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Logan
Forum & Site Admin Group
Site Admin
Joined: April 05 2006
Location: Vancouver, BC
Status: Offline
Points: 37107
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Posted: August 25 2009 at 21:48 |
Easy Money wrote:
Logan wrote:
The T wrote:
Dean wrote:
J-Man wrote:
Why shouldn't you be able to
give a prog related album a 5? Just because it's not full-fledged prog
doesn't mean it can't be a masterpiece. |
For clarification for those too busy to look:
![](../Progressive_rock_discography_images/5stars.gif) Essential: a masterpiece of rock music
![](../Progressive_rock_discography_images/4stars.gif) Excellent addition to any rock music collection
![](../Progressive_rock_discography_images/3stars.gif) Good, but non-essential
![](../Progressive_rock_discography_images/2stars.gif) Collectors/fans only
![](../Progressive_rock_discography_images/1stars.gif) Poor. Only for completionists
...Prog Related and Proto Prog albums are not rated as PROG albums so you can award 5-stars to Kate Bush's "The Kick Inside" with a clear conscience.
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| I
have to say it. I really don't like the change as it's limited to rock
music. Why not get rid of the rock criterion? One of my favourite
albums in the archives is Miles Davis' Sketches of Spain, but that is not rock, so according to the guidelines I could only rate it 3 or under. Non-rock music is not getting a fair shake. |
Hold on Logan, anything can be a great addition to a rock or prog
collection. Personally I think having some Sun Ra or Les Baxter is an
excellent addition to any collection, rock, prog or otherwise, easy 4
stars. Can a Herbie Hancock album be a prog-rock masterpioece? I think
if it uses electronic amplified instruments and amped drums, yes. If it
is one of his more jazz albums, 4 is as high as she goes. In other
words the incredible Speak Like a Child gets 4, but Crossings gets 5,
although on a jazz site they would both get 5s. That's how I see
it. |
It strikes me as a a kind of stone-age rock elitism. ;) But I'm fine with rating as you say. I'd get rid of the rock descriptor from the categories, but...
Even if one does interpret it that way (and I think many would see it
differently if they cared enough to care about the descriptions), it's
totally unnecessary to have the rock descriptor, and could cause confusion. Aside from jazz, we
have folk, as well as more academic music etc recordings. More
important to the ratings to me than getting rid of the word progressive from the Prog-Related and Proto ratings system
would be getting rid of the word rock. I wouldn't mind if it was masterpiece of progressive music. Right now, for instance, with the changes to PR and PP (removing the word progressive) it looks to me like it's fine to rate non-Prog rock albums 5, but if it's non-Prog and non-rock albums I should not rate it so highly (I don't know how many non-rock albums there in those categories, but as way of example) . I expect that others would see it the same way. That to me seems wrong and misguided. Instead of using miles Davis or ones included in Prog categories, it would've ben better for me to use an artist/band in Proto-Prog or Prog Related (though I don't like the rock criterion for ANY category -- Aranis ain't rock really even if it's included as RIO -- I still think it should be here as it has a rock influence and CAN rock). A lot of Electronic Prog isn't exactly rock either. Incidentally, at least Hancock's Crossings is true Prog I would say. Okay. since Dean was talking specifically about Prog-Related artists and Proto-Prog ones, I should use some ones from those categories, but I'd have to think of non-rock album examples from those categories by bands that had a progressive rock (of whatever variety) phase. *Looks through PP* Hmmm.... Should be quite few Prog Related and Proto Prog ones that didn't start out doing rock -- or rock and roll. (must be quite a few folk ones), but my brain is frazzled. Anyway, no time for research, but I would say that early jazz albums of artists included here are essential to the jazz-rock fusion aficionado, but not essential to any rock collection, progressive or otherwise. It's not really relevant to a rock collection because, it not being rock. it would not be part of the rock collection itself, even if it wiull be relevant to the lperson who has a rock collection.
Edited by Logan - August 25 2009 at 21:54
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Man With Hat
Collaborator
Jazz-Rock/Fusion/Canterbury Team
Joined: March 12 2005
Location: Neurotica
Status: Offline
Points: 166183
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Posted: August 25 2009 at 21:50 |
And really isn't this a progressive rock archives? Not a rock archives. I don't see how changing it to pure rock is any better for the site. Sure, you're not calling it prog (which is a good thing) in the rating area (and thus not calling it prog by rating either), but if this is truely a prog-rock resource shouldn't the prog play an important part in the rating given?
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Dig me...But don't...Bury me I'm running still, I shall until, one day, I hope that I'll arrive Warning: Listening to jazz excessively can cause a laxative effect.
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Dean
Special Collaborator
Retired Admin and Amateur Layabout
Joined: May 13 2007
Location: Europe
Status: Offline
Points: 37575
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Posted: August 26 2009 at 02:15 |
Logan wrote:
I have to say it. I really don't like the change as it's limited to rock music. Why not get rid of the rock criterion? One of my favourite albums in the archives is Miles Davis' Sketches of Spain, but that is not rock, so according to the guidelines I could only rate it 3 or under. Non-rock music is not getting a fair shake.
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The same could be said for Chamber music in ZART, most Electronic Prog and all the metal genres, not just JR/F. I'm sure people will make their own interpretation of the rating descriptors already for those artists - I don't see them being miss-rated because they're not Rock.
SentimentalMercenary wrote:
Well then I'd like to point out that Bon Jovi made a 10mins song called Dry County which could legitimately be called prog by some. I guess you now see me coming with all those 5 stars Bon Jovi albums...
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If Bon Jovi ever get into the Archives then go ahead, however he/they won't be getting in just because they made a 10minute song. The criteria for inclusion won't change.
SentimentalMercenary wrote:
Of course, but this is not the point ! The relevant question is if some prog-related albums are as good as the best prog albums...
In other words, could a Kate Bush album be as good as, say, Selling England by the Pound per this site's system of values? |
Hounds of Love and Aerial probably get close to SEbtP for song structure, music-complexity and musicianship and surpass it in lyric-writing IMO. Those two albums could stand their ground as Prog albums anyway, so whether they are as "good" is purely personal preference.
Man With Hat wrote:
Now I just looked at a prog-related album...and it still has the prog in place. ![Confused Confused](https://www.progarchives.com/forum/smileys/smiley5.gif) |
Which one?
Man With Hat wrote:
And really isn't this a progressive rock archives? Not a rock archives. I don't see how changing it to pure rock is any better for the site. Sure, you're not calling it prog (which is a good thing) in the rating area (and thus not calling it prog by rating either), but if this is truely a prog-rock resource shouldn't the prog play an important part in the rating given? |
Do people take heed of the start-rating descriptions anyway? Do the people who rated Kind Of Blue with 4 and 5 stars really think it is Prog and Rock? What about all the people who rate Invisible Touch with 4 & 5 stars? If an artist only released one album, then can that album ever be awarded a 1-star rating or 2-star rating? Why do so many people think a 3-star rating means the album isn't that good? By the rating system 95% of the albums here should be "good but not essential"? How can anyone who is not expert in all the subgenres rate any album as 4 or 5 star? How can anyone who is not a "fan" of particular genre award a 1 or 2 star rating in that genre?
It is pretty clear that many, many people do not rate to the literal intepretation of the descriptions, but to whether they like the album or not.
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What?
