Osanna

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OSANNA is classic seventies Italian prog. The basis of their sound is original heavy guitar rock often in combination with amazing flute solos. Additionally, more spacey, Pink Floydian parts and quiet interludes with acoustic guitar and flute can be heard as well. There are plenty of mood changes and surprises that make this music very dynamic and interesting.

I got in touch with Lino Vairetti through Fabrizio
di Vicino of Psych Up Melodies and here is the Osanna story. 
#################################

When was
Osanna born, were any of you involved in any other bands before
you joined up in Osanna, which bands were you influenced by and
why did you choose that name ?

The
name of my first band in the '60s was "I Volti di Pietra",
soon after with Danilo Rustici, Massimo Guarino, Gianni Leone
and Lello Brandi, we became "Città Frontale" ( first
formed in 1969 ). Regarding Osanna, It all started by the end of
1970 when in a small underground club, the Quick, located in the area
of Vomero, took place the fatal meeting between Elio D’Anna (flute
and saxophone player who had shortly came out from the Showmen
band ), and the band Città Frontale, whose singer was Lino
Vairetti, together with Danilo Rustici (guitar), Massimo Guarino
(drums), Lello Brandi (bass guitar), Gianni Leone (keyboards).
Elio was there together with Tony Esposito and Sasà Petrone, with
whom was looking for new members to set up a new band, he was there
lo listen to their concert and was litteraly stroke by their
sound and peculiarity of their songs (wrote exclusively by Lino
and Danilo). The band needed a new member staff to replace
Gianni Leone, who transferred his music aspirations 
into
the band Balletto di Bronzo, so they did a proposal for becoming a
new member of the band to Elio, who after some disconcert an
wavering for a while towards the members he should have left, by
the end thanks to their energy and progressive repertoire
succeeded to capture him and he finally decided to accept…
Soon after the new line up had been set up they started to
rehearsal, their sound was very crude, dynamic and explosive, it
became so captivating that in few months, they had as much stuff
to produce at least 3 L.P. A new name was chosen: Osanna, the
only name who found everybody’s agreement. The first concert
was on February 71’ in Naples in a club in called Spry Pan. On all
the posters there was written: Elio D’anna + Città Fr.. Osanna.
Afterwards they performed as supporter band to Arthur Brown
concert, where several plaudits and positive feedback were
obtained, all this confirmed that it was the right time for a
jump in quality and face the discography world. Tough Naples,
city full of talents and artists, was and still represents, the
total denial for producing quality music. 

Let's
go straight to your debut album. Please tell us more about L'uomo
from 1971

The
very few existing discography labels were attentive only to
Neapolitan music and very often was the result of a cheap
subculture. Elio by the way succeeded in persuading the ABC
Record owner: Mr Bideri, (Neapolitan music editor and
discography publisher well known at that time) he believed in
their production, and that’s how their recording in Naples
studio’s was achieved, giving as a result the first LP of the
Osanna. Unfortunately, time run by and Bideri was not making a
breakthrough for letting the L.P. sorting out, he was too much
concerned it would have been a dead stock. Some extraordinary job
was stucked and let rottening. Nevertheless the band was
determined and longing to burst, so did not give up, they
secretly took some first recording done and went to Milano were
various record companies heard their work, at last somebody was
carefully and sensitively listening to their works. Consensus were
good, while waiting for their reactions at the same time new
glimmers arrived through the acquaintance of Pino Tuccimei and
Renzo Arbore who listened to their concerts in different pop
contests (among which the famous Terme di Caracalla in Rome, who
acted as a real springboard for the band), they were addressed to the
1st Viareggio New Trends and Progressive Music Festival, were their
success was established as winners, together with the band
Premiata Forneria Marconi and the singer Mia Martini, they did a
great music and spectacular performance. The record companies
who attended the show, were stroke both by their music and by
their impressing theatrical aspect, everybody was taking on the
challenge to get in touch with them, after a ping-pong game with
the CGD, the Fonit Cetra got the better, offering them, thanks
to Massimo Bernardi, their first producer, a very advantageous
contract. In June 71’ in Fonit Cetra studio’s in Milano, was
accomplished completely ex novo the LP L’Uomo that after few
months confirmed how successful was the band, assigning them the
Italian Record Company Critic Prize

