Pan.Thy.Monium

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One of many bands headed by prominent Swedish prog-metal figure Dan Swanö, Pan.Thy.Monium stands out as one of his more unusual musical projects. Essentially a progressive death metal band, PTM's three albums supposedly tell the story of Raagoonshinnaah (the god of darkness) and his battle with Amaraah (the god of light), but the vocals (provided by Robert Karlsson, Swanö's future replacement in Edge of Sanity) are totally indecipherable and generally considered to be nothing more than random death metal growling. The group's music is highly unusual, encorporating confusingly dense structures and instruments like keyboards and even saxophones into their experimental death metal style. At the time of their debut album in 1992 their identities were unknown, going instead under aliases. The project was ended by Swanö in 1996, though there has been some degree of interest from the other members in resuming it without him.

I got my copy of Dawn Of Dreams back in 1992 and my first thoughts was "what the f***** is this ???". Almost two decades later, those are still my thoughts. Their albums is highly recommended though for avant-garde metal fans. 
I got in touch with Dan Swanö some days ago and here is the Pan.Thy.Monium story.
####################################################################################
Dan. This band is regarded as one 
of your most strange projects. Why did you start up Pan.Thy.Monium ?
This all happened in the 
spring of 1990. 

Around this time, mine and Benny's other band, Edge Of Sanity was more of a 
Thrash/speed band with some Death Influences. 

The guitars were still in normal E tuning and we experimented a bit with 
keyboards, but everything was still very much based upon what could be done live 
and in rehearsal.

I guess it all started when Robban Ivarsson and me messed around with Bolt 
Thrower rip-off riffing in his rehearsal-room. 

We called ourselves Bultkäzters and it was pretty much improvised riffing, 
tuned down as f**k, and all stuff sounded like "World Eater" from Bolt 
Thrower. 

How we got from this to Pan Thy Monium is not really clear to me, but I 
guess at some point Benny joined in on drums, since he loved more sludgy stuff 
like Celtic Frost and Hellhammer (which the other guys of E.O.S. hated) 

Robban Karlsson was also hanging around the rehearsal room at this time, 
but I am not sure that he actually growled with any band at this time...how 
ever..

We jammed out 3 songs and decided to record them at the 4 tracker in 
Unicorns rehearsalroom. 

Said and done. The 3 songs + a weird song called "Ekkhoeecee" (or something 
like that) was recorded pretty quickly. 

And whenever there wasn't any vocals, I had one of the 4 channels left to 
fill with keyboards :) 

The Unicorn keyboardist had just bought the Korg M1, and I used all the 
atmospheric sounds in it to enhance the vibe of our pretty straight forward 
doom/grind (!!)

So in other words. We formed PTM as some kind of "Anti EOS" We tuned down 
'til the strings hung by our knees. Use tons of keyboards. Played slower and 
faster than EOS and the vocals were twisted and sick.

I have a theory about 
Pan.Thy.Monium which you may or may not agree with me on. Lyrics wise and most 
music wise, I believe Pan.Thy.Monium was a Zeuhl band in metal clothings. Your 
lyrical approach was very much like Magma and the music also have a lot of Zeuhl 
influences. How wrong am I or am I pretty close to the truth here ? How would 
you describe the music ?

I 
don't know about this Zeuhl stuff. We were a standard doom/grind band, but since 
I was at the height of my progressive rock worshipping AND Death Metal 
worshipping at the same time...something messed up had to come of it :D

We have been called "Avant Garde Doom" and I have a flyer where we called 
it "Dead Music"

How did you recruit the 
members for Pan.Thy.Monium and what was their background ?

Like I described earlier, 
all Finspång bands just kind of happened. We were too young to get legally 
drunk/or just didn't want to...and we hung around the rehearsal room complex in 
Finspång called FMF, and God knows how many strange projects

we formed while our friends were out getting laid and drunk :) Robert 
Ivarsson played with Benny in Lightforce. Robban Karlsson played in Trimmad Elg 
with the little brother from Ivarsson. Me and Benny knew each other from early 
school days

but didn't play in any band together until the end of 1989.

