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gdub411 View Drop Down
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Direct Link To This Post Topic: Pink Floyd or King Crimson
    Posted: October 31 2004 at 09:38

Which of these two bands was more instrumental in bringing about the progressive rock revolution of the late sixties and  early seventies:

I would say Pink Floyd because they were the most influential band during the hippi underground movement back in 66'-67'. It was their experimentation that influenced the other bands to take rock to the outer limits. While it was all considered psychedelia and not progressive at the time you couldn't of had progressive without psychedelia in the 1st place. 

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Direct Link To This Post Posted: October 31 2004 at 11:31
Originally posted by gdub411 gdub411 wrote:

Which of these two bands was more instrumental in bringing about the progressive rock revolution of the late sixties and  early seventies:

I would say Pink Floyd because they were the most influential band during the hippi underground movement back in 66'-67'. It was their experimentation that influenced the other bands to take rock to the outer limits. While it was all considered psychedelia and not progressive at the time you couldn't of had progressive without psychedelia in the 1st place. 



As I wrote elsewhere in Progarchives, Floyd were not considered prog  by many of us British prog fans who were around then until at least Dark Side Of The Moon. They hung on to their hippiness (like Gong) several years into the 70's. Of the British bands, King Crimson and Renaissance (the Keith Ralf originals) were the earliest influential bands - I've not forgotten Moody Blues but a lot of us serious prog fans there then, said ITCOTCK was the album the Moody Blues were struggling to make. Soft Machine and Floyd in 1967 were co-headliners of the British underground movement, but Machine moved out of psychedelia in prog (Volume 2) and onto jazz rock (Third) a couple of years before Floyd recovered from Syd Barrett's departure. Soft Machine influenced a large number of European bands.
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Direct Link To This Post Posted: October 31 2004 at 11:34
both great but pink floyd take the biscuit there. pink floyd's early instrumentals were great and showed strong porg direction like interstellar overdrive, sysyphus and a saucerful of secrets
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Direct Link To This Post Posted: October 31 2004 at 11:38
Originally posted by Dick Heath Dick Heath wrote:

Originally posted by gdub411 gdub411 wrote:

Which of these two bands was more instrumental in bringing about the progressive rock revolution of the late sixties and  early seventies:

I would say Pink Floyd because they were the most influential band during the hippi underground movement back in 66'-67'. It was their experimentation that influenced the other bands to take rock to the outer limits. While it was all considered psychedelia and not progressive at the time you couldn't of had progressive without psychedelia in the 1st place. 



As I wrote elsewhere in Progarchives, Floyd were not considered prog  by many of us British prog fans who were around then until at least Dark Side Of The Moon. They hung on to their hippiness (like Gong) several years into the 70's. Of the British bands, King Crimson and Renaissance (the Keith Ralf originals) were the earliest influential bands - I've not forgotten Moody Blues but a lot of us serious prog fans there then, said ITCOTCK was the album the Moody Blues were struggling to make. Soft Machine and Floyd in 1967 were co-headliners of the British underground movement, but Machine moved out of psychedelia in prog (Volume 2) and onto jazz rock (Third) a couple of years before Floyd recovered from Syd Barrett's departure. Soft Machine influenced a large number of European bands.

How could the Floyd not have been considered prog until Dark Side? Is it possible to not consider Ummagumma, Atom Heart Mother, and Meddle not prog? They are more prog than Dark Side is, IMO.

"Mister Fripp, your music is quite different than everything else out there. In one word, how would you describe it?"

"Progressive.... yeah, that's it..."
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Direct Link To This Post Posted: October 31 2004 at 12:35

I agree with vegetableman - although its only my opinion - i also think DSOTM was when Floyd left the prog stuff behind and became more aligned with a sort of classic rock with lsight prog tendencies. Of course this all depends on your definition of prog rock - which is a very controversial area? -

 

what is prog? - was it just symphonic rock of the genesis, crimson (early), yes, greenslade type or did it encompass all the avant-garde bands of the early seventies such as Faust, Neu!, Third Ear Band, Henry Cow???? -

in a wide defintion of prog then perhaps even post-DSOTM can be consoidered progressive. I certainly think wish you were here and DSOTM added things to musical experiences, but one could hardly call Animals a progressive piece of art - even tho I love the LP myself.

 

I think to to go back to the question Pink Floyd's early work is nowadays seen as being very influential, espec. in terms of the contemprary post-rock scene - while Crimson's early work is also important in beig a text-book e.g of the symphonic rock style.

