing together. Just so much detail and not a wasted moment.
|
||
Dellinger
Forum Senior Member VIP Member Joined: June 18 2009 Location: Mexico Status: Offline Points: 12771 |
Post Options
Thanks(3)
|
|
This album is a dissappointment, it only has three good songs.
|
||
Hugh Manatee
Forum Senior Member Joined: December 07 2021 Location: The Barricades Status: Offline Points: 1587 |
Post Options
Thanks(2)
|
|
The album makes a lot more sense to me if I alter the running order:
1. Siberian Khatru 2. Close to the Edge 3. And You and I In its original vinyl format this running order was impractical of course. |
||
I should have been a pair of ragged claws
Scuttling across the floors of uncertain seas |
||
richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 28498 |
Post Options
Thanks(1)
|
|
^ I would just reverse it but ELP had made the Tarkus epic as Side One a year earlier so Yes couldn't tuck the epic away on Side 2. The rivalry was a bit of a thing that was hyped up by the record company but then ELP were still top dogs. Hilariously Brian Lane later (in 1974) asked Keith Emerson if he wanted to replace Wakeman in Yes but that's another story!
|
||
Hugh Manatee
Forum Senior Member Joined: December 07 2021 Location: The Barricades Status: Offline Points: 1587 |
Post Options
Thanks(1)
|
|
^ No reversing for me, just an adjustment of the flow of the songs.
The thing that bothered me about CttE was how long the title track took to "find its way" as it were. This running order eases me into the title track more comfortably. But then again maybe it isn't about being comfortable. Edited by Hugh Manatee - January 29 2024 at 20:23 |
||
I should have been a pair of ragged claws
Scuttling across the floors of uncertain seas |
||
richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 28498 |
Post Options
Thanks(1)
|
|
CTTE opens as well as any epic I've heard , the main complaint of it over time is that it's a suite of 4 songs but they didn't hide that fact. Gates is maybe more cohesive though.
|
||
Hugh Manatee
Forum Senior Member Joined: December 07 2021 Location: The Barricades Status: Offline Points: 1587 |
Post Options
Thanks(1)
|
|
I'm not objecting to the opening of the song, rather as the song being the opening of the album.
Do I need to qualify that this is just my opinion? |
||
I should have been a pair of ragged claws
Scuttling across the floors of uncertain seas |
||
Psychedelic Paul
Forum Senior Member Joined: September 16 2019 Location: Nottingham, U.K Status: Online Points: 41326 |
Post Options
Thanks(1)
|
|
Jon Anderson was reportedly given a hard time over his abstruse lyrics during the recording sessions for Close to the Edge. At one point, a clearly irritated Bill Bruford asked, "What on earth does 'Total Mass Retain' mean?" Anderson replied, "What's wrong with 'Total Mass Retain'? I had to think of something quickly", to which Bruford replied, "Why not just call it 'Puke'?"...... That was the beginning of the end of Bruford's time with YES.
|
||
kirk782
Forum Groupie Joined: September 06 2024 Location: India Status: Offline Points: 68 |
Post Options
Thanks(0)
|
|
On a later day Yes album, this song might be the standout track :p. But when compared to the other 2 tracks, it does feel a little dull even to me.I like Fragile as good as this [though not with all the intermediatery tracks like Five Percent for Nothing; they are a good one time listen but nothing to be kept on loop unlike the classics].
That was a great album from ELP. Even the side stuffed with shorter songs were eminently listenable. I still haven't listened to each ELP album [last three missing] but Tarkus is till now, my favorite from them.
Edited by kirk782 - September 24 2024 at 04:10 |
||
kirk782
Forum Groupie Joined: September 06 2024 Location: India Status: Offline Points: 68 |
Post Options
Thanks(1)
|
|
Isn't Pink Floyd err, more publicly known than probably any other progressive rock band? With their success of Dark side of the Moon and The Wall, they were as successful as any mainstream rock band, I assume.
|
||
Floydoid
Forum Senior Member Joined: April 02 2007 Location: Planet Prog Status: Offline Points: 1712 |
Post Options
Thanks(0)
|
|
To me it is an excellent example of a quieter and beautifully constructed more melodic song which gives some relief (balance) amongst the aural assault of the rest of the tracks on the album. Other examples I'd put in this category would be 'Child in Time' from Deep Purple in Rock, 'Stairway to Heaven' from Led Zeppelin IV, and 'Take a Pebble from ELP's debut album.. |
||
'We're going to need a bigger swear jar.'
|
||
AFlowerKingCrimson
Forum Senior Member Joined: October 02 2016 Location: Philly burbs Status: Offline Points: 18496 |
Post Options
Thanks(2)
|
|
I was too young to be much of a music fan when this album first came out (well, technically I was around but I was only two) but nonetheless it seems to me that this album is possibly more famous now then in the 70s. It always seems like Fragile was their big one but these days it seems like CTTE is. Anyway, regardless it's a well deserved classic prog album and one of the top 5 albums in the genre.
Edited by AFlowerKingCrimson - September 24 2024 at 16:31 |
||
richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 28498 |
Post Options
Thanks(1)
|
|
Indeed although they weren't always called 'progressive rock'. For me only Animals fully fits. DSOTM is what PA would call 'Crossover' nowadays (somehow Crime Of The Century is even more 'prog') while their psyche roots are fully realised on WYWH. The Wall is more rock opera in the vein of Tommy or Quadrophenia for me. I am splliting hairs of course. It's all very creative but Yes remain the quintessential prog band and you might be suprised how many have heard of Tales From Topographic Oceans although Owner Of A Lonely Heart is way more remembered and perhaps for the public at large that is what Yes are.
|
||
Post Reply | Page <123 |
Forum Jump | Forum Permissions You cannot post new topics in this forum You cannot reply to topics in this forum You cannot delete your posts in this forum You cannot edit your posts in this forum You cannot create polls in this forum You cannot vote in polls in this forum |