The Prog Andaluz Aficionado Thread |
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erik neuteboom
Prog Reviewer Joined: July 27 2005 Location: Netherlands Status: Offline Points: 7659 |
Posted: July 02 2008 at 04:38 |
Last evening/night it was great weather in Holland and I decided to celebrate this on my balcony with some good beers (Gulpener Korenwolf White beer, Kriek Bruxelles and Grimbergen Optimo Bruno ) and ...
some good Prog Andaluz, I was delighted about this 2-CD:
DUENDE ELECTRICO
Last week a read a topic in which somebody was wondering why there were/are so few progrock ideas from Spain. Well, this 2-CD set is a perfect introduction to the wonderful and exciting world of the Spanish progressive rock, loaded with great progrock ideas! The Spanish word 'duende' is used in the art of the flamenco, it pointed at the extraordinary moments when a flamenco artist has total communion with the audience. These moments are rare but very special, often accompanied by "ole's" (this has nothing to do with the awful and cruel bullfights!). On this 2-CD set you will find lots of duende between flamenco and progrock, I compare it with the unique and compelling blend of folk and progrock from Los Jaivas!
On CD1 there is a lot of variety from bands and musicians, the songs are recorded between 1975 and 1994. SMASH delivers a powerful blend of rock, blues, flamenco and Sixties (Stones, Yardbirds) featuring fiery electric guitar and typical Spanish vocals. ICEBERG, IMAN and GUADALQUIVIR make strong and captivating symphonic jazzrock with a Morish undertone and great interplay between guitar and kebyoards, supported by a dynamic rhythm-section. GUALBERTO plays a flamenco guitar piece entitled "Tarantos para Jimi Hendrix", it sounds as an exciting blend of rock and flamenco featuring violins and electric - and acoustic guitar. Another good track is "Al Andalus" from Spanish rock legend Miguel Rios: it contains a typical Morish atmosphere, distinctive vocals from Miguel Rios and a swinging and catchy rhythm. Of course Spanish most pivotal progrock band TRIANA is included, they play "Quiero contarte" featuring wonderful melancholical vocals and compelling progrock. The track "Aires de la Alameda" from ALAMEDA contains strong Spanish vocals and wonderful piano, it's typical 'Rock andalus' just like the final song "Hablo de una tierra" featuring a very moving duet from the violin-Mellotron and flamenco guitar! CD2 contains songs from bands and musicians that are recorded between 1986 and 1996. MEDINA AZAHARA plays heavy progressive with echoes from Marillion, the track "Paseando por la mezquita" is their most Morish/flamenco inspired and sounds powerful and moving. PATA NEGRA (featuring the Amador brothers) plays an exciting blend of rock, blues and flamenco on acoustic guitars. RAIMUNDO AMADOR is also included with the band ARRAJATABLA, they deliver another exciting blend of progrock and flamenco with excellent electric guitar work. A known new band is KETAMA with their strong blend of pop, rock and flamenco featuring typical Spanish vocals. A fine surprise is the music from (again) RAIMUNDO AMADOR in "Ay que gustino pa mis orejas", he plays an unique mix of Bob Marley inspired reggae (with organ and typical rhythm-guitar) and flamenco, very swinging! Another known new band is MANTECA, included with the track "Tarila": a fusion-like mix of flamenco guitar and jazzy piano and saxophone. The final song is from DIEGO THE MORON, he is joined by members from GRANADA, the composition "Despertar (a 'rondena')" delivers a great blend of flamenco guitar and lush keyboards, typical 'Rock andalus'. THIS 2-CD SET IS A PERFECT INTRODUCTION TO THE EXCITING WORLD OF THE SPANISH PROGROCK!
