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Topic ClosedZeuhl bassists...what on Kobaļa?!

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DomValela View Drop Down
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Direct Link To This Post Topic: Zeuhl bassists...what on Kobaļa?!
    Posted: April 13 2011 at 14:57

HAMATAЇ!!!


As I've mentioned on my few posts in the ProgArchives forums before, I'm a huge fan of Christian Vander's Magma and a dedicated follower of Da Zeuhl Wortz Mekannik. Zeuhl has gone in many directions since it started with Magma, however...from the energetic and layered albums of "Dun" and "Eskaton," to the vicious sonic onslaught that is "Koenji Hyakkei" and beyond. 

These bands were always filled with truly brilliant musicians...I can think of no musicians that have played with Magma that were in any way dissatisfying from any of it's many line-ups.(Though there has been controversy regarding some of the frontmen through the ages) Keyboardists, Guitarists, Bassists, Singers, and so on and so forth.  As a keyboardist and singer myself, Magma and Zeuhl never cease to amaze me. 

Yesterday, in a discussion regarding Magma's domination of the "Top 100 Live Albums" chart on the archives with a friend of mine,  a topic that came up was the  bassists. I said that the quality of the bass playing in Magma doesn't even make logical sense, for several reasons.  In music that is written (almost all) by a drummer, with strong emphasis on the vocals, how did the bass playing evolve so brilliantly? Also, how is it possible that these brilliant musicians (Top, Paganotti and Bussonet to name the absolute cream of the crop) didn't dedicate their skills to becoming guitar virtuosos, seeing as they effectively play lead bass in Magma? What are your thoughts on these questions and on bass playing in Magma? 

-Dom 


Edited by DomValela - April 13 2011 at 15:18
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Direct Link To This Post Posted: April 13 2011 at 15:16
Well, I'm a guitarist myself and I just love to freak on the bass. Though bass isn't the instrument to make swift moves easily, it is very satisfying if it does work and has a functional role.

Furthermore, though progressive rock is often focussed on keyboard and guitar (interplay), there are many genre's in which the bass-guitar plays a more important role. If you happen to like these genre's, jazz/fusion is a good example, it's very motivating to play the bass at high a level of musicianship. Magma is a band in which the rhythmical section is very important and it's logical that Vander succeeded in attracting some of France it's best bass-players.

My only question regarding the bass-guitarists of Magma is how they succeeded in playing these awfully quick and technical compositions of two hours without much brakes. I've seem them live and I couldn't find a single mistake in the whole concert. The Magma of today is definitely one of the most skilled groups of musicians out there.
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Direct Link To This Post Posted: April 13 2011 at 15:25
 
Originally posted by DomValela DomValela wrote:


In music that is written (almost all) by a drummer, with strong emphasis on the vocals, how did the bass playing evolve so brilliantly? Also, how is it possible that these brilliant musicians (Top, Paganotti and Bussonet to name the absolute cream of the crop) didn't dedicate their skills to becoming guitar virtuosos, seeing as they effectively play lead bass in Magma? 

Hey Dom.

As you know, the bassist is always the drummer's best friend in a band, so when the drummer gets to write the music, he's always going to put the bassist in a privileged position (after himself, of course). I think that's called nepotism. Cool 

Also, why become a guitarist when you already kick THAT much ass as a bassist? Cool
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Direct Link To This Post Posted: April 13 2011 at 15:33
As far as Top goes, I think he started out as a cellist. The bass stands out in Magma's music because the guitar is so unimportant most of the time.
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Direct Link To This Post Posted: April 13 2011 at 15:37
Zeuhl is all about the rhythm so the bass and drums are prominat.Heck even the chanting they do often has a rhythm to it.
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Direct Link To This Post Posted: April 13 2011 at 15:58
Agree that Zeuhl is so much about the rhythms that it's not surprising.  And it's often very funky, and a great bass section is common to funk.

Edited by Logan - April 13 2011 at 15:58
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Direct Link To This Post Posted: April 13 2011 at 19:07
Originally posted by DomValela DomValela wrote:


HAMATAЇ!!!


As I've mentioned on my few posts in the ProgArchives forums before, I'm a huge fan of Christian Vander's Magma and a dedicated follower of Da Zeuhl Wortz Mekannik. Zeuhl has gone in many directions since it started with Magma, however...from the energetic and layered albums of "Dun" and "Eskaton," to the vicious sonic onslaught that is "Koenji Hyakkei" and beyond. 

These bands were always filled with truly brilliant musicians...I can think of no musicians that have played with Magma that were in any way dissatisfying from any of it's many line-ups.(Though there has been controversy regarding some of the frontmen through the ages) Keyboardists, Guitarists, Bassists, Singers, and so on and so forth.  As a keyboardist and singer myself, Magma and Zeuhl never cease to amaze me. 

Yesterday, in a discussion regarding Magma's domination of the "Top 100 Live Albums" chart on the archives with a friend of mine,  a topic that came up was the  bassists. I said that the quality of the bass playing in Magma doesn't even make logical sense, for several reasons.  In music that is written (almost all) by a drummer, with strong emphasis on the vocals, how did the bass playing evolve so brilliantly? Also, how is it possible that these brilliant musicians (Top, Paganotti and Bussonet to name the absolute cream of the crop) didn't dedicate their skills to becoming guitar virtuosos, seeing as they effectively play lead bass in Magma? What are your thoughts on these questions and on bass playing in Magma? 

