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sealchan
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Topic: Celebrating Pop-Prog Posted: August 29 2009 at 13:56 |
I'm beginning to turn around my attitude toward the music that the early prog bands played when they caught the wave of pop that seemed to arise and descend in the 80s. Although these songs do not carry the depths and highs of the prog that came before it, this "pop-prog" still has more in it than pop music in general does.
I think this turn around comes from the change in the way that I listen to music now. I have room in my life for pop music but only in measured doses. When I owned music on records, tapes or even CDs it was easiest to listen to music by listening to the whole record or CD. Although with tapes and CDs I could re-record song mixes doing that was a little bit more work than what I generally wanted to do.
But now I can effective scramble my MP3s and build up my own surprising, fresh mixes with little effort. Now I find pop-prog songs as a great dose of seasoning in the greater mix. The relative banalities of those songs show up their virtues better in isolation than they do bundled together I guess.
Now I first discovered prog through pop-prog. That is due mainly to the fact that my interest in music started when I received my first radio in around 1982. Yes, I am a child of the 80's. When Yes' 90125 came out it was for me a kind of revelation and, along with Asia's debut album, my gateway into prog. From there I traced the history of bands and musicians back to the original wave of prog-proper.
Now as I find myself sampling music from the 80's in this information age of the internet, I find that I can recall a greater appreciation for the pop-side of prog. And it would, after all, be a strange limitation if prog artists couldn't take on pop music styles along with all the other styles that have found a niche there.
Some pop-prog albums worth listening to:
Asia, Asia
90125, Yes
Genesis, Genesis
Hold Your Fire, Rush
World's Apart, Saga
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Finnforest
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Posted: August 29 2009 at 15:26 |
It's OK for a bit of guilty pleasure at time, similar to when I get the urge to play Styx or something. But I don't believe it'll ever mean anything more to me than that. Whereas the best prog is something I can't see doing without.
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...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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splyu
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Posted: August 29 2009 at 16:45 |
It's prog infiltrating the mainstream. How could that be bad? ;) Love the Rush and Genesis, and the Yes too, even though I'm not the biggest Yes fan in purely prog terms, 9274830 has to be one of the best prog-pop-prop-poge albums ever. And of course Mike Oldfield. (I guess I should make that last sentence my signature...)
sealchan wrote:
And it would, after all, be a strange limitation if
prog artists couldn't take on pop music styles along with all the other
styles that have found a niche there. |
And that is very true.
Edited by splyu - August 29 2009 at 16:48
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gr8dane
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Posted: August 29 2009 at 17:19 |
I myself likes popprog a lot.
Best case is PFM's 'pop' period,that many people despices.I frankly have zero problems with that.It is still played by excellent musicians,and it was a change in the whole scene all around.
Every time one of them pops up in my I-Pod shuffle,they are always welcome.
Anyways,it sure beats pop pop.
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SonicDeath10
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Posted: August 30 2009 at 20:51 |
I'll always celebrate good music, no matter the genre or source. And I consider Genesis's pop stuff to be mostly great, and a lot of Yes's pop stuff to be WAY better than Tormato. Gentle Giant's pop period isn't bad either. But hey, I prefer ABBA to Dream Theater. I'm clearly insane...
But the Mahvishnu Orchestra is better than either ;).
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Dellinger
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Posted: September 02 2009 at 21:28 |
I find many pop-prog songs very enjoyable, and I don't bash them just for coming from the 80's. Yet, I do think that something's missing, there just aren't masterpiece albums from this wave. However, one plus from this songs, is that you can listen to them while being with other non-prog people without frightening them. And, by the way, the major reason that I found prog are Another brick in the wall 2 and Owner of a lonely heart (which I still like quiet a bit), so the existance of such songs can't be that bad.
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EdgeOfTheWorld
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Posted: September 05 2009 at 15:12 |
When dealing with Pop-Prog I would recommend:
Power Windows-Rush and anything by A.C.T!
I really think A.C.T have really nailed that type of niche, it almost has hints of musical theatre.
