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Juan Dayatatime
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Topic: How I make my songs "better" Posted: September 03 2009 at 10:45 |
One for the purists....
I LOVE my 25 min epics but sometimes I feel some bands throw in the kitchen utensils to make them longer than they really have to be.
I detest the quirky doodlings/ 3 min jazz fusion romp/stop-start bass and drums. I adore The Flower Kings but they are more guilty than others.
I go in with a bog standard music editing prog and edit out some of the "deadwood" (I.M.H.O.) and to my mind I am not distracted by the annoying bit about to come up.
What do you think?
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Epignosis
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Posted: September 03 2009 at 10:47 |
So you have a three minute version of "Moonchild?" Cool.
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Negoba
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Posted: September 03 2009 at 10:55 |
I've considered doing this to BtBaM Colors.....there's some awesome stuff and some...not so good stuff.
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You are quite a fine person, and I am very fond of you. But you are only quite a little fellow, in a wide world, after all.
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Trademark
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Posted: September 03 2009 at 11:00 |
I'm not sure Moonchild would make it to the full 3 minutes.
The premise here is a unclear to me. You love your 25 min. epics, but feel that they are bloated with unnecessary kitchen utensils. So.... do you really love them? You adore the Flower Kings, but say they are more guilty than others. So.... do you really adore them?
How long are your edited versions and what would a truly perfect 25 minute epic have (or not have) that prevents you from enjoying them now?
It's probably one of those things that winds up being down to taste and perception. You might be editing out my favorite bits.
It would be interesting to hear half a dozen versions of The Devil's Playground though. I'm game if you are....
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Juan Dayatatime
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Posted: September 03 2009 at 11:25 |
Just because SOME groups overegg the pud on SOME epic songs doesn't take away my love for this type of song per se.
Does the fact that The Beatles gave us "OH-BLA-DE" mean I can't adore them either.
"....what would a truly perfect 25 minute epic have (or not have) that prevents you from enjoying them now?"
Sorry, it might be me but I don't understand the question. If it was truly perfect (in my eyes) why would I be prevented from enjoying it?
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Vompatti
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Posted: September 03 2009 at 12:01 |
^ I think he's asking what's wrong with the epics you don't enjoy and how would a perfect epic differ from them.
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Juan Dayatatime
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Posted: September 03 2009 at 13:25 |
As I said in my first post....
"I detest the quirky doodlings/ 3 min jazz fusion romp/stop-start bass and drums" and a perfect epic (to me) wouldn't have any.
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Vompatti
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Posted: September 03 2009 at 13:27 |
But what would it have instead of them?
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Marty McFly
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Posted: September 03 2009 at 14:15 |
This "thing" in Moonchild is quite empty and music lacking. Oh yeah, there is "Softly moonchild...", but after that? Before that ? My favourite one is Epitaph, not MCH. But maybe I didn't get it at all. With TFK, in their long epics, there are mostly melodic parts, which are quite short and then there are these ... well, other parts, but learning how to appreciate them also is significant. It took my one year to enjoy these parts too.
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There's a point where "avant-garde" and "experimental" becomes "terrible" and "pointless," -Andyman1125 on Lulu Even my
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sealchan
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Posted: September 03 2009 at 17:12 |
I like "Moonchild" because on repeated listening I can anticipate even the long, long string of seemingly random musical sound effects that the bulk of this song (its jam session) consists of. Certainly if you only listen to it a few times in less than quiet and undistracted circumstances, it will seem like a waste of tape/CD/disk space. If you "buy into it" though it can bring you way down into a quiet, alien world that you grow more and more fond of the more you visit it. Also, this has the effect of clearing out some of the ringing in your ears from blasting side one before you get back into the grandiosity of "The Court of the Crimson King".
