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Topic ClosedRap Music's Place In Prog

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Marty McFly View Drop Down
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Direct Link To This Post Posted: February 02 2010 at 09:11
Originally posted by Citizen Erased Citizen Erased wrote:

If there's one thing that undergroup rap beats "prog rock" artists at everytime, it's the lyrics.

Sage Francis is one of my favourites in particular.

http://www.youtube.com/watch?v=7F4KiuvLo6Y

Really simple when you think about it but so poetic. It's not what you'd expect from a rapper.

One band, Pink Floyd. Who beats them in lyric section ? (Dard Side - Final Cut period, 5 albums)

There's a point where "avant-garde" and "experimental" becomes "terrible" and "pointless,"

   -Andyman1125 on Lulu







Even my
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Direct Link To This Post Posted: February 02 2010 at 14:20
The fact is that rap is the most powerful lyrical medium there is because of the number of syllables/words you can fit in. It would probably take a prog band an hour or more to do what Canibus does here in 7 minutes:
 
BTW PROG RAP ALERT! There are three changes into different beats in the following track. He even name drops Niels Bohr.
 
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Direct Link To This Post Posted: February 26 2010 at 23:36
Rap's place in Prog is with Daniel Gildenlow
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Direct Link To This Post Posted: February 28 2010 at 15:28
You guys have to check out this rapper called Myka 9. Maaaaaaaaaaaaaad. His Magic Heart Genies group is also completely bonkers. Very wierd/progressive rap.
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Direct Link To This Post Posted: February 28 2010 at 15:35
^
I would have said Mike Patton !

Anyway, I find many similarities between PoS and FNM, both musically and vocally speaking.
"Magma was the very first gothic rock band" (Didier Lockwood)
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Direct Link To This Post Posted: February 28 2010 at 15:45
"Magma was the very first gothic rock band" (Didier Lockwood)
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Direct Link To This Post Posted: March 01 2010 at 02:18
Also checking out the new record from Rob Swift, The Architect. A DJ album but quite a different one, doesn't sound like typical hip-hop beats at all. Once it really gets going on track 5 (the first four are short intro type thingies that sort of set up an atmosphere of spookiness and wierdness with the ocassional old school beat) it becomes more or less a continuous piece of music that segues into different parts almost unnoticeably and makes very unusual use of classical music samples- those are nothing new to hip-hop but the high, creepy, droning way Swift deploys them is. It's almost entirely instrumental but rapper Breez Evahflowin turns up for two tracks, though he may as well not have, the focus here is and should be on Swift's cuts. Some tunes are spread over several tracks- Lower Level has three movements and Rabia has three movements and a prelude. I smell prog!
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