which songs gives you "'goosebumps'' |
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paisanojac
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That chorus near the end is also one of my faves. Truly inspiring and moving.
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Finnforest
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Today... "Ritual" Nous Sommes du Soleil We love when we play.
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Rednight
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^The only thing your selection gave me was an opportunity to visit the concession stand when Yes played it at a 1976 show I attended. It truly is the worst on TFTO.
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"It just has none of the qualities of your work that I find interesting. Abandon [?] it." - Eno
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jayem
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The photo of the motor dial needle reaching the "Red" zone and Fripp's diary suggest it'd be more about near burn-out than terror Goosebumps very obvious one: unexpected mellotron sequence at 3'19 there https://mutinyinjonestown.bandcamp.com/track/dagon Edited by jayem - January 29 2021 at 05:13 |
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richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 27956 |
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a couple more Carpet Crawlers (just listening to the Live Over Europe version and total goosebumps all the way!) Big Big Train - The First Rebreather ( vocals , lyrics and arrangement all spot on)
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Ottmar
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Kevin Ayers "The Confessions Of Doctor Dream - A. Irreversible Neural Damage" Particularly the duet between Kevin & Nico. https://youtu.be/1VwtGkpwXPA?t=120
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RoeDent
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Big Big Train - London Plane, particularly the closing few minutes
Pendragon - World's End Dream Theater - Breaking All Illusions Steven Wilson - Drive Home IQ - Frequency
Edited by RoeDent - September 20 2019 at 12:37 |
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GingerFox
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A Day In the Life indeed! One of the proggiest songs of The Beatles
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Where my country at?
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Frenetic Zetetic
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IDK why, but the excerpt in my signature from General in His War Room by VDGG, always does it.
It's more a confluence of the production, atmosphere, instruments used, etc. - it creates an apex of imagery from me, that I love about prog so much. "Into your...LIVING ROOM...*bass trill*"
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"I am so prog, I listen to concept albums on shuffle." -KMac2021 |
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RockHound
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I got to see King Crimson in Nashville a few nights ago. Lots of goosebumps, and their performance of Starless was particularly moving. Level 5 brought the house down. I think Tony Levin left the Grand Ol’ Opry with some structural damage. What a night!
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Awesoreno
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First one I thought of was the opening up of Cinema Show. By that I mean "chocolate surprise," where it goes from 12-strings to BASS PEDAL, ORGAN, and ELECTRIC GUITAR and the DRUMS kick in awodfihbvifvb. I listened to that part with an old girlfriend on repeat. Keeping on Genesis: The guitar/organ break after Hackett's solo in Supper's Ready during the battle, and the subsequent feel-good part with acoustic guitar and the organ riff in the background; when Peter comes in shrieking in the second verse of Back in N.Y.C.; the major part near the end of the Cinema Show solo, as well as the part earlier with the choir effect and bass pedals; the end of The Raven synth solo; the last verse of In the Rapids; the climax of the middle section of Mad Man Moon and how it rises gently back into the final verse; the piano ending of One For the Vine; when the lyrics come in on Duchess; the organ solo on Can-Utility. This band has the most for sure.
The ending of Close to the Edge is legendary; the end of the middle part of Sound Chaser where Jon sings the theme alone and then the last part of the melody is reharmonized; the end of Turn of the Century; the harmonies on the middle part of South Side of the Sky; the middle symphonic section of Astral Traveller; the part in Leave It where they restate the intro harmony vocals. The end of You By My Side going into Silently Falling by Chris Squire The middle section of People Music by Herbie Hancock, as well as the end of the saxello solo in Butterfly. Pretty much all of 4 A.M. The keys solo on Blessed Relief; pretty much all of Zoot Allures; the B section of the melody of the first half of What's New in Baltimore? -Zappa The end noodling on Cadence and Cascade; the opening flute on Lady of the Dancing Water; whenever Adrian goes to that minor 4 on Matte Kudasai, "chair"; whenever Adrian sings the 9 on Two Hands, "hands"; the chorus of Prince Rupert awakes (the bass though), the end of Prelude. -King Crimson The development of Fugue, especially when you hear how Keith works in the Endless Enigma theme, and finally, it's ending, and transition to Enigma part 2; the piano solo before and after the acoustic guitar solo in Take a Pebble; the piano solo in Trilogy that abruptly become the second part in 5/4 -ELP When the piano and strings come in on Wond'ring Aloud; when the strings come in on Slipstream and on Cheap Day Return; the Childhood Heroes part in Thick as a Brick pt 1. -Jethro Tull The end of She's Leaving Home by The Beatles The end of Song Within a Song and Chord Change; the end of La Princesse Perdue. -Camel The end of Tandem by Et Cètera The whistling solo in La Cathédrale de Strasbourg by Focus The end of His Last Voyage; the bass on A Reunion; the first part of I Lost My Head; the part where everyone sings in Knots; Think of Me with Kindness; when the beat kicks in on Proclamation; the harmonies on No God's a Man; when the middle section of Schooldays gives way to the vibes solo. -Gentle Giant The second verse of Earthrise; the growl vocals on The Architect; the last chord of