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BaronVonCruzer View Drop Down
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Direct Link To This Post Posted: December 01 2009 at 05:20
Originally posted by Dean Dean wrote:

"Who influenced Yes?" .... Ermm no they didn't.


You would be incorrect, It's well known that the Who is Jon's favorite band. The influences mentioned so far for Jon and Chris like Simon and Garfunkel, only address the vocal influences. Remember, we're talking about an actual band that plays instruments.
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Direct Link To This Post Posted: December 01 2009 at 06:20
Originally posted by BaronVonCruzer BaronVonCruzer wrote:

Originally posted by Dean Dean wrote:

"Who influenced Yes?" .... Ermm no they didn't.


You would be incorrect, It's well known that the Who is Jon's favorite band. The influences mentioned so far for Jon and Chris like Simon and Garfunkel, only address the vocal influences. Remember, we're talking about an actual band that plays instruments.
It was a throw-away Abbott and Costello joke (as pointed out by Pat). Ouch
 
But since you brought it up - no... being a fan does not necessarily imply influence, and influence would manifest itself in the recorded works. Listening to the first two Yes albums many of the "influences" meantioned so far are pretty self-evident (and I don't just mean in the choice of 4 cover songs) - those albums show a band finding their way, pooling their individual influences but not quite gelling them into a collective whole. Also S&G where not an a cappella band Wink  Paul Simon's gift for melody, without which all their vocal harmonies would fall flat, is something that certainly "inspired" Yes to go off on a 10 minute musical excursion during their cover of America.
 
 
Anyway, Who picks up the ball and throws it to What. What throws it to I Don't Know. I Don't Know throws it back to Tomorrow. And as every Yes fan knows, Steve Howe was in Tomorrow but before that he was in with The In Crowd. Geek
 
 
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Direct Link To This Post Posted: December 01 2009 at 07:00
Originally posted by villastrangiato villastrangiato wrote:

I have a hunch that Howe had very disparate influences. Some of his phrasing is straight out of the Hendrix playbook...
 
You are implying that Hendrix influenced Howe. Couldn't it have been the other way around? Surely Hendrix must have met Howe in his London period.
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Direct Link To This Post Posted: December 01 2009 at 07:12
You'll possibly get a floyd fan claiming that Dave Gilmour built a time-machine in his spare time (and from bits of an old washing machine and a couple of elastic bands) and went back in time to inseminate Mrs Hackett, Howe, Stolte and so on then going back even further to copulate with Mrs Beethoven, Bach and Handel.... Thus Dave Gilmour is the DADDY...................Tongue
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Direct Link To This Post Posted: December 01 2009 at 07:43
Not sure about the so-called poppy early stuff by Yes (cos I ain't heard it) but the Nice must have been a big influence on their first  proggier material ? (Steve Howe was asked to join the Nice, tentatively agreed, then changed his mind apparently)
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Direct Link To This Post Posted: December 01 2009 at 07:53
^New to me, but I know for a fact that Howe was asked to replace Syd in Pink Floyd. In the same instant as he was about to enter the stage with them, Syd showed up after all and it didn't materialze.
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Direct Link To This Post Posted: December 01 2009 at 08:21
I read an interview with them way back when and they cited early jazz fusion group The Crusaders, or Jazz Crusaders as they were often called, as a major influence. Also, the influence of Chet Atkin's guitar playing on Howe is more than obvious.

Re Hendrix/Howe, Jimi's guitar style was well established documented and recorded long before he arrived in London, that includes his early psych/prog/fusion numbers like 3rd Stone from the Sun too. Probably Howe, Hendrix, Clapton and many others were influenced by Albert King.

Who influenced yes, no yes influenced who ever heard them except the who, yes the who were influential, but on yes, no. Yes were influenced by who they were listening to, maybe who was next door at the studios ... yes!, but not the who.

