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Topic ClosedKrautrock-sound in US

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Dr.Zohm View Drop Down
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Direct Link To This Post Posted: April 07 2018 at 00:01
I remember Stratosled. I was the soundman for Shadows of Night when Hawkeye was the guitarist (which is a story in itself) and through Hawkeye, met Dennis (can't quite remember his last name), a DJ on Triad Radio. Dennis and Hawkeye were Stratosled, and in a few of their appearances, I did sound for them along with operating some of the sounds. One of my "instruments" was given the name Zohmerator by Dennis. Hard to describe it but you'd remember it if you heard it. Triad Radio was a very cool radio station back in the early 70s. I remember some of the concerts they put on, such as John McLaughlin at the Zen Temple in Chicago. I had the extreme pleasure of doing lighting for that event. Amazingly beautiful show. I still have a tape of it. Quite a time in music.
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moshkito View Drop Down
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Direct Link To This Post Posted: April 07 2018 at 09:27
Hi,

It's been a while since I went through this thread, but in all honesty, I think that a "krautrock" styled scene is impossible in America.

This country, with a lot of wonderful things, is a nation where folks are afraid to be different than anyone else. You might have a group here or there, or some religious this or that, kinda separated from most, but in the end, their goals and desires are the same as everyone else ... collect an extra dollar and be "noticed" so they can gain some more attention to their cause ... which is never the music, or the art!

The commercial nature of America, with the media being completely corporate owned (started in 1980 or so buying out the FM stations that "made it" despite them thinking that it was just a fading fad!), and has completely killed the possibility of experimental and "krautrock" styled improvisations and work. No one will play it, because no one has the "feeling" to be able to enjoy it and listen to it, as if they were stoned as the old days. You do not need to be stoned, drunk, or otherwise involved in something similar to enjoy those "trips", but a form of engagement with it is necessary, for you to be able to enjoy it and appreciate it, and talk about it, almost 50 years later.

It's the same here, at this group, when the comments are all 3 words and an exclamation point, and in the end, nothing is said with it, and the immediate thought is ... that person does not have any feeling whatsoever for any extended piece of music ... with that comment. IF a comment was there, almost all of which are "personal" experiences, it would add to the thread, and instead, some of the comments tend to immediately try to kill it. This is the same thing as corporate radio, immediately trying to play something familiar, in order for you to forget QUICKLY, what that new thing was all about, and this was VERY VISIBLE in the AM radio band in the late 60's where they would play a Jimi, and immediately switch to Strawberry Alarm Clock, Association and Dino Desi and Billy, and 1910 Fruitgum BS and so on, which tended to really bring down what Jimi, JA, Doors and many others were all about. Even "Light My fire" was cut down to under 3 minutes in order to not excite you too much.

It just tells you, that the provincial/traditional status of the folks that were brought to this country have had for hundreds of years even going back at the ethnic cleansing of the american indian for many years. It's evil, and bad, and this and that ... and we don't want our children to see it, kind of thing. It was the same thing with the late 50's and early 60's with black music, when most film studios owned all the record companies and for the most part would not release a whole lot other than their own artists and folks ... and then went around saying things like ... who would buy any black playing music? And we got lucky when folks like Coltrane, Davis and others kinda broke the mold and were able to continue and sell ... and show us all and the world, there was something here. But you STILL do not get the long experimental and improvised pieces that Miles Davis did on EVERY SINGLE SHOW OF HIS! You get a "song's worth of his material instead!

Until this landscale changes, and my hope always was that the internet would help, I doubt that we can have more long pieces and folks playing them, which would in some way, bring us back to the tripping and "feeling" days of old ... but even the internet is now owned and advertised left and right by the monsters of the media ... there is no way out and you will be blasted with adverts saying that band xyzz is great ... and it is nothing, but you believed it and bought it, despite folks making fun of it on PA, as an example.

We have the same problem, when folks go around trashing the old bands of "progressive" bands, and all those folks are saying is that they can not listen to anything that has a song longer than 4 minutes ... it taxes their intelligence way too much. Thus, calling band xyzz, whose longerst song is 4:35, progressive, just shows you how bad the definition is and how much it has disintegrated to nothing.

We have to be aware of how the media is manipulating us, or we will NEVER know when the Overloards have taken us all to the destruction! Or at least make us believe that "progressive" never existed and was a joke!
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com
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Hrychu View Drop Down
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Direct Link To This Post Posted: April 11 2018 at 09:29
In-A-Gadda-Da-Vida by Iron Butterfly is kinda krautish.
“On the day of my creation, I fell in love with education. And overcoming all frustration, a teacher I became.”
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twseel View Drop Down
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Direct Link To This Post Posted: April 11 2018 at 18:12
Wulf Zendik would have been my first guess
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AFlowerKingCrimson View Drop Down
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Direct Link To This Post Posted: April 11 2018 at 19:23
Not from the time period the OP suggested but here's one anyway.

https://www.youtube.com/watch?v=YMlJ_o3WeXY

Also, the band Magnog(from the 90's). Again not from seventies or early eighties but like Plants also from the US. Plants aren't on this site though(yet). 
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Direct Link To This Post Posted: April 13 2018 at 12:28
Originally posted by twseel twseel wrote:

Wulf Zendik would have been my first guess

I'm not sure if this makes it as "music", as I am thinking that this is just another form of meditation, and not necessarily "music", at least in the way we know it.

It is nice, and well done, but this reminds me of the early days of the synthesizer that one special said that in the West coast people were just tripping with it, and I this was different than the East coast folks, that did something completely different, and it was not just a "stony" trip. 

This, while nice, really came off like some of the fun stuff at the time, but I am not sure that it would be considered "serious music", as it was mostly thought of as a meditation, poetry and "event", rather than something with musical aspirations or intentions.

It's difficult for me to put this in words, but I can noodle like that for an hour easily on my own equipment, but I doubt that most would be interested in the words, poems, and thoughts that come with some sounds for me, specially as it is wide open ad-lib, and that is something that "progressive" (anything) has a bit of an issue with, although in my case it is more of an experiment with a "guided" mode, the synthesizer stuff that I play in the background, dictates the words. I, simply, never felt that it was good enough to release, though some of it may come out sooner or later. 

It is not a "throwback" to these kinds of things on the tripping side of music, but anyone will likely say that it is just an afternoon tripping on the beach, or a night at the fire under the moon, and what comes out is not as important as the peace of the moment.

I can not, compare these moments, to some of the things that we discuss here, and I suppose that a bit more doing, might yield something more conclusive and interesting, but at this time, for my tastes, it is just not enough. I would say I am a harsh critic of my own work.

As another example, I took one of my pieces, and changed the speed on it, and added other synthesizer bits to it, and then spoke/read moments of poems and literature over it, and it was actually better than the original, so maybe, what I have to do is create something, then break it up (de-create it I call it!) and that usually gives you a bunch of ideas of what to add here and there ... though, I am not good enough of a musician/player to add something more solid to those moments. 
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com
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