Edited by erik neuteboom - July 02 2008 at 04:43 |
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erik neuteboom
Prog Reviewer Joined: July 27 2005 Location: Netherlands Status: Offline Points: 7659 |
Posted: July 02 2008 at 09:33 |
SABICAS – Rock Encounter With Joe Beck
- In my eternal quest to Prog Andaluz music, I stumbled upon this unique and very interesting musical project from 1966, probably the first musical encounter between flamenco and rock music! - In those days Joe Beck was a respected composer and rock guitarist, he had played in symphonic orchestras and performed with the top names in rock and jazz (from Tim Hardin to Steve Gadd). After making the album Middle Eastern Rock with Oud player John Berberian, Joe’s producer Harvey Cowen suggested Joe to do the same with flamenco and rock. He succeeded to recrute flamenco guitar legend Sabicas (1912-1990, thanks to Sabicas his brother Diego because he wanted Sabicas to scout the musical boundaries. Now Joe decided to assemble the best New York era musicians: drummer Donald McDonald (in The Satyrs he had jammed with Frank Zappa, Ritchie Havens and Jimi Hendrix), 20 year old bass player Tony Levin (introduced to jazz and rock by Steve Gadd, later he joined Peter Gabriel his band and King Crimson, playing on the distinctive Stick) and keyboardplayer Warren Bernhardt (he has accompanied singers like Donald Fagen, Carly Simon, Art Garfunkel, Ritchie Havens and Liza Minelli), wow, what an awesome line-up! 1. Inca Song (5:15) : The first and final part deliver the jaw-dropping art of the flamenco guitar, from twanging and rhythm to speedy runs (‘picados’), very exciting! Halfway an accellaration featuring a powerful rhythm-section, howling electric guitar and an organ solo. This is the typical 1966-1969 Sixties rock sound and it’s captivating to hear the blend of passionate flamenco guitarwork and raw rock. 2. Joe's Tune (3:49) : This track contains a Morish atmosphere with flamenco guitar, jazzy piano and again howling electric guitar, culminating in an exciting duel between wah-wah drenched electric guitar and speedy flamenco guitar runs. 3. Zapateado (9:36) : This word means ‘tapping with the shoes’, it’s all about speed and control in a cheerful climate. The first part contains pure flamenco with guitar and ‘zapateado’, the second part sounds like Jimi Hendrix inspired rock, two different worlds but very enthralling! 4. Zambra (4:02) : The ‘zambra’ is the most Morish influenced flamenco rhythm and Sabicas is a master in playing the ‘zambra’ (my recommendation: the DVD Sabicas: King Of The Flamenco). You can also enjoy the ‘tremolo technique’ (imagine the guitar piece Recuerdos De La Alhambra by F. Tarrega), wonderful! Then rock with organ and fiery guitar, very powerful with that warm undertone of The Sixties. 5. Handclaps (0:31) : In the flamenco it is named ‘palmas’, a very distinctive part of the flamenco. 6. Flamenco Rock (7:25) : Halfway this album the bands starts to rock, in a bluesy climate we can enjoy a blend of Hammond organ, howling electric guitar and exciting flamenco guitar (from picados to tremolo), this is great Prog Andaluz! 7. Bulerias (7:25) : This track contains vocals in the flamenco tradition (very emotional), it fits perfectly with the compelling work on Hammond organ and sensitive electric guitar, the blend of flamenco and rock sounds like early Triana, goose bumps! 8. Farruca (4:45) : The first part contains the art of the flamenco guitar (beautiful tremolo), then a slow rhythm with swirling Hammond organ, powerful drums and bass and Paco De Lucia-like flamenco guitar runs, again goose bumps, what a hot session! - The circumstances in the recording studio were not easy: it was hard to communicate between the Spanish guitarist and the English musicians and it’s still very difficult to amplify an acoustic guitar and also quickly overshadowed rock instruments like the drums, bass, guitar and organ. Sabicas was not really satisfied about the result (“I did it for my brother”) but in my opinion this album contains lots of captivating and exciting musical moments. And especially from the song Flamenco Rock the musicians seem to have reached a kind of chemistry, it sounds like ‘embryonal’ Prog Andaluz. Highly recommended to all Prog Andaluz aficionados, fans of progressive folk music and adventurous progheads! |
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Dick Heath
Special Collaborator Jazz-Rock Specialist Joined: April 19 2004 Location: England Status: Offline Points: 12813 |
Posted: July 02 2008 at 10:08 |
Joe Beck did a couple solo albums for Kudus label at the beginning of the 70's - Kudus was a label that went more for jazz funk, and included Groover Washington Jr amongst its signings for a short while. Kudus seemed to be tied in with CTI Records at least in UK (was that a Pye Records connection?)
Listed at Amazon.UK but at 20quid; here's the reverse:
Edited by Dick Heath - July 02 2008 at 10:10 |
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The best eclectic music on the Web,8-11pm BST/GMT THURS.
