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Sean Trane View Drop Down
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Direct Link To This Post Topic: Non-essential, but pleasant reads
    Posted: June 02 2006 at 04:11
Two small books quickly read, even if they do not relate to prog per se!
 

John Peel – A life in music 

Michael Heatly - Michael O’Mara Books – ISBN 1-84317-157-0

 

Not to be confused with a more popular book (Peel’s semi-autobiography, his wife finishing the book after his death), the relatively short book is an excellent (and cheap) recap of the famous DJ that helped change the British rock scene and radiowaves. Being a non-British “bloke”, there are many side of Peel’s story that escapes me a bit, but the book is very effective in describing the everyday British life in the decades following the end of the Second World War and the hardship endured by the population. Heatly is quite instructive in describing the state of the UK music scene , the BBC and its constant fight against the musician’s union, the monopoly being broken by pirate radios etc..

 

Unfortunately for us progheads, after spending much time in the late 60’s and Peel’s involvement in the group’s exposures, the writer spends too little time in the early 70’s (Peel not really liking that era of rock) and much too long in the late 70’s (Peel was a prime mover of the punk explosion). So far I agree with the writer’s choices, but when seeing that the 80’s and most of the 90’s get the same favourable treatment as the afore-mentioned late sixties and late seventies, we become greatly frustrated by the unfairness of it all.

 

Still a very excellent read, this is the ideal companion on public transportation to and from work, as the pocket-size book is not only cheap, but compact and the writing style slick and professional enough as not to require that much concentration. Not an essential read for the proghead, but useful to understand the complexities of the British music scene in its explosion phase.

 

 

 

The Rock Snob*s Dictionary – An Essential Lexicon To Rockological Knowledge

 

D. Kamp and S.David  - Sanctuary Publishing – ISBN 1-86074-651-9

 

As the delightful title and its no-less intriguing sub-title indicate, you are in for a fun read from the letter A to the letter Z. This book comes under the form of a dictionary about what an aspiring insufferable snob must know to actually graduate to the major leagues of Rock Snobbery.  Many progheads have a slight tendency at describing their musical tastes as one of the best expression of snobbery, but if they should read the book (or visit the site), they will quickly see they over-estimate their capacities at annoying music less passionate music fans.

 

As a matter of fact (and rather surprisingly at that), the book does not make much of a case of progressive rock, shooting the odd arrow, but not creating much controversy. If you can believe that prog actually does get a smaller share of direct punches (as opposed to many more-popular styles of music) and not many lost bullets either, the average progheads might even get frustrated at the lack of attention that the authors arte giving our favoured music genre.

 

This slight “deception” apart, the book is a very amusing read and quite instructive too as it is not just a spoof, but also gives you real source of essential infos on some rather unknown but influential names or musical currents, dead obscure musos, deceased rock writers, essential moviemakers etc. along with fun top-ten lists of music or films (much like cult book High Infidelity) and vintage collector instruments or recording equipments. And most funnily , they often end their description by a phrase where you can use the reference at the best of effect for your audience to fall in awe at your mastery of the subject.

 

Among the many entries susceptible to arouse our curiosity are: Aphrodite’s Child, Syd Barrett, Beefheart, Debussy, Bob Ezrin, Fripp and Frisell, Klaatu, Leslie cabinets, Math Rock,  Moog and mellotrons, Prog (see below for the full entry), Soft machine, Wyatt and Zoso (not Bozo, but Bonzo ;-)

 

Prog. Abbreviation for progressive rock, a term used to describe the single most deplored genre of postwar pop music, inhabited by young musicians who, entranced by the eclecticism, elaborate arrangements, and ostentatious filigrees of the Beatles’ Sgt. Pepper era, distorted their enthusiasm into a 1970s morass of eternal song suites with multiple time signatures, ponderous space-cadet or medievalist lyrics, ridiculous capes and headpieces (especially where Yes’s keyboard player, Rick Wakeman, was concerned), and an overall wretched bigness of sound, staging, and hair. But while prog’s most egregious culprits (ELP, Yes, Jethro Tull, Rush) are easy objects of ridicule, the postmodernist penchant for rummaging through every single chapter of rock’s past has made even these bands worthy of Snob investigation and adulation. Though they’re loath to admit it, Radiohead have picked up the prog mantle more than any other contemporary band.

 

 

Although rather pricey (especially that most of the book, is available onsite for compulsion), this book is welcome and fun escape in the public transport, not necessitating much attention and if you lose the page marker, you can open the book at any page and start reading. Hardly essential, but certainly not useless either.