Please
tell us more about your second album Milano Calibro 9 from
1972

"Preludio,
Tema, Variazioni e Canzona" is surely an original work
although bounded to the film "Milano Calibro 9" . The
film and the album were indeed two parallels yet independt paths. Not
the whole album is comprised in the film soundtrack,
nonetheless, in the original soundtrack there are only "Preludio" and
"Tema", plus other lesser fragments that are not comprised
in the album. Osanna with Luis Bacalov (great argentinian
composer and orchestra director) did play at Rome the film
soundtrack alone. In 1972 when in Milan, we begun another
session of recordings, more arrangements and inedits as the
seven "Variazioni" and "There will be time",
the result was "Preludio, Variazioni e Canzona", our
second LP.

Please
tell us more about your third and classic album Palepoli from
1972

In 73’ it was
the time for Palepoli, milestone of the Osanna production, from which
the homonym musical, with mimes, dancers and actors, the musical had
been touring in the main theatres all around Italy, it was the
first and unique rock opera.

Please
tell us more about your fourth album Landscape Of Life from
1974

Landscape of
Life in 74’ was the last production achieved for this extraordinary
and legendary band. During those four years of activity, thousands
of concerts, television interventions, theatre tours, the band
stood out as one of the major International Progressive Rock
band. Experienced press, books and encyclopaedia are nowadays
still careful to the repertory they proposed in the past. The
Osanna resolved in 75’.

Please
tell us more about your fifth album Suddance from 1978

After
few disco graphic experiences lived with the Fonit Cetra with
different lining up among which: Città Frontale - El Tor with
Lino and Massimo, Uno and Nova with Danilo and Elio, in 1978 the
band was coming up together again with a different lining-up:
Lino, Danilo and Massimo and two new members: Fabrizio d’Angelo
(keyboards) and Enzo Petrone (bass guitar), who was replacing Elio
d’Anna and Lello Brandi. With this new lining-up a new L.P. was
published, Suddance, recorded, mixed in Naples in Splash,
Peppino di Capri recording studio’s. Once again the Osanna had
assigned the Italian Record Company Critic Prize, further to the
Best rock band prize for the Annuario Discografico in 1987. The
band will not last longer due to some new organizational and
economic challenges. The Osanna could not find the right space
to experience good quality music in Italy, waiting for a new
international event that was not about to come, by the end of
1979 they stopped again. 

And
then there was a twenty years long break. What happened ?

Danilo
moved to Boston, were he stayed steadily, while Lino conceived a
new music - theatre- dance organization, producing different
musicals among them, El-Tor and several music events thus far.
In the last few years Lino and Danilo, among other productions
at the same time have nourished their artistic union
communicating by writing letters and after by data transmission.
Always moved by the will to carry on the interrupted discussion,
in 1999, 20 years after Suddance, at the threshold of a new
millennium, they accomplished the new project: Osanna 2000. Some
kind of anthology tribute with a new music production in tune
with current technologies and sounds.

Please
tell us more about your comeback album Taka Boom from 2001

After
several line up changes, the only one in beliveing in the new
project have been the promoter themselves Lino, Danilo and Enzo
that together with Gennaro Barba, Vito Ranucci, Gigi Borgogno
and Luca Urciuolo recorded the CD Taka Boom dropped out in 2001,
30 years later their birth.
The
live tribute of the Osanna has been offered by other talented
musician who did the story of Italian Prog, such as: Vittorio de
Scalzi of the New Trolls, Francesco Di Giacomo and Rodolfo
Maltese of the Banco, Jenny Sorrenti, Patrizio Fariselli of the
Area with Antonio Onorato, Gianni Leone of the Balletto di Bronzo,
Enzo Avitabile, Aldo Tagliapietra and Michi de Rossi of the Orme
and Peter Hammill. Also contributed to their CD: Carlo
Avitabile, Gino Evangelista, Andrea Palazzo, Ciccio Merolla,
Elio Eco, and special guest Enzo Avitabile, who offered some
mind-blowing performance for his artistic and vocal sensibility. CDs
and DVDs have been produced by Afrakà for RAI TRADE, distributed by
BTF, is the first and unique collection with the most
significant tracks recorded by the Osanna in the 70’, as
Historic Anthology Tribute. 