CLICK ON: http://www.lborosu.org.uk/media/lcr/live.php Host by PA's Dick Heath. |
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erik neuteboom
Prog Reviewer Joined: July 27 2005 Location: Netherlands Status: Offline Points: 7659 |
Posted: July 02 2008 at 10:50 |
Thanks for your contribution Dick, are you familiar with the drummer Donald McDonald and keyboardplayer Warren Bernhardt? They are hailed as very good jazz musicians in The Sixties in the CD booklet! |
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Andrea Cortese
Special Collaborator Honorary Collaborator Joined: September 05 2005 Status: Offline Points: 4411 |
Posted: July 03 2008 at 15:06 |
Very interesting story and album, Erik.
Do you own the lp format? Do you know if cd format is available?
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erik neuteboom
Prog Reviewer Joined: July 27 2005 Location: Netherlands Status: Offline Points: 7659 |
Posted: July 03 2008 at 16:58 |
Hello Andrea.
I read about this album in an USA progrock mailorderservice (Syn-Phonic) and asked Hans to order the CD release from there, I don't think it is very rare (label: Long Hair), perhaps you can try [email protected] haha !
Anyway, it is a must for every Prog Andaluz aficionado so good luck with your quest!
Edited by erik neuteboom - July 03 2008 at 16:59 |
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erik neuteboom
Prog Reviewer Joined: July 27 2005 Location: Netherlands Status: Offline Points: 7659 |
Posted: July 04 2008 at 05:55 |
Incredible, a Spanish Prog review on the homepage ... , here it is:
This spanish band release a single album way back in 1979, but what an album, high class symphonic prog. Si dodo hicera crack is an album full of vintage keyboards with solid guitar, bass and drums interplay. Vocals are sung in spanish and are very well done with loads of harmonic passages. Sometimes Crack reminds me of italian scene from the '70's but as well some of thier country fellows like Iceberg and even in places Gotic. Anyway this is an excellent album with spanish floavour just good to keep your attention on the highest levels. This is a great musical experience for me and i will give 4 stars without hesitation, one of the best bands from Spain no doubt. recommended.
Thanks Bogdan , next step a Prog Andaluz review ? Edited by erik neuteboom - July 04 2008 at 06:10 |
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erik neuteboom
Prog Reviewer Joined: July 27 2005 Location: Netherlands Status: Offline Points: 7659 |
Posted: July 17 2008 at 14:04 |
A big hand for this guy who wrote a Prog Andaluz review on the homepage :
ZAGUÁN — Testigo Del Tiempo Review by erik neuteboom (erik neuteboom) Special Collaborator Symphonic Prog Expert
One of the trademarks of the Spanish progressive rock is its originality: in the past from bands like Ibio, Carmen, Atila, Itoiz and the flamenco inspired Prog Andaluz bands like Triana, Cai, Mezquita and Azahar and in the present from bands like Bijou, Unoma, Kotobel and Senogul. Zaguan is another interesting Spanish band, they are rooted in 1997 and started as a Triana cover band. If you listen to the vocals this is not a surprise, incredible how similar the singer sounds to the late Jesus De La Rosa who tragically died in a car accident in 1983. If I compare Zaguan their own compositions to early Triana (first four albums when they delivered genuine Prog Andaluz), I analyse that Zaguan sound less symphonic (short compositions and a small range of keyboards) and more folky because of the more omnipresent flamenco guitar. The 11 songs on this CD are a very melodic and tasteful progressive blend of rock, folk and symphonic featuring strong and expressive vocals (but not that typical wailing of the flamenco singers), some fiery and howling electric guitar, fluent Hammond organ solos and lots of exciting flamenco guitar runs. If you like Prog Andaluz, especially early Triana their captivating and compelling sound, Zaguan is worth to check out, WHAT A MOVING EXPERIENCE! My rating: 3,5 stars. |
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erik neuteboom
Prog Reviewer Joined: July 27 2005 Location: Netherlands Status: Offline Points: 7659 |
Posted: July 21 2008 at 14:16 |
In the end Peru has discovered the Prog Andaluz :
TRIANA - El Patio
A couple of years ago I heard about TRIANA for the first time, and the opinions were contradictory, most people recommended me “Triana (aka El Patio)” but I was only able to get “Hijos del Agobio” which is nothing but extraordinaire, so I let the time pass until this week when I was able to get “El Patio”, so here I’m reviewing it.