Edited by Easy Money - December 01 2009 at 09:11
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Direct Link To This Post Posted: December 01 2009 at 09:14
I'm looking at specific techniques popularized by Hendrix - like something I call the "motown scratch" for example. It's nothing special - a simple effect that appears at the beginning of Voodoo Chile and in brief select moments - found its way (albeit somewhat modified with more of an accent on tone than percussion) into some of Howe's earlier stuff. Thinking back, it was really Hendrix in those days (late 60's) that was reinventing what one could do with the electric guitar. It has been well documented that legends like Clapton and Harrison attended Hendrix's concerts and experienced the jaw dropping syndrome much like Van Halen did years later watching Fripp engage in his onstage acoustic gymnastics. I always loved Howe's playing - placing it musically well above Hendrix for his clean classical approach infused with the kind of story telling lyrical solo that made Gilmour famous. Despite this, I recognize that Hendrix in the late sixties was truly a groundbreaker - and just about everybody who was somebody was soaking up his vibe at the time - not likely the other way around. That being said, if one listens to Chet Atkin's stuff, I think you'll find a lot more evidence of influence there in the direction Howe ultimately took than Hendrix. The kind of superhuman control and turn on a dime changes Howe is known for share a lot more in common with Chet than Jimi.  Jimi had more of the trippy harmonies and melodies thing going on. Plus Howe's proclivity for acoustic arrangements and classical techniques is more up Chet Atkins alley than Jimi Hendrix so it seems like it was more natural for him to be influenced by master Atkins. Speaking of Atkins, I think he's not given the credit he's due as a true groundbreaker and legend. Only a few accomplished rock artists like Knopfler have widely acknowledged his contributions to modern music. Knopfler is sort of to Chet Atkins what Stevie Ray was to Hendrix - an interesting parallel.
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Direct Link To This Post Posted: December 01 2009 at 09:51
Originally posted by earlyprog earlyprog wrote:

Originally posted by villastrangiato villastrangiato wrote:

I have a hunch that Howe had very disparate influences. Some of his phrasing is straight out of the Hendrix playbook...
 
You are implying that Hendrix influenced Howe. Couldn't it have been the other way around? Surely Hendrix must have met Howe in his London period.
 
Apparently Hendrix jammed with Tomorrow - but you got to be something really special to be allowed that sort of privilege -  Hendrix jammed with Cream at least one gig because Hendrix's playing intimidated Clapton .
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Direct Link To This Post Posted: December 01 2009 at 16:10
Hi,
 
I've always thought that YES' main influences were classical music ... and the desire to take what they did beyond pop music ... and as such, it would be easy to say that this person and that person influenced this and that person, but in the end, the music was designed and defined to be a heck of a lot more than a pop song ... I say, they were trying to think of it as a "symphony" ... done by folks the same age as you and I.
 
You know what is sad? We don't want it! ... and the only things that get played are the "hit" songs, and not the more important and valid works that cement their group as a solid instrumental group quite capable of putting together very good music ... but you can see by the "standards" for "prog" that it will never happen ... since we don't believe that young folks can, or would want to ... do anything but create something that has already been done.
 
Btw .. Hendrix jammed with a lot of people, and it may mean something or not ... what does it matter? ... including the Beatles ... there was a bootleg that had a version of one song with Jimi ... and him and John had a rave on wahwah and massive guitar riffs! ... gotta a good reason ...  and influences are ... a  fleeting and silly connection ... like saying that everyone is copying Jimi simply because they use a wahwah ... and that's bs! ...
 
In the case of YES, some passages would be a representation of this and should have this and that , and it was composed to have that ... and had a lot less to do with Jimi or Clapton or anyone else ... which btw is also a bizarre comparison, considering they all came up at the same time, in the same schools and the same area!


