Prog Song Structure

T, it's like this. Mosh is an artiste, and artistes do not use words like us regular folk, with all those bourgeois definitions, conventions and annoying bits of grammatical nonsense that holds the general public in thrall to dialogic clarity. On the contrary, he paints broad strokes with his lexicon, where mere words become the etymological watercolors of a surreal conversational pallette. They don't have to make sense to you and me, because it is not about making sense, as common sense is subjective, and evidently uncommon. 

So yes, TFTO is a symphony, because the meaning of "symphony", or at least what we believe to be the definition of "symphony", no longer applies. Just like the term "prog rock" is not "prog rock" as we know it because 99% of the musical output of prog rock bands are what we call "songs". But "songs" cannot in any way fully encompass the true meaning of "prog rock" and therefore to say you like "this song by Yes" or "that song by Jethro Tull" or "the other song by King Crimson" is inapplicable.

Henceforth, you must refer to a song as a vitelloni, an Italian word of dubious definition found in the title of a Federico Fellini film. And please, don't ask me to explain why -- what would you know of Italian cinema?

Is music music?