The first impression is that the quality is there, but I feel they were still looking for their natural sound, if “Hijos del Agobio” blends perfectly the spirit of Andaluz music with Symphonic Prog without even being able to notice any patch, but in this case (and without being bad at all) the patches can be felt, but that’s something they solved with experience. “Abre la Puerta” begins with a Flamenco guitar, piano and Mellotron introduction which lead directly to a very dramatic passage of extreme beauty with Eduardo Rodriguez sharing his skills in the vein of Segovia. The vocals by Jesus de La Rosa are perfect for the music as always, but something is missing, the effect of the fusion of styles never gets completed, there’s always an evident preeminence of Symphonic or Flamenco without reaching the perfect blend in such a natural as in their second album. Still it’s a fantastic song. “Se de un Lugar” starts with the classical “Cante Hondo” (Deep Singing) of Jesus de la Rosa, soon followed by an exquisite acoustic guitar that backups him perfectly, and then the variation starts, guitars and keys add a special Symphonic flavor without ever leaving completely the Spanish - Moorish atmosphere, with a Moog that gives a special taste But when you believe everything will flow with normality and without any surprise, TRIANA hits us with all the heavy artillery, entering into Rock territory with some special effects that fades and resurrects in a some instants to allow the Flamenco guitar to come back again. From this point I believe they went a bit over the top, with radical changes that don’t fully convince me, somehow lacks a bit of coherence, as if they tried to make too many things in a short period of time. “Todo es de Color” is a short song in which guitar and voice blend perfectly, this is not Prog territory, we’re talking about pure Ethnic music with some effects, still is impressive because it works as an Andaluz interlude to prepare us for the next track. “Luminosa Mañana” starts very promising and at last I find a perfect fusion of styles, this time the Spanish atmosphere blends perfectly with some sort of Psychedelic organ riff which is extremely dramatic, this is what I expected of the band and not disappointed at all, “Diálogo” has a weird intro that mixes a couple of simple keyboard chords with some acoustic guitar, but the band goes “in crescendo” rising not only in volume but also adding vocals and more instruments as if they were preparing us for a huge explosion….And the explosion starts with the Moog but fades again and incredibly they start all over until the ecstasies reaches at last, it took them some time, but hey achieved the goal. “En el Lago” starts soft again with guitar and keyboards, almost instantly the drums and vocals join with a moody organ that creates a Psyche mood, but the arrangements lack of the coherence they only achieved in their next release, seems as they were not ready to create a full Prog – Ethnic creation, but it’s clear they were in the right path, because the final section is simply outstanding. TRIANA closes “El Patio” wit the FANTASTIC “Recuerdos de una Noche”, if it was only for this track, the album would be already worth to buy, the mixture of genres, styles, moods and atmospheres is perfect, this is what I wanted to listen all along the album but only received short doses until now. “La Piece de Resistance” Until this last track I was ready to give “El Patio” only three stars, but despite the minor flaws it’s obvious that we are before an excellent album and “Recuerdos de una Noche” is the delicious cherry over the cake, so 4 stars for this excellent album and the need to modify my “Hijos del Agobio” review to 5 stars because that’s the peak of the band without any doubt. Would be recommended to start with this album and then get Hijos del Agobio being that it's the natural way to listen a band that was towards their highest artistic, creative and emotional moment. Edited by erik neuteboom - July 21 2008 at 14:17 |
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NotAProghead
Special Collaborator Errors & Omissions Team Joined: October 22 2005 Location: Russia Status: Offline Points: 7865 |
Posted: July 28 2008 at 13:07 |
My humble contribution.