Tracklist
for this album is:

"
L’uomo”
“Ce vulesse
ce vulesse (Ce vulesse/Canta cchiù forte)”
“Medley
acustico (Oro caldo/My mind flies/L’amore vincerà di nuovo)”
“Taka
boom”
“In un vecchio
cieco/Vado verso una meta”
“There
will be time”
“Medley
train (Mirror train/Treno senza stagione)”
“’A
zingara”
“Oro caldo
(Fuje ‘a chistu paese)”
“Everybody’s
gonna see you die”
“Colpi
di tosse (Tropp/Ho scritto una canzone)”
“L’uomo”

Please
tell us more about your most recent album Osanna & David Jackson
- Prog Family from last year.

This
was the following new and final 2011 line-up “Prog Family
Tour”: 

Lino
Vairetti (Voice & Acoustic Guitar), 
Gennaro Barba (Drums), 
Nello
D’Anna (Bass),
Pasquale Capobianco (Electric Guitar), 
Sasà Priore (Piano &
Keyboards), 
Irvin
Luca Vairetti (Back Vocals & Programming). 

Special
guest: 

David Jackson (sax and flute) 
Gianni Leone (Hammond
organ)

This
is the ultimate and permanent Osanna Line up which fully seize the
spirit of the historical band, but this time with a renewed
dynamic and passionate enthusiasm. David Jackson integrated
himself perfectly, and since ever he has been feeling as being
part of the band and not as a simple guest. This new work, lived
with the same passion, is both for me and for the band an
ultimate homage to the old Line Up, a kind of a bridge to get to
new musical paths. In fact all songs have been rearranged as
they were new ones since they result as sounding very current,
recovering nevertheless, the vintage sound of the 12 strings
guitar, in the use of the sinth, but mainly in David Jackson’s
flute and sax sound, that once belonged to Elio d’Anna. The
new band, besides me and David as historical members of the ’70
prog/rock scene, is made up by great young musicians, who have
given back to the Osanna sound it’s previous strenght and
energy. A band who express itself strongly on stage

Just
to give those who are unknown with your music a bit of a reference
point or two: How would you describe your music ?

I
believe that Italian music had always been relevant and well know in
the whole wordl and what has been created within the progressive
rock movement in seventies retained its greatness and spirit.
The italian prog is a blend of hard rock with classical melodies
and folkloristic heritages of the several countries of Italy. We
tried to give new life to the traditional neapolitan music
(which is our roots and our history), while maturing at the same time
a precise and strong identity that would allow us to be spotted
amongst thousand of progressive formations from other parts of
the world.

There is
also a new generation of excellent bands in Italy who sites Osanna
as one of their main inspirations. Which one of the new bands do
you like best and what is your view on the new Rock Progressivo
Italiano scene ?

I
have started "Afrakà", my distinctive brand as producer of
musical events and label activities...i have spotted so far many
young talents, and managed to organize a large number of
concerts so far. Osanna is an Afrakà production currently, but
please visit us to spot other talents which i have met in my artistic
endeavours.

What is
your plans for next year ?

My
musical future is bounded probably to what i have done before and i
am still doing, but i am willing to give more voice to the
traditional neapolitan culture. I hope to record soon a new
album within a Musical, which merge progressive rock with
neapolitan "tarantelle" and "tammuriate". A new
kind of "neapolitan progressive rock"!

To
wrap up this interview, is there anything you want to add to this
interview ?

I
would like to thank Fabrizio di Vicino of Psych Up Melodies and
Torodd of Progarchives for this exhaustive interview, and above
all, the followers of Osanna around the world, please check also
the activities of Afrakà frequently 
!!
Cheers!!
Thank you to Lino for this interview 
& 
thank you to Fabrizio for helping me out

