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Todd View Drop Down
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Direct Link To This Post Posted: February 17 2010 at 12:07
Paul, that's one of my favorite albums ever.  Enjoy!
"I have seen the broken sky turn blue."



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Direct Link To This Post Posted: February 17 2010 at 12:41
Originally posted by Finnforest Finnforest wrote:

Paul, congrats on Zarathrusta!!  Do let us know your thoughtsClap
 
Thanks Jim, I will. One of these days I'll review it.
 
Originally posted by Todd Todd wrote:

Paul, that's one of my favorite albums ever.  Enjoy!
 
Looking forward to hearing it properly Todd. I've already heard some on myspace and I think there was a sample here I listened to and am impressed so far. Now just need to find that Alphataurus cd.
 
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Direct Link To This Post Posted: February 17 2010 at 14:40
Originally posted by Finnforest Finnforest wrote:

Wow it makes me proud to see this listed on Synphonic, as we found these guys first and encouraged them to bring this project to fruitiion. Clap
 
ARCHITRAVE INDIPENDENTE - AZETIUM A OTTO PISTE (HAND-NUMBERED LIMITED EDITION) (PRIVATE) $25 Fantastic retro prog only released on LP www.myspace.com/architraveindipendente

Originally posted by Todd Todd wrote:

^ Absolutely!  Clap
 
Let's hope the boys have more in them!

I bought the album from them direct, before the listing.  I've been emailing with Fabio, very approachable fellow.  I think I can tell you that they in fact are working on a new album right now!

Why must my spell-checker continually underline the word "prog"?

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Direct Link To This Post Posted: February 17 2010 at 14:41

That's awesome AK, we await your review!!  Big smile

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Direct Link To This Post Posted: February 17 2010 at 14:43

That's awesome AK, we await your review!!  Big smile

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Direct Link To This Post Posted: February 18 2010 at 09:15
^ What happened Jim? You don't seem yourself today Smile
Is that a picture of another Kara Thrace fanboy that you've met.

I got some RPI reviews on the way. Damn they take ages to write!
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Direct Link To This Post Posted: February 18 2010 at 10:00
Something just possessed me to dance today.  Snoopy seemed appropriate.  Big smile
 
 
Don't worry, Kara will return.  Evil Smile


Edited by Finnforest - February 18 2010 at 10:01
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Direct Link To This Post Posted: February 18 2010 at 17:25
I'm hoping to get some Malibran reviews done over the coming weekend, so I had a look at their discography here at PA to read other people's reviews first. There seems to be a dearth of reviews for this band in general, and an absence of reviews by the RPI nobility in particular. Don't know if this is because you good folks have yet to get round to doing these reviews, or if you simply haven't heard this band. If it's the latter case, please check out this fantastic band. My personal favourite is Oltre L'Ignoto... wonderful melodic prog in true '70s style, and I'll start my reviews with this one. Definitely a band that deserves more love here.   
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Direct Link To This Post Posted: February 18 2010 at 17:31
^ I think Malibran is great!  I love Oltre, but I also think Le Porte is a great album.  I've been particularly impressed with the new one, Transparenze.  As far as reviews go . . . well, I'm not the most prolific reviewer around . . . Embarrassed
 
I really enjoy your reviews and look forward to hearing your thoughts about Malibran.
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Direct Link To This Post Posted: February 18 2010 at 17:43
Many thanks Todd. Hope I can do their music justice. 
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Direct Link To This Post Posted: February 18 2010 at 17:48
Yeah i look forward to them too Chris!Smile
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Direct Link To This Post Posted: February 19 2010 at 05:50
Clap to Umur
 Suspiria by GOBLIN album cover Studio Album, 1977
3.76 | 25 ratings

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Suspiria
Goblin Rock Progressivo Italiano

Review by UMUR
Special Collaborator Progressive Metal Team

3 stars Suspiria is a soundtrack album release by Italian progressive rock act Goblin. Itīs the soundtrack to the motion picture of the same name by Italian director Dario Argento. Suspiria is a supernatural horror movie about a witch coven trying to unless evil forces upon the earth. The movie is widely regarded as a classic in the horror movie genre. Goblin had in 1975 provided songs to the soundtrack for the Profondo Rosso ( Deep Red) movie by Dario Argento and he chose to collaborate with the group again on Suspiria.