AZAHAR — Azahar
Review by NotAProghead If AZAHAR debut ''Elixir'' is only a good album, their second effort, ''Azahar'', is a masterpiece. It is in my opinion a key Spanish prog album, of the same level as TRIANA's ''El Patio'' or ''Recuerdos De Mi Tierra'' by MEZQUITA. ''Azahar'' is a tasteful, very energetic blend of symphonic rock, flamenco (mostly in the way of singing, Spanish guitar plays a lead role only in one song) and jazz with some Arabian touches here and there. First class musicians offer the listener great variety of moods and melodic finds. Ricardo Zappala's singing deserve special mention - Spanish in nature, sometimes gentle, sometimes aggressive, but always natural. The writing is also strong, ''Azahar'' instantly grabs your attention, but every time you listen to the album you can find new nuances. AZAHAR made a classic record, one of the best in the genre, it's a pity their career was so short. Highly recommended. MEDINA AZAHARA — Baladas Review by NotAProghead — First review of this album —Don't be fooled by the title This complilation of songs from 1989 - 99 period represents well the sound of MEDINA AZAHARA. Despite the title most songs have real power and passion. Both strong (distinctive voice of Manuel Martinez, very good singer indeed, energetic performance, Arabian influences here and there) and weaker (the same verse-horus formula of all songs, lack of variety in rhythm section playing) parts of the band's music are reflected here. Standout tracks for me are ''La Guitarra'' and ''El Destino'' (both from .''..En Al-Hakim'', 1989, I believe their best studio album) with excellent flamenco guitar parts played by Vicente Amigo, one of the best guitarists in Spain. Many bands mixed rock and flamenco, but I dare to say this combination is perfect and unique in two mentioned songs. Solid compilation, very good starting point if you are unfamiliar with MEDINA AZAHARA. And ..., if rock is not your only passion, very good reason to check out solo works of Vicente Amigo - I remember his concert in Moscow, it was a fantastic event! |
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Who are you and who am I to say we know the reason why... (D. Gilmour)
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erik neuteboom
Prog Reviewer Joined: July 27 2005 Location: Netherlands Status: Offline Points: 7659 |
Posted: July 28 2008 at 13:30 |
Muchas gracias senor NoUnaCabezaDeProg , I just read your Prog Andaluz reviews about Medina Azahara and Azahar on the homepage, good idea to post these reviews in this thread! Indeed Azahar their eponymous second effort is superior to their first and En El-Hakim is Medina Azahara their best studio album (but their first is also worth to check out, see my review), good analysis. By the way, I am jealous that you have seen Vicente Amigo (I own the DVD Ciudad De Las Ideas, excellent impression of his awesome talents), the greatest flamencoplayer since Paco De Lucia
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NotAProghead
Special Collaborator Errors & Omissions Team Joined: October 22 2005 Location: Russia Status: Offline Points: 7865 |
Posted: July 28 2008 at 16:00 |
erik, I also own this Vicente Amigo DVD (bought it after listening Medina Azahara songs with him). Strange, it did not mean much to me ... until I saw him with the band in concert.
It's a shame, the concert was poorly promoted, only about 300 of 1000 seats were occupied. But those who came I think will remember the show for a long time. A charismatic person, really. He does not speak much, he is seating all the show with his guitar, but there is some magic. You feel that playing is a great pleasure for him and this pleasure returns to the audience. His band also consists of great musicians. The sound was perfect, each, almost the most quiet, sound was heard clearly. No wonder people made an ovation in the end of the show.
This winter I also saw Paco De Lucia live. I'm not a musician, so I can't compare techniques, but I like Vicente Amigo concert more. Though not far from our seats (on Paco De Lucia concert) I saw Ivan Smirnov, one of the best Russian guitarists (last 10 years or so he plays acoustic guitar only, but in the 80-s he was a guitar player in ARSENAL, Russian top jazz rock band, where he played electric guitar perfectly), and he was absolutely happy with Paco De Lucia playing.
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Who are you and who am I to say we know the reason why... (D. Gilmour)
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erik neuteboom
Prog Reviewer Joined: July 27 2005 Location: Netherlands Status: Offline Points: 7659 |
Posted: July 28 2008 at 16:22 |
Good story senor NoUnaCabezaDeProg I remember a long article about the Russian prog, Arsenal was mentioned many times!
I have seen Paco De Lucia two times with Al DiMeola and John McLaughlin and three times with his Paco De Lucia Sextet, I was blown away by his jaw-dropping technique and for sure that he influenced Vicente Amigo. I have also seen Paco Pena a few times, another flamenco guitar legend, he plays more traditional. My recommendations for you:
Juan Martin - Picasso Portraits
Sabicas - Rock Encounter With Joe Beck
Edited by erik neuteboom - July 28 2008 at 16:23 |
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NotAProghead
Special Collaborator Errors & Omissions Team Joined: October 22 2005 Location: Russia Status: Offline Points: 7865 |
Posted: July 28 2008 at 18:55 |
Thanks for recommendations and Spanish nickname , erik.
BTW, I believe ARSENAL, as first and most important Russian jazz rock band, active from 1973 till now, should be in Archives. Don't know why I'm too lazy to prepare biography etc for suggestion.
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Who are you and who am I to say we know the reason why... (D. Gilmour)
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erik neuteboom
Prog Reviewer Joined: July 27 2005 Location: Netherlands Status: Offline Points: 7659 |
Posted: July 29 2008 at 10:49 |
Senor NoUnaCarbezaDeProg, I just read your Medina Azahara review about the album Aixa on the homepage, indeed not very interesting.
