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ExittheLemming View Drop Down
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Direct Link To This Post Posted: October 31 2011 at 08:46
Originally posted by Fragile Fragile wrote:

Originally posted by Alitare Alitare wrote:

I'd take Kid A, Terria, Perfect Element, Human Equation, Bath/Leaving Your Body Map/Part the Second, Blackwater Park, Second Life Syndrome, OK Computer, Operation Mindcrime, and all that over Close to the Edge, Foxtrot, or anything by Rush in any given day of my sweet stupid life. And I don't like Dream Theater for a damn, either.


To quote one of my favourite Americans you cannot be serious,either that or you are seriously ripping the pish comparing that list of dross to ' Close to the Edge' the greatest piece of music prog has ever produced and the almost equally brilliant Foxtrot.


Alitaire is expressing a preference and has not referred to the artists or albums he doesn't care for as 'dross'
By way of contrast Fragile, you are in the realm where you offer your opinions as though they were facts.Ermm

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Direct Link To This Post Posted: October 31 2011 at 14:19
Obviously, nothing is as good as the music that I think is really good.  Anyone who says otherwise is wrong.

Have I summed up the thread?

Okay, I forgot we are asking if post 70's bands can be "better" than 70's bands.  I say, absolutely they can.  Whether they are or not is pretty much up to the person listening though, I think.

If we're going to talk about even more subjective things like creativity and "originality", then I still would say that yes, modern bands can do that too.  The problem with saying that no one will ever top "Close to the Edge" is that for the person saying that, it is quite obviously true.  They will not be open to such a possibility.....either the music in question will be a pale imitator, or it will sound so different from Close to the Edge that the person will not be able to compare them in any meaningful way to decide that one is "better" than the other.

But I agree with the poster who said it was because of the drugs.  I know that was what got me listening to prog rock in the first place.
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Direct Link To This Post Posted: October 31 2011 at 14:40
I try not to.
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: October 31 2011 at 14:53
Originally posted by cstack3 cstack3 wrote:

Originally posted by lazland lazland wrote:

Some of the very best music i have in my collection was recorded and released way after the 1970's.

Thank you Lazland!  Please provide me with a few specifics? 

I've not heard the equivalent of "Apocalypse in 9/8", nor "I Get Up, I Get Down" in the 40 years since they have been recorded. 

This is not a slam on any of the following bands, the classical world had a devil of a time following up on Bach & Beethoven!  I see this as a valid comparison. 

Trust me, there is much modern prog that I love dearly, but nothing that I thought moved the earth like the bands from the 70's.  Tangerine Dream is another one.  

The only band I can think of that comes close is Discipline-era King Crimson.  Don't get me started on Dream Theater, all technique & no heart.   Solo after solo after mind-numbingly-perfect solo.  



I don't think there's any point people directing you to new music, because it's painfully obvious you don't want to believe anything holds a candle to the classics.

Originally posted by Alitare Alitare wrote:

I think the best prog bands were from the 1970's. 

When you see Keith Emerson in a fancy suit playing his flying pianos, you can tell he was doing it sincerely from the heart. It was true art. 

When David Bowie and Peter Gabriel were dressing up like women and foxes singing about starmen and harold barrels and silly english farts, you could tell it was sincere and emotionally devastating.

When Rush were playing 20 minute long songs about galactic space wars and going bald, you just knew it was important and tear-jerking.

When Uriah Heep wrote every goddamn beautiful, crippling note in 'Easy Livin'', you could tell it was like they stole aural manna from the heavens.

When Tangerine Dream released a trillion albums containing only a few keyboard notes and a fat guy blowing into a megaphone while high on PCP, you could tell it was music for the ages.

When Kansas gave us Dust in the Wind, intelligent, moving art was then born.

But those Radiohead jackasses? They're just soulless fakers, every one.

Does good music have to be deathly serious then? Everyone sit around in a black and white video in abandoned warehouses and stare blankly into space?