The music on the album is a mix of symphonic prog, funky Jazz rock/ fusion and soundtrack oriented sound pieces. Goblin have a kitchy approach to making music that I usually find greatly enjoyable and parts of Suspiria are no exception. They can make some really scary sounding pieces but when they wip up a funky jazz/ rock groove Iīm kind of reminded of music in porn flicks from the seventies. A song like Blind Concert is a brilliant example of the latter style. The Black Forest track is a bit more serious jazz/ rock fusion IMO, and it also happens to be my favorite on Suspiria. The opening title track of course shouldnīt be forgotten either because itīs definitely in the scary department. I really enjoy that song. Especially the middle part where there are some nice synth playing. Unfortunately I find too many of the songs to be too soundtrack oriented and while those songs probably work fine within the movie I donīt find them that interesting without the pictures. Too much evil chanting and tribal drumming for my taste. If it actually sounded evil and not like something from a B horror movie I might be more impressed ( well Suspiria is kind of a B horror movie...but then again). I guess the kitch just goes too far for me there.

The production is excellent as on any of the early albums by Goblin.

After listening to the earlier releases by Goblin, Suspiria actually comes out as quite a disappointment to me. Itīs not a bad album by any means but there are not enough really impressive songs to earn it a 4 star rating IMO. 3 stars will do.

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Direct Link To This Post Posted: February 19 2010 at 12:26
Has anyone heard anything about the new Alluminogeni album, called Metafisico?  It may be out now or will come out soon.  They've released 4 of the songs to several music download sites (like eMusic)--from the samples I hear, it's probably not my thing, but you ought to at least check it out and see what they're up to these days.
 
"I have seen the broken sky turn blue."



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Direct Link To This Post Posted: February 19 2010 at 12:28
Cool, I'll check it out later tonight.
 
Greg still doesn't have RRR yet but I'm hoping soon.Cry
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Direct Link To This Post Posted: February 19 2010 at 12:31
I talked to him a couple days ago and he said "two weeks."  Here's to hoping!  Big smile
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Direct Link To This Post Posted: February 19 2010 at 12:36
Indeed my friend, I'm going to be picking up the Natural Mystic too, he has a few left. 
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Direct Link To This Post Posted: February 19 2010 at 12:40

Thumbs Up  Yay for Natural Mystic--and we'll be getting them on the site soon!

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Direct Link To This Post Posted: February 20 2010 at 11:11
Vault pick:  Some love it, others not so much.  But one for every RPI fan to hear eventually. 

 Melos by CERVELLO album cover Studio Album, 1973
4.10 | 37 ratings

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Melos
Cervello Rock Progressivo Italiano

Review by seventhsojourn

3 stars I have to admit that this album confounds me. It has the reputation of being one of the essentials of the RPI canon, but try as I might I just can't get into it. I can appreciate that Melos is a bold and challenging work; it's certainly brimming with complex musical strands, but it's just a bit too ''difficult'' for my taste. I'm not saying that I only like simple song structures, but the music here is constantly changing which makes it quite confusing; or should that be confused? It's like musical sleepwalking; there is certainly variety, but themes appear then disappear with little thematic development and variation. The band appears to have used a cut and paste approach, with no apparent link to different parts within songs.

The other side to this argument is that Melos is a genuinely singular work. Paragraphs of sound are built from short phrases and it all seems very spontaneous, as if the band were in stream-of-consciousness mode. As I alluded to above, song structures are very loose and the music is characterized by a marked volatility of mood. Broadly speaking, most of the tracks move from mellow and acoustic to harsh and aggressive. For example, the opening section of Euterpe has recorders and acoustic guitar, while the closing part features the electric commotion of squeaking sax and piercing guitar. Instruments are used imaginatively to create a unique sound world, with winds and vibes employed to compensate for the absence of keyboards. Galassia features what sounds like a Mellotron but is in fact an electric saxophone, whereas Scinsione (T.R.M.) features some odd guitar that sound like sci-fi effects. Variety of timbre and texture are important components of the album's sound-scape as vibes and pure toned flutes and recorders alternate with the electric instruments. Vocals range from ritual incantation and treated voice on the otherworldly sounding Canto Del Capro to light and lyrical on Trittico, which in my opinion has the most aesthetically pleasing melody on the album.

For anyone building a comprehensive RPI collection, this is an essential addition to that collection. However I would personally only rate this album as, at best, good i.e. 3 stars. Benchmark albums are Osanna's Palepoli and Il Balletto Di Bronzo's Ys; I would place Melos between these two in terms of both quality and accessibility, with my recommendation going to Palepoli. Another album that I would recommend is Biglietto Per l'inferno, which has a stronger sense of melody than Melos. One final thought on the album sleeve of Melos. The album is seemingly a concept album based on Greek mythology, although the front cover features a picture of a tin of tomatoes being opened. Stranger yet are the peas on the back cover photo. Can anyone explain that please?


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Direct Link To This Post Posted: February 20 2010 at 12:20
The Analogy box-set looks tempting too.......damn$$!! says the wallet.