Of course, both bands are massively important.

 

 

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Direct Link To This Post Posted: October 31 2004 at 12:36
I think Dick Heath is referring to that time, when prog meant something different
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Direct Link To This Post Posted: October 31 2004 at 19:31
It was their experimentation that influenced the other bands to take rock to the outer limits.

Syd was stoned!!!! So was most of the audience watching!!!! Floyd's music was the soundtrack to be out of your skull on during the late 60's.


Thanks Cert, I do in deed mean time.  I'm not denying Floyd has had an influence, but which bands were influenced by Floyd until after Meddle or DSOTM appeared?

Prog not only stemmed from psychedelia, also American garage, West coast rock and folk, R'n'B, British blues boom, British folk, the classics, Dave Brubeck Quartet, John Coltrane, Terry Riley etc.


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Direct Link To This Post Posted: October 31 2004 at 19:42

Ok...fair enough Mr Heath.But with all due respect  let me present the question this way:

Could Pink Floyd exist without any of those bands and King Crimson of course that you listed? Undoubtably yes since they predated all but Soft machine and Soft machine was considered the 2nd act during those times.

Now could have those bands exist without Pink Floyd Maybe, but one cannot be too sure of that either which leads me to once again come to the conclusion that the biggest influence on Prog was Pink Floyd.

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Direct Link To This Post Posted: October 31 2004 at 21:12
I would say Pink Floyd had the greater influence overall, with KC being a more important band to the prog genre. Almost everyone knows who Pink Floyd is, whereas King Crimson enjoys less broad appeal and awareness.
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Direct Link To This Post Posted: October 31 2004 at 21:24
i heard of floyd before i heard of king crimson, but
that doesn't really mean that they had more of an
influence, just means that they had more
pop-sensibilities. i haven't really read into the
subject so i'm not really sure. i would give it to floyd,
but as above.
*Remember all advice given by Asuma is for entertainment purposes only. Asuma is not a licensed medical doctor, psychologist, or counselor and he does not play one on TV.*
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Direct Link To This Post Posted: October 31 2004 at 22:33

There is a problem here, for most of the people (including myself), In the Court of the Crimson King was the first 100% progressive Rock album, probably the one that defined the genre and that means something.

But Pink Floyd is the encyclopedia of the genre, each album represents a step in the evolution from British Psicodelia into Prog' Rock as we know it today and even to a more radio friendly form, specially after Roger left. Pink Floyd is the history of Prog' Rock in one band. 

I believe King Crimson went too far after two or three albums (Only my opinion), so Pink Floyd represents really the spirit of Prog' music, not without some doubts I will have to stay with Floyd.

Iván



Edited by ivan_2068
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Direct Link To This Post Posted: November 01 2004 at 04:46
Originally posted by gdub411 gdub411 wrote:

Ok...fair enough Mr Heath.But with all due respect  let me present the question this way:

Could Pink Floyd exist without any of those bands and King Crimson of course that you listed? Undoubtably yes since they predated all but Soft machine and Soft machine was considered the 2nd act during those times.

Now could have those bands exist without Pink Floyd Maybe, but one cannot be too sure of that either which leads me to once again come to the conclusion that the biggest influence on Prog was Pink Floyd.

 

It is clear we are going to continue to disagree - something like eye (ear) of the beholder??? But please answer my question: which bands did Floyd influence before they did Meddle or DSOTM, i.e. before 73 or so?? Machine had far more influence on European bands in that period, and I would argue spawned the sub- genre of RIO.

> Soft Machine was considered the 2nd act during those times. depends on who agreed to go first - at one of those Roundhouse gig the played simultaneous at each end of the hall!! And of course Machine toured the US some time before Floyd.

I think a problem here with people having quite distinct ideas about history and developments, stems from the quality of writing on the subject of early day prog. This has ranged from poor (inaccurate, thirdhand, incomplete) to a few being excellent (but usually the subject matter is very selective). However, but can you name a critical  book that actually puts things into a chronological order, especially the first 10 years? Too many opt for the encyclopaedic entry approach (i.e. bands listed in alphabetal order, with little inter-connectivity) or erudite  essays (e.g. Holme Hudson's and McCann's books). What we need is a well researched book by somebody who was there at the time - Krimson biographer Sid Smith was most certainly doing that, however, he is currently finishing a project on musicians from the NE of England. (I even got pulled in by Smith to describe the record retail side in the late 60's).  The Syd Barrett biog Lost In The Woods and Graham Bennett's forthcoming Soft Machine (and I must stop plugging this) give some clues, but obvious both are mainly focussed on the named subject, rather than giving an unbiassed analysis/review of the times.