Let's move to the releases. 
Please tell us more about your first demo ...Dawn from 1990

It contains some of the 
coolest stuff we ever recorded. 3 of the songs were also on the albums. But the 
coolest track "....dauwhhn" was never re-recorded.

We released a home copied demo with full color cover and it sold pretty 
well. After a short whole Benny was contacted by Rigid Records that wanted to 
release a 7" from us!

Nothing came out of that deal, instead an Italian label showed interest!! 4 
out of 5

An EP called Dream II 
followed in 1991. Please tell us more about this EP.

Dream 
II is the ultimate Pan Thy Monium release for me. The 3 songs on display here 
are supercool and I just love the complete darkness here! This one was recorded 
on 8 tracks, so I could use more keyboards and FX through out the songs!!

The guys that released it had a magazine Thanatography, and thru that one 
they snapped up interesting demo bands and released albums with them. It later 
grew into a respected label, and maybe they still release albums to this day! 5 
out of 5

Your three albums has got legends statuses. Please 
tell us more about.....

Dawn Of Dreams from 1992

Hervé from Osmose was a 
friend of mine thru his Strangulation distribution business. Benny was a fan of 
Samael and I guess PTM had something in common with them. He gave us a small 
budget, and we recorded the album on the 8 tracker, again

in the Unicorn studio. Now called Gorysound when recording Death/Thrash 
Metal. There are some cool moments here. Personally I think we were better off 
as an EP band. It was hard to fill up the playing time without being 
boring.

The reviews were good and the sales were alright, I guess, since Hervé let 
us mess around the studio again, for the 2nd one!! 3.5 out of 5

Khaoohs from 1993

I 
have actually listened to this album a bit, since I put most of my own stuff on 
my iPod a few months ago. It hasn't ages well, I am afraid. But at the time it 
was written I had other priorities in life and we tried to compensate good 
riffing with

weird overdubs. There are some good moments, but to me it it is 2 out of 
5

And finally, Khaooohs & Kon-Fus-ion from 
1996

Just 
before I moved to Örebro, we started work on this...what was meant to be our 
last recording. The guys came up to Örebro to finish it off, with more overdubs 
and stuff, and after a while Relapse was interested in releasing it.

I like this one more than Khaooos. It's got more epic moments and not so 
much unmotivated riffing. 3.7 out of 5

You teamed up with two legendary metal labels back 
on those days; Osmose and Avant Garde. Your albums was well ahead of their times 
and very avant garde compared to the other albums those two labels released back 
then. How was it to work with them ? How is the availability of the Pan.Thy.Monium albums & EP now ?

Both 
labels were great. I remember actually getting royalties from Osmose!! Both 
labels fulfilled their agreements with us. I have nothing but good words to say 
about them. In those days we were amazed by the fact that someone would actually 
pay us

to record and release our music!! And that they printed full color posters 
and T-shirts and stuff, blew out minds :

Is there any plans to do anything more under 
the Pan.Thy.Monium name ?

Never 
say never. I still love the older kind of stuff, and would love to team up with 
the guys and record the Dream I EP :)

But we all live different lives now. To remix/remaster the demo and the EP 
was awesome, and to have them both released on a fold out cover Vinyl was just 
f**king awesomeness deluxe! Thanx Ted!!!

To wrap up this interview, is there anything you 
want to add to this interview ?

Thanx for 
your support! Hopefully the remixed Demo and remastered EP will be released on 
CD someday, so you can hear how good they sound. 