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Dellinger
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Posted: September 03 2009 at 20:54 |
If you cut off the long jam session from Moonchild you get a 3:27 minute song, and I think it could be called The Dream (for it is divided in two parts, if I remember well). As far as I'm concerned, I like the song much better this way, it is actually very beautiful. I've done something similar with ELP's Take a Pebble, cutting the long middle section out and pasting the end; I ended up with a song 5:17 minutes long and I find it extremly enjoyable. I didn't very much dislike the middle part I edited out, but I think the son ended up more coherent and less boring. With Tarkus, if I only leave Eruption, Stones of years, and Battlefield, I really love the song, while I find rather annoying the middle part I leave out, and the last part is a bit boring. Sometimes editing out parts of a song can work out very well for you, most of the times the great songs are gorgeous just the way the bands presented them.
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Marty McFly
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Posted: September 04 2009 at 02:23 |
These word pleased me. In my case, I see tendency to slowly shift from melody rich parts to listening them all. I like Phish, they're also little bit jamming. And this USA group famous for that, I forgot the name...
I like this change. And for these editings, well, that's something which a lot of people capable of it does. I remember doing this to In Held Twas (speech intro). But now, time came to face my fears and listen to full songs
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There's a point where "avant-garde" and "experimental" becomes "terrible" and "pointless," -Andyman1125 on Lulu Even my
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Marty McFly
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Posted: September 04 2009 at 02:24 |
So in fact he was right.. It's for purists, if by pure you mean concentrated essence of song.
But you'll lose a lot by this
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There's a point where "avant-garde" and "experimental" becomes "terrible" and "pointless," -Andyman1125 on Lulu Even my
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Lionheart
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Posted: September 04 2009 at 09:05 |
This is really a question about "arrangement".
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sealchan
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Posted: September 04 2009 at 09:11 |
I have to admit it would be interesting to hear some of these edited songs. I won't deny that one could make a fresh alternate arrangement of a song.
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tamijo
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Posted: September 04 2009 at 10:08 |
I have nothing against whatever makes your day.
But i wonder why so many prople dislike Moonchild, in my book its an important part of "In the.......G"
And sure would't be the same without it, reminds me of the journalist asking McCartney if he would leave some of the lesser tracks out if he could, retrospectively.
He said.: "What ? Hell no, its the ¤#%/%¤ White Album" !
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Prog is whatevey you want it to be. So dont diss other peoples prog, and they wont diss yours
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The Runaway
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Posted: September 04 2009 at 10:23 |
MartyMcFly89 wrote:
These word pleased me. In my case, I see tendency to slowly shift from melody rich parts to listening them all. I like Phish, they're also little bit jamming. And this USA group famous for that, I forgot the name...
I like this change. And for these editings, well, that's something which a lot of people capable of it does. I remember doing this to In Held Twas (speech intro).
But now, time came to face my fears and listen to full songs |
I believe this american band you speak of is The Grateful Dead...
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Marty McFly
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Posted: September 04 2009 at 12:19 |
Umphrey's McGee was the name. But thank you for reminding TGD. Little bit forgetting these days.
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There's a point where "avant-garde" and "experimental" becomes "terrible" and "pointless," -Andyman1125 on Lulu Even my
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infandous
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Posted: September 04 2009 at 13:27 |
A strange topic to me. Usually, if I don't like all aspects of an epic track, I end up not liking it as a whole. After all, what's the point of having a 25 minute song with only half of it being good? Obviously, this is subjective, but it can't be anything else really. I see these lengthy pieces as a single entity. If I don't like some of it, I don't like all of it. Moonchild though, is great, all 12 minutes of it (same with Take A Pebble).
Still, speaking of the Flower Kings, they always did a 12 or so minute version of I Am The Sun when they played it live, and as much as I love the whole 25 minutes of the studio version, the shortened version works just as well (possibly better in a live setting, as the studio version has lots of mellow, quiet bits).
Edited by infandous - September 04 2009 at 13:27
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Juan Dayatatime
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Posted: September 05 2009 at 07:07 |
Lot's of good points here. For my part, I can see no difference between cutting out the parts of a song i don't like and skipping songs on a CD i don't like. I edited "Comfortably Numb" (P.U.L.S.E.) today. 1 verse,1 chorus and straight into THAT guitar solo! The integrity of the structure wasn't compromised but (for this version) there's too much starter with the entree.
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