Lapse; the bridge of Celestial Elixir; Atlas Stone; As Death Embraces; the calm section of Falling Back to Earth; the "I wish I could have been somebody" part of Somebody; guitar solo of Crystallised; the calm section of Nocturnal Conspiracy; Deathless; the end of Visions. -Haken The end of On Time as a Helix of Precious Laughs and Hidden Woods by Happy the Man The Rain Song by Led Zeppelin The end of Sheep; the part in Echoes (you know the part). -Pink Floyd The climax of La Luna Nuova; harmonies on Il Banchetto and Geranio. -PFM Intro/outro to Can You Understand?; intro to Trip to the Fair; end of Things I don't Understand. -Renaissance The build-up near the end of Jacob's Ladder by Rush The synth solo on Big Ugly; Mr. Montauk; synth solo on Thing of Gold; end of Flood; bass solo on Skate U; Cory Henry solo on Lingus; the melody of Flight. -Snarky Puppy That part in School that's major for a second; the build-up of Sister Moonshine; soprano sax solo on Just a Normal Day; "so easy to fiiiiiiiiiind" on Fool's Overture. -Supertramp The melody of Non-Brewed Condiment; pretty much any Allan Holdsworth solo The end of the choral section of Son of There's No Place Like Homerton by Hatfield and the North Helplessly Hoping by CS&N Bridge to Incommunicado; the synth arpeggios in Neverland; the end of Invisible Man; when Invisible Ink gets pumping; end section of Man of a Thousand Faces; Easter. -Marillion The part at the end of the harmony vocals in Thoughts Part II when the harmonies get evil and distorted, emphasizing the neurosis; The Doorway; the part in Cakewalk on Easy Street where the riff comes back unexpectedly after the chorus under the last chord of said chorus. -Spock's Beard And the list goes on with stuff by Caravan, Egg, Chicago, Chick Corea, Discipline, Frost*, Kaipa, IQ, Magma, The Who, The Police, Tears for Fears, Steely Dan, Weather Report, UK, The Tangent, Paul McCartney, George Harrsion, and MORE.
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ProgMetaller2112
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Man, there are tons haha. Let me see if I can list some proper prog tunes
King Crimson - Parts of I Talk to the Wind (the ending flute solo), Cadence and Cascade, Cirkus, Exiles, The Night Watch, Trio, The Fallen Angel, Matte Kudasai, Sartori in Tangier, The Howler, Three of a Perfect Pair, Dig Me, People Genesis - The Serpent, The Silent Sun, A Place to Call My Own, Looking for Someone, Stagnation, The Knife, The Musical Box, For Absent Friends, Harlequin, Fountain of Salmacis, Watcher of the Skies, Time Table, Get Em Out by Friday, ah hell the whole Foxtrot album😂😂😂, Dancing with the Moonlit Knight, Firth of Fifth, The Cinema Show, Back in NYC, The Lamia, The Colony of Slippermen. Oh geez too many to name. I'll stop here , otherwise we'd be here for days. 🤣🤣 Edited by ProgMetaller2112 - October 08 2019 at 03:21 |
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“War is peace.
Freedom is slavery. Ignorance is strength.” ― George Orwell, Nineteen Eighty-Four "Ignorance and Prejudice and Fear walk Hand in Hand"- Neil Peart |
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Blacksword
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Me too. I never disliked Islands, but it wasn't a stand out track for me on the album, but live it really moved me. I've seen them do it twice now, and it's kind of become 'our song' for my girlfriend & I, although it's safe to say I 'feel it' a little more than she does. Anyways..other goosebump inducing tracks.. Los Endos - Genesis Awaken - Yes Man ERG - VDGG From the beginning - ELP Xanadu (from ESL) - Rush This Woman's Work - Kate Bush Sheep (particularly the ending) - Pink Floyd Rubycon Part 1 - Tangerine Dream |
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Ultimately bored by endless ecstasy!
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richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 27956 |
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interesting ones especially Kate Bush ELP -From The Beginning is one of my favourite songs (no surprise to you I realise) . I want that at my funeral although hopefully its a long way off!
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Terra Australis
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Fragile and Starless by King Crimson do it for me.
But yesterday it was 'The Space' by Marrilion. The last section soars...
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deafmoon
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Further Away, The Wrong Side of Weird and Knucklehead all from I.Q. Colony of Slipper Men, Fly on A Windshield, Supper's Ready all by Genesis. Pirates by ELP. Siberian Khatru, Turn Of The Century, Close To The Edge (off the Keys To Ascension album) all by Yes.
Edited by deafmoon - October 12 2019 at 11:10 |
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Deafmoon
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freed
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What gives me goosebumps are powerful female voices in a rock / prog setting.
Earth and Fire - especially Atlantis intro and full track by Jerney Kaagman Julian's Treatment - A Time Before This (First Prophecy, etc.) with Cathy Pruden Renaissance - Scheherazade, Ashes Are Burning (especially in Live at Carnegie Hall for 23 min of pure bliss), Mother Russia, and many others by Annie Haslam, but also earlier band with Jane Relf Curved Air - Metamorphosis with Sonja Kristina Pink Floyd - The Great Gig in the Sky by Clare Torry, also Shine On You Crazy Diamond (no special female here, but the whole 26 min pure awe) Edited by freed - October 13 2019 at 17:37 |
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expand y-our mind, expand y-our world at planetwork.org
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Frenetic Zetetic
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Guthrie Govan Waves.
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"I am so prog, I listen to concept albums on shuffle." -KMac2021 |
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richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 27956 |
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I love that Curved Air track. Eddie Jobson does his 'thing' and Sonja is always amazing!
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alexbruno
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Tool - Rosetta Stoned. Some of my favorite riffage of all time
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