The PA profile is here and the homepage is here

Edited by toroddfuglesteg - January 14 2012 at 09:18

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toroddfuglesteg Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Forum Senior Member Retired Joined: March 04 2008 Location: Retirement Home Status: Offline Points: 3658	Topic: Osanna Posted: January 14 2012 at 02:35
	OSANNA is classic seventies Italian prog. The basis of their sound is original heavy guitar rock often in combination with amazing flute solos. Additionally, more spacey, Pink Floydian parts and quiet interludes with acoustic guitar and flute can be heard as well. There are plenty of mood changes and surprises that make this music very dynamic and interesting. I got in touch with Lino Vairetti through Fabrizio di Vicino of Psych Up Melodies and here is the Osanna story. ################################# When was Osanna born, were any of you involved in any other bands before you joined up in Osanna, which bands were you influenced by and why did you choose that name ? The name of my first band in the '60s was "I Volti di Pietra", soon after with Danilo Rustici, Massimo Guarino, Gianni Leone and Lello Brandi, we became "Città Frontale" ( first formed in 1969 ). Regarding Osanna, It all started by the end of 1970 when in a small underground club, the Quick, located in the area of Vomero, took place the fatal meeting between Elio D’Anna (flute and saxophone player who had shortly came out from the Showmen band ), and the band Città Frontale, whose singer was Lino Vairetti, together with Danilo Rustici (guitar), Massimo Guarino (drums), Lello Brandi (bass guitar), Gianni Leone (keyboards). Elio was there together with Tony Esposito and Sasà Petrone, with whom was looking for new members to set up a new band, he was there lo listen to their concert and was litteraly stroke by their sound and peculiarity of their songs (wrote exclusively by Lino and Danilo). The band needed a new member staff to replace Gianni Leone, who transferred his music aspirations into the band Balletto di Bronzo, so they did a proposal for becoming a new member of the band to Elio, who after some disconcert an wavering for a while towards the members he should have left, by the end thanks to their energy and progressive repertoire succeeded to capture him and he finally decided to accept… Soon after the new line up had been set up they started to rehearsal, their sound was very crude, dynamic and explosive, it became so captivating that in few months, they had as much stuff to produce at least 3 L.P. A new name was chosen: Osanna, the only name who found everybody’s agreement. The first concert was on February 71’ in Naples in a club in called Spry Pan. On all the posters there was written: Elio D’anna + Città Fr.. Osanna. Afterwards they performed as supporter band to Arthur Brown concert, where several plaudits and positive feedback were obtained, all this confirmed that it was the right time for a jump in quality and face the discography world. Tough Naples, city full of talents and artists, was and still represents, the total denial for producing quality music. Let's go straight to your debut album. Please tell us more about L'uomo from 1971 The very few existing discography labels were attentive only to Neapolitan music and very often was the result of a cheap subculture. Elio by the way succeeded in persuading the ABC Record owner: Mr Bideri, (Neapolitan music editor and discography publisher well known at that time) he believed in their production, and that’s how their recording in Naples studio’s was achieved, giving as a result the first LP of the Osanna. Unfortunately, time run by and Bideri was not making a breakthrough for letting the L.P. sorting out, he was too much concerned it would have been a dead stock. Some extraordinary job was stucked and let rottening. Nevertheless the band was determined and longing to burst, so did not give up, they secretly took some first recording done and went to Milano were various record companies heard their work, at last somebody was carefully and sensitively listening to their works. Consensus were good, while waiting for their reactions at the same time new glimmers arrived through the acquaintance of Pino Tuccimei and Renzo Arbore who listened to their concerts in different pop contests (among which the famous Terme di Caracalla in Rome, who acted as a real springboard for the band), they were addressed to the 1st Viareggio New Trends and Progressive Music Festival, were their success was established as winners, together with the band Premiata Forneria Marconi and the singer Mia Martini, they did a great music and spectacular performance. The record companies who attended the show, were stroke both by their music and by their impressing theatrical aspect, everybody was taking on the challenge to get in touch with them, after a ping-pong game with the CGD, the Fonit Cetra got the better, offering them, thanks to Massimo Bernardi, their first producer, a very advantageous contract. In June 71’ in Fonit Cetra studio’s in Milano, was accomplished completely ex novo the LP L’Uomo that after few months confirmed how successful was the band, assigning them the Italian Record Company Critic Prize Please tell us more about your second album Milano Calibro 9 from 1972 "Preludio, Tema, Variazioni e Canzona" is surely an original work although bounded to the film "Milano Calibro 9" . The film and the album were indeed two parallels yet independt paths. Not the whole album is comprised in the film soundtrack, nonetheless, in the original soundtrack there are only "Preludio" and "Tema", plus other lesser fragments that are not comprised in the album. Osanna with Luis Bacalov (great argentinian composer and orchestra director) did play at Rome the film soundtrack alone. In 1972 when in Milan, we begun another session of recordings, more arrangements and inedits as the seven "Variazioni" and "There will be time", the result was "Preludio, Variazioni e Canzona", our second LP. Please tell us more about your third and classic album Palepoli from 1972 In 73’ it was the time for Palepoli, milestone of the Osanna production, from which the homonym musical, with mimes, dancers and actors, the musical had been touring in the main theatres all around Italy, it was the first and unique rock opera. Please tell us more about your fourth album Landscape Of Life from 1974 Landscape of Life in 74’ was the last production achieved for this extraordinary and legendary band. During those four years of activity, thousands of concerts, television interventions, theatre tours, the band stood out as one of the major International Progressive Rock band. Experienced press, books and encyclopaedia are nowadays still careful to the repertory they proposed in the past. The Osanna resolved in 75’. Please tell us more about your fifth album