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A Person
Forum Senior Member
Joined: November 10 2008
Location: __
Status: Offline
Points: 65760
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Posted: August 26 2009 at 03:03 |
I don't usually choose music on PA according to the rating, I go buy number of votes, which usually is the highest rating anyway. I'm sure there is a lot of different criteria people have when reviewing an album, so the rating itself is ambiguous unless you read the review.
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Logan
Forum & Site Admin Group
Site Admin
Joined: April 05 2006
Location: Vancouver, BC
Status: Offline
Points: 37107
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Posted: August 26 2009 at 03:36 |
Dean wrote:
[The same could be said for Chamber music in ZART, most
Electronic Prog and all the metal genres, not just JR/F. I'm sure
people will make their own interpretation of the rating descriptors
already for those artists - I don't see them being miss-rated because
they're not Rock. |
Of course, Dean, and I mentioned Electronic Prog and Aranis, a chamber music group in avant, as examples in my post to John. One can extend it to folk and various more "academic music" albums in the archives. As for metal, I think of that as a sub-category of rock, but that's by-the-by. Using Miles Davis' album was merely an example. As I said in my last post, since it grew out of your mentioning the PP and PR ratings descriptions, as well as you mentioning removing progressive from all categories, I should really focus on those "less Prog" categories (though I still think that the rock reference is less than ideal when one has so much non-rock, or less rock, music in different categories). I wish I hadn't used an example of an album of an artist in a Prog category, but it was the first to spring to mind. I wouldn't rate Sketches of Spain with a five because it's not Prog (Progressive Rock) in any form. Instead, I'd rate Miles Davis relevant albums higher. If I were to rate a band in a Prog category's two albums, both I like equally but one is Progressive Rock and one rock but not Prog, I would rate the Prog one higher to highlight it. The same rules likely would apply for me for it not being Prog as it not being rock at all. Never mind the less rock categories for the examples as I think we would all take the nature of a category into account provided we're knowledgeable enough. Not everyone understands that, though, so I think the descriptions should be as clear as possible. We also have the issue that we don't all agree on what is Prog, or even Prog-related of course. Basically, my problem is with being able to rate non-Prog music (as it's often referred to here) high even though it's not Prog (using the PP and PR categories as a guide), but it may appear to someone that if an album in, say, Prog Related, is not Prog (and I consider various albums there to be full-fledged Prog) one can rate it five, but if it's not only not Prog but not rock, one should rate it lower. Now, and I'm half-asleep, where I see a problem with thinking that, say, a non-Prog but rock or rock related, and a non-rock album of equal quality should be rated the same (if of equal perceived quality) is because it's far more likely that such a band would have got in on its rock albums -- therefore the rock one is more relevant to the site, and one will find the, at least, quasi-prog or proto prog traits in the rock album, since you can't have true Prog without the rock element (though that rock element need not be that strong or obvious). I think we have a lot of rock-related music in Progressive Electronic. Now let's imagine that we have a band in Prog-Related that started off pure country then went electric, and this is where I must illustrate an important flip-side to part of what I was thinking. Taking the rating description literally Ultimately, our ratings could be expected to reflect, to an extent, ion what we think could be of particular interest to those who use PA. I consider Manset's Le Morte d'Orion (an artist in Prog Related) to be Prog, and even if I considered his later stuff to be equally good, I would not rate it as highly because I'd rather highlight the album that should be of interest to people here. I understand the usefulness of keeping the rock descriptor -- to lessen more people from rating highly albums of the type that are not so relevant to the site, or their category -- for instance instance, a pure folk album with no rock elements in Prog Folk, but I still find it potentially misleading and not correct (exact) enough. That there are categories where the rock element can be far less important in gaining inclusion for a band or artist only makes that feeling stronger. Or something like that... Just thinking, and almost snoring, out loud.
Edited by Logan - August 26 2009 at 03:44
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UMUR
Special Collaborator
Honorary Collaborator
Joined: October 19 2007
Location: Denmark
Status: Offline
Points: 3073
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Posted: August 26 2009 at 03:39 |
Anything added to PA deserves to be rated for its quality and not for how progressive it is. An inclusion on PA means that the artist has passed an evaluation test and therefore per PA definition is prog or prog related. That artist and the output of that artist should as a consequense of that inclusion be treated equal to everything else included on PA. Rate by quality and not level of progressiveness.
