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Toaster Mantis View Drop Down
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Direct Link To This Post Posted: May 24 2014 at 05:07
Originally posted by ExittheLemming ExittheLemming wrote:

I have to reluctantly agree with this demarcation. I say reluctantly because the ramifications of option 2 would be completely unpalatable to most of the PA members I've been arguing with to this effect for several years. Even current  site admin Guldbamsen has ventured that Krautrock ain't really Prog.


I also remember reading an interview with David Gilmour (I think) where he denied Pink Floyd being progressive rock on account of the classical influence in their music being nowhere as integral to their sound as, say, Genesis. I also think some Canterbury scene artists disassociated themselves from the prog-rock movement as their musical background was in jazz rather than classical.

On the other hand, looking up contemporary music reporting from Denmark and Sweden the "progressive rock" classification was in the 1960s/1970s treated as more of a cultural movement or "scene" than a specific style... if one that had a certain set of music ideals involving technical proficiency and experimentation with influence from outside rock. Which is basically the first definition.

Maybe there's some kind of cultural difference that resulted in something getting lost in translation?
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Direct Link To This Post Posted: May 24 2014 at 05:08
Originally posted by ExittheLemming ExittheLemming wrote:



Originally posted by Toaster Mantis Toaster Mantis wrote:

There seems to be two rivalling popular definitions of progressive rock I've encountered.
  1. The first refers to a general willingness to think outside the box musically, or perhaps the specific culture of the 1960s/1970s prog-rock scene and newer heirs to that tradition, making "prog" an ethos more than a genre.
  2. The second defines progressive rock as about constructing lengthy complex compositions using techniques and structures derived from classical music in the context of rock instrumentation.
I wager the site admins subscribe to the first, since music groups without much in the way of classical influence have found their way to its database. The second one would exclude most of the "Krautrock" groups except the more overtly symphonic, a lot of jazz fusion, more or less all post-rock, all but a handful Pink Floyd songs scattered across the band's entire discography et cetera.
I have to reluctantly agree with this demarcation. I say reluctantly because the ramifications of option 2 would be completely unpalatable to most of the PA members I've been arguing with to this effect for several years. Even current  site admin Guldbamsen has ventured that Krautrock ain't really Prog.



Very true. I don't particularly think most artists found inside the folk, RIO/Avant, Indo prog/Raga rock, Electronic and post rock subs necessarily qualify as prog either, but we have to look at this from a historical pov. These scenes morphed in and out of each other during prog's heyday, maybe with the exception of post rock, but I think that's why we have all these acts, whom I would never dream of calling prog.
It'd be cool to have something like an 'outsider' part of the site, that included these artists for what they were instead of trying to convince people of something that was never true to begin with, but then again that all boils down to whether or not we can persuade Max into making some changes.

Btw here I am talking as a fellow member of PA. This is entirely my own take on this.

Edited by Guldbamsen - May 24 2014 at 05:21
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Direct Link To This Post Posted: May 24 2014 at 14:12
Hi,
 
Somewhere along the road to Babbalooma and beyond, we will probably have to update the "definition" so it makes better sense musically, and within a musical context and history.
 
No one sits here and criticizes the definition of "baroque" or the "romantic" periods of arts and music, and it is because the "definition is very clear in tune with the works themselves ... well, not a surprise, but what the heck.
 
My biggest concern is that we have tied up a "definition" to so many things, and then created sub-divisions because our personal favorite is not included, and that distorts the definition and the concept altogether. IT ALSO TELLS YOU, THAT THE DEFINITION IS NOT STRONG ENOUGH! Because it would withstand a little more criticism.
 
I find it scary that we call one thing progressive, and then hear a band do theater and try film, and poetry and they are not progressive because it doesn't have the Rick/Tony/Keith keyboards, which is the most senile definition EVER defined. And it was even more fun to read Peter Banks say that he didn't need a keyboard player because he could play the parts on his guitar at the same time!!!!!!! That says NOTHING to you?
 
I, personally, have loved so much of this music, that I do not want to sit here and say this band is progressive and Guru Guru is not. This band is progressive and La Merde Jolie is not!
 
