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Certif1ed View Drop Down
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Direct Link To This Post Posted: December 08 2005 at 08:12
Originally posted by Trotsky Trotsky wrote:

Originally posted by Bob Greece Bob Greece wrote:

Certif1ed - you are a very knowledgeable and intelligent guy. Thanks for the interesting info.

Cert, as an admin, I have to warn you against creating second identities and making over 400 blatantly un-Cert like posts ... for the sole purpose of slipping something like this in!  ...

My two-year old daughter's been using my login again...

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Direct Link To This Post Posted: December 08 2005 at 08:26
messages of love
they arrive everyday
people you touch
wasting away
people you don't know
give you no choice

and you're sick to your stomach
by the sound of your voice
and the shape of your face
and the sound of your name
they send you pictures of yourself
it's someone you don't know
and they call you a genius
because you're easier to sell
but the fire in your belly
that gave you the songs
is sudenly gone

and you feel like a fake
is that what you want?
i hope for your sake
you've got what it takes
to be spoilt
to death

i wonder why no-one has yet suggested the end
section of KING (from "afraid of sunlight")...
progressive rock and rural tranquility don't match. true or false?
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Direct Link To This Post Posted: December 08 2005 at 10:53

Here's a few which spring to mind :-

  • The beginning of "The Web" - "Don't Give Me Your Problems"
  • The mid-section news report from "Forgotten Sons" - "Your father drains another beer, he's one of the few that cares"
  • The end lyric..........."And what do you call assassins who accuse assassins anyway, MY FRIEND ?"
  • The kick in to "Punch & Judy"
  • The dynamics of "Emerald Lies" - "Through the Silk Cut Haze......"
  • The Real to Reel intro of "Assassing"
  • "A train sleeps in a siding, the driver guzzles another can of lager"
  • All of "That Time of the Night"
  • The spine tingling start to "White Russian" - "Where do we go from here ?"
  • The conversation between Torch & The Doctor on "Torch Song" -"If you maintain this lifestyle, you won't reach 30..........Christ well it's sort of a romantic way to go really"

Ah, the memories............

So here I am once more
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Direct Link To This Post Posted: December 08 2005 at 22:29
Originally posted by Blacksword Blacksword wrote:

'Dont GIVE me your problems!'  I  may be wrong though...

You are correct!

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Direct Link To This Post Posted: December 09 2005 at 10:06
A FAV FROM THE FAV BAND?????????????????
It seemed impossible but I've remembered - surely SCRIPT FOR A JESTER'S TEAR!!!!!!!!!!!!!!!!
Marillioners,you're great.Thank you
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Direct Link To This Post Posted: December 09 2005 at 14:49
My fave Hogarth era bits are Berlin, The Space, Splintering Heart, 100 Nights, The Great Escape & King.... all superb.
Music has always been a matter of energy to me. On some nights I believe that a car with the needle on empty can run 50 more miles if you have the right music very loud on the radio. Hunter S Thompson
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Direct Link To This Post Posted: December 09 2005 at 18:37
I don't have any faves.. but I really love when the "You didn't notice me as I passed you on the stairs" part in 100 Nights starts... love that part (until the end of the song)
Interested in my reviews?
You can find them HERE

"...He will search until He's found a Way to take the Days..."
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Direct Link To This Post Posted: December 09 2005 at 19:02

The guitar solo in Jigsaw sends shivers down my spine.

There are many, many others, but that's the very best. Everything from Script to Clutching at Straws is excellent and Grendel is a great long piece.

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Direct Link To This Post Posted: December 09 2005 at 20:49
It has to be the Neil Diamond sounding vocals on Afraid of Sunlight. 

Edited by Dazo
Call that an argument?
That was never an argument.
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Direct Link To This Post Posted: December 09 2005 at 21:18
STAND STRAIGHT! LOOK ME IN THE EYES AND SAY GOODBYE!

..yep
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Direct Link To This Post Posted: December 09 2005 at 21:22
For YOURS is the KINGDOM, the POWER, the GLORY...A-MEN....A-MEN....A-MEN...combined with the church organ, excellent!!!
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Direct Link To This Post Posted: December 09 2005 at 21:43

^ Good one.

I would also submit:

"Receive your punishment, expose your throats to my righteous claws and let the blood flow"

"Romance lies in ruin, let debauchery reign"

The entire second half of the song Script.

"So was it just a f, was it just a f, just another f I said, loving just for laughs, carnal autograph, lying on a lizard's bed"

The middle section of That Time of the Night..."and if some kind soul could please pick up my tab, and while they're at it if they could pick up my broken heart"

And the lyrical finale of The Last Straw beginning with "So if you ever come across us..."

 

I can understand your anger at me, but what did the horse I rode in on ever do to you?
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Direct Link To This Post Posted: December 10 2005 at 04:26
Originally posted by greenback greenback wrote:

...in the end of childhood's end, the keyboards right after when fish says "lead me on"...

The whole "Childhood's End section, building up to "Lead me on..." and the tempo change / keyboard part that follows. It's very rare that I hear a tempo change that fits so well within a story that's been told. And... goosebumps every time!

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Direct Link To This Post Posted: December 10 2005 at 05:46
the guitar solos in jigsaw, grendel and kayleigh.
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Direct Link To This Post Posted: December 11 2005 at 02:35
As for my favorite Hogarth era song... that would be The Great Escape during the Last of You section... absolutely stunning.
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Direct Link To This Post Posted: December 12 2005 at 05:50

There's been some excellent Hogarth era moments.  These are my favourites :-

  • The guitar solo in Easter - it's enough to bring tears to your eyes  (I know I'm a soppy git !!)
  • When H screams "With a hole in our hearts" at the end of Berlin
  • The build up of Hard as Love.  "It makes you hungry and it makes you high" through to "Baby nothin else has ever been as hard as love". Awesome !!
  • The moving silence of "Out of this World" when the boat flips
  • The sheer emotions of "One Fine Day"
  • Pete's bass on "Quartz"
  • The Rothers solo on "Fantastic Day"
So here I am once more
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Direct Link To This Post Posted: December 12 2005 at 07:11

Garbs I know what you mean about Rothery's solo on Easter, I find it very emotional

Spending more than I should on Prog since 2005

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Direct Link To This Post Posted: December 12 2005 at 07:54

Easter is one of the most emotional stirring songs I have ever heard.  There is no one better in the business as Rothers for putting in blinding solos just when you want to hear them (except for maybe Gilmour).  Like I mentioned on my list, Fantastic Place off Marbles contains another very emotional solo and also how stirring is Sugar Mice ?

If you look over Marillion's 20+ years as a band you'll find so much diversity - they have really experimented with a number of different sounds.  I find it incredible that the music press still SLATE them for being old dinasours who should pack it all in because they are simply known as Marillion.  I vividly remember Q magazine's summing up of Afraid of Sunlight (and this was 10 years ago !) - "if this was by any other band than one called Marillion then this would be a huge album".  What kind of reporting is that ?  To say the album is excellent but it's let down because it's by Marillion.

Anyhow, it's really great to see so many Marillion fans on here !!

So here I am once more
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Direct Link To This Post Posted: December 12 2005 at 08:13
 Missplaced Childhood.
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Direct Link To This Post Posted: December 12 2005 at 10:39
Lately for me it's Don't Hurt Yourself from Marbles...
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