If thereīs something I loathe itīs to read reviews where people write that they are going to give a low rating because the album really isnīt prog or really doesnīt belong on PA because itīs not prog. If you feel that some prog-related album deserves a 5 star rating by all means give that album a 5 star rating. Just donīt abuse the 5 star ratings and give all albums you review 5 stars. Now thatīs common sense and normal respect for your fellow PA members.
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b_olariu
Prog Reviewer
Joined: March 02 2007
Location: Romania
Status: Offline
Points: 5535
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Posted: August 26 2009 at 06:22 |
No, 5 stars is also fair for prog-related material
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micky
Special Collaborator
Honorary Collaborator
Joined: October 02 2005
Location: .
Status: Offline
Points: 46838
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Posted: August 26 2009 at 06:28 |
this seems a case about worrying about the temperature of the babies bath water... after they have already sh*t in it...
Dean wrote:
CCVP wrote:
oh man, some people have A LOT of time in their hands
http://www.progarchives.com/Collaborators.asp?id=22562 http://www.progarchives.com/Collaborators.asp?id=22649 http://www.progarchives.com/Collaborators.asp?id=23141 http://www.progarchives.com/Collaborators.asp?id=23387 http://www.progarchives.com/Collaborators.asp?id=23877 http://www.progarchives.com/Collaborators.asp?id=23469 http://www.progarchives.com/Collaborators.asp?id=22956 |
Yup - he's our Columbian drive-by masterrater
here's a small example of what we see in the Admin page when looking at one of his IP addresses ... he uses several:
R # |
USERNAME |
ALBUM TITLE |
RATE |
COMMENTS |
POST DATE |
IP |
222762 |
guizoss |
Crime of the Century SUPERTRAMP |
1 |
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6/23/2009 4:56:27 PM EST |
201.244.39.24 |
222761 |
guizoss |
The Lamb Lies Down On Broadway GENESIS |
1 |
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6/23/2009 4:55:42 PM EST |
201.244.39.24 |
222759 |
guizoss |
Live At Pompeii PINK FLOYD |
5 |
|
6/23/2009 4:53:48 PM EST |
201.244.39.24 |
222758 |
guizoss |
P-U-L-S-E PINK FLOYD |
5 |
|
6/23/2009 4:52:58 PM EST |
201.244.39.24 |
222757 |
guizoss |
Live At Pompeii PINK FLOYD |
5 |
|
6/23/2009 4:52:00 PM EST |
201.244.39.24 |
222756 |
guizoss |
A Momentary Lapse Of Reason PINK FLOYD |
5 |
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6/23/2009 4:49:49 PM EST |
201.244.39.24 |
222755 |
guizoss |
Division Bell PINK FLOYD |
5 |
|
6/23/2009 4:48:49 PM EST |
201.244.39.24 |
222753 |
guizoss |
Final Cut, The PINK FLOYD |
5 |
|
6/23/2009 4:48:15 PM EST |
201.244.39.24 |
222752 |
guizoss |
The Wall PINK FLOYD |
5 |
|
6/23/2009 4:47:33 PM EST |
201.244.39.24 |
222750 |
guizoss |
Animals PINK FLOYD |
5 |
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6/23/2009 4:45:57 PM EST |
201.244.39.24 |
222748 |
guizoss |
Wish You Were Here PINK FLOYD |
5 |
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6/23/2009 4:45:11 PM EST |
201.244.39.24 |
222747 |
guizoss |
Dark Side Of The Moon PINK FLOYD |
5 |
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6/23/2009 4:43:53 PM EST |
201.244.39.24 |
222746 |
guizoss |
Obscured By Clouds PINK FLOYD |
5 |
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6/23/2009 4:43:11 PM EST |
201.244.39.24 |
222743 |
guizoss |
Meddle PINK FLOYD |
5 |
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6/23/2009 4:41:51 PM EST |
201.244.39.24 |
222740 |
guizoss |
Atom Heart Mother PINK FLOYD |
5 |
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6/23/2009 4:39:06 PM EST |
201.244.39.24 |
222739 |
guizoss |
Ummagumma PINK FLOYD |
5 |
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6/23/2009 4:38:19 PM EST |
201.244.39.24 |
222738 |
guizoss |
More PINK FLOYD |
5 |
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6/23/2009 4:36:32 PM EST |
201.244.39.24 |
222737 |
guizoss |
A Saucerful Of Secrets PINK FLOYD |
5 |
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6/23/2009 4:35:54 PM EST |
201.244.39.24 |
222736 |
guizoss |
The Piper At The Gates Of Dawn PINK FLOYD |
5 |
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6/23/2009 4:34:37 PM EST |
201.244.39.24 |
222187 |
jhonbeto |
Ricochet TANGERINE DREAM |
5 |
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6/21/2009 4:40:31 PM EST |
201.244.39.24 |
222185 |
jhonbeto |
Rubycon TANGERINE DREAM |
5 |
|
6/21/2009 4:36:40 PM EST |
201.244.39.24 |
222183 |
jhonbeto |
Phaedra TANGERINE DREAM |
5 |
|
6/21/2009 4:31:41 PM EST |
201.244.39.24 |
222182 |
jhonbeto |
The Lamb Lies Down On Broadway GENESIS |
1 |
|
6/21/2009 4:29:21 PM EST |
201.244.39.24 |
222181 |
jhonbeto |
In a Glass House GENTLE GIANT |
1 |
|
6/21/2009 4:28:11 PM EST |
201.244.39.24 |
222179 |
jhonbeto |
Live At Pompeii PINK FLOYD |
5 |
|
6/21/2009 4:20:48 PM EST |
201.244.39.24 |
222178 |
jhonbeto |
P-U-L-S-E PINK FLOYD |
5 |
|
6/21/2009 4:17:15 PM EST |
201.244.39.24 |
222172 |
jhonbeto |
Live At Pompeii PINK FLOYD |
5 |
|
6/21/2009 4:11:14 PM EST |
201.244.39.24 |
222171 |
jhonbeto |
Division Bell PINK FLOYD |
5 |
|
6/21/2009 4:09:24 PM EST |
201.244.39.24 |
222170 |
jhonbeto |
A Momentary Lapse Of Reason PINK FLOYD |
5 |
|
6/21/2009 4:08:19 PM EST |
201.244.39.24 |
222169 |
jhonbeto |
Final Cut, The PINK FLOYD |
5 |
|
6/21/2009 4:07:41 PM EST |
201.244.39.24 |
222168 |
jhonbeto |
The Wall PINK FLOYD |
5 |
|
6/21/2009 4:07:02 PM EST |
201.244.39.24 |
222167 |
jhonbeto |
Animals PINK FLOYD |
5 |
|