In the end, it is all about "expression", and the biggest problem we have is that we're in a time of "top ten" and we do not know how to define music away from the most simplistic music design EVER, and also the laziest. And then we take an effect and call it a musical definition!
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Direct Link To This Post Posted: May 24 2014 at 14:28
^ I guess we can close the file on that one.
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Direct Link To This Post Posted: May 24 2014 at 15:46
Originally posted by moshkito moshkito wrote:

In the end, it is all about "expression", and the biggest problem we have is that we're in a time of "top ten" and we do not know how to define music away from the most simplistic music design EVER, and also the laziest. And then we take an effect and call it a musical definition!
Who is this "we" you are referring to, O ever-expanding and primal conscience of the Intergalactic Oneness? Who exactly are you including in this "we" that is incapable of anything but the laziest and most simplistic definitions?

I note with amusement that, as is your proclivity, you did not bother to include your "personal definition of prog" (which was a request of the original poster); instead, you once again try to belittle  and denigrate the "we" in your post -- and "we" is, I assume, everyone that is not in your highly eccentric orbit -- while offering nothing concrete about your own definition.

So, in future, leave the "we" out of your little tirades and be specific about yourself.

Thank you in advance for your cooperation,
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Direct Link To This Post Posted: May 25 2014 at 04:10
It is what it is.  
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: May 25 2014 at 05:24
my prog has to be bright and sunny. Preferably metal.  I had a difficult time identifying Relayer or Fragile or Animals as "prog" because they weren't metal enough.
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Direct Link To This Post Posted: May 25 2014 at 06:45
Originally posted by ghost_of_morphy ghost_of_morphy wrote:

[QUOTE=LostWaxMuseum]Does anyone else here feel that they have a personal definition of prog that might encompass more than the popular definition?

Do you mean a definition that would encompass acts as disparate as Jefferson Airplane, Black Sabbath and Led Zeppelin?  Who would be that crazy?  Tongue
[/QUOTE

Right. I'm not saying we should include everything as part of the PA database, but there are some surprising things that are included and some things that are not, but have just as much validity. If something is popular enough among prog fans, it'll get included here at least as prog-related because it's based on votes. I was wondering what obscure bands might be slipping through the cracks because maybe they have some, but not all of the traits that would get them in. I'm always digging for music I've never heard before and I hoped start a conversation to broaden my own definition of progressive by learning what others are into that may fall just outside those boundaries.
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Direct Link To This Post Posted: May 25 2014 at 06:53
Originally posted by Eetu Pellonpää Eetu Pellonpää wrote:

Wovon man nicht sprechen kann, darüber muß man schweigen?

About OP's post, I personally think that it is most interesting to try build Your personal world view based to concepts fitting Your own mind, the consensus of these with majority being peripheral on certain areas of life, f.ex. how to define some music. If one does not build self-image on values relying too tightly to certain movements, I think it is easier to be open for new people, ideas and be more independent than stuck to mass movements gathering people together. With short life experience, I think people often have different understandings on terms defining unvague concepts like "prog" or "work", making discussions yearn patience and realization the answer won't be found mutually. It could be found personally, but still the search for the answer is more important and giving than the utopia of final discovery.

I quess tight definitions are needed to human psyche for building a comphendable perspection to life, but realized it being a trap, and got cured from it. (Where am I BTW? help! )

I agree. I was hoping to discover music I never heard before, but I think I started a different conversation than I expected to. I probably should have asked something like: "what are your top 10 favorite non-prog bands?"
That might have been a more direct way to get the information I was looking for, but I was hoping participants might describe, in detail, ensembles they enjoy and what it is about them they feel is progressive.
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Direct Link To This Post Posted: May 25 2014 at 06:57
Originally posted by moshkito moshkito wrote:

Hi,
 
We need a new definition.
 
Cool
 
One where "keyboards" is not a mandatory requirement!
 
Approve
 
One where "synphonic" does not mean keyboards, specially when Peter Banks used to say he could play those parts along the guitar leads.
 
Tongue
 
What me keyboard?
 
Confused

I don't mind keyboards, but they can be over-the-top sometimes.
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Direct Link To This Post Posted: May 25 2014 at 07:32
Originally posted by LostWaxMuseum LostWaxMuseum wrote:

Originally posted by ghost_of_morphy ghost_of_morphy wrote:

[QUOTE=LostWaxMuseum]Does anyone else here feel that they have a personal definition of prog that might encompass more than the popular definition?