Thank you to 
Dan Swanö for this interview

Their PA profile is here and the homepage's here

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toroddfuglesteg Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Forum Senior Member Retired Joined: March 04 2008 Location: Retirement Home Status: Offline Points: 3658	Topic: Pan.Thy.Monium Posted: August 28 2011 at 15:29
	One of many bands headed by prominent Swedish prog-metal figure Dan Swanö, Pan.Thy.Monium stands out as one of his more unusual musical projects. Essentially a progressive death metal band, PTM's three albums supposedly tell the story of Raagoonshinnaah (the god of darkness) and his battle with Amaraah (the god of light), but the vocals (provided by Robert Karlsson, Swanö's future replacement in Edge of Sanity) are totally indecipherable and generally considered to be nothing more than random death metal growling. The group's music is highly unusual, encorporating confusingly dense structures and instruments like keyboards and even saxophones into their experimental death metal style. At the time of their debut album in 1992 their identities were unknown, going instead under aliases. The project was ended by Swanö in 1996, though there has been some degree of interest from the other members in resuming it without him. I got my copy of Dawn Of Dreams back in 1992 and my first thoughts was "what the f*** is this ???". Almost two decades later, those are still my thoughts. Their albums is highly recommended though for avant-garde metal fans. I got in touch with Dan Swanö some days ago and here is the Pan.Thy.Monium story. #################################################################################### Dan. This band is regarded as one of your most strange projects. Why did you start up Pan.Thy.Monium ? This all happened in the spring of 1990. Around this time, mine and Benny's other band, Edge Of Sanity was more of a Thrash/speed band with some Death Influences. The guitars were still in normal E tuning and we experimented a bit with keyboards, but everything was still very much based upon what could be done live and in rehearsal. I guess it all started when Robban Ivarsson and me messed around with Bolt Thrower rip-off riffing in his rehearsal-room. We called ourselves Bultkäzters and it was pretty much improvised riffing, tuned down as fk, and all stuff sounded like "World Eater" from Bolt Thrower. How we got from this to Pan Thy Monium is not really clear to me, but I guess at some point Benny joined in on drums, since he loved more sludgy stuff like Celtic Frost and Hellhammer (which the other guys of E.O.S. hated) Robban Karlsson was also hanging around the rehearsal room at this time, but I am not sure that he actually growled with any band at this time...how ever.. We jammed out 3 songs and decided to record them at the 4 tracker in Unicorns rehearsalroom. Said and done. The 3 songs + a weird song called "Ekkhoeecee" (or something like that) was recorded pretty quickly. And whenever there wasn't any vocals, I had one of the 4 channels left to fill with keyboards :) The Unicorn keyboardist had just bought the Korg M1, and I used all the atmospheric sounds in it to enhance the vibe of our pretty straight forward doom/grind (!!) So in other words. We formed PTM as some kind of "Anti EOS" We tuned down 'til the strings hung by our knees. Use tons of keyboards. Played slower and faster than EOS and the vocals were twisted and sick. I have a theory about Pan.Thy.Monium which you may or may not agree with me on. Lyrics wise and most music wise, I believe Pan.Thy.Monium was a Zeuhl band in metal clothings. Your lyrical approach was very much like Magma and the music also have a lot of Zeuhl influences. How wrong am I or am I pretty close to the truth here ? How would you describe the music ? I don't know about this Zeuhl stuff. We were a standard doom/grind band, but since I was at the height of my progressive rock worshipping AND Death Metal worshipping at the same time...something messed up had to come of it :D We have been called "Avant Garde Doom" and I have a flyer where we called it "Dead Music" How did you recruit the members for Pan.Thy.Monium and what was their background ? Like I described earlier, all Finspång bands just kind of happened. We were too young to get legally drunk/or just didn't want to...and we hung around the rehearsal room complex in Finspång called FMF, and God knows how many strange projects we formed while our friends were out getting laid and drunk :) Robert Ivarsson played with Benny in Lightforce. Robban Karlsson played in Trimmad Elg with the little brother from Ivarsson. Me and Benny knew each other from early school days but didn't play in any band together until the end of 1989. Let's move to the releases. Please tell us more about your first demo ...Dawn from 1990 It contains some of the coolest stuff we ever recorded. 