6/21/2009 4:06:21 PM EST |
201.244.39.24 |
222166 |
jhonbeto |
Obscured By Clouds PINK FLOYD |
5 |
|
6/21/2009 4:05:05 PM EST |
201.244.39.24 |
222165 |
jhonbeto |
Meddle PINK FLOYD |
5 |
|
6/21/2009 4:03:00 PM EST |
201.244.39.24 |
222164 |
jhonbeto |
Atom Heart Mother PINK FLOYD |
5 |
|
6/21/2009 4:02:20 PM EST |
201.244.39.24 |
222163 |
jhonbeto |
Ummagumma PINK FLOYD |
5 |
|
6/21/2009 4:01:34 PM EST |
201.244.39.24 |
222162 |
jhonbeto |
More PINK FLOYD |
5 |
|
6/21/2009 4:00:53 PM EST |
201.244.39.24 |
222161 |
jhonbeto |
A Saucerful Of Secrets PINK FLOYD |
5 |
|
6/21/2009 4:00:09 PM EST |
201.244.39.24 |
222160 |
jhonbeto |
The Piper At The Gates Of Dawn PINK FLOYD |
5 |
|
6/21/2009 3:59:26 PM EST |
201.244.39.24 |
222158 |
jhonbeto |
Dark Side Of The Moon PINK FLOYD |
5 |
|
6/21/2009 3:56:48 PM EST |
201.244.39.24 |
222157 |
jhonbeto |
Wish You Were Here PINK FLOYD |
5 |
|
6/21/2009 3:56:03 PM EST |
201.244.39.24 |
222050 |
liravega |
P-U-L-S-E PINK FLOYD |
5 |
|
6/20/2009 8:15:16 PM EST |
201.244.39.24 |
222049 |
liravega |
Live At Pompeii PINK FLOYD |
5 |
|
6/20/2009 8:10:39 PM EST |
201.244.39.24 |
222048 |
liravega |
Live At Pompeii PINK FLOYD |
5 |
|
6/20/2009 8:09:09 PM EST |
201.244.39.24 |
222047 |
liravega |
Division Bell PINK FLOYD |
5 |
|
6/20/2009 8:07:58 PM EST |
201.244.39.24 |
222046 |
liravega |
The Wall PINK FLOYD |
5 |
|
6/20/2009 8:06:00 PM EST |
201.244.39.24 |
222045 |
liravega |
Animals PINK FLOYD |
5 |
|
6/20/2009 8:04:01 PM EST |
201.244.39.24 |
222043 |
liravega |
Dark Side Of The Moon PINK FLOYD |
5 |
|
6/20/2009 8:01:05 PM EST |
201.244.39.24 |
222042 |
liravega |
Meddle PINK FLOYD |
5 |
|
6/20/2009 7:59:35 PM EST |
201.244.39.24 |
222041 |
liravega |
Atom Heart Mother PINK FLOYD |
5 |
|
6/20/2009 7:58:56 PM EST |
201.244.39.24 |
222040 |
liravega |
Wish You Were Here PINK FLOYD |
5 |
|
6/20/2009 7:58:02 PM EST |
201.244.39.24 |
222022 |
ariel777 |
P-U-L-S-E PINK FLOYD |
5 |
|
6/20/2009 5:32:01 PM EST |
201.244.39.24 |
222018 |
ariel777 |
Stratosfear TANGERINE DREAM |
5 |
|
6/20/2009 5:23:20 PM EST |
201.244.39.24 |
222017 |
ariel777 |
Rubycon TANGERINE DREAM |
5 |
|
6/20/2009 5:22:32 PM EST |
201.244.39.24 |
222016 |
ariel777 |
Phaedra TANGERINE DREAM |
5 |
|
6/20/2009 5:21:55 PM EST |
201.244.39.24 |
222015 |
ariel777 |
Equinoxe JARRE, JEAN-MICHEL |
5 |
|
6/20/2009 5:20:28 PM EST |
201.244.39.24 |
222014 |
ariel777 |
Oxygene JARRE, JEAN-MICHEL |
5 |
|
6/20/2009 5:19:03 PM EST |
201.244.39.24 |
222011 |
ariel777 |
Live At Pompeii PINK FLOYD |
5 |
|
6/20/2009 5:11:23 PM EST |
201.244.39.24 |
222010 |
ariel777 |
Live At Pompeii PINK FLOYD |
5 |
|
6/20/2009 5:10:38 PM EST |
201.244.39.24 |
222008 |
ariel777 |
The Wall PINK FLOYD |
5 |
|
6/20/2009 5:09:41 PM EST |
201.244.39.24 |
222005 |
ariel777 |
Atom Heart Mother PINK FLOYD |
5 |
|
6/20/2009 5:07:01 PM EST |
201.244.39.24 |
222003 |
ariel777 |
The Lamb Lies Down On Broadway GENESIS |
1 |
|
6/20/2009 5:03:05 PM EST |
201.244.39.24 |
222002 |
ariel777 |
In a Glass House GENTLE GIANT |
1 |
|
6/20/2009 5:00:19 PM EST |
201.244.39.24 |
222001 |
ariel777 |
Aqualung JETHRO TULL |
1 |
|
6/20/2009 4:59:04 PM EST |
201.244.39.24 |
222000 |
ariel777 |
Meddle PINK FLOYD |
5 |
|
6/20/2009 4:55:42 PM EST |
201.244.39.24 |
221999 |
ariel777 |
Animals PINK FLOYD |
5 |
|
6/20/2009 4:53:20 PM EST |
201.244.39.24 |
221998 |
ariel777 |
In The Court Of The Crimson King KING CRIMSON |
2 |
|
6/20/2009 4:50:17 PM EST |
201.244.39.24 |
221997 |
ariel777 |
Foxtrot GENESIS |
1 |
|
6/20/2009 4:45:37 PM EST |
201.244.39.24 |
221996 |
ariel777 |
Thick As A Brick JETHRO TULL |
2 |
|
6/20/2009 4:42:51 PM EST |
201.244.39.24 |
221995 |
ariel777 |
Dark Side Of The Moon PINK FLOYD |
5 |
|
6/20/2009 4:42:05 PM EST |
201.244.39.24 |
221994 |
ariel777 |
Selling England By The Pound GENESIS |
2 |
|
6/20/2009 4:38:28 PM EST |
201.244.39.24 |
221993 |
ariel777 |
Close To The Edge YES |
1 |
|
6/20/2009 4:32:29 PM EST |
201.244.39.24 |
221992 |
ariel777 |
Wish You Were Here PINK FLOYD |
5 |
|
6/20/2009 4:29:03 PM EST |
201.244.39.24 |
221868 |
newyorkcity |
Rubycon TANGERINE DREAM |
5 |
|
6/19/2009 7:16:23 PM EST |
201.244.39.24 |
221867 |
newyorkcity |
Phaedra TANGERINE DREAM |
5 |
|
6/19/2009 7:15:41 PM EST |
201.244.39.24 |
221866 |
newyorkcity |
Ricochet TANGERINE DREAM |
5 |
|
6/19/2009 7:14:21 PM EST |
201.244.39.24 |
221865 |
newyorkcity |
The Lamb Lies Down On Broadway GENESIS |
1 |
|
6/19/2009 7:13:00 PM EST |
201.244.39.24 |
221864 |
newyorkcity |
In a Glass House GENTLE GIANT |
1 |
|
6/19/2009 7:12:17 PM EST |
201.244.39.24 |
221863 |
newyorkcity |
Aqualung JETHRO TULL |
1 |
|
6/19/2009 7:11:35 PM EST |
201.244.39.24 |
221862 |
newyorkcity |
Meddle PINK FLOYD |
5 |
|
6/19/2009 7:10:52 PM EST |
201.244.39.24 |
221860 |
newyorkcity |
Animals PINK FLOYD |
5 |
|
6/19/2009 7:09:26 PM EST |
201.244.39.24 |
221859 |
newyorkcity |
In The Court Of The Crimson King KING CRIMSON |
1 |
|
6/19/2009 7:08:44 PM EST |
201.244.39.24 |
221858 |
newyorkcity |
Foxtrot GENESIS |
1 |
|
6/19/2009 7:07:57 PM EST |
201.244.39.24 |
221857 |
newyorkcity |
Thick As A Brick JETHRO TULL |
1 |
|
6/19/2009 7:07:00 PM EST |
201.244.39.24 |
221856 |
newyorkcity |
Dark Side Of The Moon PINK FLOYD |
5 |
|
6/19/2009 7:06:07 PM EST |
201.244.39.24 |
221855 |
newyorkcity |
Selling England By The Pound GENESIS |
1 |
|
6/19/2009 7:05:21 PM EST |
201.244.39.24 |
221853 |
newyorkcity |
Wish You Were Here PINK FLOYD |
5 |
|
6/19/2009 7:04:31 PM EST |
201.244.39.24 |
221851 |
newyorkcity |
Close To The Edge YES |
1 |
|
6/19/2009 7:02:01 PM EST |
201.244.39.24 |
221816 |
powell29 |
Phaedra TANGERINE DREAM |