-Dom 

I'm guessing by this post that you consider bass to be just a rhythm instrument? If prog has shown us anything its that the bass guitar is a very versatile instrument, powering the low end of a piece of music whilst having the range to play melodies as well. With Zeuhl being so rhythm heavy it would be a surprise if these bands didnt have high quality bassists since its a style of music that is particularly suited to allowing the instrument to shine.

(Admitedly I dont like Magma, but the Japanese bands I've heard are spectacular in this respect.)
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Direct Link To This Post Posted: April 13 2011 at 19:25
Ah, yes...so the general consensus is that it's the classic rhythm section bond. It makes sense!  

Friso, you mentioned Fusion...I'm no expert, but having recently heard Return to Forever's "Romantic Warrior," I can sort of see where you're coming from. A little. :P To be honest, it didn't do a lot for me, but the musicians there are no doubt excellent. (Some of the minimoog solos had me twitching! :p)


An interesting point:

Originally posted by zravkapt zravkapt wrote:

The bass stands out in Magma's music because the guitar is so unimportant most of the time.

Despite the skill necessary to play the guitar parts, the guitar is indeed  the least prominent instrument (perhaps ahead of small percussion instruments :P) in most of Magma's music. (Though James MacGaw has some interesting presence in the "recent" Mythes & Legendes arrangements) However, I think that the guitar is only "unimportant" because of how much the bass stands out. (and it stands out far) My question then is Why was the bass and not the guitar the instrument that came into the foreground? (Though it's slowly becoming clear. :P) 


And:
Originally posted by sleeper sleeper wrote:

 I'm guessing by this post that you consider bass to be just a rhythm instrument? If prog has shown us anything its that the bass guitar is a very versatile instrument, powering the low end of a piece of music whilst having the range to play melodies as well. With Zeuhl being so rhythm heavy it would be a surprise if these bands didnt have high quality bassists since its a style of music that is particularly suited to allowing the instrument to shine.


You raise an excellent point. The bass playing of the prog legends like Squire, Rutherford and even Lake have indeed shown us that the bass can be used for much more than a low-register walking riff!! When I first got into Yes, I sometimes thought that some of Squire's parts were Steve Howe! But the bass has had "unconventional" use for a while. Look at John Entwhistle and John Paul Jones! They were making major breakthroughs with the bass in the mid-to-late 60's! (And The Who and Led Zeppelin are almost Non-Prog!) So you're right; the bass guitar has lots of interesting uses. Still, I find the "Magma bass playing technique" to be unique, and it "makes me wonder," so to speak.  



Edited by DomValela - April 13 2011 at 19:28
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Direct Link To This Post Posted: April 14 2011 at 03:42
Originally posted by DomValela DomValela wrote:

An interesting point:

Originally posted by zravkapt zravkapt wrote:

The bass stands out in Magma's music because the guitar is so unimportant most of the time.

Despite the skill necessary to play the guitar parts, the guitar is indeed  the least prominent instrument (perhaps ahead of small percussion instruments :P) in most of Magma's music. (Though James MacGaw has some interesting presence in the "recent" Mythes & Legendes arrangements) However, I think that the guitar is only "unimportant" because of how much the bass stands out. (and it stands out far) My question then is Why was the bass and not the guitar the instrument that came into the foreground? (Though it's slowly becoming clear. :P) 

The bass was probably the best instrument to bring to the foreground, because it can crate that brooding, hypnotic and occasionally oppressive feel that characterises zeuhl.    


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Direct Link To This Post Posted: April 14 2011 at 14:13
Originally posted by DomValela DomValela wrote:


And:
Originally posted by sleeper sleeper wrote:

 I'm guessing by this post that you consider bass to be just a rhythm instrument? If prog has shown us anything its that the bass guitar is a very versatile instrument, powering the low end of a piece of music whilst having the range to play melodies as well. With Zeuhl being so rhythm heavy it would be a surprise if these bands didnt have high quality bassists since its a style of music that is particularly suited to allowing the instrument to shine.


You raise an excellent point. The bass playing of the prog legends like Squire, Rutherford and even Lake have indeed shown us that the bass can be used for much more than a low-register walking riff!! When I first got into Yes, I sometimes thought that some of Squire's parts were Steve Howe! But the bass has had "unconventional" use for a while. Look at John Entwhistle and John Paul Jones! They were making major breakthroughs with the bass in the mid-to-late 60's! (And The Who and Led Zeppelin are almost Non-Prog!) So you're right; the bass guitar has lots of interesting uses. Still, I find the "Magma bass playing technique" to be unique, and it "makes me wonder," so to speak.  


Not just the legends, most bands that are considered prog feature a bassist that shows a high level of skill. You point out John Paul Jones and John Entwhistle, and there's no argument there, but as far as rock was concerned they were more the exception than the rule as far as prominant bass playing was concerned. In progs case, prominant bass playing is the norm, then and now, and the whole Zeuhl genre requires a very strong bassist to be of any effect. Vander seemed to be very good at  finding the best of the bunch as far as bassists was concerned.


Edited by sleeper - April 14 2011 at 14:14
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Direct Link To This Post Posted: April 18 2011 at 23:04
Jannick Top is a very active composer, I believe.  I think he's done a lot of soundtrack work, at least TV stuff.   He probably recognized Vander's gifts and decided he wanted to work under him to learn.  
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