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Dan Bobrowski View Drop Down
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Direct Link To This Post Posted: November 09 2004 at 10:41

I think quality waivers in the face of mass production, however, the competition has really stepped up when you talk about affordable guitars. It's easier for a smaller company to make the product now, since machining equipment is more affordable than previously.

Seems like I see at least four or five kids a day carrying guitar cases, sprawled on the turf at the college or playing in front of the local coffee houses. It's much more common then in my youth. Seems like everyone is playing a guitar, some very well.  

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Peter View Drop Down
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Direct Link To This Post Posted: November 09 2004 at 10:48

Sincere thanks for the advice, chums!Smile

I'll let you know if/when/how I take the plunge into axesmith superstardom....Wink

 

 

C'mon, groupies! Atta girl -- shake hands with it! Tongue

"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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James Lee View Drop Down
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Direct Link To This Post Posted: November 09 2004 at 11:14
Peter: whenever you need inspiration, just put on "Takin' Care of Business", "So You Want to Be a Rock-n-roll Star", or especially Radiohead's "Anyone Can Play Guitar"
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Direct Link To This Post Posted: November 09 2004 at 23:11

Summer of Sixty-nine... Fellow Canuck and all.

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Direct Link To This Post Posted: November 10 2004 at 10:13
lol, and when your fingers start to bleed, keep in mind that six-string virtuoso Chet Atkins strung his homemade first guitar with screen-door wire
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Direct Link To This Post Posted: November 10 2004 at 10:26
Originally posted by danbo danbo wrote:

I think quality waivers in the face of mass production, however, the competition has really stepped up when you talk about affordable guitars. It's easier for a smaller company to make the product now, since machining equipment is more affordable than previously.

Seems like I see at least four or five kids a day carrying guitar cases, sprawled on the turf at the college or playing in front of the local coffee houses. It's much more common then in my youth. Seems like everyone is playing a guitar, some very well.  

The UK is much more DJ culture these days but I notice that the proportion of guitar bands has risen slightly over the last eighteen months. In London we have a road called Denmark Street that is well know for music shops and the activity there recently is almost frenetic.

There's a similar street in New York (where I bought my Ovation) called 53rd street??...

...Hhmm, not sure I got that right but it's a cool place.



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Direct Link To This Post Posted: November 14 2004 at 15:16

I've always been a believer in cheap and cheerful gear, especially these days. Granted, back in the day, when I was playing live I became something of a tone nerd, having to play a real Fender through a Vox AC30 and only through stomp boxes as I didn't want anything to overly interfere with the signal. In fact, most of the time I just used an Ibanez tube screamer and a Sovtek small stone for effects so anal was I about purity of tone.

But even then I had bought my Tele for 200 quid, my AC30 for 200 when nobody wanted dirty old valve amps (hah hah) and my pedals were all second hand.

Nowadays, I love all this technology, it's fantastic to be able to buy M-Tron for £30 and get a 'real' mellotron from my rinky-dink mother keyboard. I love my guitar processors that give me screaming lead without the neighbours calling the cops and in the midst of a busy mix (and I have been known to use 10 to 15 guitar tracks) I defy anyone to tell me that my Rhodes sound is not a real Stage 73 or that my cranked Marshalls are merely a $200 Korg AX1000.

If I wanted to go out and buy half the sounds I use - mellotron, hammond, rhodes, dx7, oscar, marshalls, ac30s, twins, leslie cabns, then I'd be looking at thousands and thousands (and the need to build a whopping great extension to m y house). Instead I've got all this remarkable stuff in small boxes or software and at my fingertips.

And that doesn't start to include the recording freedom offered by a standard modern pc a basic sequencer and a bunch of plug-ins. The sound quaklity would have required weeks and weeks locked away in Compass Point at $15k a day before.

Hold on.... weeks and weeks in Compass Point, Bahamas or my cold and dreary office/studio in rain old Dublin..... Doh!

But my set-up cost the guts of $5000 not $50,000 and it's mine to keep. Cheap and cheerful and new technology rock!

Next up Guitar Rig and Arturia's CS80 (you can never have too many toys!)

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Direct Link To This Post Posted: November 18 2004 at 09:36

I can't fault your logic arcer. You have a realistic yet creative array of instruments for a fraction of the cost that the 'real' thing would cost.

If, for example, you had struck up a huge record deal that would enable you to afford all the wonderful toys you mentioned, I'm not sure that even then, you'd be able to 'get away' with much without falling foul of the sound Nazis.

Your set up sounds great.

 

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James Lee View Drop Down
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Direct Link To This Post Posted: November 19 2004 at 11:33

I was checking out Les Pauls on eBay last night and I'm shocked at how much even used, recent models are going for. I paid less for each of my first three cars!

...of course, I'm a VW Beetle guy, but still...

...seems like the problem is that I totally recognize that I could find a guitar with exactly the same features and feel for a quarter (or at least half) of the price, but I still irrationally want a real Les Paul in my collection. Crazy?