5 |
|
6/19/2009 12:13:06 PM EST |
201.244.39.24 |
221815 |
powell29 |
The Lamb Lies Down On Broadway GENESIS |
1 |
|
6/19/2009 12:10:54 PM EST |
201.244.39.24 |
221814 |
powell29 |
In a Glass House GENTLE GIANT |
1 |
|
6/19/2009 12:09:48 PM EST |
201.244.39.24 |
221813 |
powell29 |
Aqualung JETHRO TULL |
1 |
|
6/19/2009 12:08:12 PM EST |
201.244.39.24 |
221812 |
powell29 |
In The Land Of Grey And Pink CARAVAN |
1 |
|
6/19/2009 12:07:17 PM EST |
201.244.39.24 |
221811 |
powell29 |
The Perfect Element Part 1 PAIN OF SALVATION |
1 |
|
6/19/2009 12:05:29 PM EST |
201.244.39.24 |
221810 |
powell29 |
Meddle PINK FLOYD |
5 |
|
6/19/2009 12:01:34 PM EST |
201.244.39.24 |
221808 |
powell29 |
Nursery Cryme GENESIS |
4 |
|
6/19/2009 11:54:57 AM EST |
201.244.39.24 |
221807 |
powell29 |
Fragile YES |
3 |
|
6/19/2009 11:53:42 AM EST |
201.244.39.24 |
221806 |
powell29 |
Moving Pictures RUSH |
5 |
|
6/19/2009 11:52:57 AM EST |
201.244.39.24 |
221804 |
powell29 |
Red KING CRIMSON |
5 |
|
6/19/2009 11:51:14 AM EST |
201.244.39.24 |
221803 |
powell29 |
Animals PINK FLOYD |
5 |
|
6/19/2009 11:49:50 AM EST |
201.244.39.24 |
221802 |
powell29 |
In The Court Of The Crimson King KING CRIMSON |
3 |
|
6/19/2009 11:47:24 AM EST |
201.244.39.24 |
221801 |
powell29 |
Foxtrot GENESIS |
1 |
|
6/19/2009 11:45:55 AM EST |
201.244.39.24 |
221800 |
powell29 |
Thick As A Brick JETHRO TULL |
1 |
|
6/19/2009 11:42:41 AM EST |
201.244.39.24 |
221798 |
powell29 |
Dark Side Of The Moon PINK FLOYD |
5 |
|
6/19/2009 11:30:02 AM EST |
201.244.39.24 |
221797 |
powell29 |
Selling England By The Pound GENESIS |
2 |
|
6/19/2009 11:26:43 AM EST |
201.244.39.24 |
221795 |
powell29 |
Wish You Were Here PINK FLOYD |
5 |
|
6/19/2009 11:23:32 AM EST |
201.244.39.24 |
221794 |
powell29 |
Close To The Edge YES |
2 |
|
6/19/2009 11:20:34 AM EST |
201.244.39.24 |
198062 |
postage21 |
Crime of the Century SUPERTRAMP |
1 |
|
1/9/2009 10:41:46 AM EST |
201.244.39.24 |
198061 |
postage21 |
Depois Do Fim BACAMARTE |
2 |
|
1/9/2009 10:40:52 AM EST |
201.244.39.24 |
198060 |
postage21 |
Playing The Fool - The Official Live GENTLE GIANT |
1 |
|
1/9/2009 10:39:49 AM EST |
201.244.39.24 |
198059 |
postage21 |
Elegant Gypsy DI MEOLA, AL |
2 |
|
1/9/2009 10:38:36 AM EST |
201.244.39.24 |
198058 |
postage21 |
A Farewell to Kings RUSH |
1 |
|
1/9/2009 10:37:26 AM EST |
201.244.39.24 |
198057 |
postage21 |
Fragile YES |
1 |
|
1/9/2009 10:36:08 AM EST |
201.244.39.24 |
198056 |
postage21 |
Storia Di Un Minuto PREMIATA FORNERIA MARCONI |
2 |
|
1/9/2009 10:35:07 AM EST |
201.244.39.24 |
198055 |
postage21 |
Live At Pompeii PINK FLOYD |
5 |
|
1/9/2009 10:33:43 AM EST |
201.244.39.24 |
198054 |
postage21 |
Made In Japan DEEP PURPLE |
5 |
|
1/9/2009 10:32:48 AM EST |
201.244.39.24 |
198053 |
postage21 |
Nursery Cryme GENESIS |
3 |
|
1/9/2009 10:31:01 AM EST |
201.244.39.24 |
198052 |
postage21 |
In a Glass House GENTLE GIANT |
2 |
|
1/9/2009 10:30:23 AM EST |
201.244.39.24 |
198051 |
postage21 |
Quadrophenia WHO, THE |
1 |
|
1/9/2009 10:29:38 AM EST |
201.244.39.24 |
198050 |
postage21 |
The Lamb Lies Down On Broadway GENESIS |
1 |
|
1/9/2009 10:28:49 AM EST |
201.244.39.24 |
198049 |
postage21 |
The Doors DOORS, THE |
3 |
|
1/9/2009 10:28:06 AM EST |
201.244.39.24 |
198048 |
postage21 |
Boris YEZDA URFA |
1 |
|
1/9/2009 10:27:09 AM EST |
201.244.39.24 |
198047 |
postage21 |
Felona E Sorona ORME, LE |
2 |
|
1/9/2009 10:26:10 AM EST |
201.244.39.24 |
198046 |
postage21 |
Memento Z Banalnym Tryptykiem S.B.B. |
1 |
|
1/9/2009 10:25:12 AM EST |
201.244.39.24 |
198045 |
postage21 |
Abbey Road BEATLES, THE |
2 |
|
1/9/2009 10:24:16 AM EST |
201.244.39.24 |
198044 |
postage21 |
Ocean ELOY |
2 |
|
1/9/2009 10:23:31 AM EST |
201.244.39.24 |
198043 |
postage21 |
Unquestionable Presence ATHEIST |
1 |
|
1/9/2009 10:22:43 AM EST |
201.244.39.24 |
198042 |
postage21 |
Scenes From A Memory Metropolis Part II DREAM THEATER |
1 |
|
1/9/2009 10:22:02 AM EST |
201.244.39.24 |
198041 |
postage21 |
Queen II QUEEN |
1 |
|
1/9/2009 10:21:23 AM EST |
201.244.39.24 |
198040 |
postage21 |
Second Life Syndrome RIVERSIDE |
1 |
|
1/9/2009 10:20:46 AM EST |
201.244.39.24 |
198039 |
postage21 |
Enigmatic Ocean PONTY, JEAN-LUC |
1 |
|
1/9/2009 10:20:07 AM EST |
201.244.39.24 |
198038 |
postage21 |
Red Queen to Gryphon Three GRYPHON |
1 |
|
1/9/2009 10:19:22 AM EST |
201.244.39.24 |
198037 |
postage21 |
A Trick Of The Tail GENESIS |
1 |
|
1/9/2009 10:18:42 AM EST |
201.244.39.24 |
198036 |
postage21 |
Blå Vardag ATLAS |
1 |
|
1/9/2009 10:18:01 AM EST |
201.244.39.24 |
198035 |
postage21 |
Phaedra TANGERINE DREAM |
5 |
|
1/9/2009 10:17:23 AM EST |
201.244.39.24 |
198034 |
postage21 |
Arbeit Macht Frei AREA |
2 |
|
1/9/2009 10:16:44 AM EST |
201.244.39.24 |
198033 |
postage21 |
Images And Words DREAM THEATER |
2 |
|
1/9/2009 10:16:12 AM EST |
201.244.39.24 |
198032 |
postage21 |
Il Passo Del Soldato NUOVA ERA |
1 |
|
1/9/2009 10:15:24 AM EST |
201.244.39.24 |
198031 |
postage21 |
Lady Lake GNIDROLOG |
1 |
|
1/9/2009 10:14:45 AM EST |
201.244.39.24 |
198030 |
postage21 |
Voyage Of The Acolyte HACKETT, STEVE |
1 |
|
1/9/2009 10:13:42 AM EST |
201.244.39.24 |
198029 |
postage21 |
Leftoverture KANSAS |
1 |
|
1/9/2009 10:13:06 AM EST |
201.244.39.24 |
198028 |
postage21 |
Anabelas BUBU |
2 |
|
1/9/2009 10:12:31 AM EST |
201.244.39.24 |
198027 |
postage21 |
In The Court Of The Crimson King KING CRIMSON |
2 |
|
1/9/2009 10:11:12 AM EST |
201.244.39.24 |
198026 |
postage21 |
Foxtrot GENESIS |
1 |
|
1/9/2009 10:10:20 AM EST |
201.244.39.24 |
198025 |
postage21 |
Animals PINK FLOYD |
5 |
|