Do you mean a definition that would encompass acts as disparate as Jefferson Airplane, Black Sabbath and Led Zeppelin?  Who would be that crazy?  Tongue
[/QUOTE

Right. I'm not saying we should include everything as part of the PA database, but there are some surprising things that are included and some things that are not, but have just as much validity. If something is popular enough among prog fans, it'll get included here at least as prog-related because it's based on votes. I was wondering what obscure bands might be slipping through the cracks because maybe they have some, but not all of the traits that would get them in. I'm always digging for music I've never heard before and I hoped start a conversation to broaden my own definition of progressive by learning what others are into that may fall just outside those boundaries.


For the sake of clarity you are advised that although any member can nominate an artist for Prog Related in the Suggest New Bands and Artists thread, they will only be considered for inclusion by the Admins if a formal proposal for inclusion is sent by PM to one of the Admins. This assumes that the nomination has been debated by the membership in the Open, and if necessary, CZ Forums. The Admins Team and the Admin Team alone decide if the artist is suitable for Prog Related and not all eligible bands and artists will be accepted for addition.

More info here:

http://www.progarchives.com/forum/forum_posts.asp?TID=73146&PID=3942761#3942761
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Direct Link To This Post Posted: May 25 2014 at 10:34
Originally posted by The Dark Elf The Dark Elf wrote:

...
I note with amusement that, as is your proclivity, you did not bother to include your "personal definition of prog" (which was a request of the original poster); instead, you once again try to belittle  and denigrate the "we" in your post -- and "we" is, I assume, everyone that is not in your highly eccentric orbit -- while offering nothing concrete about your own definition.
...
 
So you now are the spokesperson for the "We"?
 
Congratulations on your promotion. May it serve you well!
 
Sadly, you are being quite blind when you do not bother to read that I DO have a definition, and that I was specifically opposed to some details in it which are stupid, not musically educated, and strictly based on its sound, not the music itself. IF, and this is IF -- because you won't do it -- you plug half of this music to a score sheet and take the "effects" out", there is nothing in the music that shapes it any different than anything else that has ever been done.
 
For you the progress of music is based on the "effects" and not the instruments themselves. You might actually be right there, since 100 years from now there won't be orchestras, and all the instruments will be played on an iPod/Pad like thing, and everyone will think it's great music, if not top ten!
 
I still hold on, perhaps erroneously, to a bit of music history and the learning of an instrument and a combination of folks together. I still look as a "group" as the new composer of the future, not a single entity, as has been the case for hundreds of years.
 
But for you, there is no music definition, that is personal. I've been about that personal idea from day one, you just don't like it because it is not a socially accepted and kissed concept (at first!) in front of you for you to applaud with everyone else.  If you study music history, then you are 100 years behind!


Edited by moshkito - May 25 2014 at 10:39
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Direct Link To This Post Posted: May 25 2014 at 10:37
Originally posted by LostWaxMuseum LostWaxMuseum wrote:

Originally posted by moshkito moshkito wrote:

Hi,
 
We need a new definition.
 
Cool
 
One where "keyboards" is not a mandatory requirement!
 
Approve
 
One where "synphonic" does not mean keyboards, specially when Peter Banks used to say he could play those parts along the guitar leads.
 
Tongue
 
What me keyboard?
 
Confused

I don't mind keyboards, but they can be over-the-top sometimes.
 
Exactly. It stopped being one of the instruments, and became the "symbol" of something else, that is imaginary and not real. And for any of us to say that one instrument is bigger and better than all the others, means we're not listening to the whole piece. We're being selective about one thing only! Thus, I dislike the mention of "keyboards" as an important part of "progressive". The whole thing is, or it is not!
 
One of the reasons why "opera" kinda died is because folks ended up wanting to hear one voice, and not the whole piece. So people went to see a Callas, or Pavarotti, and when he was gone, they never went to an opera again. That tells you that the music was not important, but he was! It didn't help you appreciate an art form. The same for ballet. Nureyev and others help bring it along, and Misha helped, and after that? Jethro Tull and his album cover took over!
 
Time for a new art. But in the end, I think that it has to be more than just one part of it. Has to be "bigger" and more "total" in its design, or it will disappear like so many other rock players out there.


