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JD View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote JD Quote  Post ReplyReply Direct Link To This Post Posted: April 04 2023 at 09:25
I find myself in a constant state of WTF do I really want situation.
I love the sound of vinyl LP's, but only when they are in mint/near mint condition (no real surprise). As I listen to some of my older and my used LP's with sufficient surface noise to warrant a VG or less grading, I long for the purity of CD's. But when a M/NM LP hits the platter I'm in absolute ecstasy.
Problem is, I'm a bit of a Charlie Brown vinyl buyer. Always believing that those NM purchases will scratch that itch, but only getting satisfaction occasionally.
I wish I could time travel back to those days of yore and buy them new again.
A foolish thought to be sure.
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Catcher10 View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Catcher10 Quote  Post ReplyReply Direct Link To This Post Posted: April 04 2023 at 09:57
Originally posted by JD JD wrote:

I find myself in a constant state of WTF do I really want situation.
I love the sound of vinyl LP's, but only when they are in mint/near mint condition (no real surprise). As I listen to some of my older and my used LP's with sufficient surface noise to warrant a VG or less grading, I long for the purity of CD's. But when a M/NM LP hits the platter I'm in absolute ecstasy.
Problem is, I'm a bit of a Charlie Brown vinyl buyer. Always believing that those NM purchases will scratch that itch, but only getting satisfaction occasionally.
I wish I could time travel back to those days of yore and buy them new again.
A foolish thought to be sure.
You should see a therapist.....LOL It's no big deal, #1 enjoy the music. But I always say enjoy the music with whatever allows you to get engaged in the music. 
This is 100% totally me, you all do you, whatever that is...But for me the CD was an unfulfilling experience, it only lasted for me thru the 90's and that was it. LPs and analog was the 70s and 80s for me, and pretty much since around 2003 again and has not stopped. 
Once I understood why I was not listening to music anymore in the 90s (brick walling, compression, loud) I went back to LPs and began to enjoy again and become engaged. The dynamics were back to my music, soft delicate passages were back, if it was meant to be loud then it sounded that way, but only those instruments and not the flute in my face loud LOL.
Read what you said "I love the sound of vinyl LP's...." and "I long for the purity of CD's..." That's why I'm a LP/analog guy, for me purity = clinical sounding.....We don't hear that way.

I think your gonna feel different in a week or so.....Wink
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JD View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote JD Quote  Post ReplyReply Direct Link To This Post Posted: April 04 2023 at 10:53
^Purity for me is the music and only the music ie: audiophile'ish. My Brand X LP is 'Pristine' and absolutely surface noise free. That's what daddy wants !


Edited by JD - April 04 2023 at 10:54
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Catcher10 View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Catcher10 Quote  Post ReplyReply Direct Link To This Post Posted: April 04 2023 at 12:49
Originally posted by JD JD wrote:

^Purity for me is the music and only the music ie: audiophile'ish. My Brand X LP is 'Pristine' and absolutely surface noise free. That's what daddy wants !
Well you can buy audiophile records, reissues.......Most of them sound pretty darn good!
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JD View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote JD Quote  Post ReplyReply Direct Link To This Post Posted: April 04 2023 at 13:13
I'm seriously thinking of going that route. I expect the price will kick me in the b@lls though. I'm guessing by the time I factor in any exchange and shipping I'll be dropping the better part of $100 for each LP.
I need to get paid more !
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Post Options Post Options   Thanks (0) Thanks(0)   Quote David_D Quote  Post ReplyReply Direct Link To This Post Posted: April 05 2023 at 06:35
Originally posted by JD JD wrote:

^Purity for me is the music and only the music ie: audiophile'ish. My Brand X LP is 'Pristine' and absolutely surface noise free. That's what daddy wants !

I can surely understand that, and I'm used to it, as about 90% of all my records are like that, or at least very close to.
But the best thing is, I guess, to be able to compromise. Smile


Edited by David_D - April 05 2023 at 08:45
                      quality over quantity, and all kind of PopcoRn almost beyond
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I prophesy disaster View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote I prophesy disaster Quote  Post ReplyReply Direct Link To This Post Posted: April 05 2023 at 08:32
Originally posted by David_D David_D wrote:

Originally posted by I prophesy disaster I prophesy disaster wrote:

Especially if the reason you're buying vinyl is because you have superhuman hearing that can detect the 16 bit 44.1 kHz limitations of CD music. Tongue
How much experience do you have with listening to all-analog productions, Prophesy?
 
I'm old enough. I know how to use a slide rule. When I was young, I watched black & white television running on thermionic valves. As a child, I listened to some of my dad's 78s. That's right folks, I had a record player that played 78s.
 