1/9/2009 10:09:38 AM EST |
201.244.39.24 |
198023 |
postage21 |
Dark Side Of The Moon PINK FLOYD |
5 |
|
1/9/2009 10:08:58 AM EST |
201.244.39.24 |
198022 |
postage21 |
Meddle PINK FLOYD |
5 |
|
1/9/2009 10:08:14 AM EST |
201.244.39.24 |
198021 |
postage21 |
Atom Heart Mother PINK FLOYD |
5 |
|
1/9/2009 10:07:38 AM EST |
201.244.39.24 |
198020 |
postage21 |
Wish You Were Here PINK FLOYD |
5 |
|
1/9/2009 10:07:03 AM EST |
201.244.39.24 |
198019 |
postage21 |
Close To The Edge YES |
1 |
|
1/9/2009 10:06:34 AM EST |
201.244.39.24 |
198018 |
postage21 |
Thick As A Brick JETHRO TULL |
1 |
|
1/9/2009 10:06:05 AM EST |
201.244.39.24 |
198017 |
postage21 |
Selling England By The Pound GENESIS |
1 |
|
1/9/2009 10:05:28 AM EST |
201.244.39.24 |
196681 |
alfacentaury |
Yessongs YES |
1 |
|
12/31/2008 5:54:01 PM EST |
201.244.39.24 |
196680 |
alfacentaury |
The Best Band You Never Heard In Your Life ZAPPA, FRANK |
1 |
|
12/31/2008 5:53:17 PM EST |
201.244.39.24 |
196679 |
alfacentaury |
The Great Deceiver: Live 1973 - 1974 KING CRIMSON |
1 |
|
12/31/2008 5:52:21 PM EST |
201.244.39.24 |
196678 |
alfacentaury |
Made In Japan DEEP PURPLE |
5 |
|
12/31/2008 5:51:27 PM EST |
201.244.39.24 |
196677 |
alfacentaury |
Archive - Volume 1: 1967-1975 GENESIS |
1 |
|
12/31/2008 5:50:39 PM EST |
201.244.39.24 |
196676 |
alfacentaury |
Voyage Of The Acolyte HACKETT, STEVE |
1 |
|
12/31/2008 5:49:14 PM EST |
201.244.39.24 |
196675 |
alfacentaury |
Blackwater Park OPETH |
1 |
|
12/31/2008 5:48:32 PM EST |
201.244.39.24 |
196674 |
alfacentaury |
The Lamb Lies Down On Broadway GENESIS |
1 |
|
12/31/2008 5:47:46 PM EST |
201.244.39.24 |
196673 |
alfacentaury |
Blå Vardag ATLAS |
1 |
|
12/31/2008 5:46:54 PM EST |
201.244.39.24 |
196672 |
alfacentaury |
A Trick Of The Tail GENESIS |
1 |
|
12/31/2008 5:46:12 PM EST |
201.244.39.24 |
196671 |
alfacentaury |
Sleeping In Traffic: Part Two BEARDFISH |
1 |
|
12/31/2008 5:45:29 PM EST |
201.244.39.24 |
196670 |
alfacentaury |
Anabelas BUBU |
1 |
|
12/31/2008 5:44:49 PM EST |
201.244.39.24 |
196669 |
alfacentaury |
Leftoverture KANSAS |
1 |
|
12/31/2008 5:44:11 PM EST |
201.244.39.24 |
196668 |
alfacentaury |
Light of Day, Day of Darkness GREEN CARNATION |
1 |
|
12/31/2008 5:43:32 PM EST |
201.244.39.24 |
196667 |
alfacentaury |
Phaedra TANGERINE DREAM |
5 |
|
12/31/2008 5:42:56 PM EST |
201.244.39.24 |
196666 |
alfacentaury |
Revolver BEATLES, THE |
1 |
|
12/31/2008 5:42:12 PM EST |
201.244.39.24 |
196665 |
alfacentaury |
The Black Halo KAMELOT |
1 |
|
12/31/2008 5:41:27 PM EST |
201.244.39.24 |
196663 |
alfacentaury |
De-loused in the Comatorium MARS VOLTA, THE |
1 |
|
12/31/2008 5:40:45 PM EST |
201.244.39.24 |
196662 |
alfacentaury |
Valentyne Suite COLOSSEUM |
1 |
|
12/31/2008 5:40:08 PM EST |
201.244.39.24 |
196661 |
alfacentaury |
Live At Pompeii PINK FLOYD |
5 |
|
12/31/2008 5:39:24 PM EST |
201.244.39.24 |
196660 |
alfacentaury |
Atom Heart Mother PINK FLOYD |
5 |
|
12/31/2008 5:38:43 PM EST |
201.244.39.24 |
196659 |
alfacentaury |
Meddle PINK FLOYD |
5 |
|
12/31/2008 5:37:54 PM EST |
201.244.39.24 |
196658 |
alfacentaury |
Godbluff VAN DER GRAAF GENERATOR |
1 |
|
12/31/2008 5:37:11 PM EST |
201.244.39.24 |
196657 |
alfacentaury |
Animals PINK FLOYD |
5 |
|
12/31/2008 5:36:35 PM EST |
201.244.39.24 |
196656 |
alfacentaury |
In The Court Of The Crimson King KING CRIMSON |
2 |
|
12/31/2008 5:35:58 PM EST |
201.244.39.24 |
196655 |
alfacentaury |
Dark Side Of The Moon PINK FLOYD |
5 |
|
12/31/2008 5:35:19 PM EST |
201.244.39.24 |
196654 |
alfacentaury |
Foxtrot GENESIS |
1 |
|
12/31/2008 5:34:45 PM EST |
201.244.39.24 |
196653 |
alfacentaury |
Close To The Edge YES |
1 |
|
12/31/2008 5:34:09 PM EST |
201.244.39.24 |
196652 |
alfacentaury |
Thick As A Brick JETHRO TULL |
1 |
|
12/31/2008 5:33:36 PM EST |
201.244.39.24 |
196651 |
alfacentaury |
Selling England By The Pound GENESIS |
1 |
|
12/31/2008 5:33:01 PM EST |
201.244.39.24 |
196650 |
alfacentaury |
Wish You Were Here PINK FLOYD |
5 |
|
12/31/2008 5:32:18 PM EST |
201.244.39.24 |
|
|
the ratings here are completely useless... .write reviews instead....
|
The Pedro and Micky Experience - When one no longer requires psychotropics to trip
|
![Back to Top Back to Top](forum_images/back_to_top.png) |
ExittheLemming
Forum Senior Member
Joined: October 19 2007
Location: Penal Colony
Status: Offline
Points: 11420
|
Posted: August 26 2009 at 07:57 |
I welcome the changes to the ratings descriptions as they go some way towards promoting 'organic' brilliance over 'brilliance with additives'
|
![Back to Top Back to Top](forum_images/back_to_top.png) |
TheSubhuman
Forum Newbie
Joined: July 19 2009
Status: Offline
Points: 24
|
Posted: August 26 2009 at 08:07 |
You know what, every time I see a thread like this, I can't help thinking of the adepts of a religious cult trying to keep heretic influences away. For crying out loud, all other prog websites have oodles of reviews of albums that do not qualify as prog (at least not 100%), and would not dream of having 'ghetto' ratings or definitions for any of them. If you don't believe me, have a look at the likes of ProgressiveEars or Sea of Tranquillity, to name but two.
This obsession with not allowing anything 'non-prog' contaminate the purity of the site is ridiculous, as well as detrimental - there was nothing like that in the Seventies that you love so much. As far as I am concerned, I would NEVER write any review for a site that forced me to rate a prog-related album lower than a prog one - especially an album that is widely recognised as a masterpiece. But then, fanaticism has never been my thing.