Edited by JS19 - October 31 2011 at 14:59
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Direct Link To This Post Posted: October 31 2011 at 17:24
I never said music had to be any given thing. I say I prefer music that moves my heart and makes me want to weep in the corner much more than music that 'rocks' or is 'complex' or whatever. They can rock and be complex all they want, but if they don't make me feel deep, trembling emotions, either elation or sorrow, I leave them behind. 

Spit on my preferences if you wish. It is neither right nor wrong. I accept your personal tastes as valid and important to you.
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Direct Link To This Post Posted: October 31 2011 at 17:26
Originally posted by Fragile Fragile wrote:

Originally posted by Alitare Alitare wrote:

I'd take Kid A, Terria, Perfect Element, Human Equation, Bath/Leaving Your Body Map/Part the Second, Blackwater Park, Second Life Syndrome, OK Computer, Operation Mindcrime, and all that over Close to the Edge, Foxtrot, or anything by Rush in any given day of my sweet stupid life. And I don't like Dream Theater for a damn, either.


To quote one of my favourite Americans you cannot be serious,either that or you are seriously ripping the pish comparing that list of dross to ' Close to the Edge' the greatest piece of music prog has ever produced and the almost equally brilliant Foxtrot.


Lol, Close to the Edge is terrible snobby w**k


There, I sound just like you
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Direct Link To This Post Posted: October 31 2011 at 18:14
Originally posted by JS19 JS19 wrote:

Originally posted by cstack3 cstack3 wrote:

Originally posted by lazland lazland wrote:

Some of the very best music i have in my collection was recorded and released way after the 1970's.

Thank you Lazland!  Please provide me with a few specifics? 

I've not heard the equivalent of "Apocalypse in 9/8", nor "I Get Up, I Get Down" in the 40 years since they have been recorded. 

This is not a slam on any of the following bands, the classical world had a devil of a time following up on Bach & Beethoven!  I see this as a valid comparison. 

Trust me, there is much modern prog that I love dearly, but nothing that I thought moved the earth like the bands from the 70's.  Tangerine Dream is another one.  

The only band I can think of that comes close is Discipline-era King Crimson.  Don't get me started on Dream Theater, all technique & no heart.   Solo after solo after mind-numbingly-perfect solo.  



I don't think there's any point people directing you to new music, because it's painfully obvious you don't want to believe anything holds a candle to the classics.

Not for lack of trying....a friend just tossed me a CD containing music by these bands:

a) Barock Project
b) Windchase
c) Mindgames
d) Raison de Plus
e) Hannah
f)  Kaipa
g) Oaksenham
h) Arena
i) Manala Vallis
j) Quidam
k) Aviva Omnibus
l)  Knight Area
m) Eclat
n)  Gerard

....I had to fight the impulse to fling the thing out the car window while it was playing!!    Although I found a bit of this stuff mildly interesting & some even listenable, I can't say that I heard one guitarist with Steve Howe's talent in the lot.  
Realize, I'm an "amateur" musician who's been playing for over 40 years (my profession is environmental science).   I have an open invitation to jam with John Goodsall, and I'm trying to get the time to travel 400 miles to sit down with him and record. 

In my discussions with other musicians, I've noticed that very few enjoy sitting around & listening to much music at all.  Bob Fripp has written about this many times when people ask him "who do you like?"    Jeff Beck etc. all say the same thing.   

The hunt goes on......I'll let you know. 


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Direct Link To This Post Posted: October 31 2011 at 18:55
Originally posted by cstack3 cstack3 wrote:

Originally posted by JS19 JS19 wrote:

Originally posted by cstack3 cstack3 wrote:

Originally posted by lazland lazland wrote:

Some of the very best music i have in my collection was recorded and released way after the 1970's.

Thank you Lazland!  Please provide me with a few specifics? 

I've not heard the equivalent of "Apocalypse in 9/8", nor "I Get Up, I Get Down" in the 40 years since they have been recorded. 

This is not a slam on any of the following bands, the classical world had a devil of a time following up on Bach & Beethoven!  I see this as a valid comparison. 

Trust me, there is much modern prog that I love dearly, but nothing that I thought moved the earth like the bands from the 70's.  Tangerine Dream is another one.  