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micky
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Posted: September 05 2009 at 21:50 |
splyu wrote:
It's prog infiltrating the mainstream. How could that be bad? ;)
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it wasn't bad back in the 70's. Shouldn't be bad now... like I posted some months back. All it takes is going to a live show, don't mistake those who hang out on forums like this for the whole of the population of prog fans. I saw scores of women and even teenage girls at prog shows this summer. Not exactly the typical types some here would have you think that like and listen to prog. Like I said earlier.. if it's good music... people will listen to it. Not everyone is as hung up on tags and labels as some are, especially around here.
Edited by micky - September 05 2009 at 21:53
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Atavachron
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Posted: September 05 2009 at 22:45 |
I was thinking today about 90215 & Big Generator and how that project was initially a separate band to be called Cinema.. I think it would've been better to call it that rather than Yes which it sounded nothing like and lacked Steve Howe's crucial aspect, same with Fripp's Discipline project becoming another KC incarnation, cool but those bands were quite different and would've done without the name recognition (to boost sales presumably).. anyway yeah, I liked much of the 'pop-prog' of the time including Robert Plant's first four, U2, Cocteaus, Peter Gabriel, Saga
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SonicDeath10
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Posted: September 06 2009 at 10:17 |
I don't know about that. It was everybody in Yes but one guy, basically. Why didn't they change the name from Yes when they did the Drama album? Why was it The Yes Album when they got a new guy, or why was it Yes's Fragile when they were down two members? Or Yes's Tales when they were down three. Or Yes's Relayer when they were down four. You just gotta let the silly little prog bands keep their names.
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Raff
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Posted: September 06 2009 at 10:54 |
SonicDeath10 wrote:
I'll always celebrate good music, no matter the genre or source. And I consider Genesis's pop stuff to be mostly great, and a lot of Yes's pop stuff to be WAY better than Tormato. Gentle Giant's pop period isn't bad either. But hey, I prefer ABBA to Dream Theater. I'm clearly insane...
But the Mahvishnu Orchestra is better than either ;). |
That makes two of us then . Micky and I (we're husband and wife, in case you didn't know) walked out of their ProgNation performance at the end of the third song, feeling as if someone had been bludgeoning us over the head for half an hour. However, when I think of 'pop-prog', rather than Asia or 90125-era Yes (though I love that album - Asia not so much), I think of the likes of Roxy Music, Supertramp, ELO or 10cc - or even some modern bands like The Tea Club or 3rd Degree. At any rate, I'd rather listen to some good 'pop-prog' than to excruciating, 80-minute long albums full of instrumental w***ery, and devoid of anything resembling good songwriting.
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SonicDeath10
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Posted: September 06 2009 at 12:19 |
Raff wrote:
That makes two of us then. Micky and I (we're husband and wife, in case you didn't know) walked out of their ProgNation performance at the end of the third song, feeling as if someone had been bludgeoning us over the head for half an hour.
However, when I think of 'pop-prog', rather than Asia or 90125-era Yes (though I love that album - Asia not so much), I think of the likes of Roxy Music, Supertramp, ELO or 10cc - or even some modern bands like The Tea Club or 3rd Degree. At any rate, I'd rather listen to some good 'pop-prog' than to excruciating, 80-minute long albums full of instrumental w***ery, and devoid of anything resembling good songwriting.
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You have a good point: Roxy Music, Supertramp, and especially 10cc are basically prog pop. Formerly prog bands doing pop isn't really the best example, I suppose...
I consider a lot of ABBA's output to be more melodically and harmonically complex than most prog music.
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TheProgtologist
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Posted: September 06 2009 at 22:50 |
Does anyone here consider A.C.T. pop prog?
I think they are the epitome of pop prog.
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Henry Plainview
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Posted: September 06 2009 at 23:07 |
I don't even like Dream Theater and I'm offended by these posts!
I'm not much of a fan of pop-prog. The music may be more interesting, but it's still too repetitive. There are certain exceptions to my repetition rule, but generally I don't understand how people can stand it.