Edited by moshkito - May 25 2014 at 10:49
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Direct Link To This Post Posted: May 25 2014 at 11:44
Originally posted by The Dark Elf The Dark Elf wrote:

...
I note with amusement that, as is your proclivity, you did not bother to include your "personal definition of prog" (which was a request of the original poster); instead, you once again try to belittle  and denigrate the "we" in your post -- and "we" is, I assume, everyone that is not in your highly eccentric orbit -- while offering nothing concrete about your own definition....
 
Originally posted by moshkito moshkito wrote:

So you now are the spokesperson for the "We"?
 
Congratulations on your promotion. May it serve you well!

Since there can be only one of "you" in your altered, often bizarre, plane of existence, we unfortunately are relegated to a lower life-form status in which people listen to music they enjoy without worrying about pushing elitist visions of modal legacies in popular music.
 
Originally posted by moshkito moshkito wrote:

Sadly, you are being quite blind when you do not bother to read that I DO have a definition, and that I was specifically opposed to some details in it which are stupid, not musically educated, and strictly based on its sound, not the music itself. IF, and this is IF -- because you won't do it -- you plug half of this music to a score sheet and take the "effects" out", there is nothing in the music that shapes it any different than anything else that has ever been done.

Now you have transitioned from the "we" to the "you": meaning "me" directly; in which case, I would suggest that your reference to what I believe in regards to musical theory is complete cow dung. You haven't the slightest inkling what I believe, because you spend most of the time talking out of your posterior, and from your muffled perch ensconced in your emboweled nether-regions you only expound the flatulent clarion calls of a sham shaman. You don't listen, you expound. You don't reply, you equivocate.This bit of lunacy is particularly rankling:

Originally posted by moshkito moshkito wrote:

For you the progress of music is based on the "effects" and not the instruments themselves. You might actually be right there, since 100 years from now there won't be orchestras, and all the instruments will be played on an iPod/Pad like thing, and everyone will think it's great music, if not top ten!

Please direct me to any quote anywhere in the history of this forum where I ever came vaguely near to what you claim I believe. Go ahead. It doesn't exist. But you don't give a damn about what anyone believes here, so you fabricate delusional dialogues with yourself to suit your own misguided agenda, which I am not entirely sure you even comprehend. 
 
Originally posted by moshkito moshkito wrote:

I still hold on, perhaps erroneously, to a bit of music history and the learning of an instrument and a combination of folks together. I still look as a "group" as the new composer of the future, not a single entity, as has been the case for hundreds of years.
 
But for you, there is no music definition, that is personal. I've been about that personal idea from day one, you just don't like it because it is not a socially accepted and kissed concept (at first!) in front of you for you to applaud with everyone else.  If you study music history, then you are 100 years behind! 

You may be surprised, dear Pedro, that I sometimes agree with your comments (The Doors being progressive, for instance), but those are far and few between. I have no patience with the ones that are typed when you are evidently heavily medicated and are deriving errant messages from a garbled dream-state.

As for me, I don't hold to a stagnant definition of "progressive rock" because the target keeps shifting, and has changed since the concept was first defined in the late 60s/early 70s. I heard "progressive rock" in many bands that are not necessarily characterized as progressive on this site. It seemed to me to be a rite of passage for many bands in the late 60s who shifted from blues-based riffs to a more expansive set of compositional tools. Many bands that are considered prog on this site haven't been prog for ages. Oh well.

But I do think there are gradations of what should be rightly viewed as "progressive rock", and unlike you I don't confuse what "progressive rock" is to the general notion of progressivity or haute nouveau modernity that you like to interchange with the former and then drop in the name of  some degenerate director from the theater of the absurd.
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Direct Link To This Post Posted: May 25 2014 at 13:40
Originally posted by Slartibartfast Slartibartfast wrote:

It is what it is.  
That's debatable. Wink
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Direct Link To This Post Posted: May 25 2014 at 16:13
I could swear I saw the word emboweled used on PA for the very first time todayShocked
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Direct Link To This Post Posted: May 26 2014 at 09:34
Originally posted by Guldbamsen Guldbamsen wrote:

Originally posted by LostWaxMuseum LostWaxMuseum wrote:

I would have liked to hear your insight, since I wasn't looking to start a debate or gather a concensus. I was hoping to get different perspectives since I think there's things that are obviously prog and then other things that are prog to certain individuals because of how they personally define prog. I know many would disagree with my definition because it includes some shoegaze and industrial, but those are directions rock has progressed in and as long as it meets some other criteria (like complex song structures, time signatures and instrumentation) it is a kind of prog to me. I know my perspective won't change the status quo, nor should it. I want to broaden my horizons by learning what other prog fans like that may fall outside the typical boundaries of prog.