Analogy.......BTF vendor description:

The group was formed by four German musicians living in northern Italy, near Varese (three of them had grown up there, Thurn-Mithoff arrived in 1968), along with two italians, keyboardist Nicola Pankoff (originating from Arona) and bassist Mauro Rattaggi. The initial name was The Joice, but it was changed by mistake by their record company to Yoice, and it was with this name that their first single was released by the small Produzioni Ventotto label, distributed by Messaggerie Musicali.In 1972, when Rattaggi quit and rhythm guitarist Schoene switched to bass, the group changed its name to Analogy, and had the chance to play some very important concerts like Caracalla Pop Festival in Rome (first concert with the new name) or the Be-In in Naples, though they remained totally unknown outside Italy, apart from Switzerland. Their only album, very rare and interesting, shows some rock-blues influences, with the nice voice of singer Jutta Nienhaus in strong evidence, and had a distinctive cover with the group members all naked.
In 1973 keyboardist Nicola Pankoff left the group, though he kept playing and also dedicating to painting, he was replaced by flutist Rocco Abate. The group split around 1974, after more than 250 concerts in Italy and around 60 in Switzerland.
Jutta Taylor-Nienhaus and Martin Thurn-Mithoff collaborated with  Franco Battiato on his Sulle corde di Aries 1973 album, with the musician/composer Paolo Ciarchi and  also with director/actor Dario Fo's Collettivo Teatrale La Comune in 1974 (they appear on a cassette called Cammina, cammina).  These two musicians then moved to England, where they formed a new band called Earthbound in 1975. The original group split in 1977 and soon reformed with new musicians, only releasing a rare EP, with a style not far from Curved Air but even some influences from the then popular new-wave. It's odd to notice that Nienhaus and Thurn introduced themselves in the press information sheets as past members of the "Italian group Analogy". During their career Earthbound also played some dates in Northern Italy, and split at the end of 1979.
 

The same two musicians recorded in 1980 in London an ambitious symphonic-influenced opera, The suite, which had been composed and played live since 1974, but this was only released for the first time in 1993, again under the old name Analogy. A new CD, released in 1996 by the German Ohrwaschl label but recorded in Italy, includes reworkings of old songs by a line-up including the above duo of Nienhaus and Thurn and original bassist Rattaggi with other musicians. The album was intended as a homage to drummer Mops Nienhaus, passed away some years before.
The only live appearance after these recordings was in 2003 when Analogy (Jutta Taylor-Nienhaus, Martin Thurn-Mithoff, Mauro Rattaggi and Geoff Cooper, second drummer of Earthbound) played God�s Own Land in a club near Saarbr�cken for Jutta's 50th birthday. It was the first concert ever by Analogy in Germany!
Analogy is a very rare and expensive album, pressed in around 1000 copies, some of which had a promotional stamp on label. It had a delicate single cover made of thin cardboard, and some copies were wrapped in a giant poster with a foot (pictured also on the back cover, this was in fact an ashtray!), folded in six parts, to hide the naked bodies. The original picture used for the LP had the six members of Yoice, but at the time of its release Mauro Rattaggi has left the group, so he was hidden under a blue stripe printed on the cover. The Akarma reissue has a retouched picture of the five Analogy members without the blue stripe which has been added to the record like the Japanese albums' obi's. The album was reissued for the first time in Germany by Ohrwaschl, with a cover identical to the original and a different poster (with the five musicians naked), and later by Akarma, with a reworked gatefold cover. The CD reissue by Garden of Delights issued in 2001 contains an unreleased extra track, Milan on a sunday morning. The CD The suite was issued in Germany in 1993 by Ohrwaschl, and later in 10-inch form by Akarma in 2000 with a different cover design. Even the single by Yoice is rare. The track Sold out also appears on a promo single backed with a song by Terza Classe. The song God's own land also appears on a promotional single, but under the name Eternity, on the other side the German group Ihre Kinder. Eternity was the name of the old band of Wolfgang Schoene, and was chosen by the record company for this promo single. The Earthbound single is rather rare, having been issued in 2000 copies each for both the 7-inch and 12-inch versions, the latter has an extra track. The 12" version has a laminated cover and an insert. Singer Jutta Nienhaus also appears on a 1971 single issued on the Cooper label (CPI 7008) by Jutta & Ice, containing Here's to you and Hot love also issued in a juke box version with blank cover.
This exclusive deluxe - limited to 500 copies - boxset features ALL songs recorded by Analogy-Earthbound over the last 40 years, including lots of material never issued on cd, and even some completely unreleased tracks. 38 tracks!
The box includes a huge book with many unreleased picture and an extensive band history in English, German and Italian. All vintage songs have been carefully remasterd.

A must have for psych-prog freaks!!!
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Direct Link To This Post Posted: February 20 2010 at 12:27
The long under-rated, but more recently reformed Latte e Miele evidently recorded a live album in Canada and released it in 2008 called Live and Tasting-does anybody know where in Canada the concert was recorded?
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