 



Edited by Sean Trane - June 02 2006 at 10:18
let's just stay above the moral melee
prefer the sink to the gutter
keep our sand-castle virtues
content to be a doer
as well as a thinker,
prefer lifting our pen
rather than un-sheath our sword
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Direct Link To This Post Posted: June 04 2006 at 20:57
I was saddened to read on that site that Freddie Garrity died on May 19th. Cry
 
I loved that band in the early 1960s.
 
RIP, Freddie.
 
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Direct Link To This Post Posted: April 17 2007 at 06:59

The Lost Tribes Of Pop

Tom Cox – Portrait Books – ISBN 0-7499-5106-0

 

Quirky and funny little book that takes an ironic view at the behavioural issues of the musically-obsessed humans among which most of us, the ProgArchivist, are. While hardly limited to progheads, actually there is no direct mention of our profile, but clearly some of the profiles here are definitely part of our composite personalities.  Of course such a book cannot be taken at face value, and shall be taken with a grain of salt, these portraits being obviously a work of fiction based on personal observations and extrapolations of the images displayed by the characters analysed.

 

The book is actually an uneven compilation of the journalist’s column in the Observer Music Monthly magazine, and clearly some of his profiles are dead on the button while others are rather more iffy. Cox reviews some really bizarre and extreme-music nuts, and at the same time outlines some of the shallowness of their conduct, while at other times he clearly shows how some of those music-lover types are just hollow eggshells, more based on giving oneself an image rather than a real persona.

 

Some of the more striking profiles being reviewed here are: the virgin gigger (the young ultra-fan of hype-ness), the morbid futurist (the non-admitting nihilist), the old folkie (and nostalgic hippie), the PR girl (anything goes as long as it is hip and she can be part of the cast), the local band bloke (that claims the reason that he didn’t make it big was his integrity), the Lo-Fi elitist, the roadie (usually a local band bloke that pursued its dream in a proxy manner), the Glastonburry girl (one of my ex), the retro-man (usually did not live through hiss preffered era), the reggae poser, the one man women (usually the much older version of the virgin gigger), the house headcase(the techno twit), the posh hippie (and somewhat a self-imposed recluse by his anti-social views), the Euro-rockers (any major festival traveller but not a particular/single band fan), the sensitive world music guy (a few colleagues of mine can fit that hollow profile), the careworker (a more politically correct definition for the slutty groupie), the bass thug (playing his music for the whole city), the Northern Soul survivor (the is mostly describing those wanting to build a niche for their music against the their entourage), the eco-rocker (the politically correct music consumer), the audiophile (although Cox really missed this one, because I failed to recognize myself), the old-school Goth (usually from the new school), the superdealer (those disgusting speculating collectors and vendors), the Nu-metal kid (usually close to the Emo scene, according to Cox) and finally the Zen-drifter (the seasoned veteran session man).

 

According to your own self-perception, you will find at least four or five profiles that will suit at least your comportamental musicality, openly describe what amuses/irritates your entourage about you (but never enough for them to give it to you straight) and maybe understand a bit better the strange behaviours of your neighbours. 120 pages of uneven fun, that are quickly read (for a rather hefty price I found), that will maybe see a second chapter before finding its way into a soft paperback cover, but by that time, a lot of these zany and quirky characters will likely have morphed into another persona.

 

 

 

let's just stay above the moral melee
prefer the sink to the gutter
keep our sand-castle virtues
content to be a doer
as well as a thinker,
prefer lifting our pen
rather than un-sheath our sword
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Direct Link To This Post Posted: April 17 2007 at 07:36
Originally posted by Sean Trane Sean Trane wrote:

 

Unfortunately for us progheads, after spending much time in the late 60’s and Peel’s involvement in the group’s exposures, the writer spends too little time in the early 70’s (Peel not really liking that era of rock) and much too long in the late 70’s (Peel was a prime mover of the punk explosion). So far I agree with the writer’s choices, but when seeing that the 80’s and most of the 90’s get the same favourable treatment as the afore-mentioned late sixties and late seventies, we become greatly frustrated by the unfairness of it all.

 

 

 
Yeah, that's too bad. Most critics seemed to be doing that (and still do). I read a few months ago in De Standaard some review about another rock history book that went something like: "From some era's we wished that they never existed, like the progressive rock era."
 
I remember John Peel being a big fan of the Undertones. An Undertones album was actually his all time favourite album. Charming band, but IMHO no comparison to a lot of bands from the golden age of rock. John Peel had an original taste, but when he mentioned his favourite albums I never got the impression that I could learn a lot from him. Maybe I'm wrong as it comes to the sixties.
 
Still, thanks for the book recommendations! Sounds interesting. 
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