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UMUR
Special Collaborator
Honorary Collaborator
Joined: October 19 2007
Location: Denmark
Status: Offline
Points: 3073
|
Posted: August 26 2009 at 08:27 |
TheSubhuman wrote:
You know what, every time I see a thread like this, I can't help thinking of the adepts of a religious cult trying to keep heretic influences away. For crying out loud, all other prog websites have oodles of reviews of albums that do not qualify as prog (at least not 100%), and would not dream of having 'ghetto' ratings or definitions for any of them. If you don't believe me, have a look at the likes of ProgressiveEars or Sea of Tranquillity, to name but two.
This obsession with not allowing anything 'non-prog' contaminate the purity of the site is ridiculous, as well as detrimental - there was nothing like that in the Seventies that you love so much. As far as I am concerned, I would NEVER write any review for a site that forced me to rate a prog-related album lower than a prog one - especially an album that is widely recognised as a masterpiece. But then, fanaticism has never been my thing. |
Amen ![Clap Clap](https://www.progarchives.com/forum/smileys/smiley32.gif)
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SentimentalMercenary
Forum Groupie
Joined: August 12 2009
Location: Canada
Status: Offline
Points: 66
|
Posted: August 26 2009 at 09:03 |
UMUR wrote:
Anything added to PA deserves to be rated for its quality and not for how progressive it is. An inclusion on PA means that the artist has passed an evaluation test and therefore per PA definition is prog or prog related. That artist and the output of that artist should as a consequense of that inclusion be treated equal to everything else included on PA. Rate by quality and not level of progressiveness.
If thereīs something I loathe itīs to read reviews where people write that they are going to give a low rating because the album really isnīt prog or really doesnīt belong on PA because itīs not prog. If you feel that some prog-related album deserves a 5 star rating by all means give that album a 5 star rating. Just donīt abuse the 5 star ratings and give all albums you review 5 stars. Now thatīs common sense and normal respect for your fellow PA members. |
I am not advocating a particular position here, even though I may have a slight preference. I am merely investigating on an issue that I find a bit puzzling.
I am 100% in agreement with your first paragraph. It makes perfect sense. Once an artist has met the threshold for inclusion in PA, we consider his/her work prog-related and thus, he/she is to be rated under the same system.
Your second paragraph reaches to the "cultism" phenomenom that is often met in progressive music circles and which is denounced in a post below. I am only halfway behind it. Only for the sake of this discussion, allow me to use Beethoven's Symphony no.9 as a perfect instance of a widely known musical masterpiece. I think (personal feeling) that many pundits would agree that since the modern era, most (if not all) that's been produced in music pales in comparison to this work of art with regard to complexity, composition, etc. Now, if those pundits would then disagree to rate on the same level/scale works done by Black Sabbath, Queen or Iron Maiden, should we accuse them of some illegitimate cultism?
There is something special in prog music that has us all gathered here and that we all (?) regret that so many people have yet to discover or understand. Is it not a denial of this "something special" that we shall work with a system that holds as the same ordinary rock and prog rock?
Thanks for you input by the way. Appreciated.
|
Those who promise us paradise on earth never produced anything but a hell.
- Karl Popper
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rushfan4
Special Collaborator
Honorary Collaborator
Joined: May 22 2007
Location: Michigan, U.S.
Status: Offline
Points: 66582
|
Posted: August 26 2009 at 09:13 |
I'll be honest in I liked the old rating system. In my interpretation, a prog-related album could not be a 5-star album because by PA definitions, an album from a prog-related artist was not a prog rock album and thus could not be a prog rock masterpiece. Just because it wasn't prog rock didn't mean that it couldn't qualify as a 4-star album, because there certainly could be non-prog albums that were an excellent addtion to any prog rock collection. The newer separate rating system for prog-related albums means that I will have to go back and change a couple of my reviews or delete them entirely since they were written with the old rating system in place. ![Angry Angry](https://www.progarchives.com/forum/smileys/smiley7.gif) Oh well, it is what it is. Good thing that I don't have 2000 reviews that are now wrong because of this change.
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micky
Special Collaborator
Honorary Collaborator
Joined: October 02 2005
Location: .
Status: Offline
Points: 46838
|
Posted: August 26 2009 at 10:22 |
I did like the old way myself... but oh well. TImes change... best way to tell you are getting old is when you start bitching about the way things used to be
|
The Pedro and Micky Experience - When one no longer requires psychotropics to trip
|
![Back to Top Back to Top](forum_images/back_to_top.png) |
SaltyJon
Special Collaborator
Honorary Collaborator
Joined: February 08 2008
Location: Location
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Posted: August 26 2009 at 11:14 |
SentimentalMercenary wrote:
SaltyJon wrote:
No way. Some prog-related albums are, as was previously said, better than some prog albums. |
Of course, but this is not the point ! The relevant question is if some prog-related albums are as good as the best prog albums...
In other words, could a Kate Bush album be as good as, say, Selling England by the Pound per this site's system of values? |
In my view, Wishbone Ash's "Argus" is at least as good as several of the "best" prog albums.
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Logan
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Posted: August 26 2009 at 12:26 |
rushfan4 wrote:
I'll be honest in I liked the old rating system. In my interpretation, a prog-related album could not be a 5-star album because by PA definitions, an album from a prog-related artist was not a prog rock album and thus could not be a prog rock masterpiece. Just because it wasn't prog rock didn't mean that it couldn't qualify as a 4-star album, because there certainly could be non-prog albums that were an excellent addtion to any prog rock collection. The newer separate rating system for prog-related albums means that I will have to go back and change a couple of my reviews or delete them entirely since they were written with the old rating system in place. Oh well, it is what it is. Good thing that I don't have 2000 reviews that are now wrong because of this change. |
Where it gets really confused, though, is that an album by an artist in Prog-Related can be considered Prog. In the case of Manset, for instance, he was moved to Prog-Related because he was only deemed to have one Prog album, and some prog-related material on others. One could consider Wishbone Ash's Argus Prog, and mnay consider albums by Alan Parsons Project Prog. Various bands have been moved out of Prog-Related into Prog categories (particularly Crossover I think). It's not an artist that is Prog, it's music that is, and what is Prog and not Prog can be subject to individual interpretation/ biases. If albums were tagged Prog rather than artists, it would clear up some confusion. I'm also wary of the non-Prog/ Prog divide that some people place on albums and bands in the archives. It's often Prog by degree, and much of that depends on individual perception. I don't exactly think of Prog-Related as a non-Prog category, more a lesser Prog category. My big problem with the original proposal is that I expect we would find a system where it would not be posible to rate any album in Prog-Related five stars, but I think that we should, at the least, be able to rate albums that we think are Prog in Prog-Related five stars.
UMUR wrote:
Anything added to PA deserves to be rated for its quality
and not for how progressive it is. An inclusion on PA means that the
artist has passed an evaluation test and therefore per PA definition is
prog or prog related. That artist and the output of that artist should
as a consequense of that inclusion be treated equal to everything else
included on PA. Rate by quality and not level of progressiveness.