The only band I can think of that comes close is Discipline-era King Crimson.  Don't get me started on Dream Theater, all technique & no heart.   Solo after solo after mind-numbingly-perfect solo.  



I don't think there's any point people directing you to new music, because it's painfully obvious you don't want to believe anything holds a candle to the classics.

Not for lack of trying....a friend just tossed me a CD containing music by these bands:

a) Barock Project
b) Windchase
c) Mindgames
d) Raison de Plus
e) Hannah
f)  Kaipa
g) Oaksenham
h) Arena
i) Manala Vallis
j) Quidam
k) Aviva Omnibus
l)  Knight Area
m) Eclat
n)  Gerard

....I had to fight the impulse to fling the thing out the car window while it was playing!!    Although I found a bit of this stuff mildly interesting & some even listenable, I can't say that I heard one guitarist with Steve Howe's talent in the lot.  
Realize, I'm an "amateur" musician who's been playing for over 40 years (my profession is environmental science).   I have an open invitation to jam with John Goodsall, and I'm trying to get the time to travel 400 miles to sit down with him and record. 

In my discussions with other musicians, I've noticed that very few enjoy sitting around & listening to much music at all.  Bob Fripp has written about this many times when people ask him "who do you like?"    Jeff Beck etc. all say the same thing.   

The hunt goes on......I'll let you know. 



Well I guess you are trying :) I think though, there's a lot of great bands in that list, so If you didn't enjoy anything a great deal, I seriously would stop trying, because it's probably a waste of time. If 70s classic prog is what you enjoy, no-one's forcing you to diversify. Stick with what you know. I can see my last post could be taken quite harshly, and I apologise. i didn't mean it that way. It's just I find it very hard to relate to such an opinion, although i do respect it.

 I am the opposite really, I find very little older music that I enjoy. it's a shame, I feel I'm missing out when everyone raves about albums I just flat out don't like listening to (take Foxtrot for instance). Oh well. This really is a case of 'each to their own'

Originally posted by Alitare Alitare wrote:

I never said music had to be any given thing. I say I prefer music that moves my heart and makes me want to weep in the corner much more than music that 'rocks' or is 'complex' or whatever. They can rock and be complex all they want, but if they don't make me feel deep, trembling emotions, either elation or sorrow, I leave them behind. 

Spit on my preferences if you wish. It is neither right nor wrong. I accept your personal tastes as valid and important to you.

I didn't spit on your preferences at all. I prefer music that stirs emotions inside me also. I just think the way you phrased that post was like because these artists weren't playing emotional music, that they weren't worth anything, which I don't agree with. It's just a different type of music, although I do have a hard time enjoying some of it. namely King Crimson, which seems to have had every emotion sucked out with a bloody hoover on purpose....
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Direct Link To This Post Posted: October 31 2011 at 19:39
It's hard to get Thicker than a Brick but modern epics  A Change Of Seasons, Crimson and Viides Luku - Hävitetty came real close, the "Brick" in their respective styles (progressive metal, progressive death metal and progressive black metal).

Edit: Since these albums were almost as good as Thick as a Brick, they must be much better than many great records from the 70s. After all Thick as a Brick was the sh*t. So the response the OP is that, yeah there are plenty of modern stuff better than the 70s greats.


Edited by paganinio - October 31 2011 at 19:40
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Direct Link To This Post Posted: October 31 2011 at 22:49
Originally posted by JS19 JS19 wrote:


I didn't spit on your preferences at all. I prefer music that stirs emotions inside me also. I just think the way you phrased that post was like because these artists weren't playing emotional music, that they weren't worth anything, which I don't agree with. It's just a different type of music, although I do have a hard time enjoying some of it. namely King Crimson, which seems to have had every emotion sucked out with a bloody hoover on purpose....
 
