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Gerinski View Drop Down
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Direct Link To This Post Topic: Importance of speakers size
    Posted: June 06 2013 at 10:10
Currently I have 3 sets of speakers, a pair of Bose 301 Series II which woofer is 8 inch, a pair of JBL TLX-70 which woofer is also 8 inch and a pair of even older but really good-sounding Thomson's with 10 inch woofers.

Bose in particular has become notorious for striving to achieve good sound without resorting to big diameter speakers.

Do you think speaker diameter size is really important to achieve good powerful bass sounds? or are you happy with the bass sounds of small-diameter speakers such as the modern Bose's?

p.s. i do not have a surround system so I can't discuss about that, I mean for traditional stereo systems.
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Direct Link To This Post Posted: June 06 2013 at 10:16
Word of advise.
 
Bose.
 
Keep it to yourself.
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Direct Link To This Post Posted: June 06 2013 at 13:07
When it comes to woofer size, i definitely think "Bigger is Better."
15" woofs or go home! Wink
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Direct Link To This Post Posted: June 06 2013 at 17:57
When you go beyond 6" woofer doppler distortion sets in. (So I've been informed by one who should know.)
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Direct Link To This Post Posted: June 07 2013 at 00:14
Originally posted by Knobby Knobby wrote:

When you go beyond 6" woofer doppler distortion sets in. (So I've been informed by one who should know.)
LOL "Doppler distortion" ?!? Heh. Why not? Anything to sell the public on smaller speakers! LOL
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Direct Link To This Post Posted: June 07 2013 at 01:35
To get a better bass response, you need a larger speaker diameter. You don't see subwoofers from small tweeter cones. They can't produce the frequencies at audible volumes.

You can get a good stereo speaker sound without subwoofer, but it depends what you'd like to use it for. For home theater, you'd probably want one if you'd like to get the full immersive experience. Subwoofers will give you good frequency response down to 20 Hz without much rolloff, which you can't really hear but you'll feel and it will give the sound a lot of rumble and oomph. if you want to listen to music a sub isn't necessary but may be helpful. I listen to and record music through Yamaha HS80M speakers, which for two is about $500-600. You can expect to a have a sub-par listening experience on speakers that are less than $300 for a pair. Once you hear what higher quality speakers do, you won't want to go back.
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Direct Link To This Post Posted: June 07 2013 at 02:43
I love my Klipsch RSW15 powered sub. My neighbors hate it! Cool
 
The RSW-15 surpasses the performance of a conventional 21" single-driver subwoofer through intelligent engineering. Pairing a heart-throbbing 15" rear-firing Cerametallic™ active driver with a 3-inch voice coil and 30-pound motor assembly with a 15" front-firing passive radiator gives you more surface area than a 21" subwoofer in a much smaller footprint.

  • FREQUENCY RESPONSE: 19-120Hz (+/-)3dB
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    Direct Link To This Post Posted: June 07 2013 at 03:47
    The old adage - it's not the size but what you do with it.
     
    A speaker is an electrical air pump.
     
    The game is to move a volume of air, (technically called volume dispacement), over a band of frequencies. A speaker acheives this in two ways - by the diameter of the cone and by the distance it travels (throw). Coil size has a minor effect on frequency response, it is simply an electric motor, but general rule of thumb is the larger the area of the cone the bigger the column of air you are trying to move so the bigger motor required to move it - the distance a coil travels determines the throw of a speaker regardless of the cone diameter.
     
    There is a lot of maths behind this, especially concerning passive radiators and stacked arrays, but for the purposes of this post I'll stick with simple single speaker physics.
     
    For low frequencies using traditional materials (paper and cloth) the larger the diameter of the cone the easier it is to move that volume of air for an given coil displacement so the less travel was needed in the voice-coil. It was simpler to make big cones than it was to make long-throw voice coils, it also simplified the mounting of the cone (ie cone surround and voice-coil spider). The problem there is the stiffness of the cone (or lack there of) affects how the dispacement of the voice-coil translates into a displacement of air, if the cone flexes the movement is not proportional and larger diameter cones flex more than smaller ones. Modern materials (for mounts, cones, spiders, and voice-coil magents) have aleviated some of these problems enabling smaller speaker diameters to be a viable option.
     
