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Topic ClosedThe Year of Punk!

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Poll Question: What's really the rest album of year zero?
Poll Choice Votes Poll Statistics
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Saperlipopette! View Drop Down
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Direct Link To This Post Posted: October 23 2012 at 05:09
Originally posted by tamijo tamijo wrote:

The fact is that the supposed elitist in 1900 hated the impressionist. So being educated in the arts, doesn't make it any easier to "guess" what will be next, 

Being educated in history is helpful for looking in to the future. The autodidact Cezanne provided us with a way of looking at the world that could never have come from academia. 

In a similar way (the mysteriously still immensly popular) Radiohead created soundscapes (not singlehandedly, but they were the ones with the talent to combine it with pop-skills) and an approach to creating music for our time that couldn't come from the music conservatories. Its extremely likely that they're music will continue to inspire and influence future highly educated musicians. Much like Bowie and Kraftwerk* has done before them. But none of the popular bands that gained fame by copying Radiohead's early alt. rock sound will ever have a chance of becoming "historically" relevant (unless the change their sound radically). 

*I know 3/4 of Kraftwerk studied under Stockhausen for a while, but their career is within the popular music scene.



Edited by Saperlipopette! - October 23 2012 at 05:27
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Direct Link To This Post Posted: October 23 2012 at 09:46
Originally posted by Saperlipopette! Saperlipopette! wrote:

I'd say history gets magically rewritten all the time. Of course influence has plenty to do with it as we both agree on. You can call them elitists, but these elitists have always written our history.


They wrote the history - or so it seems - for a certain era of music.  Much less is known about pre-Renaissance/Baroque music than after but it is highly unlikely that no music worth listening would have been made at that time.  From the 1700s to the early 1900s, scoring helped document the work of composers systematically while the establishment exerted control over what music did and did not deserve accolades.  The power of money, more so than other considerations, has made the establishment bow to public taste and let that music be made which the public might like.   Also the capability to reach a much larger audience than was possible before the recording era.  It is the artists themselves and the audiences they can enthrall that write musical history in the 21st century scenario.   The appeal of some wears out while some continue to please audiences of later eras, but the audience is now a key factor.  

For all that 'important' people may wax eloquent about the Beatles, it would count for nought if re-issues of their albums were roundly shunned by the market.   There is unfortunately not much evidence other than your own fervent belief that the appeal of Sex Pistols has forever faded.  I highly doubt that that is the case anyway.   Are they wedded to their epoch?  I don't think so.  Punk simply presents rock in a raw, bare avatar and such a notion is likely to appeal to several generations of rock music listeners.  So whoever writes the history these days, even if they are elitists, it would appear that they have failed you at any rate.       




Edited by rogerthat - October 23 2012 at 09:47
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Direct Link To This Post Posted: October 23 2012 at 10:08
I can't shake the sense that you are arguing that ignorance is preferable to knowledge, Roger. Your insistent denunciation of so-called "elites" seems to show contempt for people who have studied, simply because they have studied. While I grant you that a lot of these people can be obnoxious and pretentious, I think it is a mistake to dismiss them entirely.

Look at any "best albums of all time" list chosen by popular vote. In Britain, these lists are invariably topped by the Spice Girls and Oasis. Is this because people have listened to loads of music and have carefully decided that the Spice Girls are unsurpassed as musicians? I think it's more likely that the people voting have only heard a very small amount of music and like the Spice Girls because they hear them on the radio a lot.

In this case, the "normal person" is limited not by lack of intelligence or sophistication, but by a lack of exposure to a wide variety of music. Whatever you may think of the "elites," you must admit that they have more knowledge, and in my view knowledge is always preferable to ignorance, all other things equal.
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Direct Link To This Post Posted: October 23 2012 at 10:13
Knowledge is a useful thing, so long as it is not accompanied by bias and contempt.   I think imposing one's preferences on others as the "right thing" is biased and prejudiced because it presumes ignorance on the part of the other person merely because he has a different opinion.   I don't think it is up to anybody in particular to decide what the public should or should not listen to, which is what attempting to form canons for rock albums amounts to.   You have learnt a lot about music...fine, share your knowledge with others who are on the same journey and further the progress of music to new frontiers.  But don't try to monitor what music people listen, that's not up to you.     

You have to also read my comments with context as they are in response to blanket statements like normal people know nothing about music/normal people don't count/normal people this and normal people that.   If I appear to sound contemptuous about music elitists, it is only to put things in perspective.  Let's not inflate the importance of the elite...we are not living in the 18th century anymore.  
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Direct Link To This Post Posted: October 23 2012 at 10:15
I have no interest in telling other people what the must listen to. That has never been my point.
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Direct Link To This Post Posted: October 23 2012 at 10:16
Originally posted by thellama73 thellama73 wrote:

.

Look at any "best albums of all time" list chosen by popular vote. In Britain, these lists are invariably topped by the Spice Girls and Oasis. Is this because people have listened to loads of music and have carefully decided that the Spice Girls are unsurpassed as musicians? I think it's more likely that the people voting have only heard a very small amount of music and like the Spice Girls because they hear them on the radio a lot.