Suddance from 1978 After few disco graphic experiences lived with the Fonit Cetra with different lining up among which: Città Frontale - El Tor with Lino and Massimo, Uno and Nova with Danilo and Elio, in 1978 the band was coming up together again with a different lining-up: Lino, Danilo and Massimo and two new members: Fabrizio d’Angelo (keyboards) and Enzo Petrone (bass guitar), who was replacing Elio d’Anna and Lello Brandi. With this new lining-up a new L.P. was published, Suddance, recorded, mixed in Naples in Splash, Peppino di Capri recording studio’s. Once again the Osanna had assigned the Italian Record Company Critic Prize, further to the Best rock band prize for the Annuario Discografico in 1987. The band will not last longer due to some new organizational and economic challenges. The Osanna could not find the right space to experience good quality music in Italy, waiting for a new international event that was not about to come, by the end of 1979 they stopped again. And then there was a twenty years long break. What happened ? Danilo moved to Boston, were he stayed steadily, while Lino conceived a new music - theatre- dance organization, producing different musicals among them, El-Tor and several music events thus far. In the last few years Lino and Danilo, among other productions at the same time have nourished their artistic union communicating by writing letters and after by data transmission. Always moved by the will to carry on the interrupted discussion, in 1999, 20 years after Suddance, at the threshold of a new millennium, they accomplished the new project: Osanna 2000. Some kind of anthology tribute with a new music production in tune with current technologies and sounds. Please tell us more about your comeback album Taka Boom from 2001 After several line up changes, the only one in beliveing in the new project have been the promoter themselves Lino, Danilo and Enzo that together with Gennaro Barba, Vito Ranucci, Gigi Borgogno and Luca Urciuolo recorded the CD Taka Boom dropped out in 2001, 30 years later their birth. The live tribute of the Osanna has been offered by other talented musician who did the story of Italian Prog, such as: Vittorio de Scalzi of the New Trolls, Francesco Di Giacomo and Rodolfo Maltese of the Banco, Jenny Sorrenti, Patrizio Fariselli of the Area with Antonio Onorato, Gianni Leone of the Balletto di Bronzo, Enzo Avitabile, Aldo Tagliapietra and Michi de Rossi of the Orme and Peter Hammill. Also contributed to their CD: Carlo Avitabile, Gino Evangelista, Andrea Palazzo, Ciccio Merolla, Elio Eco, and special guest Enzo Avitabile, who offered some mind-blowing performance for his artistic and vocal sensibility. CDs and DVDs have been produced by Afrakà for RAI TRADE, distributed by BTF, is the first and unique collection with the most significant tracks recorded by the Osanna in the 70’, as Historic Anthology Tribute. Tracklist for this album is: " L’uomo” “Ce vulesse ce vulesse (Ce vulesse/Canta cchiù forte)” “Medley acustico (Oro caldo/My mind flies/L’amore vincerà di nuovo)” “Taka boom” “In un vecchio cieco/Vado verso una meta” “There will be time” “Medley train (Mirror train/Treno senza stagione)” “’A zingara” “Oro caldo (Fuje ‘a chistu paese)” “Everybody’s gonna see you die” “Colpi di tosse (Tropp/Ho scritto una canzone)” “L’uomo” Please tell us more about your most recent album Osanna & David Jackson - Prog Family from last year. This was the following new and final 2011 line-up “Prog Family Tour”: Lino Vairetti (Voice & Acoustic Guitar), Gennaro Barba (Drums), Nello D’Anna (Bass), Pasquale Capobianco (Electric Guitar), Sasà Priore (Piano & Keyboards), Irvin Luca Vairetti (Back Vocals & Programming). Special guest: David Jackson (sax and flute) Gianni Leone (Hammond organ) This is the ultimate and permanent Osanna Line up which fully seize the spirit of the historical band, but this time with a renewed dynamic and passionate enthusiasm. David Jackson integrated himself perfectly, and since ever he has been feeling as being part of the band and not as a simple guest. This new work, lived with the same passion, is both for me and for the band an ultimate homage to the old Line Up, a kind of a bridge to get to new musical paths. In fact all songs have been rearranged as they were new ones since they result as sounding very current, recovering nevertheless, the vintage sound of the 12 strings guitar, in the use of the sinth, but mainly in David Jackson’s flute and sax sound, that once belonged to Elio d’Anna. The new band, besides me and David as historical members of the ’70 prog/rock scene, is made up by great young musicians, who have given back to the Osanna sound it’s previous strenght and energy. A band who express itself strongly on stage Just to give those who are unknown with your music a bit of a reference point or two: How would you describe your music ? I believe that Italian music had always been relevant and well know in the whole wordl and what has been created within the progressive rock movement in seventies retained its greatness and spirit. The italian prog is a blend of hard rock with classical melodies and folkloristic heritages of the several countries of Italy. We tried to give new life to the traditional neapolitan music (which is our roots and our history), while maturing at the same time a precise and strong identity that would allow us to be spotted amongst thousand of progressive formations from other parts of the world. There is also a new generation of excellent bands in Italy who sites Osanna as one of their main inspirations. Which one of the new bands do you like best and what is your view on the new Rock Progressivo Italiano scene ? I have started "Afrakà", my distinctive brand as producer of musical events and label activities...i have spotted so far many young talents, and managed to organize a large number of concerts so far. Osanna is an Afrakà production currently, but please visit us to spot other talents which i have met in my artistic endeavours. What is your plans for next year ? My musical future is bounded probably to what i have done before and i am still doing, but i am willing to give more voice to the traditional neapolitan culture. I hope to record soon a new album within a Musical, which merge progressive rock with neapolitan "tarantelle" and "tammuriate". A new kind of "neapolitan progressive rock"! To wrap up this interview, is there anything you want to add to this interview ? I would like to thank Fabrizio di Vicino of Psych Up Melodies and Torodd of Progarchives for this exhaustive interview, and above all, the followers of Osanna around the world, please check also the activities of Afrakà frequently !! Cheers!! Thank you to Lino for this interview & thank you to Fabrizio for helping me out The PA profile is here and the homepage is here Edited by toroddfuglesteg - January 14 2012 at 09:18