Edited by moshkito - December 01 2009 at 16:15
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Direct Link To This Post Posted: December 01 2009 at 16:22
God AKA Jimi Hendrix was the father of all great guitarrist: Steve Howe, Steve Hackett, Eddie Van Halen, Ritchie Blackmore, Brian May, David Gilmour, Pete Townshend (yes he is an amazing player and he was influenced when the great Jimi went to UK...).
I think that The Beatles and of course Moody Blues and King Crimson, probably Pink Floyd and the Byrds highly influenced YES. Why you forgot Procol Harum? i think they was one of the first Prog bands.
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Direct Link To This Post Posted: December 01 2009 at 16:25
Originally posted by M27Barney M27Barney wrote:

You'll possibly get a floyd fan claiming that Dave Gilmour built a time-machine in his spare time (and from bits of an old washing machine and a couple of elastic bands) and went back in time to inseminate Mrs Hackett, Howe, Stolte and so on then going back even further to copulate with Mrs Beethoven, Bach and Handel.... Thus Dave Gilmour is the DADDY...................Tongue


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Direct Link To This Post Posted: December 01 2009 at 18:10
Originally posted by moshkito moshkito wrote:

Hi,
 
I've always thought that YES' main influences were classical music ... and the desire to take what they did beyond pop music ... and as such, it would be easy to say that this person and that person influenced this and that person, but in the end, the music was designed and defined to be a heck of a lot more than a pop song ... I say, they were trying to think of it as a "symphony" ... done by folks the same age as you and I.
Confused Yes were in their mid-20s when they produced Close To The Edge and Tales From Topographic Ocean - most of the great classical composers had written symphones in their mid-20s, so there is nothing remarkable in that.
Originally posted by moshkito moshkito wrote:

 
You know what is sad? We don't want it! ... and the only things that get played are the "hit" songs, and not the more important and valid works that cement their group as a solid instrumental group quite capable of putting together very good music ... but you can see by the "standards" for "prog" that it will never happen ... since we don't believe that young folks can, or would want to ... do anything but create something that has already been done.
There is nothing unusual in that either - how many people buy Classical Music compilations for the "Hits", or only buy Carmina Burana for O Fortuna, or can't recognise recognise the middle or end of Beethoven's 5th?
Originally posted by moshkito moshkito wrote:

Btw .. Hendrix jammed with a lot of people, and it may mean something or not ... what does it matter? ... including the Beatles ... there was a bootleg that had a version of one song with Jimi ... and him and John had a rave on wahwah and massive guitar riffs! ... gotta a good reason ...  and influences are ... a  fleeting and silly connection ... like saying that everyone is copying Jimi simply because they use a wahwah ... and that's bs! ...
 
In the case of YES, some passages would be a representation of this and should have this and that , and it was composed to have that ... and had a lot less to do with Jimi or Clapton or anyone else ... which btw is also a bizarre comparison, considering they all came up at the same time, in the same schools and the same area!
Who did? Not Yes and certainly not early (Banks/Kaye) Yes - they came from completely different areas of the UK (London, Leicestershire, Kent and Lancashire).
 
The biggest influence to any young band is not the discs they listened to on their little Dansette record players, it was the live bands they toured with and supported - any "scene" is self perpetuating, local bands gig together and a common sound develops. For Yes that local scene was the Marquee Club in London.
 
If you want to see which bands influenced Yes, and which bands they possibly influenced, look at the bands The Syn and Yes supported during their residencies at The Marquee Club from 1965 to 1968 (http://www.themarqueeclub.net/calendar) ... and yes, they supported the Who once.
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Direct Link To This Post Posted: December 01 2009 at 20:47
The concert program for the Relayer tour provided many of the groups and individuals named above; what hasn't been mentioned are, in a contemporary vein, the 5th Dimension (Anderson) and Miles Davis (White); classically, John Dowland (Howe). Had Bruford still been in the group, he no doubt would've listed Scotty Moore from Elvis' group and several jazz artists. Check out the "Beginnings" segment of the YesYears video for others.
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Direct Link To This Post Posted: December 01 2009 at 20:49
Originally posted by Padraic Padraic wrote:

Originally posted by Dean Dean wrote:

"Who influenced Yes?" .... Ermm no they didn't.