That's a useless list in any case, regardless of the demographic of the polled audience.   Even the elitist can hardly claim to have listened to ALL the music in the world.   There is no such thing as "the best album ever".  We are all merely listing the albums we enjoy most and it is best we do not attempt to suggest that what we enjoy the most individually is the best for everybody else because such a statement doesn't make sense at any level. 
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Direct Link To This Post Posted: October 23 2012 at 10:17
I think that the Spice Grrls would top the chart because more people voted for them - any conclusion other than that is speculation.
What?
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Direct Link To This Post Posted: October 23 2012 at 10:19
Originally posted by thellama73 thellama73 wrote:

I have no interest in telling other people what the must listen to. That has never been my point.


That may not be your point but that is what elitism has been about.  Decrying jazz when classical was still the elite music and decrying rock in its early stages when jazz was still reigning.  Are they pro-quality or are they pro-establishment?  I suspect it is the latter.  It is no coincidence that the 'death' of rock and roll happened to be lamented more frequently once hip hop took centrestage.    Since they seem to take rather a long time to revise their stand to like what the masses once liked, they might as well not attempt to tell the masses what they ought to listen to.  
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Direct Link To This Post Posted: October 23 2012 at 10:25
Originally posted by rogerthat rogerthat wrote:

Originally posted by thellama73 thellama73 wrote:

I have no interest in telling other people what the must listen to. That has never been my point.


That may not be your point but that is what elitism has been about.  Decrying jazz when classical was still the elite music and decrying rock in its early stages when jazz was still reigning.  Are they pro-quality or are they pro-establishment?  I suspect it is the latter.  It is no coincidence that the 'death' of rock and roll happened to be lamented more frequently once hip hop took centrestage.    Since they seem to take rather a long time to revise their stand to like what the masses once liked, they might as well not attempt to tell the masses what they ought to listen to.  


Elitism is your term, not mine. I don't think most people should listen to the kind of music I listen to. I wouldn't encourage that, because they wouldn't enjoy it. People should listen to the music they enjoy. All I'm saying is that some of the music they enjoy is (artistically) bad and will be forgotten by history (the Spice Girls.)
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Direct Link To This Post Posted: October 23 2012 at 10:30
^^^ That may or may not be true but that's not the point I was interested in arguing anyway.   All I have said from the beginning of this discussion is over the last 50 years, influence is determined to a large extent by the mainstream success of the artists. So there is no such thing as the 'wrong albums of 1977-78 are celebrated as influential'.  There is no right or wrong about it.  Punk is simply the music that made a huge impact during that time, that cannot be denied and therefore it is influential.   Whether it is complex, sophisticated, 'good' is a moot point here.  
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Direct Link To This Post Posted: October 23 2012 at 10:30
Originally posted by thellama73 thellama73 wrote:


. Whatever you may think of the "elites," you must admit that they have more knowledge, and in my view knowledge is always preferable to ignorance, all other things equal.

In general Yes, knowledge is preferable. but when it comes to the evolvement in the arts, the educated are educated in the existing art, and therefor often fights against the upcoming movements.
Prog is whatevey you want it to be. So dont diss other peoples prog, and they wont diss yours
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Direct Link To This Post Posted: October 23 2012 at 10:34
Originally posted by tamijo tamijo wrote:

Originally posted by thellama73 thellama73 wrote:


. Whatever you may think of the "elites," you must admit that they have more knowledge, and in my view knowledge is always preferable to ignorance, all other things equal.

In general Yes, knowledge is preferable. but when it comes to the evolvement in the arts, the educated are educated in the existing art, and therefor often fights against the upcoming movements.


Well said, and I largely agree as far as the scenario of the last half a century or so goes.   It is not about knowledgable v/s ignorant but pro v/s anti-establishment.   Punk's insistence on a rudimentary framework was symbolic at one level; it pointed to how rock had become a big business, which was what it was supposed to rebel against. 
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Direct Link To This Post Posted: October 23 2012 at 11:08
Peter Hamill - Over.

"Anywhere in the world !"


One of my best achievements in life was to find this picture :D
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Direct Link To This Post Posted: October 23 2012 at 16:27
Not to self: Never discuss anything with a cultural relativist ever again (written while listening to Funky Fräuleins Vol. 2).
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Direct Link To This Post Posted: October 23 2012 at 23:28
Originally posted by Saperlipopette! Saperlipopette! wrote:

No richardh, its the albums I enjoy from the year of punk, 1977. Never heard of Phos. Thanks for the tip. I'll see if I locate some streams or vids.

Originally posted by The Dark Elf The Dark Elf wrote:

Originally posted by Hercules Hercules wrote:

Originally posted by Saperlipopette! Saperlipopette! wrote:

Late 70's prog's got a crap reputation. Especially among proggers. But you're just looking for it in all the wrong places. All the albums here are genuine progressive gems and 1978-79 are really just as amazing.