    Another thing that needs to be considered is the listening space. As some may know the speaker cabinet volume is a critical factor inthe design of a speaker system. The effect of the volume of air behind the speaker is two fold - firstly it prevents sound eminating from the back of the cone cancelling out or enhancing the sound from the front (the concept of the infinite baffle and ported reflex cabs) and secondly it provides a damping factor for unwanted flexing of the cone (ie the distortion inherrant in the speaker), which is related to the natural resonant frequency of the speaker itself. This last point can be flipped around to the volume of enclosed air in front of the speaker too - the room volume also has a damping effect on the speaker. Therefore it is just as important to select the size of speaker for the room you are using it in as it is to select the cabinet to put it in. A large diameter woofer in a small room is the same as trying to mount a big speaker in a small cab - very inefficient and detrimental to the frequency response.
     
     
     
     
    If you do away with the cone and replace it with a fixed parabolic horn, the compression driver (which is effectively a speaker coil without the cone) can be very small - the down-side is the horn has to be very (very) big.


    Edited by Dean - June 07 2013 at 03:48
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    Direct Link To This Post Posted: June 07 2013 at 04:07
    I bought  jambox. Amazing sound for something so small.
    Interestingly enough your brain is able to add missing frequencies to bass notes that are not actually reproduced by smaller speakers, the overtones give it the information to do this.
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    Direct Link To This Post Posted: June 07 2013 at 04:20
    Originally posted by libertycaps libertycaps wrote:

    Originally posted by Knobby Knobby wrote:

    When you go beyond 6" woofer doppler distortion sets in. (So I've been informed by one who should know.)
    LOL "Doppler distortion" ?!? Heh. Why not? Anything to sell the public on smaller speakers! LOL
    I thought doppler distortion is supposedly worse on smaller speakers where there is a wider bandwidth of signal to be affected. (i.e. the frequency modulation of a higher frequency with a lower frequency modulator requires that the higher frequency is present for the effect to occur) - if this was a real issue then elliptical and coaxial speakers would suffer far more noticeably than any single circular speaker (regardless of diameter) and it would not have been a "hidden effect" for quite as long as it has. I suspect the effect of doppler distortion is minimal compared to more noticeable effects such as phase distortion (which from a technical stand point looks identical on an oscilloscope).
     
    There is little doubt that the effect exists (a Leslie speaker is an exaggerated form of this ), but whether it is audible or even present in a single cone speaker is a whole different question, certainly if we could have created the Leslie-effect just by modulating the audio signal with a subsonic tone in any speaker then the design of a Lesie speaker would be a whole lot simpler.


    Edited by Dean - June 07 2013 at 04:22
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    Direct Link To This Post Posted: June 07 2013 at 11:36
    Thanks, very informative.
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    Direct Link To This Post Posted: June 07 2013 at 13:27
    I don't get too involved in the number crunching aspect of audio. Passion? Detail? Emotion? Yes!
    Bigger, horn-loaded speakers = bigger soundstage with more 3D imaging.
    That's why when i first heard heritage line Klipsch speakers, it was love.
    I'm a proud owner of Cornwall II's & Chorus II's. You can't take them from my cold, dead hands!!!!!
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    Direct Link To This Post Posted: June 07 2013 at 17:19
    ^ As should everyone - trust your own ears, not what other people tell you. And if the maths and physics doesn't back-up what your ears tell you, then that's no big deal, you still like what you hear. If only a few more people understood that instead of attacking me everytime I gave a little technical information that failed to support their pet theory.
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    Direct Link To This Post Posted: June 07 2013 at 18:37
    Smaller speakers can get a lot of help from the use of a transmission line system. I have a pair of these and they give good, solid bass down to 40hz.
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    Direct Link To This Post Posted: June 09 2013 at 13:34
    Originally posted by Knobby Knobby wrote:

    When you go beyond 6" woofer doppler distortion sets in. (So I've been informed by one who should know.)
     
    Hahahaha!!!!
     
    So much for Marshall Stacks and the history of rock'n'roll!
     
    Depends on the room, too, btw!
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    Direct Link To This Post Posted: June 09 2013 at 13:37
    Originally posted by stonebeard stonebeard wrote:

    To get a better bass response, you need a larger speaker diameter. You don't see subwoofers from small tweeter cones. They can't produce the frequencies at audible volumes.
    ...
     