As a result of my own experience with both vinyl and CDs, I find it quite perplexing that anyone would prefer vinyl over CDs in general.
 

No, I know how to behave in the restaurant now, I don't tear at the meat with my hands. If I've become a man of the world somehow, that's not necessarily to say I'm a worldly man.
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I prophesy disaster View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote I prophesy disaster Quote  Post ReplyReply Direct Link To This Post Posted: April 05 2023 at 08:52
Originally posted by Catcher10 Catcher10 wrote:

Even though we don't "hear" anything this low or high what it does it gives us the full experience of the musical note, you get the full sustain of notes, nothing is cut off.
 
Apart from the undesirable noises, I've never experienced anything on vinyl that I don't experience on CD.
 

No, I know how to behave in the restaurant now, I don't tear at the meat with my hands. If I've become a man of the world somehow, that's not necessarily to say I'm a worldly man.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote David_D Quote  Post ReplyReply Direct Link To This Post Posted: April 05 2023 at 08:53
Originally posted by I prophesy disaster I prophesy disaster wrote:

As a result of my own experience with both vinyl and CDs, I find it quite perplexing that anyone would prefer vinyl over CDs in general.

Well, we can't take your own preference from you, but it's best to talk on behalf of oneself. Wink




Edited by David_D - April 05 2023 at 12:41
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Post Options Post Options   Thanks (0) Thanks(0)   Quote I prophesy disaster Quote  Post ReplyReply Direct Link To This Post Posted: April 05 2023 at 09:24
Originally posted by Catcher10 Catcher10 wrote:

the most common digital playback medium is the CD and it cannot go below 20Hz
 
Who told you that? Unlike the upper frequency limit which is intrinsic to the format, there is no lower frequency limit that is intrinsic to the format. It is true that the recording process and playback process may impose a lower frequency limit, but these are not intrinsic to the CD format. Even if the Red Book standard does impose such a limit (and I don't know if it does), then this would be a convention rather than a limitation of the format.

Have you ever wondered why humans can't hear below about 20 Hz? I believe it is it because 20 Hz is the transition between the perception of the frequency and the time domains. That is, frequencies below 20 Hz are perceived as time intervals, but when the time intervals become shorter than about 50 ms, then they become perceived as a frequency instead.
 



Edited by I prophesy disaster - April 05 2023 at 09:40
No, I know how to behave in the restaurant now, I don't tear at the meat with my hands. If I've become a man of the world somehow, that's not necessarily to say I'm a worldly man.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Cosmiclawnmower Quote  Post ReplyReply Direct Link To This Post Posted: April 05 2023 at 14:24
Originally posted by JD JD wrote:

Originally posted by Cosmiclawnmower Cosmiclawnmower wrote:

Originally posted by Catcher10 Catcher10 wrote:

Originally posted by JD JD wrote:


IMAGES REMOVED FOR SPACE

I have records with that pressing defect. But generally does not impede the sound much.

Sorry to jump into your thread guys- when i used to import a lot of US/ Canadian pressings i was under the impression that a lot of the visible 'textural' differences visible in US pressings were due to a difference in the manufacturing process; something to do with the temperature of the water used for cooling post-pressing and that it does not make much difference (if any) to the sound quality but put off lots of people in the European market. I had quite a lot of people either complaining or just concerned as they could see these surface 'defects' and i have always been at pains to point the fact that it doesnt generally affect the play-back. European and UK pressings had some pretty dodgy batches of vinyl during the 70's and used a fair amount of re-cycled material when needed.. but overall the consensus of opinion during the 70's and 80's (correct or not) was Best- Japan, next- Germany, next- Europe/ UK and Canada, then- USA and last- other Asian countries and Communist countries. Ive found over the years, lots of examples that de-bunk all that but it does seem that was how it was seen over here. About 25% of my collection is US pressings and overall they are easily comparable to what was available to elsewhere in the world.

Now, Sleeves... thats another matter..Wink
I've spent the better part of the last 40 years in plastics and injection moulding. This is NOT a defect you want, on any product. In this particular case the defect presents itself as loud crackling/static like distortion. Like walking on dried leaves. And believe me, this album is clean. It's been both US'icly and manually deep groove cleaned...to no effect. These are in the surface, stresses from most likely, as mentioned above, poor cooling cycle and/or out of spec materials. This is the worse one I've ever seen.

Thanks for chiming in John.