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Direct Link To This Post Posted: November 19 2004 at 13:34

thanks sigod, the set-up could be better but I've pretty much got all i need save for a rock solid drummer with incredible feel, adventurous spirit and intelligence (to dream the impossible dream ) and, oh yeah, a good voice and some talent on my part  hahahahahaha!

James, I've always wanted a proper Gibson, but I refuse to pay the crazy prices they command. I'll make do... I think half the people who buy them just prop em up in the corner of the living room for style value anyway!!!

For the tech nerds my full set up is:

3ghz pc with 120gb hard drive 1gb ram, M-audio delta 66 soundcard, m-audio 4 port usb midi thing, running Cubase SX, Recycle and Sound Forge bunch of plug-in effects mostly shareware (why can't i find a good reverb for nothin'!!!!!)

keys/softsynths:

Native Instruments XPRESS B4, Pro 53, FM7, M-Tron, ImpOscar, MDA electric piano plug-in for Rhodes, a bunch of other shareware VST Instruments that are of varying value and an outboard Roland JV1010 with the keys of the 60s and 70s card, all running from a Evolution MK249 mid keyboard

Guitars:

Fender Telecaster, Epiphone G1275 6 and 12 string electric, Hohner st 57, Hohner st 59, Yamaha FG365SE electro-acosutic, Yamaha SA245 classical, a Tanglewood NS1215 12-string acoustic, Vintage AMG1 Resonator guitar (dobro), Cimar electric bass (Ibanez offshoot)

Korg AX100G phsycial modelling amps and fx pedal thing Tube screamer, Sovtek small stone, DOD Overdrive and Stereo Turbo Chorus

Drums:

Boss Dr Rhythm and endless loop and sample CDS

 

With all that I think I've pretty much covered all the bases, though I always want more toys.... lounge lizard, cs80 etc (and I'm a lousy keyboard player!!!!)

 

 

 

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Direct Link To This Post Posted: November 22 2004 at 05:07
Originally posted by James Lee James Lee wrote:

I was checking out Les Pauls on eBay last night and I'm shocked at how much even used, recent models are going for. I paid less for each of my first three cars!

...of course, I'm a VW Beetle guy, but still...

...seems like the problem is that I totally recognize that I could find a guitar with exactly the same features and feel for a quarter (or at least half) of the price, but I still irrationally want a real Les Paul in my collection. Crazy?



Nah, you go for it mate. The guitarist in my band spent years (and I do mean years) looking around for the 'right' les paul and finally bought one about a year ago. He's as pleased as punch to this day even though a Gibbo is expensive, it was well worth the price he paid. It's now worth more just a year after purchase.

A copy is for Chirstmas but a Les Paul is for life
 
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Direct Link To This Post Posted: November 22 2004 at 07:30
Originally posted by arcer arcer wrote:

it's fantastic to be able to buy M-Tron for £30 and get a 'real' mellotron from my rinky-dink mother keyboard.


OK, Arcer, be honest - are you telling me there is a plug & play midi unit out there which really gives you that 'hairs on the back of the neck' sound of the good old Mellotron? If so, I want the details (I have the Hammond, but no way do I have the room/resources for one of those beauties)

Jon Lord 1941 - 2012
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Direct Link To This Post Posted: November 23 2004 at 13:18

i've never played a real mellotron but G-Media's M-Tron is THE best emulation I have ever heard - it's sample-based from (now) a huge library of original tape loops. It models the orginals eight-second playback (hit a kit, it'll play for eight seconds and that's it) and it even features the wow and flutter from the original tapes. It's absolutely fantastic value for the money at around £30 sterling with lots of extra tape banks available and to my ears is the best I've ever heard.

I dunno if it's absolutely spot on, but it will certainly do me. Hell even Rick Wakeman has been known to use one!

Have a look and a listen (there's a downloadable demo) on www.gmediamusic.com

you'll also find their emulation of the Oscar synth from the early 80s. I also have this and it kicks ass in a huge way, it and the Arturia (Yamaha) CS80 are the best VSTs i've ever heard. The CS80 for instant Vangelis pads and the Oscar for some seriously screaming leads and deeeeeeep basses.

If I had my ideal softsynth set-up I think it would be Native Instruments' Elektrik Piano (Rhodes, Wurly. Clavi), Gmedia's ImpOscar and M-Tron, Arturia CS80 and Native Instruments' B4 (Hammond) and Pro 53 (Sequential Circuits' Prophet V).

Check them out. they're all gems. and just think, that lot will cost you around $500, a real Mellotron will probably set you back double or triple that if you're lucky to find one anywhere.

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Direct Link To This Post Posted: November 23 2004 at 13:29
Originally posted by James Lee James Lee wrote:

I was checking out Les Pauls on eBay last night and I'm shocked at how much even used, recent models are going for. I paid less for each of my first three cars!