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Direct Link To This Post Posted: December 01 2009 at 22:17
I don't know about Hendrix influencing Howe, but I don know that Squire (and perhaps the rest of the original Yes) didn't even know him when they played at the Marquee. I read an interview with Squire about an occasion in which the leading act on The Marquee was changed to Hendrix, and he didn't recognize him, when he saw them playing he wasn't very amuesed at all (I think he even said the band couldn't play or something like that). But he was very amused to see in the crowd the likes of Clapton and George Harrison and other celebrities.
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Direct Link To This Post Posted: December 02 2009 at 06:51
The first CD issue of Touch (released by Renaissance Records c1992) includes citations in the liner notes by Jon Anderson and Kansas wrt Touch influencing their music. Touch's recording costs  were subsidised by Hendrix because he was said to be impressed by the orginality of the their music.
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Direct Link To This Post Posted: December 02 2009 at 17:35
Originally posted by Dean Dean wrote:

... The biggest influence to any young band is not the discs they listened to on their little Dansette record players, it was the live bands they toured with and supported - any "scene" is self perpetuating, local bands gig together and a common sound develops. For Yes that local scene was the Marquee Club in London.
 
If you want to see which bands influenced Yes, and which bands they possibly influenced, look at the bands The Syn and Yes supported during their residencies at The Marquee Club from 1965 to 1968 (http://www.themarqueeclub.net/calendar) ... and yes, they supported the Who once. ...
 
I'm not sure that the "influence" ... is the measure for creation of something ...  it is, however, a by-product that could be said to influence people ... but if you say ... that everyone gets influenced ... then, how is a Dali, Bunuel, Stravinsky, Bartok ... going to ... learn ... and eventually express themselves ...
 
Let me ask you a question ... is it not possible for you to learn to play a Stratocaster ... and you were born in Antartica, or Finland, or South Africa ... and because you do not sound like the "biggies" ... you are not "prog" or any other description for any kind of music?
 
Yes, it is very simple and easy to say that Steve Howe was infuenced by Hendrix or Clapton ... but then ... he never heard Beethoven or Mozart either? ... which was on the radio in England a heck of a lot more than a lot of this music that we discuss ... some of which even goes back to the Pirate Radio days? So, if I play a Mozart Violin Concerto with a stratocaster, and put it on a London Club ... and I get famous for playing that piece with 14 sound effects ... you are gonna say ... he was influenced by Jimi and Genesis and this and that?
 
There is a point, and this is what I have been saying all along, where you have to know what you are doing (to a point) and also have a desire inside to express something ... not just in lyrics ... in order to create something ... and something that is not just a song that in essence ... is a bit of a copy of the person you used to like before ... so, now, we're saying that Picasso's are not valid ... even if they played the same clubs as Yes did ...
 
I think that Steve Howe would say that he heard things and did things and liked some things ... but if you look at his catalogue, I want to say this ... the only artist he needed to know and hear ... was himself ... and he did that for this group and then some ... he has earned the right to be an artist and an individual ... where 90% of the bands that played in that club ... will not be remembered or mentioned again ... except have a song played in a movie someday!
 
Based on the Steve Howe days with the band, I really think that the influence is more classical music minded than it is anything else ... or the ability to do long cuts would not have happened ... in the end ... a clapton, jimi or that kind of influence is not enough ... they are not "srious musicians" .. they are POP musicians!
 
The point is ... when will you be old enough to be your own person ... not someoene else's idea or expression ... doesn't mean that as an adult you can't still like/enjoy appreciate Elvis or Jimi ... thus to say that one person's influence is this and that ... is almost so generic as to dilute the actual person's abilities into something that isn't!
 
 


Edited by moshkito - December 03 2009 at 13:53
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Direct Link To This Post Posted: December 03 2009 at 07:32
You don't have to work that hard at identifying Steve Howe's influences, when help is on hand to him paying his dues:
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Direct Link To This Post Posted: December 04 2009 at 19:43
I imagine the Beatles would have. They influenced everyone back then. Maybe Cream, Floyd, and Crimson influenced them as well.
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