If thereīs something I loathe itīs to read reviews where people
write that they are going to give a low rating because the album really
isnīt prog or really doesnīt belong on PA because itīs not prog. If you
feel that some prog-related album deserves a 5 star rating by all means
give that album a 5 star rating. Just donīt abuse the 5 star ratings
and give all albums you review 5 stars. Now thatīs common sense and
normal respect for your fellow PA members. |
One thing that we should not confuse is progressive (adjective) and Prog (noun). Prog need not be progressive, and non-Prog can be very progressive. I actually factor in progressiveness as a sign of quality or virtue. I'd be more likely to rate an innovative album higher than a cliché Prog-by-number albums. I'd like a system here similar to Prog-Freak where ratings consider various qualities (I haven't been using progfreak for it because, admittedly, I'm more interesting in exploring the notions than applying them). One of those could be progressiveness/innovation, another could be Prog by degree. It could include technicality, complexity and compositional skill, historical importance, enjoyment factor, production, how well it compares to others in the category etc. One could have five or ten fields with ten points points for each criterion to consider then divide it and round up or down, or something like that. Yeah, maybe that would be over-analysing music but I think it would provide a better framwork for rating than what we have.
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Man With Hat
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Posted: August 26 2009 at 23:52 |
Dean wrote:
Logan wrote:
I have to say it. I really don't like the change as it's limited to rock music. Why not get rid of the rock criterion? One of my favourite albums in the archives is Miles Davis' Sketches of Spain, but that is not rock, so according to the guidelines I could only rate it 3 or under. Non-rock music is not getting a fair shake.
| The same could be said for Chamber music in ZART, most Electronic Prog and all the metal genres, not just JR/F. I'm sure people will make their own interpretation of the rating descriptors already for those artists - I don't see them being miss-rated because they're not Rock.
SentimentalMercenary wrote:
Well then I'd like to point out that Bon Jovi made a 10mins song called Dry County which could legitimately be called prog by some. I guess you now see me coming with all those 5 stars Bon Jovi albums...
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If Bon Jovi ever get into the Archives then go ahead, however he/they won't be getting in just because they made a 10minute song. The criteria for inclusion won't change.
SentimentalMercenary wrote:
Of course, but this is not the point ! The relevant question is if some prog-related albums are as good as the best prog albums...
In other words, could a Kate Bush album be as good as, say, Selling England by the Pound per this site's system of values? |
Hounds of Love and Aerial probably get close to SEbtP for song structure, music-complexity and musicianship and surpass it in lyric-writing IMO. Those two albums could stand their ground as Prog albums anyway, so whether they are as "good" is purely personal preference.
Man With Hat wrote:
Now I just looked at a prog-related album...and it still has the prog in place. ![Confused Confused](https://www.progarchives.com/forum/smileys/smiley5.gif) |
Which one?
Man With Hat wrote:
And really isn't this a progressive rock archives? Not a rock archives. I don't see how changing it to pure rock is any better for the site. Sure, you're not calling it prog (which is a good thing) in the rating area (and thus not calling it prog by rating either), but if this is truely a prog-rock resource shouldn't the prog play an important part in the rating given? |
Do people take heed of the start-rating descriptions anyway? Do the people who rated Kind Of Blue with 4 and 5 stars really think it is Prog and Rock? What about all the people who rate Invisible Touch with 4 & 5 stars? If an artist only released one album, then can that album ever be awarded a 1-star rating or 2-star rating? Why do so many people think a 3-star rating means the album isn't that good? By the rating system 95% of the albums here should be "good but not essential"? How can anyone who is not expert in all the subgenres rate any album as 4 or 5 star? How can anyone who is not a "fan" of particular genre award a 1 or 2 star rating in that genre?
It is pretty clear that many, many people do not rate to the literal intepretation of the descriptions, but to whether they like the album or not. |
I'm not going to erase any of this...just address the points to me.
For which albums...I'm just going down the list of recent reviews on the PR page. So far I've looked at Gilmour's On A Island, Steve Vai's Fire Garden, Vangelis' Albedo 0.39, Sabbeth's Live At Last, Wishbone Ash's Argus...Perhaps I'm just looking in the wrong spot? (I'm looking all the way at the bottom of the page where the star distrobution/meanins are)
As for your other point, I agree that people don't read the meanings and if they do completely ignore them. I'm guilty of this too, I'm sure. Perhaps its because theres alot of discontinuty between the meanings. I mean theres much ground between excellent addition to a prog rock collection and, simply, good. For one, the top two specify prog rock by name and the other three disregard it completely. (Should we just assume the words prog-rock should appear in the definitions?) Ditto between Good and Collectors/Fans only. What about average albums?
Perhaps there should be definition changes in general, not just to the PR/PP sections. I'm not an expert on rating things (on any site) but I would think that rating things according to how much that individual likes that specific thing would be the general rule of thumb. AKA there wouldn't be this system like we have here that emphsizes essentialness and the like. (Although admittedly I kind of like our system here, I just wished it was adhered too more often.)
Though theres probably nothing to be done about people ignoring the details, even if the site makes it blatenly obvious what each mean, people will still assume what they want about it.
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Man With Hat
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Posted: August 26 2009 at 23:54 |
Also, a side question:
Was there a thread saying that there was a change of definition for the PR/PP albums?
Edited by Man With Hat - August 26 2009 at 23:55
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Dean
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Posted: August 27 2009 at 03:50 |
Man With Hat wrote:
Also, a side question:
Was there a thread saying that there was a change of definition for the PR/PP albums? |
Yes, it was in the post where M@X announce a number of changes to the system such as the change in review weighting for non-collabs and the removal of weightings on ratings-only for collabs.
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What?
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Dean
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Posted: August 27 2009 at 04:02 |
Man With Hat wrote:
For which albums...I'm just going down the list of recent reviews on the PR page. So far I've looked at Gilmour's On A Island, Steve Vai's Fire Garden, Vangelis' Albedo 0.39, Sabbeth's Live At Last, Wishbone Ash's Argus...Perhaps I'm just looking in the wrong spot? (I'm looking all the way at the bottom of the page where the star distrobution/meanins are)
Man With Hat wrote:
Ah, got it - that's an error, I don't know if M@X can fix that - I'll ask. If you look at the histogram of votes for the album the word "Progressive" does not exist. Also the tagline under the album cover pic says:
3.51 | 107 ratings | 21% 5 stars
Excellent addition to any rock music collection
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As for your other point, I agree that people don't read the meanings and if they do completely ignore them. I'm guilty of this too, I'm sure. Perhaps its because theres alot of discontinuty between the meanings. I mean theres much ground between excellent addition to a prog rock collection and, simply, good. For one, the top two specify prog rock by name and the other three disregard it completely. (Should we just assume the words prog-rock should appear in the definitions?) Ditto between Good and Collectors/Fans only. What about average albums?
Man With Hat wrote:
That disparity between the 5 defs bothers me too, not sure what we can do about that other than throw the defs out the window and start again.
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Perhaps there should be definition changes in general, not just to the PR/PP sections. I'm not an expert on rating things (on any site) but I would think that rating things according to how much that individual likes that specific thing would be the general rule of thumb. AKA there wouldn't be this system like we have here that emphsizes essentialness and the like. (Although admittedly I kind of like our system here, I just wished it was adhered too more often.)
Though theres probably nothing to be done about people ignoring the details, even if the site makes it blatenly obvious what each mean, people will still assume what they want about it. |
One of the problems with any textual definition is that a) it is open to interpretation and b) it may lose meaning in translation completely for non-English speakers. I'm sure some of our serial-raters cannot read the defs anyway and just rate 1-5 on whether they like it or not.
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What?
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