That's strange.  What KC albums did you try and how much?  You don't have to force yourself to like any music but as a KC fan, I can confidently say very few of their albums are easy to get into. But I also find them more emotional and grittier than a lot of 70s prog and their music has a certain timelessness which ELP cannot capture, being so defined in the template of the 70s.  You may well find a song like Fallen Angel boring - I don't know, just speculating - but it is emotional and more so than the fusion workout/noodle approach of a lot of prog, then or now. 
 
I kind of get what Alitaire is driving at here, though I like 'that' kind of music a lot.  As much as I like the Howes and Wakemans, I am not sure they were as good musicians as say Dave Brubeck's band. The compositions on Time Out are so warm and the musicians play with so much expression and at the same time, the ideas explored are also musically interesting.  By contrast, ELP's compositional approach gets predictable by and by as one gets deeper into their catalogue. I am not sure just how many prog musicians had the depth to pull off something like Time Out - and it's a very demanding standard to hold up to so I won't.  The nature of a lot of prog music demands that you appreciate the analytical side of it and I quite understand if that is not a good enough reason for some listeners because I'd rather have both the analytical and emotional side of it equally balanced or more balanced towards the emotional side.  One aspect I differ in from many rock fans is to hold up rebellion or songs about sex and drugs as 'emotional', so I am not going to say I find Toys in the Attic more emotional than Brain Salad Surgery unlike the critics who bashed ELP. Again, all of these are just my preferences and my thoughts on the topic.
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Direct Link To This Post Posted: October 31 2011 at 22:50
Originally posted by paganinio paganinio wrote:

It's hard to get Thicker than a Brick but modern epics  A Change Of Seasons, Crimson and Viides Luku - Hävitetty came real close, the "Brick" in their respective styles (progressive metal, progressive death metal and progressive black metal).

Edit: Since these albums were almost as good as Thick as a Brick, they must be much better than many great records from the 70s. After all Thick as a Brick was the sh*t. So the response the OP is that, yeah there are plenty of modern stuff better than the 70s greats.
 
Thick as a brick is not even my favourite JT album though I like it more than many others and it's definitely not the sh*t as far as all 70s prog goes.  It's quite overrated, imo.
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Direct Link To This Post Posted: October 31 2011 at 23:51
Originally posted by JS19 JS19 wrote:

Well I guess you are trying :) I think though, there's a lot of great bands in that list, so If you didn't enjoy anything a great deal, I seriously would stop trying, because it's probably a waste of time. If 70s classic prog is what you enjoy, no-one's forcing you to diversify. Stick with what you know. I can see my last post could be taken quite harshly, and I apologise. i didn't mean it that way. It's just I find it very hard to relate to such an opinion, although i do respect it.

I didn't spit on your preferences at all. I prefer music that stirs emotions inside me also. I just think the way you phrased that post was like because these artists weren't playing emotional music, that they weren't worth anything, which I don't agree with. It's just a different type of music, although I do have a hard time enjoying some of it. namely King Crimson, which seems to have had every emotion sucked out with a bloody hoover on purpose....

Actually, I'm quite active in the prog scene, particularly with local Chicagoland acts like Fareed Haque & his "Math Games" group.  Fareed just played at Moogfest, and he said that Brian Eno sat in with his band!  Clap

Modern prog has been characterized by one music critic as "the type of music you hear when you enter a renaissance festival."  That's how I feel with much of today's prog, it is highly derivative....my thought is that the musicians are just trying too hard, instead of letting the juices flow.  Their music sounds very uptight to me. 

I hear you about King Crimson's emotion, as Fripp said, "their music is not to be enjoyed."  Fripp's most emotional playing tends to be on other people's projects, like Eno and David Sylvian.  

Bands that have impressed me lately include Scale the Summit, Adrian Belew's Power Trio, Tony Levin's Stickmen, as well as Mychael Pollard's fusion stuff.   I find these to be very original.  However, bands like Big Elf make me want to kill myself!!   


