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samuel.jeronimo
Forum Senior Member
Joined: May 26 2005
Location: Portugal
Status: Offline
Points: 132
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Posted: May 28 2005 at 20:54 |
He was the master in hs style.
Even his kids realize that, spenting their musical lives searching in other directions. They were smart and thought that they could never beat the old guy.
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nacho
Forum Senior Member
Joined: November 18 2004
Location: Spain
Status: Offline
Points: 521
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Posted: May 30 2005 at 07:29 |
Certif1ed wrote:
Bach wrote by numbers - he wasn't that great
The little tongue stickey-outey smiley indicates that I am joking!!!
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Yep, but I think John Forbes Nash ("A Beautiful Mind") also "wrote by numbers" and he was quite great... Sometimes you can be really creative, even sublime, only with numbers!
Now, all of you proggers need a good scolding: plenty of answers to this thread and nobody has mentioned the mad flautist playing J.S. Bach's Bourée!!!
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philippe
Special Collaborator
Honorary Collaborator
Joined: March 14 2004
Location: noosphere
Status: Offline
Points: 3597
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Posted: May 30 2005 at 09:50 |
lucas wrote:
philippe wrote:
Bach written ones of the most boring pieces in Classical music...I've played almost all his preludes and fugues from the well tempered clavier...now I get tired of it!! |
Maybe it is boring but it will surely better stand the test of time than most of the krautrock/electronic and other weird musics.
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It's too early to confirm that...but I let you the opportunity to think so! You should say Prog music in general won't pass the test of time...Symphonic and art rock is by far more dated than krautrock
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oliverstoned
Special Collaborator
Honorary Collaborator
Joined: March 26 2004
Location: France
Status: Offline
Points: 6308
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Posted: May 30 2005 at 09:55 |
I'm not a great Bach fan too...
But i think you have to get into, like everything.
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philippe
Special Collaborator
Honorary Collaborator
Joined: March 14 2004
Location: noosphere
Status: Offline
Points: 3597
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Posted: May 30 2005 at 10:00 |
I've listened to novackeck small study pieces...great!!! an excellent exemple of cool, emotional & technical violin solo (just as Paganini caprices)
Edited by philippe
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nacho
Forum Senior Member
Joined: November 18 2004
Location: Spain
Status: Offline
Points: 521
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Posted: May 30 2005 at 10:20 |
philippe wrote:
I've listened to novackeck small study pieces...great!!! an excellent exemple of cool, emotional & technical violin solo (just as Paganini caprices)
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IMHO, Paganini's caprices = John Petrucci soloing...
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BaldJean
Prog Reviewer
Joined: May 28 2005
Location: Germany
Status: Offline
Points: 10387
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Posted: May 30 2005 at 14:06 |
Classical violinist Hilary Hahn once said: "Nobody ever says: 'God, I hate Bach!' He was the fundament for everything that followed." I have nothing to add to that, except that I play his preludes and fugues too, and I never get tired of them (only my left hand does because Bach surely gives you a lot to do there, more than any other composer)
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A shot of me as High Priestess of Gaia during our fall festival. Ceterum censeo principiis obsta
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Certif1ed
Special Collaborator
Honorary Collaborator
Joined: April 08 2004
Location: England
Status: Offline
Points: 7559
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Posted: May 30 2005 at 15:09 |
Except, maybe, Chopin or Liszt?
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BaldJean
Prog Reviewer
Joined: May 28 2005
Location: Germany
Status: Offline
Points: 10387
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Posted: May 30 2005 at 21:21 |
Certif1ed wrote:
Except, maybe, Chopin or Liszt?
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Chopin and especially Liszt give you a lot to do, but still the left hand is mostly accompaniment (apart from double handed runs over the keyboard). But Bach treats both hands equally; that's what I meant to say in my post. With Bach you have to play different voices with the left hand too. Bach sounds easy to play compared to Liszt, but because of this characteristic Bach is difficult as hell. No wonder Glenn Gould loved Bach so much.
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A shot of me as High Priestess of Gaia during our fall festival. Ceterum censeo principiis obsta
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nacho
Forum Senior Member
Joined: November 18 2004
Location: Spain
Status: Offline
Points: 521
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Posted: May 31 2005 at 04:05 |
BaldJean wrote:
Certif1ed wrote:
Except, maybe, Chopin or Liszt?
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Chopin and especially Liszt give you a lot to do, but still the left hand is mostly accompaniment (apart from double handed runs over the keyboard). But Bach treats both hands equally; that's what I meant to say in my post. With Bach you have to play different voices with the left hand too. Bach sounds easy to play compared to Liszt, but because of this characteristic Bach is difficult as hell. No wonder Glenn Gould loved Bach so much.
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What about Domenico Scarlatti? I have the feeling you'd better have three hands and seven fingers in each to play his music...
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