    You sure it's not the magnet that matters, not the speaker diameter?
     
    I have better bass on my ESS HEIL AMT 750 with its 12 inch woofer, than my neighbor's boom bass sound on a Fender AMP which has a 15 inch woofer. His rattles and distorts before mine does! Of course, having a massive receiver helps to drive the speaker, instead of a cheapie! I can rattle the windows in my apartment and the neighbor will go ... TURN THAT THING DOWN! ... and I immediately switch to Alice Bowie!  LOL
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    Direct Link To This Post Posted: June 09 2013 at 13:50
    Originally posted by Dean Dean wrote:

    The old adage - it's not the size but what you do with it.
    ... 
    For low frequencies using traditional materials (paper and cloth) the larger the diameter of the cone the easier it is to move that volume of air for an given coil displacement so the less travel was needed in the voice-coil. It was simpler to make big cones than it was to make long-throw voice coils, it also simplified the mounting of the cone (ie cone surround and voice-coil spider).
    ...
     
    I think you mean WIDER at the mouth ... because if the cone is long coming out of its throw point, the sound will be different.
     
    |-------------------| with short cone depth.
     
    as opposed to
     
    |-------------------| and the longer cone depth is longer here.
     
     
    What I don't know is how the magnets differ. For example, my ESS HEIL AMT has a magnet that weighs over 20lbs on it, making the speaker really heavy. JaMac (recones things here in PDX for musicians!) has stated to me, twice -- 20 years apart) that they don't make speakers that solid anymore! But my neighbor's Fender is wider than mine (15") and has a deeper cone than my woofer does! But mine has the better defined bass ... and I'm not sure the cabinet is the issue ... size wize, we're both almost the same!
     


    Edited by moshkito - June 09 2013 at 14:41
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    Direct Link To This Post Posted: June 09 2013 at 16:11
    Originally posted by moshkito moshkito wrote:

    Originally posted by Dean Dean wrote:

    The old adage - it's not the size but what you do with it.
    ... 
    For low frequencies using traditional materials (paper and cloth) the larger the diameter of the cone the easier it is to move that volume of air for an given coil displacement so the less travel was needed in the voice-coil. It was simpler to make big cones than it was to make long-throw voice coils, it also simplified the mounting of the cone (ie cone surround and voice-coil spider).
    Originally posted by moshkito moshkito wrote:

    ...
     
     
    I think you mean WIDER at the mouth ... because if the cone is long coming out of its throw point, the sound will be different.
     
    |-------------------| with short cone depth.
     
    as opposed to
     
    |-------------------| and the longer cone depth is longer here.
     
     
    What I don't know is how the magnets differ. For example, my ESS HEIL AMT has a magnet that weighs over 20lbs on it, making the speaker really heavy. JaMac (recones things here in PDX for musicians!) has stated to me, twice -- 20 years apart) that they don't make speakers that solid anymore! But my neighbor's Fender is wider than mine (15") and has a deeper cone than my woofer does! But mine has the better defined bass ... and I'm not sure the cabinet is the issue ... size wize, we're both almost the same!
     
    I mean what I mean, which is not what you mean. The throw of a voice-coil is how far it travels - do not confuse this with the throw of a speaker system, which is how far it can project the sound. The Depth of the cone is distinctly not what I was talking about.
     
    Magnet weight is not an electromagentic parameter that ever concerned James Clerk Maxwel or Michael Faraday, hence has no bearing on how speakers work.
     
    Cabinet size is an issue to a specific configuration of speaker components, the engineering behind this is well understood by speaker builders even if the consumers don't understand it. You cannot put any speaker old driver into any old cabinet and expect good results.


    Edited by Dean - June 09 2013 at 16:12
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    Direct Link To This Post Posted: June 29 2013 at 12:06
    When I was playing bass back in the late 70's bigger was better.  I ran a Peavey 100 watt bass amp through a couple massively heavy 15" woofer altec-lansing cabinets.  I loved standing in front of the stack cause I could feel the air move LOL  

    For the past 20 years I run my one-man-band through a 6" x 10" 2 speaker Bose "Roomate II" system and it's perfect.  The frequency response is incredibly well balanced, the tradeoff being they're designed for studio monitoring not live performance...but that's why bands mic their boutique amps through the PA system!  
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