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samuel.jeronimo View Drop Down
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Direct Link To This Post Posted: May 28 2005 at 20:54

He was the master in hs style.

Even his kids realize that, spenting their musical lives searching in other directions. They were smart and thought that they could never beat the old guy.

 

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nacho View Drop Down
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Direct Link To This Post Posted: May 30 2005 at 07:29
Originally posted by Certif1ed Certif1ed wrote:

Bach wrote by numbers - he wasn't that great

The little tongue stickey-outey smiley indicates that I am joking!!!

Yep, but I think John Forbes Nash ("A Beautiful Mind") also "wrote by numbers" and he was quite great... Sometimes you can be really creative, even sublime, only with numbers!

Now, all of you proggers need a good scolding: plenty of answers to this thread and nobody has mentioned the mad flautist playing J.S. Bach's Bourée!!!

 

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Direct Link To This Post Posted: May 30 2005 at 09:50
Originally posted by lucas lucas wrote:

Originally posted by philippe philippe wrote:

Bach written ones of the most boring pieces in Classical music...I've played almost all his preludes and fugues from the well tempered clavier...now I get tired of it!!

Maybe it is boring but it will surely better stand the test of time than most of the krautrock/electronic and other weird musics.

It's too early to confirm that...but I let you the opportunity to think so! You should say Prog music in general won't pass the test of time...Symphonic and art rock is by far more dated than krautrock

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Direct Link To This Post Posted: May 30 2005 at 09:55
I'm not a great Bach fan too...

But i think you have to get into, like everything.
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Direct Link To This Post Posted: May 30 2005 at 10:00

I've listened to novackeck small study pieces...great!!! an excellent exemple of cool, emotional & technical violin solo (just as Paganini caprices)



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nacho View Drop Down
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Direct Link To This Post Posted: May 30 2005 at 10:20
Originally posted by philippe philippe wrote:

I've listened to novackeck small study pieces...great!!! an excellent exemple of cool, emotional & technical violin solo (just as Paganini caprices)

IMHO, Paganini's caprices = John Petrucci soloing...

 

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Direct Link To This Post Posted: May 30 2005 at 14:06

Classical violinist Hilary Hahn once said: "Nobody ever says: 'God, I hate Bach!' He was the fundament for everything that followed." I have nothing to add to that, except that I play his preludes and fugues too, and I never get tired of them (only my left hand does because Bach surely gives you a lot to do there, more than any other composer)



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Direct Link To This Post Posted: May 30 2005 at 15:09

Except, maybe, Chopin or Liszt?

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Direct Link To This Post Posted: May 30 2005 at 21:21
Originally posted by Certif1ed Certif1ed wrote:

Except, maybe, Chopin or Liszt?

Chopin and especially Liszt give you a lot to do, but still the left hand is mostly accompaniment (apart from double handed runs over the keyboard). But Bach treats both hands equally; that's what I meant to say in my post. With Bach you have to play different voices with the left hand too. Bach sounds easy to play compared to Liszt, but because of this characteristic Bach is difficult as hell. No wonder Glenn Gould loved Bach so much.



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Direct Link To This Post Posted: May 31 2005 at 04:05
Originally posted by BaldJean BaldJean wrote:

Originally posted by Certif1ed Certif1ed wrote:

Except, maybe, Chopin or Liszt?

Chopin and especially Liszt give you a lot to do, but still the left hand is mostly accompaniment (apart from double handed runs over the keyboard). But Bach treats both hands equally; that's what I meant to say in my post. With Bach you have to play different voices with the left hand too. Bach sounds easy to play compared to Liszt, but because of this characteristic Bach is difficult as hell. No wonder Glenn Gould loved Bach so much.

What about Domenico Scarlatti? I have the feeling you'd better have three hands and seven fingers in each to play his music...

 

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