I didn't know that Arsenal is not on PA, you Russian progheads have some work to do Yesterday evening I played the Sabicas album, what a mindblowing blend of flamenco, Prog Andaluz and rock Edited by erik neuteboom - July 29 2008 at 10:50 |
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NotAProghead
Special Collaborator Errors & Omissions Team Joined: October 22 2005 Location: Russia Status: Offline Points: 7865 |
Posted: July 29 2008 at 19:25 |
Erik, MEDINA AZAHARA are many years in music business and I think if any of their new albums contains 2-3 good songs that's enough, they will stay in the band's live set. All bands have their peak, if it is reached all you have to do is keep the level of quality.
You lead me to the idea that I should suggest ARSENAL for inclusion on PA. I know the band's history, I own most of their records, the only problem is to write their short biography. There are so many things to mention, it's a hard job to choose the key points!
I looked what Sabiacs albums are available in local stores and found only "4 Original EPs" CD. Is it a good introduction?
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Who are you and who am I to say we know the reason why... (D. Gilmour)
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erik neuteboom
Prog Reviewer Joined: July 27 2005 Location: Netherlands Status: Offline Points: 7659 |
Posted: July 30 2008 at 11:43 |
You are right about Medina Azahara, just watch their live DVD entitled En Gira (live 2003), an interesting blend of melodic rock and Prog Andaluz with very tasteful keyboardwork, strong and expressive Spanish vocals and a good guitarplayer
About Arsenal, I will have a look at that extensive Russian Prog History article in Background Magazine (I am still working for).
About Sabicas, I only own a live DVD with a flamenco company, I am more a fan of Paco Pena concerning the historical work.
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NotAProghead
Special Collaborator Errors & Omissions Team Joined: October 22 2005 Location: Russia Status: Offline Points: 7865 |
Posted: July 30 2008 at 12:08 |
Erik, Medina Azahara "En Gira" stays on the shelf and waits for its turn to be watched properly.
About ARSENAL. I think sooner or later we need to suggest them for inclusion. There are lots of microscopic bands from Russia on PA, while one of the greatest still not here.
About Rock Andaluz. I added today two quite rare TRIANA albums "Triana Vol. 1. En Libertad" http://www.progarchives.com/album.asp?id=19139 and "Triana Vol. 2. Jesús de la Rosa. Canciones inéditas" http://www.progarchives.com/album.asp?id=19138.
Vol.1 is a set of songs without Jesús de la Rosa, just found it in mp3 only.
But Vol.2 is a good find for TRIANA fans.
Review (or reviews) will follow.
Edited by NotAProghead - July 30 2008 at 13:16 |
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Who are you and who am I to say we know the reason why... (D. Gilmour)
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NotAProghead
Special Collaborator Errors & Omissions Team Joined: October 22 2005 Location: Russia Status: Offline Points: 7865 |
Posted: July 30 2008 at 12:30 |
I wonder why this great set had only one review, by Erik. I remember when I was in Spain in 2005 this compilation could be found everywhere, even in small shops on gasoline stations.
TRIANA — Sé De Un Lugar (2CD+DVD) Review by NotAProghead I'm not a fan of compilations, but this one is simply excellent. Six of seven songs from TRIANA's best album, ''El Patio'', and really best tracks from their other albums (1975 - 1983 period) make this 2CD + DVD set a very good starting point to the music of one of the greatest bands from Spain. Listen and decide whether you need all or at least some of their studio albums (personally, I prefer to have them all). The movie on DVD gives you a good possibility to see the band live and introduces you to TRIANA history. There are no English subtitles, but most things are understandable for non-Spanish speakers without translation. Up to date it is the only available, at least officially, TRIANA's video, don't miss your chance! Highly recommended to both fans and newcomers. |
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Who are you and who am I to say we know the reason why... (D. Gilmour)
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erik neuteboom
Prog Reviewer Joined: July 27 2005 Location: Netherlands Status: Offline Points: 7659 |
Posted: July 30 2008 at 14:33 |
Thanks for your huge support to the Prog Andaluz, senor NoUnaCabezaDe Prog
I am not surprised that this Triana 2-CD/1-DVD compilation has only one review, you can better check out the interesting threads about lesser known and unknown progrock bands on The Forum than looking at the Prog Archives homepage.
I found this on the Internet:
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