And forget complaining about Going for the OneAnimals, Songs From the Woods or (heaven help us) Ocean not being here. I just don't like them and as you can see I'm on a completely different mission. I hate practically all things punk (except post-punk and new wave if that counts) and I'm certain history will someday prove me right that these are the truly essential albums of year zero. 

No space left for other. But let me know what you prefer if you can't pick a fav among the ones in the poll.
 
None of the above.
 
Try Going for the OneAnimals, Songs From the Wood or Ocean instead!
Or Rain Dances, The Geese and the Ghost, A Farewell to Kings, Gone to Earth, Treason.
All far better than anything in your list.
 
"I'm certain history will someday prove me right that these are the truly essential albums of year zero". 
 
Sorry, but I'm equally sure it won't.
 
I'll second your assessment, Herc. It's not only odd the albums you mentioned are not listed in the poll, it makes the list a choice between several also-rans and ignores superlative albums altogether.

Normal people will obviously always prefer crap, so everyman will always think that the most famous or catchiest equals best, so I obviously wasn't thinking about them. Rock journalists are even worse than normal people, and would dismiss this list even faster. Not that they've ever heard more than two or three of the albums included (much like Hercules)

About 75% of the albums in the poll are genuinely progressive in the true meaning of the word (the rest are just proggy obscurities I enjoy). Those famous albums I left out are mostly not. Stating that Raindance, Ocean or Geese and the Ghost is more relevant and superlative than Univers Zero's debut or Trance Europe Express is either uninformed or has to do with limited listening abilities. 

I said in the opening post I was on a mission where (albums that do nothing for me such as) Animals and Going for the One don't fit in. How much of a problem can that really be?


I guess I am not an abnormal person then. I believe the problem is your snotty elitist attitude. "Normal people will always prefer crap?" Really? You made the original statement, "...and forget complaining about Going for the OneAnimals, Songs From the Woods or (heaven help us)", as if those albums aren't up to your rarefied standards.

So, a superb album like Songs from the Wood is crap?  It's quite a landmark in folk circles and among Tull fans, who never really gave a rat's ass for the short-lived punk movement in any case, or the drivel that followed throughout most of the 80s. It was also one of the best concert tours I've ever seen, and I've seen many concerts, including some on your list. The song "Dogs" from Animals is crap? I'd be willing to bet that song would be chosen over any song from any album on your list by members of Prog-Archives as a favorite. It is a phenomenal prog composition, both musically and lyrically. What, we all listen to crap? We are uninformed because we don't particularly care for Euro-trash?

Though you claim it was not your intent, your words are certainly insulting.


...a vigorous circular motion hitherto unknown to the people of this area, but destined
to take the place of the mud shark in your mythology...
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Saperlipopette! View Drop Down
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Direct Link To This Post Posted: October 24 2012 at 02:42
^My opening post has been dissected plenty of times already and now you've done it twice. 

No, average joe/plain jane doesn't listen to Songs From the Wood, nor does he listen to Going for the One. They're not part of the commenrcial crap package I was thinking about regarding that comment. He or she probably heard Wonderous Stories in 77, but that was just because it was part of what they were fed that specific year. I never called any of those well known albums (among proggers) crap. I wrote something like: forget about complaining about them missing in my poll, I left them out because I personally don't like them very much. Just check again. And I didn't want to make another poll where a handful or less of the usual suspects get 90% of the votes and my dear obscurities get none. 

Why should I? Those polls has been made dozens of times, and we all know that Animals is the most popular prog album of the year followed by Going for the One, then Songs from the Wood comes in third, followed by Rain Dances and some other minor releases. I own and  know all these albums and they don't particulary interest me. Because I made an alternative poll for this legendary year of of rock; 1977 I made this little rant or rather puncline about the punk movement. 

I'm not trying to get you to like me, just clearing up where and what my snotty insults where aimed at.

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Direct Link To This Post Posted: October 24 2012 at 02:55
^^^ It would have been simpler if you had made a poll about your favourite albums from 1977/78 and included these, yes?  Or do elitists prefer complexity even in internet discussions?
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Direct Link To This Post Posted: October 24 2012 at 03:09
And included Exposure Big smile
Prog is whatevey you want it to be. So dont diss other peoples prog, and they wont diss yours
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Direct Link To This Post Posted: October 24 2012 at 03:25
Originally posted by rogerthat rogerthat wrote:

^^^ It would have been simpler if you had made a poll about your favourite albums from 1977/78 and included these, yes?  Or do elitists prefer complexity even in internet discussions?

We sure do. But I must add that I can't be blamed for all the things people get upset about that I haven't actually written (while I'm not trying to deny that some of my snobby/snotty comments are understood correctly). People must take responsibility for their own forgetting to sit back, taking deep breaths and the misreadings that follows. 
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Direct Link To This Post Posted: October 24 2012 at 03:29
^^^ If you didn't want people to respond to your OP, you might as well have not said it.   If you make a statement, expect favourable and unfavourable reactions to it, simple as that.   And it's not just about the OP, there are plenty other comments along the way that you have made and I don't see that they particularly redressed the position.  It's ok, that's your worldview for better or worse; now brace for the reactions to it as well. 
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