memowakeman Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Special Collaborator Honorary Collaborator Joined: May 19 2005 Location: Mexico City Status: Offline Points: 13032	Posted: January 14 2012 at 10:36
	Oh man, thanks for this wonderful interview!
	Follow me on twitter @memowakeman

Finnforest Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Special Collaborator Honorary Collaborator Joined: February 03 2007 Location: The Heartland Status: Offline Points: 16914	Posted: January 15 2012 at 09:42
	"The italian prog is a blend of hard rock with classical melodies and folkloristic heritages of the several countries of Italy. " -And a strong dose of the avant-garde mischief I would add..... "We tried to give new life to the traditional neapolitan music (which is our roots and our history), while maturing at the same time a precise and strong identity that would allow us to be spotted amongst thousand of progressive formations from other parts of the world." -Mission accomplished, sir Thanks for this interview, guys!

dreadpirateroberts Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Forum Senior Member Joined: May 27 2011 Location: AU Status: Offline Points: 952	Posted: January 15 2012 at 09:46
	Si! I concur, thank you muchly! This also reminds me that I've got to check out Prog-Family. Would have loved to have heard more about Palepoli too, I've never gotten tired of that one since I got it. Thanks again Todd and Fabrizio!
	We are men of action. Lies do not become us. JazzMusicArchives.

Nightfly Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Special Collaborator Honorary Collaborator Joined: August 01 2007 Location: United Kingdom Status: Offline Points: 3659	Posted: January 15 2012 at 11:56
	Great to read an interview with this excellent band.