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if you own a sodastream i hate you
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SonicDeath10
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Posted: September 07 2009 at 09:52 |
If a melody is good, you want to hear it repeated. Pop melodies can be extremely strong (or extremely derivative) and this makes hearing the melody often great fun. I'm a defender of pop, but that's mostly on a forum like this. A lot of pop is completely derviative, gross, and uninteresting. Just like a lot of prog is derivative, gross, and uninteresting. It's just all that in a different way.
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"Good evening hippies." Bobby Boy
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Dean
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Posted: September 07 2009 at 10:30 |
Henry Plainview wrote:
I don't even like Dream Theater and I'm offended by these posts!
I'm not much of a fan of pop-prog. The music may be more interesting, but it's still too repetitive. There are certain exceptions to my repetition rule, but generally I don't understand how people can stand it. |
I wonder if it down to "the hook" ... whether you instantly pick-up on refrain or not. With repetitive music "the hook" is blatant and in your face - anyone can pick up on it, consciously, subconsciously, whatever - the chorus, the repetitive similarity in the verses - it's easy. For some that is not enough of a challenge - it makes the music appear too simple, (when in reality Pop music, and especially Pop-Prog, is more than one-dimensional, its simplicity belies it's complexity).
Non Pop-Prog also has "the hook" but it is less obvious - if you find yourself humming or singing along at set points in the music, whether vocal or not, then it's definitely there and you have picked up on it.
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What?
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lazland
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Posted: September 07 2009 at 13:07 |
SonicDeath10 wrote:
Raff wrote:
That makes two of us then. Micky and I (we're husband and wife, in case you didn't know) walked out of their ProgNation performance at the end of the third song, feeling as if someone had been bludgeoning us over the head for half an hour.
However, when I think of 'pop-prog', rather than Asia or 90125-era Yes (though I love that album - Asia not so much), I think of the likes of Roxy Music, Supertramp, ELO or 10cc - or even some modern bands like The Tea Club or 3rd Degree. At any rate, I'd rather listen to some good 'pop-prog' than to excruciating, 80-minute long albums full of instrumental w***ery, and devoid of anything resembling good songwriting.
| You have a good point: Roxy Music, Supertramp, and especially 10cc are basically prog pop. Formerly prog bands doing pop isn't really the best example, I suppose...
I consider a lot of ABBA's output to be more melodically and harmonically complex than most prog music. |
These great posts really do take me back. I was listening to, and enjoying, 10CC & Roxy Music before I got into prog in 1977, simply because I had more exposure to them as a child on Top of the Pops on BBC1, and you are right, they were very basically pop prog. You could also describe a lot of Bowie in the same manner from that period, and, of course, before them The Beatles, Who, and Stones were massively successful commercial artists. I always really admired Deep Purple's stance over singles being successful in the 1970's after Led Zep set a bit of a sad trend, which survives to this day, that commercial single success was something of a sellout. It's not. As Micky said, if its great music, people will listen to it, and there is a lot of great music out there. BTW - as regards Abba, my son recently asked me to buy a compilation CD after he saw the film on DVD with Meryl Streep. I'd almost forgotten just how great their pop music was, and I have absolutely no shame in admitting that.
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TheProgtologist
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Posted: September 07 2009 at 19:48 |
I think Kevin Gilbert's pop project Toy Matinee is a pretty good example too.While TM might not exactly be "pop prog" it was Gilbert's honest attempt to make musically challenging pop.
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Jozef
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Posted: September 09 2009 at 12:09 |
I still find Genesis's "Invisible Touch" to be my favorite of their 80s output. I consider it to be their most progressive from that decade, with songs like "Domino", "The Brazilian", and "Tonight Tonight Tonight" being the best examples.
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SonicDeath10
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Posted: September 09 2009 at 12:37 |
Jozef wrote:
I still find Genesis's "Invisible Touch" to be my favorite of their 80s output. I consider it to be their most progressive from that decade, with songs like "Domino", "The Brazilian", and "Tonight Tonight Tonight" being the best examples. |
It's weird how that album is simultaneously their most pop oriented and yet one of their most prog oriented. Quite a weird album. I think Genesis is also strong as is ABACAB. However, We Can't Dance has some truly bad songs on it.
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"Good evening hippies." Bobby Boy
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