I have a little understanding of industrial plastics and injection moulding but only through the day job (horticultural, agricultural and a bit of motor factors) and do know the problem you refer to- i actually dug out an album that i still have but dont listen to often that has the same problem; visible, almost 'feelable' ripples in the pressing surface which creates a kind of constant 'white noise' of low-mid level crackling and hiss.. but its a pre-modern Korean press and the problem there seems to be a mix of poor materials and manufacturing. I hang on to it 'cos its not worth anything to anyone else.. 
I'm quite used to a range of record conditions within my collection.. certainly my system is fairly low range as modern hi-fi goes.. and maybe my ear is not so discerning.. but i do understand how enjoyment of music CAN be ruined by intrusive surface, wear and pressing defects so do sympathise. I do have quite a few CDs  which i do listen to and as ive got older, tend to discern less between them and vinyl.. it could be just that my hearing is not quite what it used to be! 

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Catcher10 Quote  Post ReplyReply Direct Link To This Post Posted: April 08 2023 at 07:57
Originally posted by I prophesy disaster I prophesy disaster wrote:

Originally posted by Catcher10 Catcher10 wrote:

the most common digital playback medium is the CD and it cannot go below 20Hz
 
Who told you that? Unlike the upper frequency limit which is intrinsic to the format, there is no lower frequency limit that is intrinsic to the format. It is true that the recording process and playback process may impose a lower frequency limit, but these are not intrinsic to the CD format. Even if the Red Book standard does impose such a limit (and I don't know if it does), then this would be a convention rather than a limitation of the format.

Have you ever wondered why humans can't hear below about 20 Hz? I believe it is it because 20 Hz is the transition between the perception of the frequency and the time domains. That is, frequencies below 20 Hz are perceived as time intervals, but when the time intervals become shorter than about 50 ms, then they become perceived as a frequency instead.
 
Nobody told me.....That is the RedBook standard for CD-DA, 20Hz-20kHz. A CD Player can have a frequency range of around 0Hz-20KHz, but thats not what I'm talking about. Yes very little "audible" info might exit below 20Hz, but again that's not what I'm talking about.

Listen your never going to convince me that I should only listen to CDs over LPs because of all the "math" on digital music. Or me explain to you why you feel it is "perplexing" for someone to prefer vinyl over CDs....That is all 100% subjective and someone's preferences that are theirs to make. I am not new to any format you can think of, I've had experience with all of them (digital and analog) using low fi and hi fi systems. My ears, my heart and my constant happiness is all I need to know which format I prefer.
Enjoy your music however you want in whatever format you choose. 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote progbethyname Quote  Post ReplyReply Direct Link To This Post Posted: April 08 2023 at 08:41
usually frequencies below the 20k range have to do with the transient response or attack in the music. This becomes pretty subjective in music listening in general because many of us listen differently or have perceptual differences in what we hear or look for in music.

Vinyl or CD? When it comes down to a certain frequency range say something like a 24/192k recording as opposed to a standard red book offering differences in fidelity can be heard depending on the nature of that recording in general.
My overall experience I have to say that more vinyl recordings sound more warm and inviting than CD recordings because of the mastering process mainly. However when it comes to DVD or Blu ray audio this is where overall fidelity and the sense of realism this is the medium that runs away with audio quality and leaves every other medium in the dust, especially 5.1 LPCM mixes.

Let us use an example. Let’s take the new boxset of “A turn of a friendly card” from Alan Parsons.

If you were to take your most vivid pair of headphones and compare the CD (remastered) the Vinyl (remastered) and of course the blu ray audio 5.1 remix you’ll be amazed at the differences and I sight this example because Alan Parsons doesn’t f**k around because he maximizes the full potential of each medium and you can clearly hear the differences!
Another important variable to note is playback!
Many of us don’t have the means to have an elite system to playback all these different medium sources to there grandest and fullest, so many are stuck thinking one is truly better than the other when it comes to vinyl v.s CD.
So far in my experience. Vinyl is usually better sounding than cd, but the blu ray audio done correctly is the major winner. This is just me though. A general experience. Not right or wrong. Just a guy who loves all music and all mediums because they still all have their place and value in our audio worlds. Playback is everything though. Pick a medium and specialize in it.

I hope I didn’t offend anyone with my general experiences, especially since we mainly should be talking strictly vinyl here. I don’t want to fall under any traps saying one is better than the other but based on personal experience distinctions in fidelity can be made. ;)
Gimmie my headphones now!!! 🎧🤣
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Post Options Post Options   Thanks (0) Thanks(0)   Quote I prophesy disaster Quote  Post ReplyReply Direct Link To This Post Posted: April 08 2023 at 10:21
Originally posted by Catcher10 Catcher10 wrote:

Nobody told me.....That is the RedBook standard for CD-DA, 20Hz-20kHz.
 