3 of the songs were also on the albums. But the coolest track "....dauwhhn" was never re-recorded. We released a home copied demo with full color cover and it sold pretty well. After a short whole Benny was contacted by Rigid Records that wanted to release a 7" from us! Nothing came out of that deal, instead an Italian label showed interest!! 4 out of 5 An EP called Dream II followed in 1991. Please tell us more about this EP. Dream II is the ultimate Pan Thy Monium release for me. The 3 songs on display here are supercool and I just love the complete darkness here! This one was recorded on 8 tracks, so I could use more keyboards and FX through out the songs!! The guys that released it had a magazine Thanatography, and thru that one they snapped up interesting demo bands and released albums with them. It later grew into a respected label, and maybe they still release albums to this day! 5 out of 5 Your three albums has got legends statuses. Please tell us more about..... Dawn Of Dreams from 1992 Hervé from Osmose was a friend of mine thru his Strangulation distribution business. Benny was a fan of Samael and I guess PTM had something in common with them. He gave us a small budget, and we recorded the album on the 8 tracker, again in the Unicorn studio. Now called Gorysound when recording Death/Thrash Metal. There are some cool moments here. Personally I think we were better off as an EP band. It was hard to fill up the playing time without being boring. The reviews were good and the sales were alright, I guess, since Hervé let us mess around the studio again, for the 2nd one!! 3.5 out of 5 Khaoohs from 1993 I have actually listened to this album a bit, since I put most of my own stuff on my iPod a few months ago. It hasn't ages well, I am afraid. But at the time it was written I had other priorities in life and we tried to compensate good riffing with weird overdubs. There are some good moments, but to me it it is 2 out of 5 And finally, Khaooohs & Kon-Fus-ion from 1996 Just before I moved to Örebro, we started work on this...what was meant to be our last recording. The guys came up to Örebro to finish it off, with more overdubs and stuff, and after a while Relapse was interested in releasing it. I like this one more than Khaooos. It's got more epic moments and not so much unmotivated riffing. 3.7 out of 5 You teamed up with two legendary metal labels back on those days; Osmose and Avant Garde. Your albums was well ahead of their times and very avant garde compared to the other albums those two labels released back then. How was it to work with them ? How is the availability of the Pan.Thy.Monium albums & EP now ? Both labels were great. I remember actually getting royalties from Osmose!! Both labels fulfilled their agreements with us. I have nothing but good words to say about them. In those days we were amazed by the fact that someone would actually pay us to record and release our music!! And that they printed full color posters and T-shirts and stuff, blew out minds : Is there any plans to do anything more under the Pan.Thy.Monium name ? Never say never. I still love the older kind of stuff, and would love to team up with the guys and record the Dream I EP :) But we all live different lives now. To remix/remaster the demo and the EP was awesome, and to have them both released on a fold out cover Vinyl was just fking awesomeness deluxe! Thanx Ted!!! To wrap up this interview, is there anything you want to add to this interview ? Thanx for your support! Hopefully the remixed Demo and remastered EP will be released on CD someday, so you can hear how good they sound. Thank you to Dan Swanö for this interview Their PA profile is here and the homepage's here**

Prog Geo Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Forum Senior Member Joined: November 09 2010 Location: Athens (Greece) Status: Offline Points: 2555	Posted: August 28 2011 at 19:09
	Congratulations Torodd! Dan Swano is one of my favorite artists. I'm glad that you interviewed him about Pan.Thy.Monium. Edited by Prog Geo - August 28 2011 at 19:09
	Sonorous Meal show every Sunday at 20:00 (greek time) on http://www.justincaseradio.com

Nacho220 Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Forum Groupie Joined: March 29 2005 Location: Ohio, USA Status: Offline Points: 50	Posted: August 29 2011 at 10:40
	I like to call 'em groovy doom
	Allen Thompson Operations Director, Co-Founder \| OhioProg Host of Somewhere Between Sunrise & Sunset "your program of progressive rock" on 88.3FM, WBWC

J-Man Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Prog Reviewer Joined: August 07 2008 Location: Philadelphia,PA Status: Offline Points: 7826	Posted: August 29 2011 at 13:28
	Awesome! Always great to here more stuff from Dan!
	Check out my YouTube channel! http://www.youtube.com/user/demiseoftime