Edited by cstack3 - October 31 2011 at 23:52
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Direct Link To This Post Posted: November 01 2011 at 00:29
Chasing the best modern music from within the confines of what gets called prog (a word coined after the fact and inherently regressive) is in itself flawed. I'd take Grace over loads of rock and prog albums.  Overall, the scene may not be as vibrant as in the 70s and it may require a listener to sift through a lot of mediocre albums to find a few gems but believe you me, there are desert island albums from the 90s and onwards.  It depends also on the listener's expectations. If you decide that you want to be transported back to the 70s OR that you want something as different as possible in every way from the 70s, you may find yourself routinely disappointed. The best music is often that which puts a new spin on the old...that's more or less what Beatles did too. If it is too lopsided to the new, it will sound too much of its time and dated for future generations and if it's too drenched in nostalgia, it will lack excitement.
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Direct Link To This Post Posted: November 01 2011 at 02:38

70' prog can be very inventive at its best but can be just too pretty

 
what happened post 1980 is that neo prog bands such as Marillion and IQ concentrated more on themes based around more down to earth themes such as alienation. In a way they took their lead from Roger Waters but musically added a large dose of Genesis
 
My point is that prog rock changed. Less talented musicians playing more emotional 'harder' sounding music
 
Beyond the eighties we've had the symphonic prog revival coming mainly from Scandanavia with albums like Hybris and Gothic Impression worthy additions to the genre
 
More latterly there has been the more indie prog approach of Radiohead and the biggest thing ''Prog metal'' that polarises opinion like nothing else.
 
My view is that there is a lot of prog music that is different and therefore cannot suffer by comparison. The problem is trying to find music that sounds like seventies stuff now will always lead to disappointment.Glass Hammer for instance are very good but at best are only as good as Yes second or third rate material. Its pointless even making a comparison so enjoy them for what they are.
 
Modern classics for me:
Radiohead - Kid A
Dream Theater - Six Degrees Of Inner Turbulence
Porcupine Tree - In Absentia
Muse - Absolution
Steven Wilson - Grace For Drowning
 
What do they have in common with Close To The Edge and Foxtrot? Nothing but they are as important as anything else I have in my collection.
 
 
 
 


Edited by richardh - November 01 2011 at 02:39
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Direct Link To This Post Posted: November 01 2011 at 03:29
Originally posted by richardh richardh wrote:

70' prog can be very inventive at its best but can be just too pretty

 
what happened post 1980 is that neo prog bands such as Marillion and IQ concentrated more on themes based around more down to earth themes such as alienation. In a way they took their lead from Roger Waters but musically added a large dose of Genesis
 
My point is that prog rock changed. Less talented musicians playing more emotional 'harder' sounding music
 
Beyond the eighties we've had the symphonic prog revival coming mainly from Scandanavia with albums like Hybris and Gothic Impression worthy additions to the genre
 
More latterly there has been the more indie prog approach of Radiohead and the biggest thing ''Prog metal'' that polarises opinion like nothing else.
 
My view is that there is a lot of prog music that is different and therefore cannot suffer by comparison. The problem is trying to find music that sounds like seventies stuff now will always lead to disappointment.Glass Hammer for instance are very good but at best are only as good as Yes second or third rate material. Its pointless even making a comparison so enjoy them for what they are.
 
Modern classics for me:
Radiohead - Kid A
Dream Theater - Six Degrees Of Inner Turbulence
Porcupine Tree - In Absentia
Muse - Absolution
Steven Wilson - Grace For Drowning
 
What do they have in common with Close To The Edge and Foxtrot? Nothing but they are as important as anything else I have in my collection.
 
 
 
 
 
 
Agree a lot with this post though I don't find a lot of prog metal very emotional at all (then again, as you yourself said, it IS a polarizing genre). 
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Direct Link To This Post Posted: November 01 2011 at 07:19
There are approximately 200 albums I like more than Close to the Edge. There are approximately 450 albums I like more than Foxtrot. There are approximately 600 albums I like more than Brain Salad Surgery. There are approximately 750 albums I like more than Permanent Waves, 2112, or Hemispheres. These numbers aren't falsified. I could name most all of them for you. I have a list.
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Direct Link To This Post Posted: November 01 2011 at 09:51
Originally posted by Logan Logan wrote:

Originally posted by Slartibartfast Slartibartfast wrote:

Originally posted by Easy Livin Easy Livin wrote:

Do we even argee with the "Big four" as suggested?
If I were to pick four off the top of my head, that's not a bad set.