Then, as I said in my post, the lower frequency limit of 20 Hz for CDs is conventional. And being conventional implies that it can be safely ignored unless there is the requirement of interoperability. It becomes the option of the manufacturer to implement the convention, in contrast to the upper frequency limit which is demanded by the format itself. However, it should be noted that a 0 Hz level is undesirable and should be removed, the removal being a high-pass filter with a lower frequency limit determined by the lower frequency limit of human hearing. Actually, it is my understanding that whereas a CD is capable of storing a 0 Hz level, an LP is not capable of storing a 0 Hz level.
 
 
Originally posted by Catcher10 Catcher10 wrote:

Listen your never going to convince me that I should only listen to CDs over LPs because of all the "math" on digital music. Or me explain to you why you feel it is "perplexing" for someone to prefer vinyl over CDs....That is all 100% subjective and someone's preferences that are theirs to make. I am not new to any format you can think of, I've had experience with all of them (digital and analog) using low fi and hi fi systems. My ears, my heart and my constant happiness is all I need to know which format I prefer.
Enjoy your music however you want in whatever format you choose.
 
It was never my intention to convince you that you should listen to CDs over LPs. But by saying that it is 100% subjective, you have more-or-less validated my original statement in this thread about having "superhuman hearing that can detect the 16 bit 44.1 kHz limitations of CD music", which is based on objective measurements. As a person of science, I place objective measurements above subjective perceptions.
 

No, I know how to behave in the restaurant now, I don't tear at the meat with my hands. If I've become a man of the world somehow, that's not necessarily to say I'm a worldly man.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote I prophesy disaster Quote  Post ReplyReply Direct Link To This Post Posted: April 08 2023 at 10:49
Originally posted by progbethyname progbethyname wrote:

When it comes down to a certain frequency range say something like a 24/192k recording as opposed to a standard red book offering differences in fidelity can be heard depending on the nature of that recording in general.
 
It is my understanding that the higher number of bits and higher frequency is more about the recording process than about the final product. For example, mixing two digital signals decreases the quality of the mix by half a bit. Therefore, in order for the final product to have 16 bit quality, the initial tracks being mixed together in the studio require a somewhat higher number of bits. This is also true for analogue where mixing two analogue signals decreases the quality of the mix by 3 dB.
 



Edited by I prophesy disaster - April 08 2023 at 10:51
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Catcher10 Quote  Post ReplyReply Direct Link To This Post Posted: April 08 2023 at 14:35
This whole website is about subjectivity….objectivity is non existent. It’s a site about art, musical art.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote David_D Quote  Post ReplyReply Direct Link To This Post Posted: April 08 2023 at 17:26
Originally posted by Catcher10 Catcher10 wrote:

This whole website is about subjectivity….objectivity is non existent. It’s a site about art, musical art.

I'd say at least, the ears and ones brain are most important. Big smile
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Post Options Post Options   Thanks (0) Thanks(0)   Quote progbethyname Quote  Post ReplyReply Direct Link To This Post Posted: April 09 2023 at 09:08
Originally posted by I prophesy disaster I prophesy disaster wrote:

Originally posted by progbethyname progbethyname wrote:

When it comes down to a certain frequency range say something like a 24/192k recording as opposed to a standard red book offering differences in fidelity can be heard depending on the nature of that recording in general.

 
It is my understanding that the higher number of bits and higher frequency is more about the recording process than about the final product. For example, mixing two digital signals decreases the quality of the mix by half a bit. Therefore, in order for the final product to have 16 bit quality, the initial tracks being mixed together in the studio require a somewhat higher number of bits. This is also true for analogue where mixing two analogue signals decreases the quality of the mix by 3 dB.
 





Yes. Actually and by this logic we usually extract about 20 bits on CD. Not 24 bit. Especially when “bit bucketing” recordings happen in the hi resolution domain.
Gimmie my headphones now!!! 🎧🤣
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JD View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote JD Quote  Post ReplyReply Direct Link To This Post Posted: April 09 2023 at 11:28
Jon Anderson - Olias of Sunhillow (1st issue) $8 NM- / NM
Billy Idol - Vital Idol (1st Issue) $10 NM / NM
Queen - A Night At The Opera (Sealed 2011 180g Half Speed Remaster) $46




Edited by JD - April 09 2023 at 11:30
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Cosmiclawnmower Quote  Post ReplyReply Direct Link To This Post Posted: April 09 2023 at 13:28
Originally posted by JD JD wrote:

Jon Anderson - Olias of Sunhillow (1st issue) $8 NM- / NM
Billy Idol - Vital Idol (1st Issue) $10 NM / NM
Queen - A Night At The Opera (Sealed 2011 180g Half Speed Remaster) $46


Nice Haul!

This is something i'm seriously thinking about ordering (though my vinyl purchasing has gone through the floor due to basically being skint.. spent too much of my savings on the house!) This has been a very hard to get hold of CD only and now available for the first time on vinyl!




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