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My favorite has always been the Tempest.....so much can be done with sets and stage direction. It can also be interpreted in ways that play on isolation and darkness.As for those above, Taming....full of the bard at his most bawdy.
I like to feel the suspense when you're certain you know I am there.....
Joined: May 13 2007
Location: Europe
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Posted: August 20 2015 at 06:58
Intruder wrote:
My favorite has always been the Tempest.....so much can be done with sets and stage direction. It can also be interpreted in ways that play on isolation and darkness.
Absolutely has to be The Tempest.
What I cannot stand are stripped-back productions - they just don't work and come over as lumpen and amateurish. I'm also not a fan or "re-interpretations" though Derek Jarman's film of The Tempest gets a free-pass.
Joined: February 02 2004
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Posted: February 08 2016 at 11:20
Difficult one - depends, for me, on the medium:
For the stage, Lear or Hamlet
Cinematic adaptations, Titus Andronicus, Richard III or Julius Caesar
Opera wise, Macbeth or Otello (both Verdi) - incidentally, Zeferelli's film of Otello is cinematically brilliant; problem is, he cut so much out of the opera
Overall though, I think it would have to be Titus Andronicus; a classic revenge tragedy
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