Alright cool. Sorry, but some of us here have just been through so many of these, that we tend to get a little jaded and rough around the edges. It's a fair question, and if you just skim through some of the responses from the older discussions, you'll see how differently people view this matter. I gather we're much the same now actually.
Just remember the cardinal rule: never confuse progressive music for prog, or is that the other way around? Basically means that prog isn't necessarily progressive, although it used to be. A lot of what is progressive nowadays has next to nothing in common with prog rock. Sure it can be rock and progressive, but that doesn't mean prog. A lot of people make this mistake, especially when you look through the new suggestions forum we have on PA you'll notice this.
Anyway if that was the case, and all a band needed to do was play rock and progressive, then we had to have The Sex Pistols, The Clash, Boris, Sunn O))), Pere Ubu, Little Richard, Jerry Lee Lewis and The Smashing Pumpkins included as well. All of which played rock at a time in their respective careers, where they were doing something progressive with the genre. That doesn't mean any of them are prog though, or that they should be on PA.

It never occurred to me to separate prog from progressive, but I see what you mean. They've evolved apart. I guess since I wasn't making that distinction, I tended to hear a lot of things as being progressive and just expanded my own definition of what I include as prog. Seeing Dead Can Dance, Bjork, Radiohead, and Miranda Sex Garden included here got me thinking enough people on PA are doing the same thing. Wendy Carlos, Dali's Car, Copernicus, some Skinny Puppy are all progressive in my book, but they're probably not in anyone else's definition of prog.
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Direct Link To This Post Posted: May 26 2014 at 09:42
Originally posted by ExittheLemming ExittheLemming wrote:

Originally posted by LostWaxMuseum LostWaxMuseum wrote:

Originally posted by ghost_of_morphy ghost_of_morphy wrote:

[QUOTE=LostWaxMuseum]Does anyone else here feel that they have a personal definition of prog that might encompass more than the popular definition?

Do you mean a definition that would encompass acts as disparate as Jefferson Airplane, Black Sabbath and Led Zeppelin?  Who would be that crazy?  Tongue
[/QUOTE

Right. I'm not saying we should include everything as part of the PA database, but there are some surprising things that are included and some things that are not, but have just as much validity. If something is popular enough among prog fans, it'll get included here at least as prog-related because it's based on votes. I was wondering what obscure bands might be slipping through the cracks because maybe they have some, but not all of the traits that would get them in. I'm always digging for music I've never heard before and I hoped start a conversation to broaden my own definition of progressive by learning what others are into that may fall just outside those boundaries.


For the sake of clarity you are advised that although any member can nominate an artist for Prog Related in the Suggest New Bands and Artists thread, they will only be considered for inclusion by the Admins if a formal proposal for inclusion is sent by PM to one of the Admins. This assumes that the nomination has been debated by the membership in the Open, and if necessary, CZ Forums. The Admins Team and the Admin Team alone decide if the artist is suitable for Prog Related and not all eligible bands and artists will be accepted for addition.

More info here:

http://www.progarchives.com/forum/forum_posts.asp?TID=73146&PID=3942761#3942761

My mistake. I guess there's more to it than I thought. Thanks for the link. :)
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Direct Link To This Post Posted: May 27 2014 at 07:46
When musicians decide on a musician related impulse to write a fast passage of notes with a odd type of time signature....and...only briefly for about 2 minutes within a singer/songwriter tune they've written , it suddenly becomes Prog in classification because of the 2 minutes of change? Then all this talk of Progressive Rock in pretense and what the original definition meant. It also seems that some people want to apply the formulas of 70's Progressive Rock as only a portion of Prog because it's easier to play and easier to take the easy way out. This may not be true as it just seems like a point to consider. 
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Direct Link To This Post Posted: May 27 2014 at 09:51
Dream Theater are a good example of what a lot of my younger friends think of as the standard of today's progressive rock. Also, Mastodon and Porcupine Tree. There is definitely a lineage and influence from earlier prog, but it's a bit more metal now. I often wonder where the next step in prog evolution will go since the possibilities of prog metal have been thoroughly explored (but not exhausted).
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