If I were to choose a big four, those are the ones I would say.
I would change King Crimson for Jethro Tull, and thats my dream team.
I like Tormato, so shoot me! Every person in the world can't think the same.
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Direct Link To This Post Posted: November 01 2011 at 10:03
Originally posted by cstack3 cstack3 wrote:


Not for lack of trying....a friend just tossed me a CD containing music by these bands:

a) Barock Project
b) Windchase
c) Mindgames
d) Raison de Plus
e) Hannah
f)  Kaipa
g) Oaksenham
h) Arena
i) Manala Vallis
j) Quidam
k) Aviva Omnibus
l)  Knight Area
m) Eclat
n)  Gerard

....I had to fight the impulse to fling the thing out the car window while it was playing!!    Although I found a bit of this stuff mildly interesting & some even listenable, I can't say that I heard one guitarist with Steve Howe's talent in the lot.  
Realize, I'm an "amateur" musician who's been playing for over 40 years (my profession is environmental science).   I have an open invitation to jam with John Goodsall, and I'm trying to get the time to travel 400 miles to sit down with him and record. 

In my discussions with other musicians, I've noticed that very few enjoy sitting around & listening to much music at all.  Bob Fripp has written about this many times when people ask him "who do you like?"    Jeff Beck etc. all say the same thing.   

The hunt goes on......I'll let you know. 





This is interesting, I've read similar things before about artists not listening to other music much, or even at all.  Steven Wilson seems to listen to a pretty fair amount of music (though not much prog, by prog archives standards anyway) and he seems able, at least on his latest album, to come up with very interesting and original music.

I'm an amateur musician myself, and have been playing for 25 years or so.  Yet I'm able to find quite a bit of modern prog (and other genre's as well) that I love as much, and in some cases more, than the 70's stuff.  To be honest, I find I can't really listen to most of the "big" 70's prog bands anymore because I've heard their albums so many times I can hear them in their entirety in my head with every nuance in place (except Gentle Giant, I still pull them out and listen to their stuff and still keep finding little things I'd not noticed before).  I still do pull things out occasionally, but find that my mind wanders.  They just don't have the impact on me they used to, while I find newer stuff that does (and, thanks to this site, some very old stuff I never heard before that does as well).

I could give examples I suppose (Altair actually listed a couple earlier in the thread), but I'm not sure it matters.  You've likely heard of them if you are a regular here, and probably don't like them.

I understand the idea that people don't think there is anything anywhere near as good as the bands from the 70's were able to do.  I used to think that myself.  Luckily for me, tastes and attitudes change, and I keep finding stuff that moves me in exactly the same way as when I first discovered Yessongs or Tarkus.  Lucky me, I guess.
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Direct Link To This Post Posted: November 01 2011 at 10:11
Originally posted by dr prog dr prog wrote:

Originally posted by Easy Livin Easy Livin wrote:

Do we even argee with the "Big four" as suggested?
 
Time and a word, Yes album, Fragile, CTTE and Tormato my faves
 
 
¡Tormato!!!   Finally someone !!!  Ilove it...
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Direct Link To This Post Posted: November 01 2011 at 10:29
Originally posted by Theriver Theriver wrote:

The big four ( Yes, King Crimson, Genesis; ELP) are always taken as reference for the prog movement. But do you think we can say some post 80's are better or have done better that those 70's bands. I don't want to go in the usual "yeah Genesis so over rated......" or "Dream theater so under rated........" but really to know if you thin some 80's, 90's or 00's bands have done better musically than the 70's giants. 


I never heard about "The Big 4", I always heard about "The Big 6"

In no order:

  1. King Crimson+
  2. Yes
  3. ELP
  4. Genesis
  5. Pink Floyd
  6. Jethro Tull
And they deserve the name because of their quality, their status as pioneer and how important they were for the development of the genre.

Iván
            
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