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Direct Link To This Post Posted: November 01 2004 at 04:55
If you read some of Fripp's liner notes on various KC CDs he vehmently denies that the Crimmers are prog! However I think In The Court got the ball rolling for prog. There are other early Crimson albums during that shaky first three years such as Lizard, In The Wake which also were instrumental in setting the stage. Ilove Floyd but never really considered them prog
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Direct Link To This Post Posted: November 01 2004 at 06:46

I love Floyd to bits but (and I'm sure this comes as no surprise), the Crims for me are the quintessential prog band. There is a case to say that Floyd were experimenting with prog by way of psychedelia but at the same time Fripp was doing similar things with Giles, Giles & Fripp albums around the same time.

To be fair however, KC & PF were approaching the prog genre at opposite ends so If I'm being REALLY  honest, I'd call it a draw.  

I must remind the right honourable gentleman that a monologue is not a decision.
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Direct Link To This Post Posted: November 01 2004 at 08:45
Originally posted by sigod sigod wrote:

I love Floyd to bits but (and I'm sure this comes as no surprise), the Crims for me are the quintessential prog band. There is a case to say that Floyd were experimenting with prog by way of psychedelia but at the same time Fripp was doing similar things with Giles, Giles & Fripp albums around the same time.

To be fair however, KC & PF were approaching the prog genre at opposite ends so If I'm being REALLY  honest, I'd call it a draw.  

 

GGF's The Brondesbury Tapes  is an ear-opener, recordings from sessions, rehearsals, experiments, outtakes etc.,  it is essentially a work-in-progress album recorded about  a year before ITCOTCK. Former Fairport singer Julie Dyble collaboration, especially singing a demo(?) for I Talk To The Wind, with which  we are more familiar having Gregg Lake's voice, does suggest Krimson could have gone off in a different direction, perhaps rock with more of a folk feel. The liner notes are some assistance in knowing a little of what was going on 67 to 68.

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Direct Link To This Post Posted: November 01 2004 at 11:46

Pink Floyd for sure. Although many believe King Crimson made the first prog rock album, Pink Floyd was experimenting long before anyone else. "Saucerfull of Secrets" is a perfect example of this, the orgy of sound effects and "music" was the first of its kind and is arguably the only effective one to date.

something pretentious
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Direct Link To This Post Posted: November 01 2004 at 16:33

er I think you'll find that loads of groups were experimenting at that time and before! The Byrds "8 Miles High" being the oft-cited 1st example of psychedelia, and the offspring "United States of America" experimented with all sorts of instrumentation.

Before that, Karlheinz Stockhausen experimented with tape loops and electronica way back in the 1940s, as did Berio and a whole troupe of electronic avante-garde composers - so it wasn't that new.

...you said "arguably"

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Direct Link To This Post Posted: November 01 2004 at 16:35
King Headache for sure 
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Direct Link To This Post Posted: November 02 2004 at 11:59
Originally posted by Certif1ed Certif1ed wrote:

er I think you'll find that loads of groups were experimenting at that time and before! The Byrds "8 Miles High" being the oft-cited 1st example of psychedelia, and the offspring "United States of America" experimented with all sorts of instrumentation.

Before that, Karlheinz Stockhausen experimented with tape loops and electronica way back in the 1940s, as did Berio and a whole troupe of electronic avante-garde composers - so it wasn't that new.

...you said "arguably"

 

yeah....... i said it was the only song to really ever do it effectively. Sure, there was always progressive music, but for the most part it is utterly boring or unlistenable before that period.. It's really the first (mainstream) song to effectively take randomness and create a sort of organized feel, and other bands have since tried doing the same but it sounds miserable. My point was that they were one of, if not the only bands to do this succesfully, i didnt even mention that they were the first example of psychedelia , which they werent

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Direct Link To This Post Posted: November 02 2004 at 12:54

Crimson were more influential in forming the prog sound. Their 69 debut changed the world of music as far as I'm concerned.  In 69, Pink Floyd were still trying to come up with their sound. And it wasn't really till "Meddle" that they achieved that.  Of course, by that time Crimson was on the way to something totally different.

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