Well, I have an older model Gibson Les Paul Jr at my house, which goes for about six grand, acording to the guy I brought it to. However, I've seen similar models on eBay going at about 10,000 U.S. So maybe the guy I took it to was an idiot, but it's more likely the fact that people have this weird obsession with adding Gibsons to their collection.

 

And God said "Lo, it was groovy"
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Direct Link To This Post Posted: November 24 2004 at 07:50
Originally posted by arcer arcer wrote:

a real Mellotron will probably set you back double or triple that if you're lucky to find one anywhere


Check out this sale of one of Wakeman's old ones....

http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&category=200 80&item=3763751260&rd=1&ssPageName=WDVW#ebayphotohosting


Jon Lord 1941 - 2012
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Direct Link To This Post Posted: November 25 2004 at 00:34

Anybody have a "one that got away" story?

When I was learning how to play I used to go to every little music shop I could find and some of the oldest, dirtiest and tiniest had some real gems (that I didn't know about until years afterwards). I could have bought an original Big Muff for $45, a TR-909 for $125. Both seemed far too expensive to me for what they were...

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Direct Link To This Post Posted: November 26 2004 at 06:09
Originally posted by James Lee James Lee wrote:

Anybody have a "one that got away" story?

When I was learning how to play I used to go to every little music shop I could find and some of the oldest, dirtiest and tiniest had some real gems (that I didn't know about until years afterwards). I could have bought an original Big Muff for $45, a TR-909 for $125. Both seemed far too expensive to me for what they were...



I found a left handed late 70's tele in a rental house once. I sold it for about two hundred quid only to find out later that year it was worth about eight hundred.

DOH!!!!!!
 
 
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Direct Link To This Post Posted: November 26 2004 at 10:11

I have a story. In the 70's my dad went into a steves music store and saw a beautifull OVATION on display for 360$. He couldnt believe it, but as he anylized it he saw that there was a huge crack along the body. He asked a guy working at the time about it and the guy said; "sure ill get one from upstairs". So the guy went up to get the other one and then my dada realized....."sh*t! its prolly on sale cuz its cracked!" But the guy came down with beautty gitar' in hand and said it was still the same price. But as my dad got his receipt and the manager (Steve)came down he looked at the price on the cash register and saw the guitar in my dads hand and the one still on display.... my dad hitailed it outta there!!! hey, he had his receipt and all, so they couldnt do squat! preatty sweet.... a few weeks later some guy told my dad the guy got fired after quite the outburst by Steve. Hey.. the guy got fired..but....OVATION!! IMHO the best acoustic you can get next to martin (MAN THEY GO FOR ALOT!!!).

Back to the thread... i have to say i prefer Fender. My dad has a Gibson Les Paul and all though it looks orgasmic and has beautifull sustain and has a fuller sound superior to fender... i go with feel any time.. Playing wise, fenders are simply superior, is it a wonder that Hendrix, Gilmour, Vaughn and other greats played them?I just prefer the thiner fast neck of a tele or Strat to the clunkly feel of a Gibson. I love my Tele but my problem with it is the thin sound. You can make a gibson sound like a strat, but you cant make a Fender sound like a Gibson. The pickup control on Gibsons is also superior, but once again: Its all about how the guitar feels. My dad also has a Ibanez Les Paul Copy, its very nice and i personally prefer it to the real thing(thiner neck). Its from the 70's way before they started making their more "stratish" models.We called some moron and he said it was a cheap guitar, no more than 125$, whatever, i cant believe that. Oh yeah, this is REALLY GONNA MAKE YOU GUYS JEALOUS. You know how much my dad got his Gibson for?.....here it comes..................250$!!!!!!!!!! Its crazy ehh?? Some idiot at a pawn shop sold it to him for that price. My dad owns an alarm system company so he instlaled an alarm in the shop (only a days worth of labour) and paid the 250. He was so happy!! for days he was like a fat kid in a candy store. Yup, my dad is a lucky fellow, as oppossed to me who pays 750$ for a tele.

yup...... FENDER HANDS DOWN!

something pretentious
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Direct Link To This Post Posted: November 26 2004 at 12:55

once got offered a yamaha cp70 piano for 180 quid. turned it down cause well..... I was an idiot!

Once borrowed, for recording purposes, a beautiful original Epiphone Sheraton from a guy i knew who had inherited the guitar somehow and just kept it in the corner of his living room cause it looked cool.

I took it to the studio, fell in heart-lost love with the thing and attempted to offer the guy my Yamaha FG365 acoustic for it as a trade as the guy wanted to learn on an acoustic.

For three days he was up for the swap but backed out at the last minute cause he said 'the epi looks cool in my house' aaaaaaaaaaaaaaaaaaaaaaaaaaaaagh

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Direct Link To This Post Posted: November 26 2004 at 12:57
oh yeah also once played Ronnie Wood's Gibson Firebird on a session I was doing (he had left it in the studio) and I shoulda stole that motherf****er!!!
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